David Elginbrod

“These wicked men have been betting, Mrs. Elton.”

“I am surprised they should be so silly,” said she, with a smile, taking it as a joke.

“What have they been betting about?” said Euphra, coming up to her uncle.

“Herr von Funkelstein has laid a hundred guineas that Mr. Sutherland will not sleep in Lady Euphrasia’s room to-night.”

Euphra turned pale.

“By sleep I suppose you mean spend the night?” said Hugh to Funkelstein. “I cannot be certain of sleeping, you know.”

“Of course, I mean that,” answered the other; and, turning to Euphrasia, continued:

“I must say I consider it rather courageous of him to dare the spectre as he does, for he cannot say he disbelieves in her. But come and sing me one of the old songs,” he added, in an under tone.

Euphra allowed him to lead her to the piano; but instead of singing a song to him, she played some noisy music, through which he and she contrived to talk for some time, without being overheard; after which he left the room. Euphra then looked round to Hugh, and begged him with her eyes to come to her. He could not resist, burning with jealousy as he was.

“Are you sure you have nerve enough for this, Hugh?” she said, still playing.

“I have had nerve enough to sit still and look at you for the last half hour,” answered Hugh, rudely.

She turned pale, and glanced up at him with a troubled look. Then, without responding to his answer, said:

“I daresay the count is not over-anxious to hold you to your bet.”

“Pray intercede for me with the count, madam,” answered Hugh, sarcastically. “He would not wish the young fool to be frightened, I daresay. But perhaps he wishes to have an interview with the ghost himself, and grudges me the privilege.”

She turned deadly pale this time, and gave him one terrified glance, but made no other reply to his words. Still she played on.

“You will arm yourself?”

“Against a ghost? Yes, with a stout heart.”

“But don’t forget the secret door through which we came that night, Hugh. I distrust the count.”

The last words were spoken in a whisper, emphasized into almost a hiss.

“Tell him I shall be armed. I tell you I shall meet him bare-handed. Betray me if you like.”

Hugh had taken his revenge, and now came the reaction. He gazed at Euphra; but instead of the injured look, which was the best he could hope to see, an expression of “pity and ruth” grew slowly in her face, making it more lovely than ever in his eyes. At last she seemed on the point of bursting into tears; and, suddenly changing the music, she began playing a dead-march. She kept her eyes on the keys. Once more, only, she glanced round, to see whether Hugh was still by her side; and he saw that her face was pale as death, and wet with silent tears. He had never seen her weep before. He would have fallen at her feet, had he been alone with her. To hide his feelings, he left the room, and then the house.

He wandered into the Ghost’s Walk; and, finding himself there, walked up and down in it. This was certainly throwing the lady a bold challenge, seeing he was going to spend the night in her room.

The excitement into which jealousy had thrown him, had been suddenly checked by the sight of Euphra’s tears. The reaction, too, after his partial intoxication, had already begun to set in; to be accounted for partly by the fact that its source had been chiefly champagne, and partly by the other fact, that he had bound himself in honour, to dare a spectre in her own favourite haunt.

On the other hand, the sight of Euphra’s emotion had given him a far better courage than jealousy or wine could afford. Yet, after ten minutes passed in the shadows of the Ghost’s Walk, he would not have taken the bet at ten times its amount.

But to lose it now would have been a serious affair for him, the disgrace of failure unconsidered. If he could have lost a hundred guineas, it would have been comparatively a slight matter; but to lose a bet, and be utterly unable to pay it, would be disgraceful—no better than positive cheating. He had not thought of this at the time. Nor, even now, was it more than a passing thought; for he had not the smallest desire to recede. The ambition of proving his courage to Euphra, and, far more, the strength just afforded him by the sight of her tears, were quite sufficient to carry him on to the ordeal. Whether they would carry him through it with dignity, he did not ask himself.

And, after all, would the ghost appear? At the best, she might not come; at the very worst, she would be but a ghost; and he could say with Hamlet—

“for my soul, what can it do to that,Being a thing as immortal as itself?”

But then, his jealousy having for the moment intermitted, Hugh was not able to say with Hamlet—

“I do not set my life at a pin’s fee;”

and that had much to do with Hamlet’s courage in the affair of the ghost.

He walked up and down the avenue, till, beginning to feel the night chilly, he began to feel the avenue eerie; for cold is very antagonistic to physical courage. But what refuge would he find in the ghost’s room?

He returned to the drawing-room. Von Funkelstein and Euphra were there alone, but in no proximity. Mr. Arnold soon entered.

“Shall I have the bed prepared for you, Mr. Sutherland?” said Euphra.

“Which of your maids will you persuade to that office?” said Mr. Arnold, with a facetious expression.

“I must do it myself,” answered Euphra, “if Mr. Sutherland persists.”

Hugh saw, or thought he saw, the Bohemian dart an angry glance at Euphra, who shrank under it. But before he could speak, Mr. Arnold rejoined:

“You can make a bed, then? That is the housemaid’s phrase, is it not?”

“I can do anything another can, uncle.”

“Bravo! Can you see the ghost?”

“Yes,” she answered, with a low lingering on the sibilant; looking round, at the same time, with an expression that implied a hope that Hugh had heard it; as indeed he had.

“What! Euphra too?” said Mr. Arnold, in a tone of gentle contempt.

“Do not disturb the ghost’s bed for me,” said Hugh. “It would be a pity to disarrange it, after it has lain so for an age. Besides, I need not rouse the wrath of the poor spectre more than can’t be helped. If I must sleep in her room, I need not sleep in her bed. I will lie on the old couch. Herr von Funkelstein, what proof shall I give you?”

“Your word, Mr. Sutherland,” replied Funkelstein, with a bow.

“Thank you. At what hour must I be there.”

“Oh! I don’t know. By eleven I should think. Oh! any time before midnight. That’s the ghost’s own, is it not? It is now—let me see—almost ten.”

“Then I will go at once,” said Hugh, thinking it better to meet the gradual approach of the phantom-hour in the room itself, than to walk there through the desolate house, and enter the room just as the fear would be gathering thickest within it. Besides, he was afraid that his courage might have broken down a little by that time, and that he would not be able to conceal entirely the anticipative dread, whose inroad he had reason to apprehend.

“I have one good cup of tea yet, Mr. Sutherland,” said Euphra. “Will you not strengthen your nerves with that, before we lead you to the tomb?”

“Then she will go with me,” thought Hugh. “I will, thank you, Miss Cameron.”

He approached the table at which she stood pouring out the cup of tea. She said, low and hurriedly, without raising her head:

“Don’t go, dear Hugh. You don’t know what may happen.”

“I will go, Euphra. Not even you shall prevent me.”

“I will pay the wager for you—lend you the money.”

“Euphra!”—The tone implied many things.

Mr. Arnold approached. Other conversation followed. As half-past ten chimed from the clock on the chimney-piece, Hugh rose to go.

“I will just get a book from my room,” he said; “and then perhaps Herr von Funkelstein will be kind enough to see me make a beginning at least.”

“Certainly I will. And I advise you to let the book be Edgar Poe’s Tales.”

“No. I shall need all the courage I have, I assure you. I shall find you here?”

“Yes.”

Hugh went to his room, and washed his face and hands. Before doing so, he pulled off his finger a ring of considerable value, which had belonged to his father. As he was leaving the room to return to the company, he remembered that he had left the ring on the washhand-stand. He generally left it there at night; but now he bethought himself that, as he was not going to sleep in the room, it might be as well to place it in the escritoire. He opened the secret place, and laid the diamond beside his poems and the crystal ring belonging to Mr. Arnold. This done, he took up his book again, and, returning to the drawing-room, found the whole party prepared to accompany him. Mr. Arnold had the keys. Von Funkelstein and he went first, and Hugh followed with Euphra.

“We will not contribute to your discomfiture by locking the doors on the way, Mr. Sutherland,” said Mr. Arnold.

“That is, you will not compel me to win the wager in spite of my fears,” said Hugh.

“But you will let the ghost loose on the household,” said the Bohemian, laughing.

“I will be responsible for that,” replied Mr. Arnold.

Euphra dropped a little behind with Hugh.

“Remember the secret passage,” said she. “You can get out when you will, whether they lock the door, or not. Don’t carry it too far, Hugh.”

“The ghost you mean, Euphra.—I don’t think I shall,” said Hugh, laughing. But as he laughed, an involuntary shudder passed through him.

“Have I stepped over my own grave?” thought he.

They reached the room, and entered. Hugh would have begged them to lock him in, had he not felt that his knowledge of the secret door, would, although he intended no use of it, render such a proposal dishonourable. They gave him the key of the door, to lock it on the inside, and bade him good night. They were just leaving him, when Hugh on whom a new light had broken at last, in the gradual restoration of his faculties, said to the Bohemian:

“One word with you, Herr von Funkelstein, if you please.”

Funkelstein followed him into the room; when Hugh half-closing the door, said:

“I trust to your sympathy, as gentleman, not to misunderstand me. I wagered a hundred guineas with you in the heat of after-dinner talk. I am not at present worth a hundred shillings.”

“Oh!” began Funkelstein, with a sneer, “if you wish to get off on that ground—”

“Herr von Funkelstein,” interrupted Hugh, in a very decided tone, “I pointed to your sympathy as a gentleman, as the ground on which I had hoped to meet you now. If you have difficulty in finding that ground, another may be found to-morrow without much seeking.”

Hugh paused for a moment after making this grand speech; but Funkelstein did not seem to understand him: he stood in a waiting attitude. Hugh therefore went on:

“Meantime, what I wanted to say is this:—I have just left a ring in my room, which, though in value considerably below the sum mentioned between us, may yet be a pledge of my good faith, in as far as it is of infinitely more value to me than can be reckoned in money. It was the property of one who by birth, and perhaps by social position as well, was Herr von Funkelstein’s equal. The ring is a diamond, and belonged to my father.”

Von Funkelstein merely replied:

“I beg your pardon, Mr. Sutherland, for misunderstanding you. The ring is quite an equivalent.” And making him a respectful bow, he turned and left him.

CHAPTER XXIV. THE LADY EUPHRASIA

The black jades of swart night trot foggy rings ‘Bout heaven’s brow. ‘Tis now stark dead night.

JOHN MARSTON.—Second Part of Antonio and Mellida.

As soon as Hugh was alone, his first action was to lock the door by which he had entered; his next to take the key from the lock, and put it in his pocket. He then looked if there were any other fastenings, and finding an old tarnished brass bolt as well, succeeded in making it do its duty for the first time that century, which required some persuasion, as may be supposed. He then turned towards the other door. As he crossed the room, he found four candles, a decanter of port, and some biscuits, on a table—placed there, no doubt, by the kind hands of Euphra. He vowed to himself that he would not touch the wine. “I have had enough of that for one night,” said he. But he lighted the candles; and then saw that the couch was provided with plenty of wraps for the night. One of them—he recognised to his delight—was a Cameron tartan, often worn by Euphra. He buried his face in it for a moment, and drew from it fresh courage. He then went into the furthest recess, lifted the tapestry, and proceeded to fasten the concealed door. But, to his discomfiture, he could find no fastening upon it. “No doubt,” thought he, “it does fasten, in some secret way or other.” But he could discover none. There was no mark of bolt or socket to show whence one had been removed, nor sign of friction to indicate that the door had ever been made secure in such fashion. It closed with a spring.

“Then,” said Hugh, apostrophising the door, “I must watch you.”

As, however, it was not yet near the time when ghosts are to be expected, and as he felt very tired, he drank one glass of the wine, and throwing himself on the couch, drew Euphra’s shawl over him, opened his book, and began to read. But the words soon vanished in a bewildering dance, and he slept.

He started awake in that agony of fear in which I suppose most people have awaked in the night, once or twice in their lives. He felt that he was not alone. But the feeling seemed, when he recalled it, to have been altogether different from that with which we recognise the presence of the most unwelcome bodily visitor. The whole of his nervous skeleton seemed to shudder and contract. Every sense was intensified to the acme of its acuteness; while the powers of volition were inoperative. He could not move a finger.

The moment in which he first saw the object I am about to describe, he could not recall. The impression made seemed to have been too strong for the object receiving it, destroying thus its own traces, as an overheated brand-iron would in dry timber. Or it may be that, after such a pre-sensation, the cause of it could not surprise him.

He saw, a few paces off, bending as if looking down upon him, a face which, if described as he described it, would be pronounced as far past the most liberal boundary-line of art, as itself had passed beyond that degree of change at which a human countenance is fit for the upper world no longer, and must be hidden away out of sight. The lips were dark, and drawn back from the closed teeth, which were white as those of a skull. There were spots—in fact, the face corresponded exactly to the description given by Funkelstein of the reported ghost of Lady Euphrasia. The dress was point for point correspondent to that in the picture. Had the portrait of Lady Euphrasia been hanging on the wall above, instead of the portrait of the unknown nun, Hugh would have thought, as far as dress was concerned, that it had come alive, and stepped from its frame—except for one thing: there was no ring on the thumb.

It was wonderful to himself afterwards, that he should have observed all these particulars; but the fact was, that they rather burnt themselves in upon his brain, than were taken notice of by him. They returned upon him afterwards by degrees, as one becomes sensible of the pain of a wound.

But there was one sign of life. Though the eyes were closed, tears flowed from them; and seemed to have worn channels for their constant flow down this face of death, which ought to have been lying still in the grave, returning to its dust, and was weeping above ground instead. The figure stood for a moment, as one who would gaze, could she but open her heavy, death-rusted eyelids. Then, as if in hopeless defeat, she turned away. And then, to crown the horror literally as well as figuratively, Hugh saw that her hair sparkled and gleamed goldenly, as the hair of a saint might, if the aureole were combed down into it. She moved towards the door with a fettered pace, such as one might attribute to the dead if they walked;—to the dead body, I say, not to the living ghost; to that which has lain in the prison-hold, till the joints are decayed with the grave-damps, and the muscles are stiff with more than deathly cold. She dragged one limb after the other slowly and, to appearance, painfully, as she moved towards the door which Hugh had locked.

When she had gone half-way to the door, Hugh, lying as he was on a couch, could see her feet, for her dress did not reach the ground. They were bare, as the feet of the dead ought to be, which are about to tread softly in the realm of Hades, But how stained and mouldy and iron-spotted, as if the rain had been soaking through the spongy coffin, did the dress show beside the pure whiteness of those exquisite feet! Not a sign of the tomb was upon them. Small, living, delicately formed, Hugh, could he have forgot the face they bore above, might have envied the floor which in their nakedness they seemed to caress, so lingeringly did they move from it in their noiseless progress.

She reached the door, put out her hand, and touched it. Hugh saw it open outwards and let her through. Nor did this strike him as in the smallest degree marvellous. It closed again behind her, noiseless as her footfalls.

The moment she vanished, the power of motion returned to him, and Hugh sprang to his feet. He leaped to the door. With trembling hand he inserted the key, and the lock creaked as he turned it.

In proof of his being in tolerable possession of his faculties at the moment, and that what he was relating to me actually occurred, he told me that he remembered at once that he had heard that peculiar creak, a few moments before Euphra and he discovered that they were left alone in this very chamber. He had never thought of it before.

Still the door would not open: it was bolted as well, and the bolt was very stiff to withdraw. But at length he succeeded.

When he reached the passage outside, he thought he saw the glimmer of a light, perhaps in the picture-gallery beyond. Towards this he groped his way.—He could never account for the fact, that he left the candles burning in the room behind him and went forward into the darkness, except by supposing that his wits had gone astray, in consequence of the shock the apparition had occasioned them.—When he reached the gallery, there was no light there; but somewhere in the distance he saw, or fancied, a faint shimmer.

The impulse to go towards it was too strong to be disputed with. He advanced with outstretched arms, groping. After a few steps, he had lost all idea of where he was, or how he ought to proceed in order to reach any known quarter. The light had vanished. He stood.—Was that a stealthy step he heard beside him in the dark? He had no time to speculate, for the next moment he fell senseless.

CHAPTER XXV. NEXT MORNING

Darkness is fled: look, infant morn hath drawn Bright silver curtains ‘bout the couch of night; And now Aurora’s horse trots azure rings, Breathing fair light about the firmament. Stand; what’s that?

JOHN MARSTON.—Second Part of Antonio and Mellida.

When he came to himself, it was with a slow flowing of the tide of consciousness. His head ached. Had he fallen down stairs?—or had he struck his head against some projection, and so stunned himself? The last he remembered was—standing quite still in the dark, and hearing something. Had he been knocked down? He could not tell.—Where was he? Could the ghost have been all a dream? and this headache be nature’s revenge upon last night’s wine?—For he lay on the couch in the haunted chamber, and on his bosom lay the book over which he had dropped asleep.

Mingled with all this doubt, there was another. For he remembered that, when consciousness first returned, he felt as if he had seen Euphra’s face bending down close over his.—Could it be possible? Had Euphra herself come to see how he had fared?—The room lay in the grey light of the dawn, but Euphra was nowhere visible. Could she have vanished ashamed through the secret door? Or had she been only a phantasy, a projection outwards of the form that dwelt in his brain; a phenomenon often occurring when the last of sleeping and the first of waking are indistinguishably blended in a vague consciousness?

But if it was so, then the ghost?—what of it? Had not his brain, by the events of the preceding evening, been similarly prepared with regard to it? Was it not more likely, after all, that she too was the offspring of his own imagination—the power that makes images—especially when considered, that she exactly corresponded to the description given by the Bohemian?—But had he not observed many points at which the Count had not even hinted?—Still, it was as natural to expect that an excited imagination should supply the details of a wholly imaginary spectacle, as that, given the idea of Euphra’s presence, it should present the detail of her countenance; for the creation of that which is not, belongs as much to the realm of the imagination, as the reproduction of that which is.

It seemed very strange to Hugh himself, that he should be able thus to theorize, before even he had raised himself from the couch on which, perhaps, after all, he had lain without moving, throughout that terrible night, swarming with the horrors of the dead that would not sleep. But the long unconsciousness, in which he had himself visited the regions of death, seemed to have restored him, in spite of his aching head, to perfect mental equilibrium. Or, at least, his brain was quiet enough to let his mind work. Still, he felt very ghastly within. He raised himself on his elbow, and looked into the room. Everything was the same as it had been the night before, only with an altered aspect in the dawn-light. The dawn has a peculiar terror of its own, sometimes perhaps even more real in character, but very different from the terrors of the night and of candle-light. The room looked as if no ghost could have passed through its still old musty atmosphere, so perfectly reposeful did it appear; and yet it seemed as if some umbra, some temporary and now cast-off body of the ghost, must be lying or lingering somewhere about it. He rose, and peeped into the recess where the cabinet stood. Nothing was there but the well remembered carving and blackness. Having once yielded to the impulse, he could not keep from peering every moment, now into one, and now into another of the many hidden corners. The next suggesting itself for examination, was always one he could not see from where he stood:—after all, even in the daylight, there might be some dead thing there—who could tell? But he remained manfully at his post till the sun rose; till bell after bell rang from the turret; till, in short, Funkelstein came to fetch him.

“Good morning, Mr. Sutherland,” said he. “How have you slept?”

“Like a—somnambulist,” answered Hugh, choosing the word for its intensity. “I slept so sound that I woke quite early.”

“I am glad to hear it. But it is nearly time for breakfast, for which ceremony I am myself hardly in trim yet.”

So saying, Funkelstein turned, and walked away with some precipitation. What occasioned Hugh a little surprise; was, that he did not ask him one question more as to how he had passed the night. He had, of course, slept in the house, seeing he presented himself in deshabille.

Hugh hastened to his own room, where, under the anti-ghostial influences of the bath, he made up his mind not to say a word about the apparition to any one.

“Well, Mr. Sutherland, how have you spent the night?” said Mr. Arnold, greeting him.

“I slept with profound stupidity,” answered Hugh; “a stupidity, in fact, quite worthy of the folly of the preceding wager.”

This was true, as relating to the time during which he had slept, but was, of course, false in the impression it gave.

“Bravo!” exclaimed Mr. Arnold, with an unwonted impulsiveness. “The best mood, I consider, in which to meet such creations of other people’s brains! And you positively passed a pleasant night in the awful chamber? That is something to tell Euphra. But she is not down yet. You have restored the character of my house, Mr. Sutherland; and next to his own character, a man ought to care for that of his house. I am greatly in your debt, sir.”

At this moment, Euphra’s maid brought the message, that her mistress was sorry she was unable to appear at breakfast.