Plays : Second Series

LADY CHESHIRE. But the thing we can't stop.

SIR WILLIAM. Provision must be made.

LADY CHESHIRE. The unwritten law!

SIR WILLIAM. What! [Suddenly perceiving what she is alluding to] You're thinking of young—young–[Shortly] I don't see the connection.

LADY CHESHIRE. What's so awful, is that the boy's trying to do what's loyal—and we—his father and mother–!

SIR WILLIAM. I'm not going to see my eldest son ruin his life. I must think this out.

LADY CHESHIRE. [Beneath her breath] I've tried that—it doesn't help.

SIR WILLIAM. This girl, who was born on the estate, had the run of the house—brought up with money earned from me—nothing but kindness from all of us; she's broken the common rules of gratitude and decency—she lured him on, I haven't a doubt!

LADY CHESHIRE. [To herself] In a way, I suppose.

SIR WILLIAM. What! It's ruin. We've always been here. Who the deuce are we if we leave this place? D'you think we could stay? Go out and meet everybody just as if nothing had happened? Good-bye to any prestige, political, social, or anything! This is the sort of business nothing can get over. I've seen it before. As to that other matter—it's soon forgotten—constantly happening—Why, my own grandfather–!

LADY CHESHIRE. Does he help?

SIR WILLIAM. [Stares before him in silence-suddenly] You must go to the girl. She's soft. She'll never hold out against you.

LADY CHESHIRE. I did before I knew what was in front of her—I said all I could. I can't go again now. I can't do it, Bill.

SIR WILLIAM. What are you going to do, then—fold your hands? [Then as LADY CHESHIRE makes a move of distress.] If he marries her, I've done with him. As far as I'm concerned he'll cease to exist. The title—I can't help. My God! Does that meet your wishes?

LADY CHESHIRE. [With sudden fire] You've no right to put such an alternative to me. I'd give ten years of my life to prevent this marriage. I'll go to Bill. I'll beg him on my knees.

SIR WILLIAM. Then why can't you go to the girl? She deserves no consideration. It's not a question of morality: Morality be d–d!

LADY CHESHIRE. But not self-respect….

SIR WILLIAM. What! You're his mother!

LADY CHESHIRE. I've tried; I [putting her hand to her throat] can't get it out.

SIR WILLIAM. [Staring at her] You won't go to her? It's the only chance. [LADY CHESHIRE turns away.]

SIR WILLIAM. In the whole course of our married life, Dorothy, I've never known you set yourself up against me. I resent this, I warn you—I resent it. Send the girl to me. I'll do it myself.

With a look back at him LADY CHESHIRE goes out into the corridor.

SIR WILLIAM. This is a nice end to my day!

He takes a small china cup from of the mantel-piece; it breaks with the pressure of his hand, and falls into the fireplace. While he stands looking at it blankly, there is a knock.

SIR WILLIAM. Come in!

FREDA enters from the corridor.

SIR WILLIAM. I've asked you to be good enough to come, in order that—[pointing to chair]—You may sit down.

But though she advances two or three steps, she does not sit down.

SIR WILLIAM. This is a sad business.

FREDA. [Below her breath] Yes, Sir William.

SIR WILLIAM. [Becoming conscious of the depths of feeling before him] I—er—are you attached to my son?

FREDA. [In a whisper] Yes.

SIR WILLIAM. It's very painful to me to have to do this. [He turns away from her and speaks to the fire.] I sent for you—to—ask— [quickly] How old are you?

FREDA. Twenty-two.

SIR WILLIAM. [More resolutely] Do you expect me to sanction such a mad idea as a marriage?

FREDA. I don't expect anything.

SIR WILLIAM. You know—you haven't earned the right to be considered.

FREDA. Not yet!

SIR WILLIAM. What! That oughtn't to help you! On the contrary. Now brace yourself up, and listen to me!

She stands waiting to hear her sentence. SIR WILLIAM looks at her; and his glance gradually wavers.

SIR WILLIAM. I've not a word to say for my son. He's behaved like a scamp.

FREDA. Oh! no!

SIR WILLIAM. [With a silencing gesture] At the same, time—What made you forget yourself? You've no excuse, you know.

FREDA. No.

SIR WILLIAM. You'll deserve all you'll get. Confound it! To expect me to—It's intolerable! Do you know where my son is?

FREDA. [Faintly] I think he's in the billiard-room with my lady.

SIR WILLIAM. [With renewed resolution] I wanted to—to put it to you—as a—as a—what! [Seeing her stand so absolutely motionless, looking at him, he turns abruptly, and opens the billiard-room door] I'll speak to him first. Come in here, please! [To FREDA] Go in, and wait!

LADY CHESHIRE and BILL Come in, and FREDA passing them, goes into the billiard-room to wait.

SIR WILLIAM. [Speaking with a pause between each sentence] Your mother and I have spoken of this—calamity. I imagine that even you have some dim perception of the monstrous nature of it. I must tell you this: If you do this mad thing, you fend for yourself. You'll receive nothing from me now or hereafter. I consider that only due to the position our family has always held here. Your brother will take your place. We shall—get on as best we can without you. [There is a dead silence till he adds sharply] Well!

BILL. I shall marry her.

LADY CHESHIRE. Oh! Bill! Without love-without anything!

BILL. All right, mother! [To SIR WILLIAM] you've mistaken your man, sir. Because I'm a rotter in one way, I'm not necessarily a rotter in all. You put the butt end of the pistol to Dunning's head yesterday, you put the other end to mine to-day. Well! [He turns round to go out] Let the d–d thing off!

LADY CHESHIRE. Bill!

BILL. [Turning to her] I'm not going to leave her in the lurch.

SIR WILLIAM. Do me the justice to admit that I have not attempted to persuade you to.

BILL. No! you've chucked me out. I don't see what else you could have done under the circumstances. It's quite all right. But if you wanted me to throw her over, father, you went the wrong way to work, that's all; neither you nor I are very good at seeing consequences.

SIR WILLIAM. Do you realise your position?

BILK. [Grimly] I've a fair notion of it.

SIR WILLIAM. [With a sudden outburst] You have none—not the faintest, brought up as you've been.

BILL. I didn't bring myself up.

SIR WILLIAM. [With a movement of uncontrolled anger, to which his son responds] You—ungrateful young dog!

LADY CHESHIRE. How can you—both? [They drop their eyes, and stand silent.]

SIR WILLIAM. [With grimly suppressed emotion] I am speaking under the stress of very great pain—some consideration is due to me. This is a disaster which I never expected to have to face. It is a matter which I naturally can never hope to forget. I shall carry this down to my death. We shall all of us do that. I have had the misfortune all my life to believe in our position here—to believe that we counted for something—that the country wanted us. I have tried to do my duty by that position. I find in one moment that it is gone— smoke—gone. My philosophy is not equal to that. To countenance this marriage would be unnatural.

BILL. I know. I'm sorry. I've got her into this—I don't see any other way out. It's a bad business for me, father, as well as for you–

He stops, seeing that JACKSON has route in, and is standing there waiting.

JACKSON. Will you speak to Studdenham, Sir William? It's about young Dunning.

After a moment of dead silence, SIR WILLIAM nods, and the butler withdraws.

BILL. [Stolidly] He'd better be told.

SIR WILLIAM. He shall be.

STUDDENHAM enters, and touches his forehead to them all with a comprehensive gesture.

STUDDENHAM. Good evenin', my lady! Evenin', Sir William!

STUDDENHAM. Glad to be able to tell you, the young man's to do the proper thing. Asked me to let you know, Sir William. Banns'll be up next Sunday. [Struck by the silence, he looks round at all three in turn, and suddenly seeing that LADY CHESHIRE is shivering] Beg pardon, my lady, you're shakin' like a leaf!

BILL. [Blurting it out] I've a painful piece of news for you, Studdenham; I'm engaged to your daughter. We're to be married at once.

STUDDENHAM. I—don't—understand you—sir.

BILL. The fact is, I've behaved badly; but I mean to put it straight.

STUDDENHAM. I'm a little deaf. Did you say—my daughter?

SIR WILLIAM. There's no use mincing matters, Studdenham. It's a thunderbolt—young Dunning's case over again.

STUDDENHAM. I don't rightly follow. She's—You've—! I must see my daughter. Have the goodness to send for her, m'lady.

LADY CHESHIRE goes to the billiard-room, and calls: "FREDA, come here, please."

STUDDENHAM. [TO SIR WILLIAM] YOU tell me that my daughter's in the position of that girl owing to your son? Men ha' been shot for less.

BILL. If you like to have a pot at me, Studdenham you're welcome.

STUDDENHAM. [Averting his eyes from BILL at the sheer idiocy of this sequel to his words] I've been in your service five and twenty years, Sir William; but this is man to man—this is!

SIR WILLIAM. I don't deny that, Studdenham.

STUDDENHAM. [With eyes shifting in sheer anger] No—'twouldn't be very easy. Did I understand him to say that he offers her marriage?

SIR WILLIAM. You did.

STUDDENHAM. [Into his beard] Well—that's something! [Moving his hands as if wringing the neck of a bird] I'm tryin' to see the rights o' this.

SIR WILLIAM. [Bitterly] You've all your work cut out for you,

Studdenham.

Again STUDDENHAM makes the unconscious wringing movement with his hands.

LADY CHESHIRE. [Turning from it with a sort of horror] Don't, Studdenham! Please!

STUDDENHAM. What's that, m'lady?

LADY CHESHIRE. [Under her breath] Your—your—hands.

While STUDDENHAM is still staring at her, FREDA is seen standing in the doorway, like a black ghost.

STUDDENHAM. Come here! You! [FREDA moves a few steps towards her father] When did you start this?

FREDA. [Almost inaudibly] In the summer, father.

LADY CHESHIRE. Don't be harsh to her!

STUDDENHAM. Harsh! [His eyes again move from side to side as if pain and anger had bewildered them. Then looking sideways at FREDA, but in a gentler voice] And when did you tell him about—what's come to you?

FREDA. Last night.

STUDDENHAM. Oh! [With sudden menace] You young—! [He makes a convulsive movement of one hand; then, in the silence, seems to lose grip of his thoughts, and pits his hand up to his head] I want to clear me mind a bit—I don't see it plain at all. [Without looking at BILL] 'Tis said there's been an offer of marriage?

BILL. I've made it, I stick to it.

STUDDENHAM. Oh! [With slow, puzzled anger] I want time to get the pith o' this. You don't say anything, Sir William?

SIR WILLIAM. The facts are all before you.

STUDDENHAM. [Scarcely moving his lips] M'lady?

LADY CHESHIRE is silent.

STUDDENHAM. [Stammering] My girl was—was good enough for any man. It's not for him that's—that's to look down on her. [To FREDA] You hear the handsome offer that's been made you? Well? [FREDA moistens her lips and tries to speak, but cannot] If nobody's to speak a word, we won't get much forrarder. I'd like for you to say what's in your mind, Sir William.

SIR WILLIAM. I—If my son marries her he'll have to make his own way.

STUDDENHAM. [Savagely] I'm not puttin' thought to that.

SIR WILLIAM. I didn't suppose you were, Studdenham. It appears to rest with your daughter. [He suddenly takes out his handkerchief, and puts it to his forehead] Infernal fires they make up here!

LADY CHESHIRE, who is again shivering desperately, as if with intense cold, makes a violent attempt to control her shuddering.

STUDDENHAM. [Suddenly] There's luxuries that's got to be paid for. [To FREDA] Speak up, now.

FREDA turns slowly and looks up at SIR WILLIAM; he involuntarily raises his hand to his mouth. Her eyes travel on to LADY CHESHIRE, who faces her, but so deadly pale that she looks as if she were going to faint. The girl's gaze passes on to BILL, standing rigid, with his jaw set.

FREDA. I want—[Then flinging her arm up over her eyes, she turns from him] No!

SIR WILLIAM. Ah!

At that sound of profound relief, STUDDENHAM, whose eyes have been following his daughter's, moves towards SIR WILLIAM, all his emotion turned into sheer angry pride.

STUDDENHAM. Don't be afraid, Sir William! We want none of you! She'll not force herself where she's not welcome. She may ha' slipped her good name, but she'll keep her proper pride. I'll have no charity marriage in my family.

SIR WILLIAM. Steady, Studdenham!

STUDDENHAM. If the young gentleman has tired of her in three months, as a blind man can see by the looks of him—she's not for him!

BILL. [Stepping forward] I'm ready to make it up to her.

STUDDENHAM. Keep back, there? [He takes hold of FREDA, and looks around him] Well! She's not the first this has happened to since the world began, an' she won't be the last. Come away, now, come away!

Taking FREDA by the shoulders, he guides her towards the door.

SIR WILLIAM. D–n 'it, Studdenham! Give us credit for something!

STUDDENHAM. [Turning his face and eyes lighted up by a sort of smiling snarl] Ah! I do that, Sir William. But there's things that can't be undone!

He follows FREDA Out. As the door closes, SIR WILLIAM'S Calm gives way. He staggers past his wife, and sinks heavily, as though exhausted, into a chair by the fire. BILL, following FREDA and STUDDENHAM, has stopped at the shut door. LADY CHESHIRE moves swiftly close to him. The door of the billiard-room is opened, and DOT appears. With a glance round, she crosses quickly to her mother.

DOT. [In a low voice] Mabel's just going, mother! [Almost whispering] Where's Freda? Is it—Has she really had the pluck?

LADY CHESHIRE bending her head for "Yes," goes out into the billiard-room. DOT clasps her hands together, and standing there in the middle of the room, looks from her brother to her father, from her father to her brother. A quaint little pitying smile comes on her lips. She gives a faint shrug of her shoulders.

The curtain falls.

THE LITTLE DREAM

An Allegory in six scenes

CHARACTERS

SEELCHEN, a mountain girl

LAMOND, a climber

FELSMAN, a glide

CHARACTERS IN THE DREAM

THE GREAT HORN |

THE COW HORN | mountains

THE WINE HORN |

THE EDELWEISS |

THE ALPENROSE | flowers

THE GENTIAN |

THE MOUNTAIN DANDELION |

VOICES AND FIGURES IN THE DREAM

COWBELLS MOUNTAIN AIR FAR VIEW OF ITALY DISTANT FLUME OF STEAM THINGS IN BOOKS MOTH CHILDREN THREE DANCING YOUTHS THREE DANCING GIRLS THE FORMS OF WORKERS THE FORMS OF WHAT IS MADE BY WORK DEATH BY SLUMBER DEATH BY DROWNING FLOWER CHILDREN GOATHERD GOAT BOYS GOAT GOD THE FORMS OF SLEEP

SCENE I

It is just after sunset of an August evening. The scene is a room in a mountain hut, furnished only with a table, benches. and a low broad window seat. Through this window three rocky peaks are seen by the light of a moon which is slowly whitening the last hues of sunset. An oil lamp is burning. SEELCHEN, a mountain girl, eighteen years old, is humming a folk-song, and putting away in a cupboard freshly washed soup-bowls and glasses. She is dressed in a tight-fitting black velvet bodice. square-cut at the neck and partly filled in with a gay handkerchief, coloured rose-pink, blue, and golden, like the alpen-rose, the gentian, and the mountain dandelion; alabaster beads, pale as edelweiss, are round her throat; her stiffened. white linen sleeves finish at the elbow; and her full well-worn skirt is of gentian blue. The two thick plaits of her hair are crossed, and turned round her head. As she puts away the last bowl, there is a knock; and LAMOND opens the outer door. He is young, tanned, and good-looking, dressed like a climber, and carries a plaid, a ruck-sack, and an ice-axe.

LAMOND. Good evening!

SEELCHEN. Good evening, gentle Sir!

LAMOND. My name is Lamond. I'm very late I fear.

SEELCHEN. Do you wish to sleep here?

LAMOND. Please.

SEELCHEN. All the beds are full—it is a pity. I will call Mother.

LAMOND. I've come to go up the Great Horn at sunrise.

SEELCHEN. [Awed] The Great Horn! But he is impossible.

LAMOND. I am going to try that.

SEELCHEN. There is the Wine Horn, and the Cow Horn.

LAMOND. I have climbed them.

SEELCHEN. But he is so dangerous—it is perhaps—death.

LAMOND. Oh! that's all right! One must take one's chance.

SEELCHEN. And father has hurt his foot. For guide, there is only Mans Felsman.

LAMOND. The celebrated Felsman?

SEELCHEN. [Nodding; then looking at him with admiration] Are you that Herr Lamond who has climbed all our little mountains this year?

LAMOND. All but that big fellow.

SEELCHEN. We have heard of you. Will you not wait a day for father's foot?

LAMOND. Ah! no. I must go back home to-morrow.

SEELCHEN. The gracious Sir is in a hurry.

LAMOND. [Looking at her intently] Alas!

SEELCHEN. Are you from London? Is it very big?

LAMOND. Six million souls.

SEELCHEN. Oh! [After a little pause] I have seen Cortina twice.

LAMOND. Do you live here all the year?

SEELCHEN. In winter in the valley.

LAMOND. And don't you want to see the world?

SEELCHEN. Sometimes. [Going to a door, she calls softly] Hans! [Then pointing to another door] There are seven German gentlemen asleep in there!

LAMOND. Oh God!

SEELCHEN. Please? They are here to see the sunrise. [She picks up a little book that has dropped from LAMOND'S pocket] I have read several books.

LAMOND. This is by the great English poet. Do you never make poetry here, and dream dreams, among your mountains?

SEELCHEN. [Slowly shaking her head] See! It is the full moon.

While they stand at the window looking at the moon, there enters a lean, well-built, taciturn young man dressed in Loden.

SEELCHEN. Hans!

FELSMAN. [In a deep voice] The gentleman wishes me?

SEELCHEN. [Awed] The Great Horn for to-morrow! [Whispering to him] It is the celebrated London one.

FELSMAN. The Great Horn is not possible.

LAMOND. You say that? And you're the famous Felsman?

FELSMAN. [Grimly] We start at dawn.

SEELCHEN. It is the first time for years!

LAMOND. [Placing his plaid and rucksack on the window bench] Can I sleep here?

SEELCHEN. I will see; perhaps—

[She runs out up some stairs]

FELSMAN. [Taking blankets from the cupboard and spreading them on the window seat] So!

As he goes out into the air. SEELCHEN comes slipping in again with a lighted candle.

SEELCHEN. There is still one bed. This is too hard for you.

LAMOND. Oh! thanks; but that's all right.

SEELCHEN. To please me!

LAMOND. May I ask your name?

SEELCHEN. Seelchen.

LAMOND. Little soul, that means—doesn't it? To please you I would sleep with seven German gentlemen.

SEELCHEN. Oh! no; it is not necessary.

CHEN. Yes. yes! I want him. H

LAMOND. [With a grave bow] At your service, then. [He prepares to go]

SEELCHEN. Is it very nice in towns, in the World, where you come from?

LAMOND. When I'm there I would be here; but when I'm here I would be there.

SEELCHEN. [Clasping her hands] That is like me but I am always here.

LAMOND. Ah! yes; there is no one like you in towns.

SEELCHEN. In two places one cannot be. [Suddenly] In the towns there are theatres, and there is beautiful fine work, and—dancing, and—churches—and trains—and all the things in books—and—

LAMOND. Misery.

SEELCHEN. But there is life.

LAMOND. And there is death.

SEELCHEN. To-morrow, when you have climbed—will you not come back?

LAMOND. No.

SEELCHEN. You have all the world; and I have nothing.

LAMOND. Except Felsman, and the mountains.

SEELCHEN. It is not good to eat only bread.

LAMOND. [Looking at her hard] I would like to eat you!

SEELCHEN. But I am not nice; I am full of big wants—like the cheese with holes.

LAMOND. I shall come again.

SEELCHEN. There will be no more hard mountains left to climb. And if it is not exciting, you do not care.

LAMOND. O wise little soul!

SEELCHEN. No. I am not wise. In here it is always aching.

LAMOND. For the moon?

SEELCHEN. Yes. [Then suddenly] From the big world you will remember?

LAMOND. [Taking her hand] There is nothing in the big world so sweet as this.

SEELCHEN. [Wisely] But there is the big world itself.

LAMOND. May I kiss you, for good-night?

She puts her face forward; and he kisses her cheek, and, suddenly, her lips. Then as she draws away.

LAMOND. I am sorry, little soul.

SEELCHEN. That's all right!

LAMOND. [Taking the candle] Dream well! Goodnight!

SEELCHEN. [Softly] Good-night!

FELSMAN. [Coming in from the air, and eyeing them] It is cold—it will be fine.

LAMOND still looking back goes up the stairs; and FELSMAN waits for him to pass.

SEELCHEN. [From the window seat] It was hard for him here. I thought.

He goes up to her, stays a moment looking down then bends and kisses her hungrily.

SEELCHEN. Art thou angry?

He does not answer, but turning out the lamp, goes into an inner room.

SEELCHEN sits gazing through the window at the peaks bathed in full moonlight. Then, drawing the blankets about her, she snuggles doom on the window seat.

SEELCHEN. [In a sleepy voice] They kissed me—both. [She sleeps]

The scene falls quite dark

SCENE II

The scene is slowly illumined as by dawn. SEELCHEN is still lying on the window seat. She sits up, freeing her face and hands from the blankets, changing the swathings of deep sleep for the filmy coverings of a dream. The wall of the hut has vanished; there is nothing between her and the three mountains veiled in mist, save a through of darkness. There, as the peaks of the mountains brighten, they are seen to have great faces.

SEELCHEN. Oh! They have faces!

The face of THE WINE HORN is the profile of a beardless youth. The face of THE COW HORN is that of a mountain shepherd. solemn, and broom, with fierce black eyes, and a black beard. Between them THE GREAT HORN, whose hair is of snow, has a high. beardless visage, as of carved bronze, like a male sphinx, serene, without cruelty. Far down below the faces of the peaks. above the trough of darkness, are peeping out the four little heads of the flowers of EDELWEISS, and GENTIAN, MOUNTAIN DANDELION, and ALPENROSE; on their heads are crowns made of their several flowers, all powdered with dewdrops; and when THE FLOWERS lift their child-faces little tinkling bells ring.

All around the peaks there is nothing but blue sky.

EDELWEISS. [In a tiny voice] Would you? Would you? Would you? Ah! ha!

GENTIAN, M. DANDELION, ALPENROSE [With their bells ranging enviously] Oo-oo-oo!

From behind the Cow HORN are heard the voices of COWBELLS and MOUNTAIN AIR:

"Clinkel-clink! Clinkel-clink!""Mountain air! Mountain air!"

From behind THE WINE HORN rise the rival voices Of VIEW OF ITALY, FLUME OF STEAM, and THINGS IN BOOKS:

"I am Italy! Italy!"

"See me—steam in the distance!"

"O remember the things in books!"

And all call out together, very softly, with THE FLOWERS ringing their bells. Then far away like an echo comes a sighing:

"Mountain air! Mountain air!"

And suddenly the Peak of THE COW HORN speaks in a voice as of one unaccustomed.

THE COW HORN. Amongst kine and my black-brown sheep I Live; I am silence, and monotony; I am the solemn hills. I am fierceness, and the mountain wind; clean pasture, and wild rest. Look in my eyes. love me alone!

SEELCHEN. [Breathless] The Cow Horn! He is speaking for Felsman and the mountains. It is the half of my heart!

THE FLOWERS laugh happily.

THE COW HORN. I stalk the eternal hills—I drink the mountain snows. My eyes are the colour of burned wine; in them lives melancholy. The lowing of the kine, the wind, the sound of falling rocks, the running of the torrents; no other talk know I. Thoughts simple, and blood hot, strength huge—the cloak of gravity.

SEELCHEN. Yes, yes! I want him. He is strong!