The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 11 of 12)

Notable features in the initiation of Australian medicine-men.

In this account of the manner in which medicine-men obtain their magical powers not only are the supposed death and resurrection of the novice worthy of attention, but also the exchange of internal organs which in the Binbinga and Mara tribes is supposed to be effected between the man and the spirit;628 for this exchange resembles that which, on the theory I have suggested, may be thought to take place between a lad and his totem at the ceremonies of initiation which mark the momentous transition from boyhood to manhood. Further, the bodily mutilation which is the visible sign of the medicine-man's initiation (for however the hole may be made it certainly exists in the tongues of regular Arunta practitioners) corresponds to the bodily mutilations of other sorts, which in many savage tribes attest to the world that the mutilated persons are fullgrown men. What the precise meaning of such mutilations may be, still remains very obscure; but they seem in some cases to be directly associated with the conception of death and resurrection.

Rites of initiation in some tribes of German New Guinea. The novices thought to be swallowed and disgorged by a monster, whose voice is heard in the hum of the bull-roarers.

This association certainly comes out plainly in the rites of initiation through which in some parts of New Guinea all lads must pass before they attain to the status of adults. The rites are observed by a group of tribes who occupy contiguous territories about Finsch Harbour and Huon Gulf in German New Guinea. The tribes in question are the Yabim, the Bukaua, the Kai, and the Tami. All of them except the Kai belong to the Melanesian stock and are therefore presumably immigrants from the adjoining islands; but the Kai, who inhabit the rugged, densely wooded, and rainy mountains inland from Finsch Harbour, belong to the aboriginal Papuan stock and differ from their neighbours in speech as well as in appearance. Yet the rites of initiation which all these tribes celebrate and the beliefs which they associate with them are so similar that a single description will apply accurately enough to them all. All of them, like many Australian tribes, require every male member of the tribe to be circumcised before he ranks as a full-grown man; and the tribal initiation, of which circumcision is the central feature, is conceived by them, as by some Australian tribes, as a process of being swallowed and disgorged by a mythical monster, whose voice is heard in the humming sound of the bull-roarer. Indeed the New Guinea tribes not only impress this belief on the minds of women and children, but enact it in a dramatic form at the actual rites of initiation, at which no woman or uninitiated person may be present. For this purpose a hut about a hundred feet long is erected either in the village or in a lonely part of the forest. It is modelled in the shape of the mythical monster; at the end which represents his head it is high, and it tapers away at the other end. A betel-palm, grubbed up with the roots, stands for the backbone of the great being and its clustering fibres for his hair; and to complete the resemblance the butt end of the building is adorned by a native artist with a pair of goggle eyes and a gaping mouth. When after a tearful parting from their mothers and women folk, who believe or pretend to believe in the monster that swallows their dear ones, the awe-struck novices are brought face to face with this imposing structure, the huge creature emits a sullen growl, which is in fact no other than the humming note of bull-roarers swung by men concealed in the monster's belly. The actual process of deglutition is variously enacted. Among the Tami it is represented by causing the candidates to defile past a row of men who hold bull-roarers over their heads; among the Kai it is more graphically set forth by making them pass under a scaffold on which stands a man, who makes a gesture of swallowing and takes in fact a gulp of water as each trembling novice passes beneath him. But the present of a pig, opportunely offered for the redemption of the youth, induces the monster to relent and disgorge his victim; the man who represents the monster accepts the gift vicariously, a gurgling sound is heard, and the water which had just been swallowed descends in a jet on the novice. This signifies that the young man has been released from the monster's belly. However, he has now to undergo the more painful and dangerous operation of circumcision. It follows immediately, and the cut made by the knife of the operator is explained to be a bite or scratch which the monster inflicted on the novice in spewing him out of his capacious maw. While the operation is proceeding, a prodigious noise is made by the swinging of bull-roarers to represent the roar of the dreadful being who is in the act of swallowing the young men.

The return of the novices after initiation.

When, as sometimes happens, a lad dies from the effect of the operation, he is buried secretly in the forest, and his sorrowing mother is told that the monster has a pig's stomach as well as a human stomach, and that unfortunately her son slipped into the wrong stomach, from which it was impossible to extricate him. After they have been circumcised the lads must remain for some months in seclusion, shunning all contact with women and even the sight of them. They live in the long hut which represents the monster's belly; among the Yabim they beguile the tedium of this enforced leisure by weaving baskets and playing on certain sacred flutes, which are never used except on these occasions. The instruments are of two patterns. One is called the male and the other the female; and they are believed to be married to each other. No woman may see these mysterious flutes; if she did, she would die. When the long seclusion is over, the lads, now ranking as initiated men, are brought back with great pomp and ceremony to the village, where they are received with sobs and tears of joy by the women, as if the grave had given up its dead. At first the young men keep their eyes rigidly closed or even sealed with a plaster of chalk, and they appear not to understand the words of command which are given them by an elder. Gradually, however, they come to themselves as if awaking from a stupor, and next day they bathe and wash off the crust of white chalk with which their bodies had been coated.629

The monster who is supposed to swallow the novices is apparently conceived as a ghost or ancestral spirit.

It is highly significant that all these tribes of New Guinea apply the same word to the bull-roarer and to the monster, who is supposed to swallow the novices at circumcision, and whose fearful roar is represented by the hum of the harmless wooden instruments. The word in the speech of the Yabim and Bukaua is balum; in that of the Kai it is ngosa; and in that of the Tami it is kani. Further, it deserves to be noted that in three languages out of the four the same word which is applied to the bull-roarer and to the monster means also a ghost or spirit of the dead, while in the fourth language (the Kai) it signifies “grandfather.” From this it seems to follow that the being who swallows and disgorges the novices at initiation is believed to be a powerful ghost or ancestral spirit, and that the bull-roarer, which bears his name, is his material representative. That would explain the jealous secrecy with which the sacred implement is kept from the sight of women. While they are not in use, the bull-roarers are stowed away in the men's club-houses, which no woman may enter; indeed no woman or uninitiated person may set eyes on a bull-roarer under pain of death.630 Similarly among the Tugeri or Kaya-Kaya, a large Papuan tribe on the south coast of Dutch New Guinea, the name of the bull-roarer, which they call sosom, is given to a mythical giant, who is supposed to appear every year with the south-east monsoon. When he comes, a festival is held in his honour and bull-roarers are swung. Boys are presented to the giant, and he kills them, but considerately brings them to life again.631

The drama of death and resurrection used to be enacted before young men at initiation in some parts of Fiji.

In certain districts of Viti Levu, the largest of the Fijian Islands, the drama of death and resurrection used to be acted with much solemnity before the eyes of young men at initiation. The ceremonies were performed in certain sacred precincts of oblong shape, enclosed by low walls or rows of stones but open to the sky. Such a precinct was called a Nanga, and it might be described as a temple dedicated to the worship of ancestors; for in it sacrifices and prayers were offered to the ancestral spirits. For example, the first-fruits of the yam harvest were regularly presented with great ceremony to the souls of the dead in the temple before the bulk of the crop was dug for the people's use, and no man might taste of the new yams until this solemn offering had been made. The yams so offered were piled up in the sacred enclosure and left to rot there; if any man were so bold as to eat of these dedicated fruits, it was believed that he would go mad.632 Any initiated man had the right of approaching the ancestral spirits at any time in their holy place, where he would pray to them for help and protection and propitiate them by laying down his offering of a pig, or yams, or eels, or cloth, or what not.633 Of these offerings perhaps the most curious was that of the foreskins of young men, who were circumcised as a sort of vicarious sacrifice or atonement for the recovery of a sick relative, it might be either their father or one of their father's brothers. The bloody foreskins, stuck in the cleft of a split reed, were presented to the ancestral gods in the temple by the chief priest, who prayed for the sick man's recovery.634 The temple or sacred enclosure was divided into two or three compartments by cross walls of stones, and the inmost of these compartments was the Nanga-tambu-tambu, or Holy of Holies.635

Description of the rite. The mimic death. The mimic resurrection. The sacramental meal. The intention of the rite.

In these open-air temples of the dead the ceremony of initiating young men was performed as a rule every year at the end of October or the beginning of November, which was the commencement of the Fijian New Year; hence the novices who were initiated at that season went by the name of Vilavou or New Year's Men. The exact time for celebrating the rite was determined by the flowering of the ndrala tree (Erythrina); but it roughly coincided with the New Year of the Tahitians and Hawaiians, who dated the commencement of the year by observation of the Pleiades. The highlanders of Fiji, who alone celebrated these rites, did not trouble their heads about the stars.636 As a preparation for the solemnity the heads of the novices were shaved and their beards, if they had any, were carefully eradicated. On four successive days they went in procession to the temple and there deposited in the Holy of Holies their offerings of cloth and weapons to the ancestral spirits. But on the fifth and great day of the festival, when they again entered the sacred ground, they beheld a sight which froze their souls with horror. Stretched on the ground was a row of dead or seemingly dead and murdered men, their bodies cut open and covered with blood, their entrails protruding. At the further end sat the High Priest, regarding them with a stony glare, and to reach him the trembling novices had to crawl on hands and knees over the ghastly blood-bedabbled corpses that lay between. Having done so they drew up in a line before him. Suddenly he blurted out a piercing yell, at which the counterfeit dead men started to their feet and ran down to the river to cleanse themselves from the blood and guts of pigs with which they were beslobbered. The High Priest now unbent his starched dignity, and skipping from side to side cried in stridulous tones, “Where are the people of my enclosure? Are they gone to Tonga Levu? Are they gone to the deep sea?” He was soon answered by a deep-mouthed chant, and back from the river marched the dead men come to life, clean, fresh, and garlanded, swaying their bodies in time to the music of their solemn hymn. They took their places in front of the novices and a religious silence ensued. Such was the drama of death and resurrection. It was immediately followed by a sacramental meal. Four old men of the highest order of initiates now entered the Holy of Holies. The first bore a cooked yam carefully wrapt up in leaves so that no part of it should touch the hands of the bearer: the second carried a piece of baked pork similarly enveloped: the third held a drinking-cup full of water and wrapt round with native cloth; and the fourth bore a napkin of the same stuff. The first elder passed along the row of novices putting the end of the yam into each of their mouths, and as he did so each of them nibbled a morsel of the sacred food: the second elder did the same with the hallowed pork: the third elder followed with the holy water, with which each novice merely wetted his lips; and the fourth elder wiped all their mouths with his napkin. Then the high priest or one of the elders addressed the young men, warning them solemnly against the sacrilege of betraying to the profane vulgar any of the high mysteries which they had witnessed, and threatening all such traitors with the vengeance of the gods. The general intention of the initiatory rites seems to have been to introduce the young men to the worshipful spirits of the dead at their temple, and to cement the bond between them by a sacramental meal.637

Initiatory rite in the island of Rook: pretence that the novices are swallowed by the devil. Secret society of the Duk-duk in New Britain. Novices supposed to be killed. The new birth.

The people of Rook, an island between New Guinea and New Britain, hold festivals at which one or two disguised men, their heads covered with wooden masks, go dancing through the village, followed by all the other men. They demand that the circumcised boys who have not yet been swallowed by Marsaba (the devil) shall be given up to them. The boys, trembling and shrieking, are delivered to them, and must creep between the legs of the disguised men. Then the procession moves through the village again, and announces that Marsaba has eaten up the boys, and will not disgorge them till he receives a present of pigs, taro, and so forth. So all the villagers, according to their means, contribute provisions, which are then consumed in the name of Marsaba.638 In New Britain all males are members of an association called the Duk-duk. The boys are admitted to it very young, but are not fully initiated till their fourteenth year, when they receive from the Tubuvan or Tubuan a terrible blow with a cane, which is supposed to kill them. The Tubuan and the Duk-duk are two disguised men who represent cassowaries. They dance with a short hopping step in imitation of the cassowary. Each of them wears a huge hat like an extinguisher, woven of grass or palm-fibres; it is six feet high, and descends to the wearer's shoulders, completely concealing his head and face. From the neck to the knees the man's body is hidden by a crinoline made of the leaves of a certain tree fastened on hoops, one above the other. The Tubuan is regarded as a female, the Duk-duk as a male. The former is supposed to breed and give birth to the novices, who are accordingly looked upon as newly born. The female masks are very plain compared with the male masks. Two of them are regularly kept from year to year in order that they may annually breed new Duk-duks. When they are wanted for this purpose they are brought forth, decorated afresh, and provided with new leaf dresses to match. According to one account, women and children may not look upon one of these disguised men or they would die. So strong is this superstition among them that they will run away and hide as soon as they hear him coming, for they are aware of his approach through a peculiar shrieking noise he utters as he goes along. In the district of Berara, where red is the Duk-duk colour, the mere sight of a red cloth is enough to make the women take to their heels. The common herd are not allowed to know who the masker is. If he stumbles and his hat falls to the ground, disclosing his face, or his crinoline is torn to tatters by the bushes, his attendants immediately surround him to hide his person from the vulgar eye. According to one writer, indeed, the performer who drops his mask, or lets it fall so that the sharp point at the top sticks in the ground, is put to death. The institution of the Duk-duk is common to the neighbouring islands of New Ireland and the Duke of York.639

Initiatory rite in Halmahera: pretence of begetting the novices anew.

Among the Galelareese and Tobelorese of Halmahera, an island to the west of New Guinea, boys go through a form of initiation, part of which seems to consist in a pretence of begetting them anew. When a number of boys have reached the proper age, their parents agree to celebrate the ceremony at their common expense, and they invite others to be present at it. A shed is erected, and two long tables are placed in it, with benches to match, one for the men and one for the women. When all the preparations have been made for a feast, a great many skins of the rayfish, and some pieces of a wood which imparts a red colour to water, are taken to the shed. A priest or elder causes a vessel to be placed in the sight of all the people, and then begins, with significant gestures, to rub a piece of the wood with the ray-skin. The powder so produced is put in the vessel, and at the same time the name of one of the boys is called out. The same proceeding is repeated for each boy. Then the vessels are filled with water, after which the feast begins. At the third cock-crow the priest smears the faces and bodies of the boys with the red water, which represents the blood shed at the perforation of the hymen. Towards daybreak the boys are taken to the wood, and must hide behind the largest trees. The men, armed with sword and shield, accompany them, dancing and singing. The priest knocks thrice on each of the trees behind which a boy is hiding. All day the boys stay in the wood, exposing themselves to the heat of the sun as much as possible. In the evening they bathe and return to the shed, where the women supply them with food.640

The Kakian association in Ceram. The rite of initiation: pretence of killing the novices.

In the west of Ceram boys at puberty are admitted to the Kakian association.641 Modern writers have commonly regarded this association as primarily a political league instituted to resist foreign domination. In reality its objects are purely religious and social, though it is possible that the priests may have occasionally used their powerful influence for political ends. The society is in fact merely one of those widely-diffused primitive institutions, of which a chief object is the initiation of young men. In recent years the true nature of the association has been duly recognized by the distinguished Dutch ethnologist, J. G. F. Riedel. The Kakian house is an oblong wooden shed, situated under the darkest trees in the depth of the forest, and is built to admit so little light that it is impossible to see what goes on in it. Every village has such a house. Thither the boys who are to be initiated are conducted blindfold, followed by their parents and relations. Each boy is led by the hand by two men, who act as his sponsors or guardians, looking after him during the period of initiation. When all are assembled before the shed, the high priest calls aloud upon the devils. Immediately a hideous uproar is heard to proceed from the shed. It is made by men with bamboo trumpets, who have been secretly introduced into the building by a back door, but the women and children think it is made by the devils, and are much terrified. Then the priests enter the shed, followed by the boys, one at a time. As soon as each boy has disappeared within the precincts, a dull chopping sound is heard, a fearful cry rings out, and a sword or spear, dripping with blood, is thrust through the roof of the shed. This is a token that the boy's head has been cut off, and that the devil has carried him away to the other world, there to regenerate and transform him. So at sight of the bloody sword the mothers weep and wail, crying that the devil has murdered their children. In some places, it would seem, the boys are pushed through an opening made in the shape of a crocodile's jaws or a cassowary's beak, and it is then said that the devil has swallowed them. The boys remain in the shed for five or nine days. Sitting in the dark, they hear the blast of the bamboo trumpets, and from time to time the sound of musket shots and the clash of swords. Every day they bathe, and their faces and bodies are smeared with a yellow dye, to give them the appearance of having been swallowed by the devil. During his stay in the Kakian house each boy has one or two crosses tattooed with thorns on his breast or arm. When they are not sleeping, the lads must sit in a crouching posture without moving a muscle. As they sit in a row cross-legged, with their hands stretched out, the chief takes his trumpet, and placing the mouth of it on the hands of each lad, speaks through it in strange tones, imitating the voice of the spirits. He warns the lads, under pain of death, to observe the rules of the Kakian society, and never to reveal what has passed in the Kakian house. The novices are also told by the priests to behave well to their blood relations, and are taught the traditions and secrets of the tribe.

The resurrection of the novices.

Meantime the mothers and sisters of the lads have gone home to weep and mourn. But in a day or two the men who acted as guardians or sponsors to the novices return to the village with the glad tidings that the devil, at the intercession of the priests, has restored the lads to life. The men who bring this news come in a fainting state and daubed with mud, like messengers freshly arrived from the nether world. Before leaving the Kakian house, each lad receives from the priest a stick adorned at both ends with cock's or cassowary's feathers. The sticks are supposed to have been given to the lads by the devil at the time when he restored them to life, and they serve as a token that the youths have been in the spirit land. When they return to their homes they totter in their walk, and enter the house backward, as if they had forgotten how to walk properly; or they enter the house by the back door. If a plate of food is given to them, they hold it upside down. They remain dumb, indicating their wants by signs only. All this is to shew that they are still under the influence of the devil or the spirits. Their sponsors have to teach them all the common acts of life, as if they were new-born children. Further, upon leaving the Kakian house the boys are strictly forbidden to eat of certain fruits until the next celebration of the rites has taken place. And for twenty or thirty days their hair may not be combed by their mothers or sisters. At the end of that time the high priest takes them to a lonely place in the forest, and cuts off a lock of hair from the crown of each of their heads. After these initiatory rites the lads are deemed men, and may marry; it would be a scandal if they married before.

The secret society of Ndemboin the valley of the Lowe Congo.

In the region of the Lower Congo a simulation of death and resurrection is, or rather used to be, practised by the members of a guild or secret society called ndembo. The society had nothing to do with puberty or circumcision, though the custom of circumcision is common in the country. Young people and adults of both sexes might join the guild; after initiation they were called “the Knowing Ones” (nganga). To found a branch of the society it was necessary to have an albino, who, whether a child, lad, or adult, was the acknowledged head of the society.642 The ostensible reason for starting a branch of the guild in a district was commonly an epidemic of sickness, “and the idea was to go into ndembo to die, and after an indefinite period, from a few months to two or three years, to be resurrected with a new body not liable to the sickness then troubling the countryside. Another reason for starting a ndembo was a dearth of children in a district. It was believed that good luck in having children would attend those who entered or died ndembo. But the underlying idea was the same, i. e. to get a ‘new body’ that would be healthy and perform its functions properly.” The quarters of the society were always a stockaded enclosure in a great thick forest; a gate of planks painted yellow and red gave access to it, and within there was an assemblage of huts. The place was fenced to keep intruders from prying into the mysteries of the guild, and it was near water. Uninitiated persons might walk on the public roads through the forest, but if they were caught in bye-paths or hunting in the woods, they were flogged, fined, and sometimes killed. They might not even look upon the persons of those who had “died ndembo”; hence when these sanctified persons were roving about the forest or going to the river, the booming notes of a drum warned the profane vulgar to keep out of their way.