The Europeans

It might perhaps have been feared that after the completion of those graceful domiciliary embellishments which have been mentioned Madame Münster would have found herself confronted with alarming possibilities of ennui. But as yet she had not taken the alarm. The Baroness was a restless soul, and she projected her restlessness, as it may be said, into any situation that lay before her. Up to a certain point her restlessness might be counted upon to entertain her. She was always expecting something to happen, and, until it was disappointed, expectancy itself was a delicate pleasure. What the Baroness expected just now it would take some ingenuity to set forth; it is enough that while she looked about her she found something to occupy her imagination. She assured herself that she was enchanted with her new relatives; she professed to herself that, like her brother, she felt it a sacred satisfaction to have found a family. It is certain that she enjoyed to the utmost the gentleness of her kinsfolk’s deference. She had, first and last, received a great deal of admiration, and her experience of well-turned compliments was very considerable; but she knew that she had never been so real a power, never counted for so much, as now when, for the first time, the standard of comparison of her little circle was a prey to vagueness. The sense, indeed, that the good people about her had, as regards her remarkable self, no standard of comparison at all gave her a feeling of almost illimitable power. It was true, as she said to herself, that if for this reason they would be able to discover nothing against her, so they would perhaps neglect to perceive some of her superior points; but she always wound up her reflections by declaring that she would take care of that.

Charlotte and Gertrude were in some perplexity between their desire to show all proper attention to Madame Münster and their fear of being importunate. The little house in the orchard had hitherto been occupied during the summer months by intimate friends of the family, or by poor relations who found in Mr. Wentworth a landlord attentive to repairs and oblivious of quarter-day. Under these circumstances the open door of the small house and that of the large one, facing each other across their homely gardens, levied no tax upon hourly visits. But the Misses Wentworth received an impression that Eugenia was no friend to the primitive custom of “dropping in;” she evidently had no idea of living without a door-keeper. “One goes into your house as into an inn—except that there are no servants rushing forward,” she said to Charlotte. And she added that that was very charming. Gertrude explained to her sister that she meant just the reverse; she didn’t like it at all. Charlotte inquired why she should tell an untruth, and Gertrude answered that there was probably some very good reason for it which they should discover when they knew her better. “There can surely be no good reason for telling an untruth,” said Charlotte. “I hope she does not think so.”

They had of course desired, from the first, to do everything in the way of helping her to arrange herself. It had seemed to Charlotte that there would be a great many things to talk about; but the Baroness was apparently inclined to talk about nothing.

“Write her a note, asking her leave to come and see her. I think that is what she will like,” said Gertrude.

“Why should I give her the trouble of answering me?” Charlotte asked. “She will have to write a note and send it over.”

“I don’t think she will take any trouble,” said Gertrude, profoundly.

“What then will she do?”

“That is what I am curious to see,” said Gertrude, leaving her sister with an impression that her curiosity was morbid.

They went to see the Baroness without preliminary correspondence; and in the little salon which she had already created, with its becoming light and its festoons, they found Robert Acton.

Eugenia was intensely gracious, but she accused them of neglecting her cruelly. “You see Mr. Acton has had to take pity upon me,” she said. “My brother goes off sketching, for hours; I can never depend upon him. So I was to send Mr. Acton to beg you to come and give me the benefit of your wisdom.”

Gertrude looked at her sister. She wanted to say, “That is what she would have done.” Charlotte said that they hoped the Baroness would always come and dine with them; it would give them so much pleasure; and, in that case, she would spare herself the trouble of having a cook.

“Ah, but I must have a cook!” cried the Baroness. “An old negress in a yellow turban. I have set my heart upon that. I want to look out of my window and see her sitting there on the grass, against the background of those crooked, dusky little apple trees, pulling the husks off a lapful of Indian corn. That will be local color, you know. There isn’t much of it here—you don’t mind my saying that, do you?—so one must make the most of what one can get. I shall be most happy to dine with you whenever you will let me; but I want to be able to ask you sometimes. And I want to be able to ask Mr. Acton,” added the Baroness.

“You must come and ask me at home,” said Acton. “You must come and see me; you must dine with me first. I want to show you my place; I want to introduce you to my mother.” He called again upon Madame Münster, two days later. He was constantly at the other house; he used to walk across the fields from his own place, and he appeared to have fewer scruples than his cousins with regard to dropping in. On this occasion he found that Mr. Brand had come to pay his respects to the charming stranger; but after Acton’s arrival the young theologian said nothing. He sat in his chair with his two hands clasped, fixing upon his hostess a grave, fascinated stare. The Baroness talked to Robert Acton, but, as she talked, she turned and smiled at Mr. Brand, who never took his eyes off her. The two men walked away together; they were going to Mr. Wentworth’s. Mr. Brand still said nothing; but after they had passed into Mr. Wentworth’s garden he stopped and looked back for some time at the little white house. Then, looking at his companion, with his head bent a little to one side and his eyes somewhat contracted, “Now I suppose that’s what is called conversation,” he said; “real conversation.”

“It’s what I call a very clever woman,” said Acton, laughing.

“It is most interesting,” Mr. Brand continued. “I only wish she would speak French; it would seem more in keeping. It must be quite the style that we have heard about, that we have read about—the style of conversation of Madame de Staël, of Madame Récamier.”

Acton also looked at Madame Münster’s residence among its hollyhocks and apple trees. “What I should like to know,” he said, smiling, “is just what has brought Madame Récamier to live in that place!”

CHAPTER V

Mr. Wentworth, with his cane and his gloves in his hand, went every afternoon to call upon his niece. A couple of hours later she came over to the great house to tea. She had let the proposal that she should regularly dine there fall to the ground; she was in the enjoyment of whatever satisfaction was to be derived from the spectacle of an old negress in a crimson turban shelling peas under the apple trees. Charlotte, who had provided the ancient negress, thought it must be a strange household, Eugenia having told her that Augustine managed everything, the ancient negress included—Augustine who was naturally devoid of all acquaintance with the expurgatory English tongue. By far the most immoral sentiment which I shall have occasion to attribute to Charlotte Wentworth was a certain emotion of disappointment at finding that, in spite of these irregular conditions, the domestic arrangements at the small house were apparently not—from Eugenia’s peculiar point of view—strikingly offensive. The Baroness found it amusing to go to tea; she dressed as if for dinner. The tea-table offered an anomalous and picturesque repast; and on leaving it they all sat and talked in the large piazza, or wandered about the garden in the starlight, with their ears full of those sounds of strange insects which, though they are supposed to be, all over the world, a part of the magic of summer nights, seemed to the Baroness to have beneath these western skies an incomparable resonance.

Mr. Wentworth, though, as I say, he went punctiliously to call upon her, was not able to feel that he was getting used to his niece. It taxed his imagination to believe that she was really his half-sister’s child. His sister was a figure of his early years; she had been only twenty when she went abroad, never to return, making in foreign parts a willful and undesirable marriage. His aunt, Mrs. Whiteside, who had taken her to Europe for the benefit of the tour, gave, on her return, so lamentable an account of Mr. Adolphus Young, to whom the headstrong girl had united her destiny, that it operated as a chill upon family feeling—especially in the case of the half-brothers. Catherine had done nothing subsequently to propitiate her family; she had not even written to them in a way that indicated a lucid appreciation of their suspended sympathy; so that it had become a tradition in Boston circles that the highest charity, as regards this young lady, was to think it well to forget her, and to abstain from conjecture as to the extent to which her aberrations were reproduced in her descendants. Over these young people—a vague report of their existence had come to his ears—Mr. Wentworth had not, in the course of years, allowed his imagination to hover. It had plenty of occupation nearer home, and though he had many cares upon his conscience the idea that he had been an unnatural uncle was, very properly, never among the number. Now that his nephew and niece had come before him, he perceived that they were the fruit of influences and circumstances very different from those under which his own familiar progeny had reached a vaguely-qualified maturity. He felt no provocation to say that these influences had been exerted for evil; but he was sometimes afraid that he should not be able to like his distinguished, delicate, lady-like niece. He was paralyzed and bewildered by her foreignness. She spoke, somehow, a different language. There was something strange in her words. He had a feeling that another man, in his place, would accommodate himself to her tone; would ask her questions and joke with her, reply to those pleasantries of her own which sometimes seemed startling as addressed to an uncle. But Mr. Wentworth could not do these things. He could not even bring himself to attempt to measure her position in the world. She was the wife of a foreign nobleman who desired to repudiate her. This had a singular sound, but the old man felt himself destitute of the materials for a judgment. It seemed to him that he ought to find them in his own experience, as a man of the world and an almost public character; but they were not there, and he was ashamed to confess to himself—much more to reveal to Eugenia by interrogations possibly too innocent—the unfurnished condition of this repository.

It appeared to him that he could get much nearer, as he would have said, to his nephew; though he was not sure that Felix was altogether safe. He was so bright and handsome and talkative that it was impossible not to think well of him; and yet it seemed as if there were something almost impudent, almost vicious—or as if there ought to be—in a young man being at once so joyous and so positive. It was to be observed that while Felix was not at all a serious young man there was somehow more of him—he had more weight and volume and resonance—than a number of young men who were distinctly serious. While Mr. Wentworth meditated upon this anomaly his nephew was admiring him unrestrictedly. He thought him a most delicate, generous, high-toned old gentleman, with a very handsome head, of the ascetic type, which he promised himself the profit of sketching. Felix was far from having made a secret of the fact that he wielded the paint-brush, and it was not his own fault if it failed to be generally understood that he was prepared to execute the most striking likenesses on the most reasonable terms. “He is an artist—my cousin is an artist,” said Gertrude; and she offered this information to everyone who would receive it. She offered it to herself, as it were, by way of admonition and reminder; she repeated to herself at odd moments, in lonely places, that Felix was invested with this sacred character. Gertrude had never seen an artist before; she had only read about such people. They seemed to her a romantic and mysterious class, whose life was made up of those agreeable accidents that never happened to other persons. And it merely quickened her meditations on this point that Felix should declare, as he repeatedly did, that he was really not an artist. “I have never gone into the thing seriously,” he said. “I have never studied; I have had no training. I do a little of everything, and nothing well. I am only an amateur.”

It pleased Gertrude even more to think that he was an amateur than to think that he was an artist; the former word, to her fancy, had an even subtler connotation. She knew, however, that it was a word to use more soberly. Mr. Wentworth used it freely; for though he had not been exactly familiar with it, he found it convenient as a help toward classifying Felix, who, as a young man extremely clever and active and apparently respectable and yet not engaged in any recognized business, was an importunate anomaly. Of course the Baroness and her brother—she was always spoken of first—were a welcome topic of conversation between Mr. Wentworth and his daughters and their occasional visitors.

“And the young man, your nephew, what is his profession?” asked an old gentleman—Mr. Broderip, of Salem—who had been Mr. Wentworth’s classmate at Harvard College in the year 1809, and who came into his office in Devonshire Street. (Mr. Wentworth, in his later years, used to go but three times a week to his office, where he had a large amount of highly confidential trust-business to transact.)

“Well, he’s an amateur,” said Felix’s uncle, with folded hands, and with a certain satisfaction in being able to say it. And Mr. Broderip had gone back to Salem with a feeling that this was probably a “European” expression for a broker or a grain exporter.

“I should like to do your head, sir,” said Felix to his uncle one evening, before them all—Mr. Brand and Robert Acton being also present. “I think I should make a very fine thing of it. It’s an interesting head; it’s very mediaeval.”

Mr. Wentworth looked grave; he felt awkwardly, as if all the company had come in and found him standing before the looking-glass. “The Lord made it,” he said. “I don’t think it is for man to make it over again.”

“Certainly the Lord made it,” replied Felix, laughing, “and he made it very well. But life has been touching up the work. It is a very interesting type of head. It’s delightfully wasted and emaciated. The complexion is wonderfully bleached.” And Felix looked round at the circle, as if to call their attention to these interesting points. Mr. Wentworth grew visibly paler. “I should like to do you as an old prelate, an old cardinal, or the prior of an order.”

“A prelate, a cardinal?” murmured Mr. Wentworth. “Do you refer to the Roman Catholic priesthood?”

“I mean an old ecclesiastic who should have led a very pure, abstinent life. Now I take it that has been the case with you, sir; one sees it in your face,” Felix proceeded. “You have been very—a very moderate. Don’t you think one always sees that in a man’s face?”

“You see more in a man’s face than I should think of looking for,” said Mr. Wentworth coldly.

The Baroness rattled her fan, and gave her brilliant laugh. “It is a risk to look so close!” she exclaimed. “My uncle has some peccadilloes on his conscience.” Mr. Wentworth looked at her, painfully at a loss; and in so far as the signs of a pure and abstinent life were visible in his face they were then probably peculiarly manifest. “You are a beau vieillard, dear uncle,” said Madame Münster, smiling with her foreign eyes.

“I think you are paying me a compliment,” said the old man.

“Surely, I am not the first woman that ever did so!” cried the Baroness.

“I think you are,” said Mr. Wentworth gravely. And turning to Felix he added, in the same tone, “Please don’t take my likeness. My children have my daguerreotype. That is quite satisfactory.”

“I won’t promise,” said Felix, “not to work your head into something!”

Mr. Wentworth looked at him and then at all the others; then he got up and slowly walked away.

“Felix,” said Gertrude, in the silence that followed, “I wish you would paint my portrait.”

Charlotte wondered whether Gertrude was right in wishing this; and she looked at Mr. Brand as the most legitimate way of ascertaining. Whatever Gertrude did or said, Charlotte always looked at Mr. Brand. It was a standing pretext for looking at Mr. Brand—always, as Charlotte thought, in the interest of Gertrude’s welfare. It is true that she felt a tremulous interest in Gertrude being right; for Charlotte, in her small, still way, was an heroic sister.

“We should be glad to have your portrait, Miss Gertrude,” said Mr. Brand.

“I should be delighted to paint so charming a model,” Felix declared.

“Do you think you are so lovely, my dear?” asked Lizzie Acton, with her little inoffensive pertness, biting off a knot in her knitting.

“It is not because I think I am beautiful,” said Gertrude, looking all round. “I don’t think I am beautiful, at all.” She spoke with a sort of conscious deliberateness; and it seemed very strange to Charlotte to hear her discussing this question so publicly. “It is because I think it would be amusing to sit and be painted. I have always thought that.”

“I am sorry you have not had better things to think about, my daughter,” said Mr. Wentworth.

“You are very beautiful, cousin Gertrude,” Felix declared.

“That’s a compliment,” said Gertrude. “I put all the compliments I receive into a little money-jug that has a slit in the side. I shake them up and down, and they rattle. There are not many yet—only two or three.”

“No, it’s not a compliment,” Felix rejoined. “See; I am careful not to give it the form of a compliment. I didn’t think you were beautiful at first. But you have come to seem so little by little.”

“Take care, now, your jug doesn’t burst!” exclaimed Lizzie.

“I think sitting for one’s portrait is only one of the various forms of idleness,” said Mr. Wentworth. “Their name is legion.”

“My dear sir,” cried Felix, “you can’t be said to be idle when you are making a man work so!”

“One might be painted while one is asleep,” suggested Mr. Brand, as a contribution to the discussion.

“Ah, do paint me while I am asleep,” said Gertrude to Felix, smiling. And she closed her eyes a little. It had by this time become a matter of almost exciting anxiety to Charlotte what Gertrude would say or would do next.

She began to sit for her portrait on the following day—in the open air, on the north side of the piazza. “I wish you would tell me what you think of us—how we seem to you,” she said to Felix, as he sat before his easel.

“You seem to me the best people in the world,” said Felix.

“You say that,” Gertrude resumed, “because it saves you the trouble of saying anything else.”

The young man glanced at her over the top of his canvas. “What else should I say? It would certainly be a great deal of trouble to say anything different.”

“Well,” said Gertrude, “you have seen people before that you have liked, have you not?”

“Indeed I have, thank Heaven!”

“And they have been very different from us,” Gertrude went on.

“That only proves,” said Felix, “that there are a thousand different ways of being good company.”

“Do you think us good company?” asked Gertrude.

“Company for a king!”

Gertrude was silent a moment; and then, “There must be a thousand different ways of being dreary,” she said; “and sometimes I think we make use of them all.”

Felix stood up quickly, holding up his hand. “If you could only keep that look on your face for half an hour—while I catch it!” he said. “It is uncommonly handsome.”

“To look handsome for half an hour—that is a great deal to ask of me,” she answered.

“It would be the portrait of a young woman who has taken some vow, some pledge, that she repents of,” said Felix, “and who is thinking it over at leisure.”

“I have taken no vow, no pledge,” said Gertrude, very gravely; “I have nothing to repent of.”

“My dear cousin, that was only a figure of speech. I am very sure that no one in your excellent family has anything to repent of.”

“And yet we are always repenting!” Gertrude exclaimed. “That is what I mean by our being dreary. You know it perfectly well; you only pretend that you don’t.”

Felix gave a quick laugh. “The half hour is going on, and yet you are handsomer than ever. One must be careful what one says, you see.”

“To me,” said Gertrude, “you can say anything.”

Felix looked at her, as an artist might, and painted for some time in silence.

“Yes, you seem to me different from your father and sister—from most of the people you have lived with,” he observed.

“To say that one’s self,” Gertrude went on, “is like saying—by implication, at least—that one is better. I am not better; I am much worse. But they say themselves that I am different. It makes them unhappy.”

“Since you accuse me of concealing my real impressions, I may admit that I think the tendency—among you generally—is to be made unhappy too easily.”

“I wish you would tell that to my father,” said Gertrude.

“It might make him more unhappy!” Felix exclaimed, laughing.

“It certainly would. I don’t believe you have seen people like that.”

“Ah, my dear cousin, how do you know what I have seen?” Felix demanded. “How can I tell you?”

“You might tell me a great many things, if you only would. You have seen people like yourself—people who are bright and gay and fond of amusement. We are not fond of amusement.”

“Yes,” said Felix, “I confess that rather strikes me. You don’t seem to me to get all the pleasure out of life that you might. You don’t seem to me to enjoy..... Do you mind my saying this?” he asked, pausing.

“Please go on,” said the girl, earnestly.

“You seem to me very well placed for enjoying. You have money and liberty and what is called in Europe a ‘position.’ But you take a painful view of life, as one may say.”

“One ought to think it bright and charming and delightful, eh?” asked Gertrude.

“I should say so—if one can. It is true it all depends upon that,” Felix added.

“You know there is a great deal of misery in the world,” said his model.

“I have seen a little of it,” the young man rejoined. “But it was all over there—beyond the sea. I don’t see any here. This is a paradise.”

Gertrude said nothing; she sat looking at the dahlias and the currant-bushes in the garden, while Felix went on with his work. “To ‘enjoy,’” she began at last, “to take life—not painfully, must one do something wrong?”

Felix gave his long, light laugh again. “Seriously, I think not. And for this reason, among others: you strike me as very capable of enjoying, if the chance were given you, and yet at the same time as incapable of wrong-doing.”

“I am sure,” said Gertrude, “that you are very wrong in telling a person that she is incapable of that. We are never nearer to evil than when we believe that.”

“You are handsomer than ever,” observed Felix, irrelevantly.

Gertrude had got used to hearing him say this. There was not so much excitement in it as at first. “What ought one to do?” she continued. “To give parties, to go to the theatre, to read novels, to keep late hours?”

“I don’t think it’s what one does or one doesn’t do that promotes enjoyment,” her companion answered. “It is the general way of looking at life.”

“They look at it as a discipline—that’s what they do here. I have often been told that.”

“Well, that’s very good. But there is another way,” added Felix, smiling: “to look at it as an opportunity.”

“An opportunity—yes,” said Gertrude. “One would get more pleasure that way.”

“I don’t attempt to say anything better for it than that it has been my own way—and that is not saying much!” Felix had laid down his palette and brushes; he was leaning back, with his arms folded, to judge the effect of his work. “And you know,” he said, “I am a very petty personage.”