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The Glass Palace
Amitav Ghosh
A sweeping story of Burma and Malaya over a span of one hundred years that has rightly become a modern classic no for the first time in ebook. From the Man Booker Prize shortlisted author of Sea of Poppies.Rajkumar is only another boy, helping on a market stall in the dusty square outside the royal palace, when the British force the Burmese king, queen and all the court into exile. He is rescued by the far-seeing Chinese merchant, and with him builds up a logging business in upper Burma. But haunted by his vision of the royal family, he journeys to the obscure town in India where they have been exiled.The picture of the tension between the Burmese, the Indian and the British, is excellent. Among the great range of characters are one of the court ladies, Miss Dolly, whom he marries; and the redoubtable Jonakin, part of the British-educated Indian colony, who with her husband has been put in charge of the Burmese exiled court.The story follows the fortunes – rubber estates in Malaya, businesses in Singapore, estates in Burma – which Rajkumar, with his Chinese, British and Burmese relations, friends and associates, builds up – from 1870 through World War II to the scattering of the extended family to New York and Thailand, London and Hong Kong in the post-war years.
THE GLASS PALACE
AMITAV GHOSH
Copyright (#ulink_cc487ab3-1400-594b-874a-af8d2b434e4e)
The Borough Press
An imprint of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
This paperback edition 2001
Copyright © Amitav Ghosh 2000
The Author asserts the moral right to
be identified as the author of this work
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
A catalogue record for this book is available from the British Library
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Source ISBN: 9780006514091
Ebook Edition © JULY 2012 ISBN 9780007383283
Version: 2018-05-23
Dedication (#u5b66c8a6-9654-56b0-98a9-0424c502ecf8)
To my father’s memory
Map (#u5b66c8a6-9654-56b0-98a9-0424c502ecf8)
Contents
Cover (#u5beb9aca-40d0-59f2-90f9-fd906a24b34c)
Title Page (#u7e171000-1a40-52cd-b32c-e08ae179da3e)
Copyright (#u7286b2c1-7e6e-5183-b3bc-77b7271e5aed)
Dedication
Map
PART ONE (#u9bd7c721-7f05-51c4-be8f-236c512ffe09)
Mandalay (#u9bd7c721-7f05-51c4-be8f-236c512ffe09)
One (#u45fc2cf3-5990-5ce7-9465-3d942f974e6b)
Two (#u2f0782b2-4644-5efa-a2b6-efb6bdeec978)
Three (#uda9f3b65-f36c-58f0-8f21-44b2bcb5f054)
Four (#u5994bcb7-4150-5b3f-8209-24924598c3c3)
Five (#ue4d07eff-37b3-57fc-87cb-bac747b80094)
PART TWO (#u4cef26af-a417-597e-bafe-dd7b1e0d8d55)
Ratnagiri (#u4cef26af-a417-597e-bafe-dd7b1e0d8d55)
Six (#u8cfdcbf0-b138-5b6a-a17b-ad7a7423a78e)
Seven (#ue9382295-6fce-59a6-95da-626d3f4d701f)
Eight (#u09fe260c-52ab-557a-b987-eb39c4bb0f2c)
Nine (#u6ea025d2-7126-512b-b20e-7df16c03ff2f)
Ten (#u9e4df666-17e2-5dd4-957a-0668eff15824)
Eleven (#litres_trial_promo)
Twelve (#litres_trial_promo)
Thirteen (#litres_trial_promo)
Fourteen (#litres_trial_promo)
PART THREE (#litres_trial_promo)
The Money Tree (#litres_trial_promo)
Fifteen (#litres_trial_promo)
Sixteen (#litres_trial_promo)
Seventeen (#litres_trial_promo)
Eighteen (#litres_trial_promo)
Nineteen (#litres_trial_promo)
PART FOUR (#litres_trial_promo)
The Wedding (#litres_trial_promo)
Twenty (#litres_trial_promo)
Twenty-one (#litres_trial_promo)
Twenty-two (#litres_trial_promo)
Twenty-three (#litres_trial_promo)
Twenty-four (#litres_trial_promo)
PART FIVE (#litres_trial_promo)
Morningside (#litres_trial_promo)
Twenty-five (#litres_trial_promo)
Twenty-six (#litres_trial_promo)
Twenty-seven (#litres_trial_promo)
Twenty-eight (#litres_trial_promo)
Twenty-nine (#litres_trial_promo)
Thirty (#litres_trial_promo)
Thirty-one (#litres_trial_promo)
PART SIX (#litres_trial_promo)
The Front (#litres_trial_promo)
Thirty-two (#litres_trial_promo)
Thirty-three (#litres_trial_promo)
Thirty-four (#litres_trial_promo)
Thirty-five (#litres_trial_promo)
Thirty-six (#litres_trial_promo)
Thirty-seven (#litres_trial_promo)
Thirty-eight (#litres_trial_promo)
Thirty-nine (#litres_trial_promo)
PART SEVEN (#litres_trial_promo)
The Glass Palace (#litres_trial_promo)
Forty (#litres_trial_promo)
Forty-one (#litres_trial_promo)
Forty-two (#litres_trial_promo)
Forty-three (#litres_trial_promo)
Forty-four (#litres_trial_promo)
Forty-five (#litres_trial_promo)
Forty-six (#litres_trial_promo)
Forty-seven (#litres_trial_promo)
Forty-eight (#litres_trial_promo)
Acknowledgments (#litres_trial_promo)
Author’s Notes (#litres_trial_promo)
Praise (#litres_trial_promo)
By the Same Author (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
PART ONE Mandalay (#ulink_0a4b99ef-4418-5067-a3a2-a5ffedb99ae5)
One (#ulink_aa652957-07af-5d29-95ab-4cdd052e6438)
There was only one person in the food-stall who knew exactly what that sound was that was rolling in across the plain, along the silver curve of the Irrawaddy, to the western wall of Mandalay’s fort. His name was Rajkumar and he was an Indian, a boy of eleven – not an authority to be relied upon.
The noise was unfamiliar and unsettling, a distant booming followed by low, stuttering growls. At times it was like the snapping of dry twigs, sudden and unexpected. And then, abruptly, it would change to a deep rumble, shaking the food-stall and rattling its steaming pot of soup. The stall had only two benches, and they were both packed with people, sitting pressed up against each other. It was cold, the start of central Burma’s brief but chilly winter, and the sun had not risen high enough yet to burn off the damp mist that had drifted in at dawn from the river. When the first booms reached the stall there was a silence, followed by a flurry of questions and whispered answers. People looked around in bewilderment: What is it? Ba le? What can it be? And then Rajkumar’s sharp, excited voice cut through the buzz of speculation. ‘English cannon,’ he said in his fluent but heavily accented Burmese. ‘They’re shooting somewhere up the river. Heading in this direction.’
Frowns appeared on some customers’ faces as they noted that it was the serving-boy who had spoken and that he was a kalaa from across the sea – an Indian, with teeth as white as his eyes and skin the colour of polished hardwood. He was standing in the centre of the stall, holding a pile of chipped ceramic bowls. He was grinning a little sheepishly, as though embarrassed to parade his precocious knowingness.
