Popular Lectures on Zoonomia

In an organ, or flute, the air, which is driven through the pipe, strikes against the edge of the lips of the instrument in its passage, and by being accumulated there, is condensed, and this condensation produces waves or pulses in the air.

When a gun is discharged, a great quantity of air is produced, by the firing of the gunpowder, which being violently propelled from the piece, condenses the air that encompasses the space where the expansion happens; for whatever is driven out from the space where the expansion is made will be forcibly driven into the space all around it. This condensation forms the first pulse, and as this, by its elasticity, expands again, pulses of the same sort will be produced and propagated forwards.

There is likewise another curious instance of the production of sound, when a tube is held over a stream of inflamed hydrogen gas issuing out of a capillary tube in a bottle.

Sounding bodies propagate their motions on all sides, directly forwards, by successive condensations and rarefactions, so that sound is driven in all directions, backwards and forwards, upwards and downwards, and on every side; the pulses go on succeeding each other like circles in disturbed water.

Sounds differ from each other both with respect to their tone and intensity: in respect to their tone, they are distinguished into grave and acute: in respect to their intensity, they are distinguished into loud and low, or strong and weak. The tone of a sound depends on the velocity with which the vibrations are performed, for the greater the number of vibrations in a given time, the more acute will be the tone, and on the contrary, the smaller the number, the more grave it will be. The tone of a sound is not altered by the distance of the ear from the sounding body; but the intensity or strength of any sound depends on the force with which the waves of the air strike the ear; and this force is different at different distances; so that a sound which is very loud when we are near the body that produces it, will be weaker if we are further from it, though its tone will suffer no alteration; and the distance may be so great that we cannot hear it at all. It has been demonstrated, that the intensity of sound at different distances from the sounding body is inversely as the square of the distance.

Sound moves with the same velocity at all distances from the sounding body, otherwise it would not produce the same tone at all distances. Sounds of different tones likewise move with the same velocity. This is evident from a peal of bells being heard in the same order in which they are rung, whether we are near, or at a distance.

It is likewise found that sounds of the same tone but of different intensities are propagated with the same velocity. A low sound cannot indeed be heard so far as a loud one; but sounds, whether low or loud, will be conveyed in an equal time to any equal distance at which they can both be heard. The report of a cannon does not move faster, or pass over a given space sooner, than the sound of a musical string.

The principal cause of the decay of sound is the want of perfect elasticity in the air: whence it happens that every subsequent particle has not the entire motion of the preceding particle communicated to it, as is the case with equal and perfectly elastic bodies; consequently the further the motion is propagated, the more will the velocity with which the particles move be diminished; the condensation of the air will be diminished also, and consequently its effect on the ear. That the want of perfect elasticity in the air is the principal cause of the decay of sound, appears from this, that sounds are perceived more distinctly when the north and easterly winds prevail, at which time the air is dry and dense, as appears from the hygrometer and barometer; and, of course, the air in this state must be more elastic, for the vapours diffused through the atmosphere, unless dilated by intense heat, diminish the spring of the air.

That sound is not propagated to all distances instantaneously, but requires a sensible time for its passage from one place to another, is evident from the discharge of a gun at a distance; for the report is not heard till some time after the flash is seen. Light moves much more swiftly than sound; it comes from the sun in eight minutes, which is at the rate of 74,420 leagues in a second; so that the velocity of light may be considered as instantaneous, at any distance on the earth; and, as sound takes up a considerable time in its passage, the interval between the flash and the report of the gun shows the space it passes over in a given time, which is found to be 1142 feet in a second; so that if three seconds elapse between the time when we see the flash and hear the report of the gun, it must be distant 1142 yards.

From experiments that have been made at different times, by various philosophers, we may collect the following results. First, That the mean velocity of sound is a mile in about 4 3/4 seconds, or 1142 feet in a second of time. Secondly, That all sounds, whether they be weak or strong, have the same velocity. Thirdly, That sound moves over equal spaces in equal times, from the beginning to the end.

The tone of a musical string, or a bell, appears continuous. This depends upon a law of sensation, formerly mentioned, namely, that impressions made upon any of the organs of sense do not immediately vanish, but remain some time; and we hear sound continuous from these vibrations, for the same reason that we hear it continuous when we draw a stick quickly along a rail, or a quill along the teeth of a comb; the vibrations succeed each other so quickly that we hear the succeeding before the effect of the preceding is worn off; though it must be evident that the impression produced by each pulse or wave of the air is perfectly distinct and insulated.

The act of combining sounds in such a manner as to be agreeable to the ear, is called music. This art is usually divided into melody and harmony. An agreeable succession of sounds is called melody; but when two or more sounds are produced together, and afford an agreeable sensation, the effect is called harmony. When two sounds are produced together, and afford pleasure to the sense of hearing, the effect is called a concord; but when the sensation produced is harsh or disagreeable, it is called a discord. These different effects seem to depend upon the coincidence of the vibrations of the two strings, and consequently on the coincidence of the pulses which they excite in the air. When the strings are equally stretched, and of the same length and thickness, their vibrations will always coincide, and they produce a sound so similar to each other, that it is called unison, which is the most perfect concord. When one string is only half the length of the other, the vibrations coincide at every second vibration of the shorter string: this produces a compound sound, which is more agreeable to the ear than any other, except the unison; this note, when compared with the tone produced by the longer string, is called the octave to it, because the interval between the two notes is so divided by musicians that from one to the other they reckon eight different tones.

If the strings be of the length, two and three, the coincidence of the pulses will happen less frequently, viz. at every third vibration of the shorter string, and the concord will be less perfect. This forms what is called a fifth. The less frequent the coincidence of the vibrations, the less perfect will be the concord, or the less pleasure will it afford to the mind; till the vibrations coincide so seldom, that the sound produced by both strings at once is harsh and disagreeable, and is called a discord.

The effects of music upon the mind, the power by which it moves the heart, touches the passions, and excites sometimes the highest pleasure, and sometimes the deepest melancholy, depend upon melody. By a simple melody the ignorant are affected as well as those skilled in music. The pleasures arising from harmony or a combination of sounds are acquired rather than natural. Its pleasures are the result of experience and knowledge in music; music affords a source of innocent and inexhaustible pleasure, but its effects are different on different persons: some are enthusiastically fond of it, while others hear the sweetest airs with a listlessness bordering upon indifference. This has been supposed to depend on a musical ear, which is not given by nature to all. The cause of this difference is by no means evident. It does not depend on the delicacy of the sense of hearing, for there are some persons half deaf, who have the greatest relish for music; while others who have a very acute sense of hearing have no relish for music. In some instances I think a musical ear has been acquired where it did not seem originally to exist.

The force of sound is increased by the reflection of many bodies, particularly such as are hard or elastic, which receive the waves or pulses of the air and reflect them back again; these reflected pulses, striking the ear along with the original, strengthen the original sound. Hence it is, that the voice of a speaker is louder, and more distinctly heard, in a room than in the open air. I said that these reflected sounds entered the ear at the same time with the original: this however is not strictly the case, for they must enter the ear after the original, because the sound has a greater space to move over: but they enter the ear so quickly after the original that our sense cannot distinguish the difference. If however the reflecting body should be placed at such a distance, that the reflected sound should enter the ear some considerable or sensible time after the original, an echo or distinct sound would be heard.

It appears from experiment that the ear of an experienced musician can only distinguish such sounds as follow each other at the rate of nine or ten in a second, or any lower rate; and therefore that we may have a distinct perception of the direct and reflected sound, there should at least be an interval of 1/9 of a second; but in this time sound passes over one hundred and twenty seven feet, and consequently, unless the space between the sounding body and the reflecting surface, added to that between the reflecting surface and the ear, be greater than one hundred and twenty seven feet, no echo will be heard, because the reflected sound will enter the ear so soon after the original, that the difference cannot be distinguished; and therefore it will only serve to augment the original sound.

From what has been said, it is evident, in order that a person may hear the echo of his own voice, that he should stand at least sixty three, or sixty four feet from the reflecting obstacle, so that the sound may have time to move over at least one hundred and twenty seven feet before it come to his ear, otherwise he could not distinguish it from the original sound.

But though the first reflected pulses may produce no echo, both on account of their being too few in number, and too rapid in their return to the ear; yet it must be evident that the reflecting surface may be so formed, that the pulses, which come to the ear after two or more reflections, may, after having passed over one hundred and twenty seven feet or more, arrive at the ear in sufficient numbers to produce an echo, though the distance of the reflecting surface from the ear be less than the limit of echoes. This is instanced by the echoes that we hear in several caves or caverns.

The sense of hearing is more apt to be vitiated or diseased than any of the other senses, which indeed is not surprising, when we consider that its organ is complex, consisting of many minute parts, which are apt to be deranged.

It sometimes becomes too acute, and this may arise either from too great an irritability of the whole nervous system, which often occurs in hysteria, also in phrenitis, and some fevers; or from an inflamed state of the ear itself.

The sense of hearing becomes diminished, and often entirely abolished; and this may arise from various causes, such as an original defect in the external ear, or the meatus auditorius, or both; the meatus auditorius is often blocked up with wax or other substances, which being removed, the hearing becomes perfect. Deafness may likewise arise from a rigidity of the membrane of the tympanum, from its being erodedor ruptured, or from an obstruction of the Eustachian tube. It may likewise arise from a paralysis or torpor of the auditory nerve, or from some diseased state of the labyrinth, or from a vitiated state of the brain and nerves. There is a kind of nervous deafness which comes on suddenly, and often leaves the patient as suddenly.

There are various instances, however, in which the membane of the tympanum has been lacerated or destroyed, without a total loss of the sense of hearing, or indeed any great diminution of it. A consideration of these circumstances induced Mr. Astley Cooper to think of perforating it, in cases of deafness arising from a permanent obstruction of the Eustachian tube, and he has often performed this operation with great success. Of this he has given an account in the last part of the Philosophical Transactions. This operation ought however only to be performed in case of the closure of the Eustachian tube. Cases of this kind may be distinguished by the followingcriteria. If a person on blowing the nose violently, feel a swelling in the ear, from the membrane of the tympanum being forced outwards, the tube is open; and though the tube be closed, if the beating of a watch placed between the teeth, or pressed against the side of the head, cannot be heard, the operation cannot relieve, as the sensibility of the auditory nerve must have been destroyed. In a closed Eustachian tube, there is no noise in the head, like that accompanying nervous deafness.

There is one species of deafness, which occurs very frequently, and happens generally to old persons, though sometimes to the delicate and irritable in the earlier periods of life. Anxiety and distress of mind have been known to produce it. Its approach is generally gradual, the patient hears better at one time than at another; a cloudy day, a warm room, agitated spirits, or the operation of fear, will produce a considerable diminution in the powers of the organ. In the open air the hearing is better than in a confined situation; in a noisy, than in a quiet society; in a coach when it is in motion, than when it is still. A pulsation is often felt in the ear; a noise resembling sometimes the roaring of the sea, and at others the ringing of distant bells is heard. This deafness generally begins with a diminished secretion of the wax of the ear, which the patient attributes to cold. It may be cured, particularly at its commencement, by the application of such stimulants as are capable of exciting a discharge from the ceruminous glands; for which purpose thev should be introduced into the meatus auditorius.

In some cases of this kind, where the auditory nerve has been in some degree torpid, or rather perhaps where there has been a kind of paralysis, or want of action, in the muscles which brace the membrane of the tympanum, and keep the chain of bones in their proper state; a person has not been able to hear, except during a considerable noise. Willis mentions the case of a person who could only hear when a drum was beaten near her; and we are told of a woman who could not hear a word except when the sound of a drum was near, in which case she could hear perfectly well. When she married, her husband hired a drummer for his servant. In instances of this kind the noise probably excites the action of the torpid muscles, which then put the apparatus in a proper condition to hear.

LECTURE VIII. VISION

In order to understand properly the theory of vision, it will be necessary to premise an anatomical description of the eye: but I shall content myself with as short a one as will suffice to explain the effects it produces on the rays of light, so as to produce the distinct vision of an object.

The shape of the eye is nearly spherical; it is composed of several coats or tunics, one within another; and is filled with transparent humours of different densities.

The proper coats of the eye are reckoned five in number; viz. the sclerotica, cornea, choroides, iris or uvea, and the retina.

After the tunica conjunctiva, or adnata, (a membrane, which, having lined the eyelids in the manner of a cuticle, surrounds the anterior part of the globe) is removed, we perceive a white, firm, membrane, called the sclerotica, which takes its rise from that part of the globe where the optic nerve enters, and surrounds the whole eye, except a little in the fore part; which fore part has a membrane, immediately to be described, called the cornea. The tunica sclerotica, viewed through the conjunctiva, forms what is called the white of the eye. Some anatomists have supposed that this coat is a continuation of the dura mater, which surrounds the optic nerve; but later observations have shown this opinion to be ill founded. The tunica sclerotica consists of two layers, which are with difficulty separated.

The next coat is the cornea, so called from its resemblance to transparent horn; it arises where the sclerotic coat ends, and forms the fore part of the eye. The cornea is a segment of a lesser sphere than the rest of the eye, and consequently makes it more prominent on the fore part: it is transparent, and firmly connected by its edges to the sclerotica.

Immediately adherent to the sclerotica, within, is the choroides, which takes its rise from that part of the eye where the optic nerve enters, and accompanies the sclerotica to the place where it is joined to the cornea; here it is very closely connected to the sclerotica, where it forms that annulus, called ligamentum ciliare; then leaving the sclerotic coat, it is turned inwards, and surrounds the crystalline lens; but as this circle, where it embraces the crystalline, is much narrower than where the membrane leaves the sclerotic coat, it becomes beautifully corrugated, which folds or corrugations have been, by the more ancient anatomists, improperly called ciliary processes.

To the same part of the choroid coat, where the ciliary ligament begins, is fixed a moveable and curious membrane, called the iris; this membrane has a perforation in the middle, called the pupil, for the admission of the rays of light. The iris is composed of two kinds of fibres: those of the one sort tend, like the radii of a circle, towards its centre, and the others form a number of concentric circles round the same centre. The pupil is of no constant magnitude, for when a very luminous object is viewed, the circular fibres of the iris contract, and diminish its orifice; and, on the contrary, when objects are dark and obscure, those fibres relax, and suffer the pupil to enlarge, in order to admit a greater quantity of light into the eye: it is thought that the radial fibres also assist in enlarging the pupil. The iris is variously coloured in different persons, but according to no certain rule; though in general, they who have light hair, and a fair complexion, have the iris blue or grey; and, on the contrary, they whose hair and complexion are dark, have the iris of a deep brown; but whether this difference in colour occasions any difference in the sense, is not yet discovered. In the human eye the whole choroid coat, and even the interior surface of the iris or uvea, is lined with a black mucus; this mucus, or as it is called, pigmentum, is darkest in young persons, and becomes more light coloured as we advance in years. In many animals, but more particularly those which catch their prey in the night, this pigmentum is of a bright colour: its use will appear afterwards.

The last, and innermost coat of the eye, is the retina, it differs much from the above mentioned coats, being very delicate and tender. It is nothing but an expansion of the medullary part of the optic nerve, which is inserted into each eye, nearer the nose, and a little higher, than the axis. This coat has been thought by many to end where the choroides, going inwards, towards the axis of the eye, forms the ciliary ligament; Dr. Monro thinks that it is not continued so far, and we cannot see with what advantage it could have been continued to the ciliary ligament, since none of the rays of light, passing through the pupil, could fall upon that part of it. In the middle of the optic nerve is found the branch of an artery, from the internal carotid, which is diffused and ramified in a beautiful manner along the retina. From this artery, a small branch goes through the middle of the vitreous humour, and giving off branches on every side, expands itself upon the capsule of the crystalline lens.

We shall now consider the humours of the eye, which are three in number, the aqueous, the crystalline, and the vitreous; all transparent, and in general colourless; but of different densities.

The aqueous humour, so called from its resemblance to water, fills up all the space between the cornea and the crystalline humour. It is partly before and partly behind the uvea, and is divided by that membrane into two parts, which are called the chambers of the aqueous humour; which chambers communicate with each other by means of the pupil.

The next humour is the crystalline; it is situated between the aqueous and vitreous humours, and is connected to the choroid coat by the ciliary ligament: it is not the least of all the humours, as has been generally supposed, the aqueous and it being of equal weights; but its substance is more firm and solid than that of the other humours: its figure is that of a double convex lens; but the fore part next the pupil is not so convex as its other side, which is contiguous to the vitreous humour; the diameter of the sphere, of which its anterior segment is a part, being in general about seven or eight lines, whereas the diameter of the sphere, of which its posterior segment forms a portion, is commonly only about five or six lines. It is covered with a fine transparent capsule, which is called arachnoides. This humour is situated exactly behind the pupil, but not in the centre of the eye, as was supposed by Vesalius, being a good deal nearer its forepart. The convexity of its posterior surface is received into an equal concavity of the vitreous humour. It is not of an equal density throughout, but is much more hard and dense towards its centre than externally, the reason of which will appear hereafter. Till we arrive at about our thirtieth year, this humour continues perfectly transparent, and colourless; about that time it generally has a little tinge of yellow, and this colour increases with age.

The third humour of the eye, is the vitreous; it is the largest of all the humours, filling up the whole of that part of the eye which lies behind the crystalline humour. It is thicker than the aqueous, but thinner than the crystalline humour; on its back part is spread the retina, and in the middle of its fore part is a small cavity, in which the whole posterior surface of the crystalline lens lies; this humour is also enclosed in a very fine capsule, called tunica vitrea; this capsule at the edge of the crystalline humour is divided into two membranes, of which the one is continued over the whole anterior surface of the vitreous humour, and lines that cavity into which the back part of the crystalline is received; the other passes over the crystalline humour, and covers all its fore part, by which means these two humours are closely connected together. The weights of the aqueous, crystalline, and vitreous humours in a human eye, are, according to the accurate Petit, at a medium, to each other, as 1, 1, and 25.

It was thought necessary to premise this general description of the structure of the eye, in order that what we are going to add in the remaining part of this Lecture may be the more easily comprehended. A more distinct idea will perhaps be had from a contemplation of the following figure, which represents the section of an eye by a vertical plane passing through its centre.

[FIGURE]EXPLANATION

NOO represents the optic nerve.

The outmost line ALLB represents the sclerotic coat, and the

part ACB the transparent cornea.

The line ALLB, immediately within the former, represents the

choroides; the part APB is the iris or uvea, in which the hole at P

is the pupil.

The line FOOG is the retina.

The cavity ACBEMDA is the aqueous humour.

DE is the crystalline lens or humour.