Our Old Home: A Series of English Sketches

     Here Lieth the body,

and all the rest of the tender falsehood – beautifully embossed in raised letters of living green, a bas-relief of velvet moss on the marble slab! It becomes more legible, under the skyey influences, after the world has forgotten the deceased, than when it was fresh from the stone-cutter's hands. It outlives the grief of friends. I first saw an example of this in Bebbington churchyard, in Cheshire, and thought that Nature must needs have had a special tenderness for the person (no noted man, however, in the world's history) so long ago laid beneath that stone, since she took such wonderful pains to "keep his memory green." Perhaps the proverbial phrase just quoted may have had its origin in the natural phenomenon here described.

While we rested ourselves on a horizontal monument, which was elevated just high enough to be a convenient seat, I observed that one of the gravestones lay very close to the church, – so close that the droppings of the eaves would fall upon it. It seemed as if the inmate of that grave had desired to creep under the church-wall. On closer inspection, we found an almost illegible epitaph on the stone, and with difficulty made out this forlorn verse: —

    "Poorly lived,     And poorly died,     Poorly buried,     And no one cried."

It would be hard to compress the story of a cold and luckless life, death, and burial into fewer words, or more impressive ones; at least, we found them impressive, perhaps because we had to re-create the inscription by scraping away the lichens from the faintly traced letters. The grave was on the shady and damp side of the church, endwise towards it, the head-stone being within about three feet of the foundation-wall; so that, unless the poor man was a dwarf, he must have been doubled up to fit him into his final resting-place. No wonder that his epitaph murmured against so poor a burial as this! His name, as well as I could make it out, was Treeo, – John Treeo, I think, – and he died in 1810, at the age of seventy-four. The gravestone is so overgrown with grass and weeds, so covered with unsightly lichens, and so crumbly with time and foul weather, that it is questionable whether anybody will ever be at the trouble of deciphering it again. But there is a quaint and sad kind of enjoyment in defeating (to such slight degree as my pen may do it) the probabilities of oblivion for poor John Treeo, and asking a little sympathy for him, half a century after his death, and making him better and more widely known, at least, than any other slumberer in Lillington churchyard: he having been, as appearances go, the outcast of them all.

You find similar old churches and villages in all the neighboring country, at the distance of every two or three miles; and I describe them, not as being rare, but because they are so common and characteristic. The village of Whitnash, within twenty minutes' walk of Leamington, looks as secluded, as rural, and as little disturbed by the fashions of to-day, as if Dr. Jephson had never developed all those Parades and Crescents out of his magic well. I used to wonder whether the inhabitants had ever yet heard of railways, or, at their slow rate of progress, had even reached the epoch of stage-coaches. As you approach the village, while it is yet unseen, you observe a tall, overshadowing canopy of elm-tree tops, beneath which you almost hesitate to follow the public road, on account of the remoteness that seems to exist between the precincts of this old-world community and the thronged modern street out of which you have so recently emerged. Venturing onward, however, you soon find yourself in the heart of Whitnash, and see an irregular ring of ancient rustic dwellings surrounding the village-green, on one side of which stands the church, with its square Norman tower and battlements, while close adjoining is the vicarage, made picturesque by peaks and gables. At first glimpse, none of the houses appear to be less than two or three centuries old, and they are of the ancient, wooden-framed fashion, with thatched roofs, which give them the air of birds' nests, thereby assimilating them closely to the simplicity of nature.

The church-tower is mossy and much gnawed by time; it has narrow loopholes up and down its front and sides, and an arched window over the low portal, set with small panes of glass, cracked, dim, and irregular, through which a bygone age is peeping out into the daylight. Some of those old, grotesque faces, called gargoyles, are seen on the projections of the architecture. The churchyard is very small, and is encompassed by a gray stone fence that looks as ancient as the church itself. In front of the tower, on the village-green, is a yew-tree of incalculable age, with a vast circumference of trunk, but a very scanty head of foliage; though its boughs still keep some of the vitality which perhaps was in its early prime when the Saxon invaders founded Whitnash. A thousand years is no extraordinary antiquity in the lifetime of a yew. We were pleasantly startled, however, by discovering an exuberance of more youthful life than we had thought possible in so old a tree; for the faces of two children laughed at us out of an opening in the trunk, which had become hollow with long decay. On one side of the yew stood a framework of worm-eaten timber, the use and meaning of which puzzled me exceedingly, till I made it out to be the village-stocks; a public institution that, in its day, had doubtless hampered many a pair of shank-bones, now crumbling in the adjacent churchyard. It is not to be supposed, however, that this old-fashioned mode of punishment is still in vogue among the good people of Whitnash. The vicar of the parish has antiquarian propensities, and had probably dragged the stocks out of some dusty hiding-place, and set them up on their former site as a curiosity.

I disquiet myself in vain with the effort to hit upon some characteristic feature, or assemblage of features, that shall convey to the reader the influence of hoar antiquity lingering into the present daylight, as I so often felt it in these old English scenes. It is only an American who can feel it; and even he begins to find himself growing insensible to its effect, after a long residence in England. But while you are still new in the old country, it thrills you with strange emotion to think that this little church of Whitnash, humble as it seems, stood for ages under the Catholic faith, and has not materially changed since Wickcliffe's days, and that it looked as gray as now in Bloody Mary's time, and that Cromwell's troopers broke off the stone noses of those same gargoyles that are now grinning in your face. So, too, with the immemorial yew-tree: you see its great roots grasping hold of the earth like gigantic claws, clinging so sturdily that no effort of time can wrench them away; and there being life in the old tree, you feel all the more as if a contemporary witness were telling you of the things that have been. It has lived among men, and been a familiar object to them, and seen them brought to be christened and married and buried in the neighboring church and churchyard, through so many centuries, that it knows all about our race, so far as fifty generations of the Whitnash people can supply such knowledge.

And, after all, what a weary life it must have been for the old tree! Tedious beyond imagination! Such, I think, is the final impression on the mind of an American visitor, when his delight at finding something permanent begins to yield to his Western love of change, and he becomes sensible of the heavy air of a spot where the forefathers and foremothers have grown up together, intermarried, and died, through a long succession of lives, without any intermixture of new elements, till family features and character are all run in the same inevitable mould. Life is there fossilized in its greenest leaf. The man who died yesterday or ever so long ago walks the village-street to day, and chooses the same wife that he married a hundred years since, and must be buried again to-morrow under the same kindred dust that has already covered him half a score of times. The stone threshold of his cottage is worn away with his hobnailed footsteps, shuffling over it from the reign of the first Plantagenet to that of Victoria. Better than this is the lot of our restless countrymen, whose modern instinct bids them tend always towards "fresh woods and pastures new." Rather than such monotony of sluggish ages, loitering on a village-green, toiling in hereditary fields, listening to the parson's drone lengthened through centuries in the gray Norman church, let us welcome whatever change may come, – change of place, social customs, political institutions, modes of worship, – trusting, that, if all present things shall vanish, they will but make room for better systems, and for a higher type of man to clothe his life in them, and to fling them off in turn.

Nevertheless, while an American willingly accepts growth and change as the law of his own national and private existence, he has a singular tenderness for the stone-incrusted institutions of the mother-country. The reason may be (though I should prefer a more generous explanation) that he recognizes the tendency of these hardened forms to stiffen her joints and fetter her ankles, in the race and rivalry of improvement. I hated to see so much as a twig of ivy wrenched away from an old wall in England. Yet change is at work, even in such a village as Whitnash. At a subsequent visit, looking more critically at the irregular circle of dwellings that surround the yew-tree and confront the church, I perceived that some of the houses must have been built within no long time, although the thatch, the quaint gables, and the old oaken framework of the others diffused an air of antiquity over the whole assemblage. The church itself was undergoing repair and restoration, which is but another name for change. Masons were making patchwork on the front of the tower, and were sawing a slab of stone and piling up bricks to strengthen the side-wall, or possibly to enlarge the ancient edifice by an additional aisle. Moreover, they had dug an immense pit in the churchyard, long and broad, and fifteen feet deep, two thirds of which profundity were discolored by human decay, and mixed up with crumbly bones. What this excavation was intended for I could nowise imagine, unless it were the very pit in which Longfellow bids the "Dead Past bury its Dead," and Whitnash, of all places in the world, were going to avail itself of our poet's suggestion. If so, it must needs be confessed that many picturesque and delightful things would be thrown into the hole, and covered out of sight forever.

The article which I am writing has taken its own course, and occupied itself almost wholly with country churches; whereas I had purposed to attempt a description of some of the many old towns – Warwick, Coventry, Kenilworth, Stratford-on-Avon – which lie within an easy scope of Leamington. And still another church presents itself to my remembrance. It is that of Hatton, on which I stumbled in the course of a forenoon's ramble, and paused a little while to look at it for the sake of old Dr. Parr, who was once its vicar. Hatton, so far as I could discover, has no public-house, no shop, no contiguity of roofs (as in most English villages, however small), but is merely an ancient neighborhood of farm-houses, spacious, and standing wide apart, each within its own precincts, and offering a most comfortable aspect of orchards, harvest-fields, barns, stacks, and all manner of rural plenty. It seemed to be a community of old settlers, among whom everything had been going on prosperously since an epoch beyond the memory of man; and they kept a certain privacy among themselves, and dwelt on a cross-road, at the entrance of which was a barred gate, hospitably open, but still impressing me with a sense of scarcely warrantable intrusion. After all, in some shady nook of those gentle Warwickshire slopes there may have been a denser and more populous settlement, styled Hatton, which I never reached.

Emerging from the by-road, and entering upon one that crossed it at right angles and led to Warwick, I espied the church of Dr. Parr. Like the others which I have described, it had a low stone tower, square, and battlemented at its summit: for all these little churches seem to have been built on the same model, and nearly at the same measurement, and have even a greater family-likeness than the cathedrals. As I approached, the bell of the tower (a remarkably deep-toned bell, considering how small it was) flung its voice abroad, and told me that it was noon. The church stands among its graves, a little removed from the wayside, quite apart from any collection of houses, and with no signs of vicarage; it is a good deal shadowed by trees, and not wholly destitute of ivy. The body of the edifice, unfortunately (and it is an outrage which the English church-wardens are fond of perpetrating), has been newly covered with a yellowish plaster or wash, so as quite to destroy the aspect of antiquity, except upon the tower, which wears the dark gray hue of many centuries. The chancel-window is painted with a representation of Christ upon the Cross, and all the other windows are full of painted or stained glass, but none of it ancient, nor (if it be fair to judge from without of what ought to be seen within) possessing any of the tender glory that should be the inheritance of this branch of Art, revived from mediaeval times. I stepped over the graves, and peeped in at two or three of the windows, and saw the snug interior of the church glimmering through the many-colored panes, like a show of commonplace objects under the fantastic influence of a dream: for the floor was covered with modern pews, very like what we may see in a New England meeting-house, though, I think, a little more favorable than those would be to the quiet slumbers of the Hatton farmers and their families. Those who slept under Dr. Parr's preaching now prolong their nap, I suppose, in the churchyard round about, and can scarcely have drawn much spiritual benefit from any truths that he contrived to tell them in their lifetime. It struck me as a rare example (even where examples are numerous) of a man utterly misplaced, that this enormous scholar, great in the classic tongues, and inevitably converting his own simplest vernacular into a learned language, should have been set up in this homely pulpit, and ordained to preach salvation to a rustic audience, to whom it is difficult to imagine how he could ever have spoken one available word.

Almost always, in visiting such scenes as I have been attempting to describe, I had a singular sense of having been there before. The ivy-grown English churches (even that of Bebbington, the first that I beheld) were quite as familiar to me, when fresh from home, as the old wooden meeting-house in Salem, which used, on wintry Sabbaths, to be the frozen purgatory of my childhood. This was a bewildering, yet very delightful emotion fluttering about me like a faint summer wind, and filling my imagination with a thousand half-remembrances, which looked as vivid as sunshine, at a side-glance, but faded quite away whenever I attempted to grasp and define them. Of course, the explanation of the mystery was, that history, poetry, and fiction, books of travel, and the talk of tourists, had given me pretty accurate preconceptions of the common objects of English scenery, and these, being long ago vivified by a youthful fancy, had insensibly taken their places among the images of things actually seen. Yet the illusion was often so powerful, that I almost doubted whether such airy remembrances might not be a sort of innate idea, the print of a recollection in some ancestral mind, transmitted, with fainter and fainter impress through several descents, to my own. I felt, indeed, like the stalwart progenitor in person, returning to the hereditary haunts after more than two hundred years, and finding the church, the hall, the farm-house, the cottage, hardly changed during his long absence, – the same shady by-paths and hedge-lanes, the same veiled sky, and green lustre of the lawns and fields, – while his own affinities for these things, a little obscured by disuse, were reviving at every step.

An American is not very apt to love the English people, as a whole, on whatever length of acquaintance. I fancy that they would value our regard, and even reciprocate it in their ungracious way, if we could give it to them in spite of all rebuffs; but they are beset by a curious and inevitable infelicity, which compels them, as it were, to keep up what they seem to consider a wholesome bitterness of feeling between themselves and all other nationalities, especially that of America. They will never confess it; nevertheless, it is as essential a tonic to them as their bitter ale. Therefore, – and possibly, too, from a similar narrowness in his own character, – an American seldom feels quite as if he were at home among the English people. If he do so, he has ceased to be an American. But it requires no long residence to make him love their island, and appreciate it as thoroughly as they themselves do. For my part, I used to wish that we could annex it, transferring their thirty millions of inhabitants to some convenient wilderness in the great West, and putting half or a quarter as many of ourselves into their places. The change would be beneficial to both parties. We, in our dry atmosphere, are getting too nervous, haggard, dyspeptic, extenuated, unsubstantial, theoretic, and need to be made grosser. John Bull, on the other hand, has grown bulbous, long-bodied, short-legged, heavy-witted, material, and, in a word, too intensely English. In a few more centuries he will be the earthliest creature that ever the earth saw. Heretofore Providence has obviated such a result by timely intermixtures of alien races with the old English stock; so that each successive conquest of England has proved a victory by the revivification and improvement of its native manhood. Cannot America and England hit upon some scheme to secure even greater advantages to both nations?

ABOUT WARWICK

Between bright, new Leamington, the growth of the present century, and rusty Warwick, founded by King Cymbeline in the twilight ages, a thousand years before the mediaeval darkness, there are two roads, either of which may be measured by a sober-paced pedestrian in less than half an hour.

One of these avenues flows out of the midst of the smart parades and crescents of the former town, – along by hedges and beneath the shadow of great elms, past stuccoed Elizabethan villas and wayside alehouses, and through a hamlet of modern aspect, – and runs straight into the principal thoroughfare of Warwick. The battlemented turrets of the castle, embowered half-way up in foliage, and the tall, slender tower of St. Mary's Church, rising from among clustered roofs, have been visible almost from the commencement of the walk. Near the entrance of the town stands St. John's School-House, a picturesque old edifice of stone, with four peaked gables in a row, alternately plain and ornamented, and wide, projecting windows, and a spacious and venerable porch, all overgrown with moss and ivy, and shut in from the world by a high stone fence, not less mossy than the gabled front. There is an iron gate, through the rusty open-work of which you see a grassy lawn, and almost expect to meet the shy, curious eyes of the little boys of past generations, peeping forth from their infantile antiquity into the strangeness of our present life. I find a peculiar charm in these long-established English schools, where the school-boy of to-day sits side by side, as it were, with his great-grandsire, on the same old benches, and often, I believe, thumbs a later, but unimproved edition of the same old grammar or arithmetic. The newfangled notions of a Yankee school-committee would madden many a pedagogue, and shake down the roof of many a time-honored seat of learning, in the mother-country.

At this point, however, we will turn back, in order to follow up the other road from Leamington, which was the one that I loved best to take. It pursues a straight and level course, bordered by wide gravel-walks and overhung by the frequent elm, with here a cottage and there a villa, on one side a wooded plantation, and on the other a rich field of grass or grain, until, turning at right angles, it brings you to an arched bridge over the Avon. Its parapet is a balustrade carved out of freestone, into the soft substance of which a multitude of persons have engraved their names or initials, many of them now illegible, while others, more deeply cut, are illuminated with fresh green moss. These tokens indicate a famous spot; and casting our eyes along the smooth gleam and shadow of the quiet stream, through a vista of willows that droop on either side into the water, we behold the gray magnificence of Warwick Castle, uplifting itself among stately trees, and rearing its turrets high above their loftiest branches. We can scarcely think the scene real, so completely do those machicolated towers, the long line of battlements, the massive buttresses, the high-windowed walls, shape out our indistinct ideas of the antique time. It might rather seem as if the sleepy river (being Shakespeare's Avon, and often, no doubt, the mirror of his gorgeous visions) were dreaming now of a lordly residence that stood here many centuries ago; and this fantasy is strengthened, when you observe that the image in the tranquil water has all the distinctness of the actual structure. Either might be the reflection of the other. Wherever Time has gnawed one of the stones, you see the mark of his tooth just as plainly in the sunken reflection. Each is so perfect, that the upper vision seems a castle in the air, and the lower one an old stronghold of feudalism, miraculously kept from decay in an enchanted river.

A ruinous and ivy-grown bridge, that projects from the bank a little on the hither side of the castle, has the effect of making the scene appear more entirely apart from the every-day world, for it ends abruptly in the middle of the stream, – so that, if a cavalcade of the knights and ladies of romance should issue from the old walls, they could never tread on earthly ground, any more than we, approaching from the side of modern realism, can overleap the gulf between our domain and theirs. Yet, if we seek to disenchant ourselves, it may readily be done. Crossing the bridge on which we stand, and passing a little farther on, we come to the entrance of the castle, abutting on the highway, and hospitably open at certain hours to all curious pilgrims who choose to disburse half a crown or so toward the support of the earl's domestics. The sight of that long series of historic rooms, full of such splendors and rarities as a great English family necessarily gathers about itself, in its hereditary abode, and in the lapse of ages, is well worth the money, or ten times as much, if indeed the value of the spectacle could be reckoned in money's-worth. But after the attendant has hurried you from end to end of the edifice, repeating a guide-book by rote, and exorcising each successive hall of its poetic glamour and witchcraft by the mere tone in which he talks about it, you will make the doleful discovery that Warwick Castle has ceased to be a dream. It is better, methinks, to linger on the bridge, gazing at Caesar's Tower and Guy's Tower in the dim English sunshine above, and in the placid Avon below, and still keep them as thoughts in your own mind, than climb to their summits, or touch even a stone of their actual substance. They will have all the more reality for you, as stalwart relics of immemorial time, if you are reverent enough to leave them in the intangible sanctity of a poetic vision.

From the bridge over the Avon, the road passes in front of the castle-gate, and soon enters the principal street of Warwick, a little beyond St. John's School-House, already described. Chester itself, most antique of English towns, can hardly show quainter architectural shapes than many of the buildings that border this street. They are mostly of the timber-and-plaster kind, with bowed and decrepit ridge-poles, and a whole chronology of various patchwork in their walls; their low-browed doorways open upon a sunken floor; their projecting stories peep, as it were, over one another's shoulders, and rise into a multiplicity of peaked gables; they have curious windows, breaking out irregularly all over the house, some even in the roof, set in their own little peaks, opening lattice-wise, and furnished with twenty small panes of lozenge-shaped glass. The architecture of these edifices (a visible oaken framework, showing the whole skeleton of the house, – as if a man's bones should be arranged on his outside, and his flesh seen through the interstices) is often imitated by modern builders, and with sufficiently picturesque effect. The objection is, that such houses, like all imitations of bygone styles, have an air of affectation; they do not seem to be built in earnest; they are no better than playthings, or overgrown baby-houses, in which nobody should be expected to encounter the serious realities of either birth or death. Besides, originating nothing, we leave no fashions for another age to copy, when we ourselves shall have grown antique.