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Sir Gibbie
"Ginevra!" she cried, "you are never going to leave me alone in the house!—after inviting me to stay with you till your father returned!"
But the minister answered her.
"It was her father who invited you, I believe, not Lady Galbraith," he said; "and you understood perfectly that the invitation was not meant to give her pleasure. You would doubtless have her postpone her wedding-journey on your account, but my lady is under no obligation to think of you."—He had heard of her tattle against Sir Gilbert, and thus rudely showed his resentment.
Miss Kimble burst into tears. Ginevra kissed her, and said,
"Never mind, dear Miss Kimble. You could not help it. The whole thing was arranged. We are going after my father, and we have the best horses."
Mr. Torrie laughed outright.
"A new kind of runaway marriage!" he cried. "The happy couple pursuing the obstinate parent with four horses! Ha! ha! ha!"
"But after the ceremony!" said Mr. Sclater.
Here the servant ran down the steps with a carpet-bag, and opened the gate for her mistress. Lady Galbraith got into the carriage; Sir Gilbert followed; there was kissing and tears at the door of it; Mrs. Sclater drew back; the postilions spurred their horses; off went the second carriage faster than the first; and the minister's party walked quietly away, leaving Miss Kimble to declaim to the maid of all work, who cried so that she did not hear a word she said. The schoolmistress put on her bonnet, and full of indignation carried her news of the treatment to which she had been subjected to the Rev. Fergus Duff, who remarked to himself that it was sad to see youth and beauty turn away from genius and influence to wed money and idiocy, gave a sigh, and went to see Miss Lapraik.
Between the second stage and the third, Gibbie and Ginevra came in sight of their father's carriage. Having arranged with the postilions that the two carriages should not change horses at the same places, they easily passed unseen by him, while, thinking of nothing so little as their proximity, he sat in state before the door of a village inn.
Just as Mr. Galbraith was beginning to hope the major had contrived a new approach to the place, the carriage took an unexpected turn, and he found presently they were climbing, by a zig-zag road, the height over the Lorrie burn; but the place was no longer his, and to avoid a sense of humiliation, he avoided taking any interest in the change.
A young woman—it was Donal's eldest sister, but he knew nothing of her—opened the door to him, and showed him up the stair to his old study. There a great fire was burning; but, beyond that, everything, even to the trifles on his writing table, was just as when last he left the house. His chair stood in its usual position by the fire, and wine and biscuits were on a little table near.
"Very considerate!" he said to himself. "I trust the major does not mean to keep me waiting, though. Deuced hard to have to leave a place like this!"
Weary with his journey he fell into a doze, dreamed of his dead wife, woke suddenly, and heard the door of the room open. There was Major Culsalmon entering with outstretched hand! and there was a lady—his wife doubtless! But how young the major was! he had imagined him a man in middle age at least!—Bless his soul! was he never to get rid of this impostor fellow! it was not the major! it was the rascal calling himself Sir Gilbert Galbraith!—the half-witted wretch his fool of a daughter insisted on marrying! Here he was, ubiquitous as Satan! And—bless his soul again! there was the minx, Jenny! looking as if the place was her own! The silly tears in her eyes too!—It was all too absurd! He had just been dreaming of his dead wife, and clearly that was it! he was not awake yet!
He tried hard to wake, but the dream mastered him.
"Jenny!" he said, as the two stood for a moment regarding him, a little doubtfully, but with smiles of welcome, "what is the meaning of this? I did not know Major Culsalmon had invited you! And what is this person doing here?"
"Papa," replied Ginevra, with a curious smile, half merry, half tearful, "this person is my husband, Sir Gilbert Galbraith of Glashruach; and you are at home in your own study again."
"Will you never have done masquerading, Jenny?" he returned. "Inform Major Culsalmon that I request to see him immediately."
He turned towards the fire, and took up a newspaper. They thought it better to leave him. As he sat, by degrees the truth grew plain to him. But not one other word on the matter did the man utter to the day of his death. When dinner was announced, he walked straight from the dining-room door to his former place at the foot of the table. But Robina Grant was equal to the occasion. She caught up the dish before him, and set it at the side. There Gibbie seated himself; and, after a moment's hesitation, Ginevra placed herself opposite her husband.
The next day Gibbie provided him with something to do. He had the chest of papers found in the Auld Hoose o' Galbraith carried into his study, and the lawyer found both employment and interest for weeks in deciphering and arranging them. Amongst many others concerning the property, its tenures, and boundaries, appeared some papers which, associated and compared, threw considerable doubt on the way in which portions of it had changed hands, and passed from those of Gibbie's ancestors into those of Ginevra's—who were lawyers as well as Galbraiths; and the laird was keen of scent as any nose-hound after dishonesty in other people. In the course of a fortnight he found himself so much at home in his old quarters, and so much interested in those papers and his books, that when Sir Gilbert informed him Ginevra and he were going back to the city, he pronounced it decidedly the better plan, seeing he was there himself to look after affairs.
For the rest of the winter, therefore, Mr. Galbraith played the grand seigneur as before among the tenants of Glashruach.
CHAPTER LXII.
THE BURN
The moment they were settled in the Auld Hoose, Gibbie resumed the habits of the former winter, which Mistress Croale's failure had interrupted. And what a change it was to Ginevra—from imprisonment to ministration! She found difficulties at first, as may readily be believed. But presently came help. As soon as Mistress Croale heard of their return, she went immediately to Lady Galbraith, one morning while Sir Gibbie was at college, literally knelt at her feet, and with tears told her the whole tale, beseeching her intercession with Sir Gibbie.
"I want naething," she insisted, "but his fawvour, an' the licht o' his bonnie coontenance."
The end of course was that she was gladly received again into the house, where once more she attended to all the principal at least of her former duties. Before she died, there was a great change and growth in her: she was none of those before whom pearls must not be cast.
Every winter, for many years, Sir Gilbert and Lady Galbraith occupied the Auld Hoose; which by degrees came at length to be known as the refuge of all that were in honest distress, the salvation of all in themselves such as could be helped, and a covert for the night to all the houseless, of whatever sort, except those drunk at the time. Caution had to be exercised, and judgment used; the caution was tender and the judgment stern. The next year they built a house in a sheltered spot on Glashgar, and thither from the city they brought many invalids, to spend the summer months under the care of Janet and her daughter Robina, whereby not a few were restored sufficiently to earn their bread for a time thereafter.
The very day the session was over, they returned to Glashruach, where they were received by the laird, as he was still called, as if they had been guests. They found Joseph, the old butler, reinstated, and Angus again acting as gamekeeper. Ginevra welcomed Joseph, but took the first opportunity of telling Angus that for her father's sake Sir Gilbert allowed him to remain, but on the first act of violence he should at once be dismissed, and probably prosecuted as well. Donal's eldest brother was made bailiff. Before long Gibbie got the other two also about him, and as soon as, with justice, he was able, settled them together upon one of his farms. Every Saturday, so long as Janet lived, they met, as in the old times, at the cottage—only with Ginevra in the place of the absent Donal. More to her own satisfaction, after all, than Robert's, Janet went home first,—"to be at han'," she said, "to open the door till him whan he chaps." Then Robert went to his sons below on their farm, where he was well taken care of; but happily he did not remain long behind his wife. That first summer, Nicie returned to Glashruach to wait on Lady Galbraith, was more her friend than her servant, and when she married, was settled on the estate.
For some little time Ginevra was fully occupied in getting her house in order, and furnishing the new part of it. When that was done, Sir Gilbert gave an entertainment to his tenants. The laird preferred a trip to the city, "on business," to the humiliation of being present as other than the greatest; though perhaps he would have minded it less had he ever himself given a dinner to his tenants.
Robert and Janet declined the invitation.
"We're ower auld for makin' merry 'cep' in oor ain herts," said Janet. "But bide ye, my bonny Sir Gibbie, till we're a' up yon'er, an' syne we'll see."
The place of honour was therefore given to Jean Mavor, who was beside herself with joy to see her broonie lord of the land, and be seated beside him in respect and friendship. But her brother said it was "clean ridic'lous;" and not to the last would consent to regard the new laird as other than half-witted, insisting that everything was done by his wife, and that the talk on his fingers was a mere pretence.
When the main part of the dinner was over, Sir Gilbert and his lady stood at the head of the table, and, he speaking by signs and she interpreting, made a little speech together. In the course of it Sir Gibbie took occasion to apologize for having once disturbed the peace of the country-side by acting the supposed part of a broonie, and in relating his adventures of the time, accompanied his wife's text with such graphic illustration of gesture, that his audience laughed at the merry tale till the tears ran down their cheeks. Then with a few allusions to his strange childhood, he thanked the God who led him through thorny ways into the very arms of love and peace in the cottage of Robert and Janet Grant, whence, and not from the fortune he had since inherited, came all his peace.
"He desires me to tell you," said Lady Galbraith, "that he was a stranger, and you folk of Daurside took him in, and if ever he can do a kindness to you or yours, he will.—He desires me also to say, that you ought not to be left ignorant that you have a poet of your own, born and bred among you—Donal Grant, the son of Robert and Janet, the friend of Sir Gilbert's heart, and one of the noblest of men. And he begs you to allow me to read you a poem he had from him this very morning—probably just written. It is called The Laverock. I will read it as well as I can. If any of you do not like poetry, he says—I mean Sir Gilbert says—you can go to the kitchen and light your pipes, and he will send your wine there to you."
She ceased. Not one stirred, and she read the verses—which, for the sake of having Donal in at the last of my book, I will print. Those who do not care for verse, may—metaphorically, I would not be rude—go and smoke their pipes in the kitchen.
THE LAVEROCK. (lark)THE MAN SAYS:Laverock i' the lift, (sky)Hae ye nae sang-thrift,'At ye scatter't sae heigh, an' lat it a' drift?Wasterfu' laverock!Dinna ye ken'At ye hing ower menWha haena a sang or a penny to spen'?Hertless laverock!But up there, you,I' the bow o' the blue,Haud skirlin' on as gien a' war new! (keep shrilling)Toom-heidit laverock! (empty-headed)Haith! ye're ower blythe:I see a great scytheSwing whaur yer nestie lies, doon i' the lythe, (shelter)Liltin' laverock!Eh, sic a soon'!Birdie, come doon—Ye're fey to sing sic a merry tune, (death-doomed)Gowkit laverock! (silly)Come to yer nest;Yer wife's sair prest;She's clean worn oot wi' duin' her best,Rovin' laverock!Winna ye haud?Ye're surely mad!Is there naebody there to gie ye a daud? (blow)Menseless laverock!Come doon an' conform;Pyke an honest worm,An' hap yer bairns frae the muckle storm,Spendrife laverock!THE BIRD SINGS:My nestie it liethI' the how o' a han'; (hollow)The swing o' the scythe'Ill miss 't by a span.The lift it's sae cheerie!The win' it's sae free!I hing ower my dearie,An' sing 'cause I see.My wifie's wee breistieGrows warm wi' my sang,An' ilk crumpled-up beastieKens no to think lang.Up here the sun sings, butHe only shines there!Ye haena nae wings, butCome up on a prayer.THE MAN SINGS:Ye wee daurin' cratur,Ye rant an' ye singLike an oye o' auld Natur' (grandchild)Ta'en hame by the King!Ye wee feathert priestie,Yer bells i' yer thro't.Yer altar yer breistieYer mitre forgot—Offerin' an' Aaron,Ye burn hert an' brainAn' dertin' an' daurinFlee back to yer ainYe wee minor prophet,It's 'maist my belief'At I'm doon i' Tophet,An' you abune grief!Ye've deavt me an' daudit, (deafened) (buffeted)An' ca'd me a fule:I'm nearhan' persuauditTo gang to your schule!For, birdie, I'm thinkin'Ye ken mair nor me—Gien ye haena been drinkin',An' sing as ye see.Ye maun hae a sicht 'atSees geyan far ben; (considerably) (inwards)An' a hert for the micht o' 'tWad sair for nine men! (serve)Somebody's been tillRoun to ye wha (whisper)Said birdies war seen tillE'en whan they fa'!After the reading of the poem, Sir Gilbert and Lady Galbraith withdrew, and went towards the new part of the house, where they had their rooms. On the bridge, over which Ginevra scarcely ever passed without stopping to look both up and down the dry channel in the rock, she lingered as usual, and gazed from its windows. Below, the waterless bed of the burn opened out on the great valley of the Daur; above was the landslip, and beyond it the stream rushing down the mountain. Gibbie pointed up to it. She gazed a while, and gave a great sigh. He asked her—their communication was now more like that between two spirits: even signs had become almost unnecessary—what she wanted or missed. She looked in his face and said, "Naething but the sang o' my burnie, Gibbie." He took a small pistol from his pocket, and put it in her hand; then, opening the window, signed to her to fire it. She had never fired a pistol, and was a little frightened, but would have been utterly ashamed to shrink from anything Gibbie would have her do. She held it out. Her hand trembled. He laid his upon it, and it grew steady. She pulled the trigger, and dropped the pistol with a little cry. He signed to her to listen. A moment passed, and then, like a hugely magnified echo, came a roar that rolled from mountain to mountain, like a thunder drum. The next instant, the landslip seemed to come hurrying down the channel, roaring and leaping: it was the mud-brown waters of the burn, careering along as if mad with joy at having regained their ancient course. Ginevra stared with parted lips, delight growing to apprehension as the live thing momently neared the bridge. With tossing mane of foam, the brown courser came rushing on, and shot thundering under. They turned, and from the other window saw it tumbling headlong down the steep descent to the Lorrie. By quick gradations, even as they gazed, the mud melted away; the water grew clearer and clearer, and in a few minutes a small mountain-river, of a lovely lucid brown, transparent as a smoke-crystal, was dancing along under the bridge. It had ceased its roar and was sweetly singing.
"Let us see it from my room, Gibbie," said Ginevra.
They went up, and from the turret window looked down upon the water. They gazed until, like the live germ of the gathered twilight, it was scarce to be distinguished but by abstract motion.
"It's my ain burnie," said Ginevra, "an' it's ain auld sang! I'll warran' it hasna forgotten a note o' 't! Eh, Gibbie, ye gie me a' thing!"
"Gien I was a burnie, wadna I rin!" sang Gibbie, and Ginevra heard the words, though Gibbie could utter only the air he had found for them so long ago. She threw herself into his arms, and hiding her face on his shoulder, clung silent to her silent husband. Over her lovely bowed head, he gazed into the cool spring night, sparkling with stars, and shadowy with mountains. His eyes climbed the stairs of Glashgar to the lonely peak dwelling among the lights of God; and if upon their way up the rocks they met no visible sentinels of heaven, he needed neither ascending stairs nor descending angels, for a better than the angels was with them.
1
It amuses a Scotchman to find that the word cakes, as in "The Land of Cakes," is taken, not only by foreigners, but by some English people—as how, indeed, should it be otherwise?—to mean compositions of flour, more or less enriched, and generally appreciable; whereas, in fact, it stands for the dryest, simplest preparation in the world. The genuine cakes is—(My grammar follows usage: cakes is; broth are.)—literally nothing but oatmeal made into a dough with cold water and dried over the fire—sometimes then in front of it as well.
2
Metrical paraphrases of passages of Scripture, always to be found at the end of the Bibles printed for Scotland.
3
See Sir Thomas Dick Lauder's account of the Morayshire Floods in 1829 (1st Ed., p. 181)—an enchanting book, especially to one whose earliest memories are interwoven with water-floods. For details in such kind here given, I am much indebted to it. Again and again, as I have been writing, has it rendered me miserable—my tale showing so flat and poor beside Sir Thomas's narrative. Known to me from childhood, it wakes in me far more wonder and pleasure now, than it did even in the days when the marvel of things came more to the surface.