Mary Lamb

Preface

The following Tales are meant to be submitted to the young reader as an introduction to the study of Shakspeare, for which purpose his words are used whenever it seemed possible to bring them in; and in whatever has been added to give them the regular form of a connected story, diligent care has been taken to select such words as might least interrupt the effect of the beautiful English tongue in which he wrote; therefore, words introduced into our language since his time have been as far as possible avoided.

In those Tales which have been taken from the Tragedies, as my young readers will perceive when they come to see the source from which these stories are derived, Shakespeare's own words, with little alteration, recur very frequently in the narrative as well as in the dialogue; but in those made from the Comedies I found myself scarcely ever able to turn his words into the narrative form; therefore I fear in them I have made use of dialogue too frequently for young people not used to the dramatic form of writing. But this fault – if it be, as I fear, a fault – has been caused by my earnest wish to give as much of Shakespeare's own words as possible; and if the "He said" and "She said," the question and the reply, should sometimes seem tedious to their young ears, they must pardon it, because it was the only way I knew of in which I could give them a few hints and little foretastes of the great pleasure which awaits them in their elder years, when they come to the rich treasures from which these small and valueless coins are extracted, pretending to no other merit than as faint and imperfect stamps of Shakespeare's matchless image. Faint and imperfect images they must be called, because the beauty of his language is too frequently destroyed by the necessity of changing many of his excellent words into words far less expressive of his true sense, to make it read something like prose; and even in some few places where his blank-verse is given unaltered, as hoping from its simple plainness to cheat the young readers into the belief that they are reading prose, yet still, his language being transplanted from its own natural soil and wild poetic garden, it must want much of its native beauty.

I have wished to make these tales easy reading for very young children. To the utmost of my ability I have constantly kept this in my mind; but the subjects of most of them made this a very difficult task. It was no easy matter to give the histories of men and women in terms familiar to the apprehension of a very young mind. For young ladies, too, it has been my intention chiefly to write, because boys are generally permitted the use of their fathers' libraries at a much earlier age than girls are, they frequently having the best scenes of Shakespeare by heart before their sisters are permitted to look into this manly book; and therefore, instead of recommending these Tales to the perusal of young gentlemen who can read them so much better in the originals, I must rather beg their kind assistance in explaining to their sisters such parts as are hardest for them to understand; and when they have helped them to get over the difficulties, then perhaps they will read to them – carefully selecting what is proper for a young sister's ear – some passage which has pleased them in one of these stories, in the very words of the scene from which it is taken. And I trust they will find that the beautiful extracts, the select passages, they may choose to give their sisters in this way will be much better relished and understood from their having some notion of the general story from one of these imperfect abridgments, which, if they be fortunately so done as to prove delightful to any of you, my young readers, I hope will have no worse effect upon you than to make you wish yourselves a little older, that you may be allowed to read the Plays at full length: such a wish will be neither peevish nor irrational. When time and leave of judicious friends shall put them into your hands, you will discover in such of them as are here abridged – not to mention almost as many more which are left untouched – many surprising events and turns of fortune, which for their infinite variety could not be contained in this little book, besides a world of sprightly and cheerful characters, both men and women, the humour of which I was fearful of losing if I attempted to reduce the length of them.

What these Tales have been to you in childhood, that and much more it is my wish that the true Plays of Shakespeare may prove to you in older years – enrichers of the fancy, strengthened of virtue, a withdrawing from all selfish and mercenary thoughts, a lesson of all sweet and honourable thoughts and actions, to teach you courtesy, benignity, generosity, humanity; for of examples teaching these virtues, his pages are full.

If the "bad baby" chose the subjects, a stripling who was afterwards to make his mark in art executed them; a young Irishman, son of a leather-breeches maker, Mulready by name, whom Godwin and also Harris, Newberry's successor, were at this time endeavouring to help in his twofold struggle to earn a livelihood and obtain some training in art (which he did chiefly in the studio of Banks the sculptor). Some of his early illustrations to the rhymed satirical fables just then in vogue, such as The Butterfly's Ball and the Peacock at Home, show humour as well as decisive artistic promise. But the young designer seems to have collapsed altogether under the weight of Shakespeare's creations; and whoever looks at the goggle-eyed ogre of the pantomime species called Othello, as well as at the plates Lamb specifies, will not wonder at his disgust. Curiously enough they have been attributed to Blake; those in the edition of 1822, that is, which are identical with those of 1807 and 1816; and as such figure in booksellers' catalogues, with a correspondingly high price attached to the volumes, notwithstanding the testimony to the contrary of Mr. Sheepshanks, given in Stephen's Masterpieces of Mulready. Engraved by Blake they may have been, and hence may have here and there traces of Blake-like feeling and character; for though he was fifty at the time these were executed, he still and always had to win his bread more often by rendering with his graver the immature or brainless conceptions of others, than by realising those of his own teeming and powerful imagination.

The success of the Tales was decisive and immediate. New editions were called for in 1810, 1816, and 1822; but in concession, no doubt, to Lamb's earnest remonstrances, only a certain portion of each contained the obnoxious plates; the rest were issued with "merely a beautiful head of our immortal dramatist from a much-admired painting by Zoust," as Godwin's advertisement put it. Subsequently an edition, with designs by Harvey, remained long in favour, and was reprinted many times. In 1837, Robert, brother of the more famous George Cruickshank, illustrated the book, and there was prefixed a memoir of Lamb by J. W. Dalby, a friend of Leigh Hunt and contributor to the London Journal. The Golden Treasury edition, already spoken of, has a dainty little frontispiece by Du Maurier, with which Lamb would certainly have found no fault.

No sooner were the Tales out of hand than Mary began a fresh task, as Charles tells Manning in a letter written at the end of the year (1806), wherein also is a glimpse of our friend Mr. Dawe not to be here omitted: "Mr. Dawe is turned author; he has been in such a way lately – Dawe the painter, I mean – he sits and stands about at Holcroft's and says nothing; then sighs and leans his head on his hand. I took him to be in love; but it seems he was only meditating a work, The Life of Morland. The young man is not used to composition."

CHAPTER IX

Correspondence with Sarah Stoddart. – Hazlitt. – A Courtship and Wedding at which Mary is Bridesmaid1806-8. – Æt. 42-44

To return to domestic affairs, as faithfully reported to Sarah by Mary whilst the Tales were in progress: —

"May 14, 1806.

"No intention of forfeiting my promise, but want of time has prevented me from continuing my journal. You seem pleased with the long stupid one I sent, and, therefore, I shall certainly continue to write at every opportunity. The reason why I have not had any time to spare is because Charles has given himself some hollidays after the hard labour of finishing his farce; and, therefore, I have had none of the evening leisure I promised myself. Next week he promises to go to work again. I wish he may happen to hit upon some new plan to his mind for another farce [Mr. H. was accepted, but not yet brought out]. When once begun, I do not fear his perseverance, but the hollidays he has allowed himself I fear will unsettle him. I look forward to next week with the same kind of anxiety I did to the new lodging. We have had, as you know, so many teazing anxieties of late, that I have got a kind of habit of foreboding that we shall never be comfortable, and that he will never settle to work, which I know is wrong, and which I will try with all my might to overcome; for certainly if I could but see things as they really are, our prospects are considerably improved since the memorable day of Mrs. Fenwick's last visit. I have heard nothing of that good lady or of the Fells since you left us.

"We have been visiting a little to Norris's, Godwin's, and last night we did not come home from Captain Burney's till two o'clock; the Saturday night was changed to Friday, because Rickman could not be there to-night. We had the best tea things, and the litter all cleared away, and everything as handsome as possible, Mrs. Rickman being of the party. Mrs. Rickman is much increased in size since we saw her last, and the alteration in her strait shape wonderfully improves her. Phillips was there, and Charles had a long batch of cribbage with him, and upon the whole we had the most chearful evening I have known there a long time. To-morrow we dine at Holcroft's. These things rather fatigue me; but I look for a quiet week next week, and hope for better times. We have had Mrs. Brooks and all the Martins, and we have likewise been there, so that I seem to have been in a continual bustle lately. I do not think Charles cares so much for the Martins as he did, which is a fact you will be glad to hear, though you must not name them when you write; always remember when I tell you anything about them, not to mention their names in return.

"We have had a letter from your brother by the same mail as yours I suppose; he says he does not mean to return till summer, and that is all he says about himself; his letter being entirely filled with a long story about Lord Nelson – but nothing more than what the papers have been full of – such as his last words, &c. Why does he tease you with so much good advice; is it merely to fill up his letters, as he filled ours with Lord Nelson's exploits? or has any new thing come out against you? Has he discovered Mr. Curse-a-rat's correspondence? I hope you will not write to that news-sending gentleman any more. I promised never more to give my advice, but one may be allowed to hope a little; and I also hope you will have something to tell me soon about Mr. White. Have you seen him yet? I am sorry to hear your mother is not better, but I am in a hoping humour just now, and I cannot help hoping that we shall all see happier days. The bells are just now ringing for the taking of the Cape of Good Hope.

"I have written to Mrs. Coleridge to tell her that her husband is at Naples. Your brother slightly named his being there, but he did not say that he had heard from him himself. Charles is very busy at the office; he will be kept there to-day till seven or eight o'clock; and he came home very smoky and drinky last night, so that I am afraid a hard day's work will not agree very well with him.

"O dear! what shall I say next? Why, this I will say next, that I wish you was with me; I have been eating a mutton chop all alone, and I have just been looking in the pint porter-pot which I find quite empty, and yet I am still very dry. If you was with me, we would have a glass of brandy and water; but it is quite impossible to drink brandy and water by one's-self; therefore, I must wait with patience till the kettle boils. I hate to drink tea alone, it is worse than dining alone. We have got a fresh cargo of biscuits from Captain Burney's. I have —

"May 14. – Here I was interrupted, and a long, tedious interval has intervened, during which I have had neither time nor inclination to write a word. The lodging, that pride of your heart and mine, is given up, and here he is again– Charles, I mean – as unsettled and undetermined as ever. When he went to the poor lodging after the holidays I told you he had taken, he could not endure the solitariness of them, and I had no rest for the sole of my foot till I promised to believe his solemn protestations that he could and would write as well at home as there. Do you believe this?

"I have no power over Charles; he will do what he will do. But I ought to have some little influence over myself; and, therefore, I am most manfully resolving to turn over a new leaf with my own mind. Your visit, though not a very comfortable one to yourself, has been of great use to me. I set you up in my fancy as a kind of thing that takes an interest in my concerns; and I hear you talking to me, and arguing the matter very learnedly when I give way to despondency. You shall hear a good account of me and the progress I make in altering my fretful temper to a calm and quiet one. It is but once being thorowly convinced one is wrong, to make one resolve to do so no more; and I know my dismal faces have been almost as great a drawback upon Charles's comfort, as his feverish, teazing ways have been upon mine. Our love for each other has been the torment of our lives hitherto. I am most seriously intending to bend the whole force of my mind to counteract this, and I think I see some prospect of success.

"Of Charles ever bringing any work to pass at home, I am very doubtful; and of the farce succeeding, I have little or no hope; but if I could once get into the way of being chearful myself, I should see an easy remedy in leaving town and living cheaply, almost wholly alone; but till I do find we really are comfortable alone, and by ourselves, it seems a dangerous experiment. We shall certainly stay where we are till after next Christmas; and in the meantime, as I told you before, all my whole thoughts shall be to change myself into just such a chearful soul as you would be in a lone house, with no companion but your brother, if you had nothing to vex you; nor no means of wandering after Curse-a-rats. Do write soon; though I write all about myself, I am thinking all the while of you, and I am uneasy at the length of time it seems since I heard from you. Your mother and Mr. White is running continually in my head; and this second winter makes me think how cold, damp, and forlorn your solitary house will feel to you. I would your feet were perched up again on our fender." …

If ever a woman knew how to keep on the right side of that line which, in the close companionship of daily life is so hard to find, the line that separates an honest faithful friend from "a torment of a monitor," and could divine when and how to lend a man a helping hand against his own foibles, and when to forbear and wait patiently, that woman was Mary Lamb.

Times were changed indeed since Lamb could speak of himself as "alone, obscure, without a friend." Now friends and acquaintance thronged round him, till rest and quiet were almost banished from his fire-side; and though they were banished for the most part by social pleasures he dearly loved – hearty, simple, intellectual pleasures – the best of talk, with no ceremony and the least of expense, yet they had to be paid for by Mary and himself in fevered nerves, in sleep curtailed and endless interruptions to work. There were, besides, "social harpies who preyed on him for his liquors," whom he lacked firmness to shake off, in spite of those "dismal faces" consequent in Mary, of which she penitently accuses herself.

Apart from external distractions, the effort to write, especially any sort of task work, was often so painful to his irritable nerves that, as he said, it almost "teazed him into a fever," whilst Mary's anxious love and close sympathy made his distress her own. There is a letter to Godwin deprecating any appearance of unfriendliness in having failed to review his Life of Chaucer, containing a passage on this subject, which the lover of Lamb's writings and character (and who is one must needs be the other) will ponder with peculiar interest: —

"You, by long habits of composition, and a greater command over your own powers, cannot conceive of the desultory and uncertain way in which I (an author by fits) sometimes cannot put the thoughts of a common letter into sane prose. Any work which I take upon myself as an engagement will act upon me to torment, e. g. when I have undertaken, as three or four times I have, a schoolboy copy of verses for Merchant Taylors' boys at a guinea a copy, I have fretted over them in perfect inability to do them, and have made my sister wretched with my wretchedness for a week together. As to reviewing, in particular, my head is so whimsical a head that I cannot, after reading another man's book, let it have been never so pleasing, give any account of it in any methodical way. I cannot follow his train. Something like this you must have perceived of me in conversation. Ten thousand times I have confessed to you, talking of my talents, my utter inability to remember, in any comprehensive way, what I read. I can vehemently applaud, or perversely stickle at parts, but I cannot grasp a whole. This infirmity may be seen in my two little compositions, the tale and my play, in both which no reader, however partial, can find any story… If I bring you a crude, wretched paper on Sunday, you must burn it and forgive me; if it proves anything better than I predict, may it be a peace-offering of sweet incense between us."

The two friends whose society was always soothing, were far away now. Coleridge, who could always 'wind them up and set them going again,' as Mary said, was still wandering they knew not where on the Continent, and Manning had, at last, carried out a long-cherished scheme and gone to China for four years which, however, stretched to twelve, as Lamb prophesied it would.

"I didn't know what your going was till I shook a last fist with you," says Lamb, "and then 'twas just like having shaken hands with a wretch on the fatal scaffold, for when you are down the ladder you never can stretch out to him again. Mary says you are dead, and there's nothing to do but to leave it to time to do for us in the end what it always does for those who mourn for people in such a case: but she'll see by your letter you are not quite dead. A little kicking and agony, and then – Martin Burney took me out a walking that evening, and we talked of Manning, and then I came home and smoked for you; and at twelve o'clock came home Mary and Monkey Louisa from the play, and there was more talk and more smoking, and they all seemed first-rate characters because they knew a certain person. But what's the use of talking about 'em? By the time you'll have made your escape from the Kalmucks, you'll have stayed so long I shall never be able to bring to your mind who Mary was, who will have died about a year before, nor who the Holcrofts were. Me, perhaps, you will mistake for Phillips, or confound me with Mr. Dawe, because you saw us together. Mary, whom you seem to remember yet, is not quite easy that she had not a formal parting from you. I wish it had so happened. But you must bring her a token, a shawl or something, and remember a sprightly little mandarin for our mantel-piece as a companion to the child I am going to purchase at the museum… O Manning, I am serious to sinking almost, when I think that all those evenings which you have made so pleasant are gone perhaps for ever… I will nurse the remembrance of your steadiness and quiet which used to infuse something like itself into our nervous minds. Mary used to call you our ventilator."

Mary's next letters to Miss Stoddart continue to fulfil her promise of writing a kind of journal: —

"June 2nd.

"You say truly that I have sent you too many make-believe letters. I do not mean to serve you so again if I can help it. I have been very ill for some days past with the tooth-ache. Yesterday I had it drawn, and I feel myself greatly relieved, but far from being easy, for my head and my jaws still ache; and being unable to do any business, I would wish to write you a long letter to atone for my former offences; but I feel so languid that I fear wishing is all I can do.

"I am sorry you are so worried with business, and I am still more sorry for your sprained ancle. You ought not to walk upon it. What is the matter between you and your good-natured maid you used to boast of? and what the devil is the matter with your aunt? You say she is discontented. You must bear with them as well as you can, for doubtless it is your poor mother's teazing that puts you all out of sorts. I pity you from my heart.

"We cannot come to see you this summer, nor do I think it advisable to come and incommode you when you for the same expense could come to us. Whenever you feel yourself disposed to run away from your troubles, come to us again. I wish it was not such a long, expensive journey, and then you could run backwards and forwards every month or two. I am very sorry you still hear nothing from Mr. White. I am afraid that is all at an end. What do you intend to do about Mr. Turner?.. William Hazlitt, the brother of him you know, is in town. I believe you have heard us say we like him. He came in good time, for the loss of Manning made Charles very dull, and he likes Hazlitt better than anybody, except Manning. My tooth-ache has moped Charles to death; you know how he hates to see people ill…

"When I write again, you will hear tidings of the farce, for Charles is to go in a few days to the managers to inquire about it. But that must now be a next year's business too, even if it does succeed, so it's all looking forward and no prospect of present gain. But that's better than no hopes at all, either for present or future times… Charles smokes still, and will smoke to the end of the chapter. Martin [Burney] has just been here. My Tales (again) and Charles' Farce have made the boy mad to turn author, and he has made the Winter's Tale into a story; but what Charles says of himself is really true of Martin, for he can make nothing at all of it, and I have been talking very eloquently this morning to convince him that nobody can write farces, &c. under thirty years of age; and so, I suppose, he will go home and new-model his farce.

"What is Mr. Turner, and what is likely to come of him? And how do you like him? And what do you intend to do about it? I almost wish you to remain single till your mother dies, and then come and live with us, and we would either get you a husband, or teach you how to live comfortably without. I think I should like to have you always, to the end of our lives, living with us; and I do not know any reason why that should not be, except for the great fancy you seem to have for marrying, which after all is but a hazardous kind of affair; but, however, do as you like; every man knows best what pleases himself best.

"I have known many single men I should have liked in my life (if it had suited them) for a husband; but very few husbands have I ever wished was mine, which is rather against the state in general; but one never is disposed to envy wives their good husbands. So much for marrying – but, however, get married if you can.

"I say we shall not come and see you, and I feel sure we shall not; but if some sudden freak was to come into our wayward heads, could you at all manage? Your mother we should not mind, but I think still it would be so vastly inconvenient. I am certain we shall not come, and yet you may tell me when you write if it would be horribly inconvenient if we did; and do not tell me any lies, but say truly whether you would rather we did or not.

"God bless you, my dearest Sarah! I wish for your sake I could have written a very amusing letter; but do not scold, for my head aches sadly. Don't mind my head-ache, for before you get this it will be well, being only from the pains of my jaws and teeth. Farewell."