The American

“You know we are not man and wife quite yet,—your sister and I,” said Newman. “She doesn’t yet account to me for all her actions.” And, after a fashion, he smiled.

Valentin looked at him a moment. “Have you quarreled?”

“Never, never, never!” Newman exclaimed.

“How happily you say that!” said Valentin. “You are going to be happy—va!” In answer to this stroke of irony, none the less powerful for being so unconscious, all poor Newman could do was to give a helpless and transparent stare. Valentin continued to fix him with his own rather over-bright gaze, and presently he said, “But something is the matter with you. I watched you just now; you haven’t a bridegroom’s face.”

“My dear fellow,” said Newman, “how can I show you a bridegroom’s face? If you think I enjoy seeing you lie there and not being able to help you”—

“Why, you are just the man to be cheerful; don’t forfeit your rights! I’m a proof of your wisdom. When was a man ever gloomy when he could say, ‘I told you so?’ You told me so, you know. You did what you could about it. You said some very good things; I have thought them over. But, my dear friend, I was right, all the same. This is the regular way.”

“I didn’t do what I ought,” said Newman. “I ought to have done something else.”

“For instance?”

“Oh, something or other. I ought to have treated you as a small boy.”

“Well, I’m a very small boy, now,” said Valentin. “I’m rather less than an infant. An infant is helpless, but it’s generally voted promising. I’m not promising, eh? Society can’t lose a less valuable member.”

Newman was strongly moved. He got up and turned his back upon his friend and walked away to the window, where he stood looking out, but only vaguely seeing. “No, I don’t like the look of your back,” Valentin continued. “I have always been an observer of backs; yours is quite out of sorts.”

Newman returned to his bedside and begged him to be quiet. “Be quiet and get well,” he said. “That’s what you must do. Get well and help me.”

“I told you you were in trouble! How can I help you?” Valentin asked.

“I’ll let you know when you are better. You were always curious; there is something to get well for!” Newman answered, with resolute animation.

Valentin closed his eyes and lay a long time without speaking. He seemed even to have fallen asleep. But at the end of half an hour he began to talk again. “I am rather sorry about that place in the bank. Who knows but that I might have become another Rothschild? But I wasn’t meant for a banker; bankers are not so easy to kill. Don’t you think I have been very easy to kill? It’s not like a serious man. It’s really very mortifying. It’s like telling your hostess you must go, when you count upon her begging you to stay, and then finding she does no such thing. ‘Really—so soon? You’ve only just come!’ Life doesn’t make me any such polite little speech.”

Newman for some time said nothing, but at last he broke out. “It’s a bad case—it’s a bad case—it’s the worst case I ever met. I don’t want to say anything unpleasant, but I can’t help it. I’ve seen men dying before—and I’ve seen men shot. But it always seemed more natural; they were not so clever as you. Damnation—damnation! You might have done something better than this. It’s about the meanest winding-up of a man’s affairs that I can imagine!”

Valentin feebly waved his hand to and fro. “Don’t insist—don’t insist! It is mean—decidedly mean. For you see at the bottom—down at the bottom, in a little place as small as the end of a wine funnel—I agree with you!”

A few moments after this the doctor put his head through the half-opened door and, perceiving that Valentin was awake, came in and felt his pulse. He shook his head and declared that he had talked too much—ten times too much. “Nonsense!” said Valentin; “a man sentenced to death can never talk too much. Have you never read an account of an execution in a newspaper? Don’t they always set a lot of people at the prisoner—lawyers, reporters, priests—to make him talk? But it’s not Mr. Newman’s fault; he sits there as mum as a death’s-head.”

The doctor observed that it was time his patient’s wound should be dressed again; MM. de Grosjoyaux and Ledoux, who had already witnessed this delicate operation, taking Newman’s place as assistants. Newman withdrew and learned from his fellow-watchers that they had received a telegram from Urbain de Bellegarde to the effect that their message had been delivered in the Rue de l’Université too late to allow him to take the morning train, but that he would start with his mother in the evening. Newman wandered away into the village again, and walked about restlessly for two or three hours. The day seemed terribly long. At dusk he came back and dined with the doctor and M. Ledoux. The dressing of Valentin’s wound had been a very critical operation; the doctor didn’t really see how he was to endure a repetition of it. He then declared that he must beg of Mr. Newman to deny himself for the present the satisfaction of sitting with M. de Bellegarde; more than anyone else, apparently, he had the flattering but inconvenient privilege of exciting him. M. Ledoux, at this, swallowed a glass of wine in silence; he must have been wondering what the deuce Bellegarde found so exciting in the American.

Newman, after dinner, went up to his room, where he sat for a long time staring at his lighted candle, and thinking that Valentin was dying downstairs. Late, when the candle had burnt low, there came a soft rap at his door. The doctor stood there with a candlestick and a shrug.

“He must amuse himself still!” said Valentin’s medical adviser. “He insists upon seeing you, and I am afraid you must come. I think at this rate, that he will hardly outlast the night.”

Newman went back to Valentin’s room, which he found lighted by a taper on the hearth. Valentin begged him to light a candle. “I want to see your face,” he said. “They say you excite me,” he went on, as Newman complied with this request, “and I confess I do feel excited. But it isn’t you—it’s my own thoughts. I have been thinking—thinking. Sit down there and let me look at you again.” Newman seated himself, folded his arms, and bent a heavy gaze upon his friend. He seemed to be playing a part, mechanically, in a lugubrious comedy. Valentin looked at him for some time. “Yes, this morning I was right; you have something on your mind heavier than Valentin de Bellegarde. Come, I’m a dying man and it’s indecent to deceive me. Something happened after I left Paris. It was not for nothing that my sister started off at this season of the year for Fleurières. Why was it? It sticks in my crop. I have been thinking it over, and if you don’t tell me I shall guess.”

“I had better not tell you,” said Newman. “It won’t do you any good.”

“If you think it will do me any good not to tell me, you are very much mistaken. There is trouble about your marriage.”

“Yes,” said Newman. “There is trouble about my marriage.”

“Good!” And Valentin was silent again. “They have stopped it.”

“They have stopped it,” said Newman. Now that he had spoken out, he found a satisfaction in it which deepened as he went on. “Your mother and brother have broken faith. They have decided that it can’t take place. They have decided that I am not good enough, after all. They have taken back their word. Since you insist, there it is!”

Valentin gave a sort of groan, lifted his hands a moment, and then let them drop.

“I am sorry not to have anything better to tell you about them,” Newman pursued. “But it’s not my fault. I was, indeed, very unhappy when your telegram reached me; I was quite upside down. You may imagine whether I feel any better now.”

Valentin moaned gaspingly, as if his wound were throbbing. “Broken faith, broken faith!” he murmured. “And my sister—my sister?”

“Your sister is very unhappy; she has consented to give me up. I don’t know why. I don’t know what they have done to her; it must be something pretty bad. In justice to her you ought to know it. They have made her suffer. I haven’t seen her alone, but only before them! We had an interview yesterday morning. They came out flat, in so many words. They told me to go about my business. It seems to me a very bad case. I’m angry, I’m sore, I’m sick.”

Valentin lay there staring, with his eyes more brilliantly lighted, his lips soundlessly parted, and a flush of color in his pale face. Newman had never before uttered so many words in the plaintive key, but now, in speaking to Valentin in the poor fellow’s extremity, he had a feeling that he was making his complaint somewhere within the presence of the power that men pray to in trouble; he felt his outgush of resentment as a sort of spiritual privilege.

“And Claire,”—said Bellegarde,—“Claire? She has given you up?”

“I don’t really believe it,” said Newman.

“No. Don’t believe it, don’t believe it. She is gaining time; excuse her.”

“I pity her!” said Newman.

“Poor Claire!” murmured Valentin. “But they—but they”—and he paused again. “You saw them; they dismissed you, face to face?”

“Face to face. They were very explicit.”

“What did they say?”

“They said they couldn’t stand a commercial person.”

Valentin put out his hand and laid it upon Newman’s arm. “And about their promise—their engagement with you?”

“They made a distinction. They said it was to hold good only until Madame de Cintré accepted me.”

Valentin lay staring a while, and his flush died away. “Don’t tell me any more,” he said at last. “I’m ashamed.”

“You? You are the soul of honor,” said Newman simply.

Valentin groaned and turned away his head. For some time nothing more was said. Then Valentin turned back again and found a certain force to press Newman’s arm. “It’s very bad—very bad. When my people—when my race—come to that, it is time for me to withdraw. I believe in my sister; she will explain. Excuse her. If she can’t—if she can’t, forgive her. She has suffered. But for the others it is very bad—very bad. You take it very hard? No, it’s a shame to make you say so.” He closed his eyes and again there was a silence. Newman felt almost awed; he had evoked a more solemn spirit than he expected. Presently Valentin looked at him again, removing his hand from his arm. “I apologize,” he said. “Do you understand? Here on my death-bed. I apologize for my family. For my mother. For my brother. For the ancient house of Bellegarde. Voilà!” he added softly.

Newman for an answer took his hand and pressed it with a world of kindness. Valentin remained quiet, and at the end of half an hour the doctor softly came in. Behind him, through the half-open door, Newman saw the two questioning faces of MM. de Grosjoyaux and Ledoux. The doctor laid his hand on Valentin’s wrist and sat looking at him. He gave no sign and the two gentlemen came in, M. Ledoux having first beckoned to someone outside. This was M. le Curé, who carried in his hand an object unknown to Newman, and covered with a white napkin. M. le Curé was short, round, and red: he advanced, pulling off his little black cap to Newman, and deposited his burden on the table; and then he sat down in the best armchair, with his hands folded across his person. The other gentlemen had exchanged glances which expressed unanimity as to the timeliness of their presence. But for a long time Valentin neither spoke nor moved. It was Newman’s belief, afterwards, that M. le Curé went to sleep. At last abruptly, Valentin pronounced Newman’s name. His friend went to him, and he said in French, “You are not alone. I want to speak to you alone.” Newman looked at the doctor, and the doctor looked at the curé, who looked back at him; and then the doctor and the curé, together, gave a shrug. “Alone—for five minutes,” Valentin repeated. “Please leave us.”

The curé took up his burden again and led the way out, followed by his companions. Newman closed the door behind them and came back to Valentin’s bedside. Bellegarde had watched all this intently.

“It’s very bad, it’s very bad,” he said, after Newman had seated himself close to him. “The more I think of it the worse it is.”

“Oh, don’t think of it,” said Newman.

But Valentin went on, without heeding him. “Even if they should come round again, the shame—the baseness—is there.”

“Oh, they won’t come round!” said Newman.

“Well, you can make them.”

“Make them?”

“I can tell you something—a great secret—an immense secret. You can use it against them—frighten them, force them.”

“A secret!” Newman repeated. The idea of letting Valentin, on his death-bed, confide him an “immense secret” shocked him, for the moment, and made him draw back. It seemed an illicit way of arriving at information, and even had a vague analogy with listening at a keyhole. Then, suddenly, the thought of “forcing” Madame de Bellegarde and her son became attractive, and Newman bent his head closer to Valentin’s lips. For some time, however, the dying man said nothing more. He only lay and looked at his friend with his kindled, expanded, troubled eye, and Newman began to believe that he had spoken in delirium. But at last he said,—

“There was something done—something done at Fleurières. It was foul play. My father—something happened to him. I don’t know; I have been ashamed—afraid to know. But I know there is something. My mother knows—Urbain knows.”

“Something happened to your father?” said Newman, urgently.

Valentin looked at him, still more wide-eyed. “He didn’t get well.”

“Get well of what?”

But the immense effort which Valentin had made, first to decide to utter these words and then to bring them out, appeared to have taken his last strength. He lapsed again into silence, and Newman sat watching him. “Do you understand?” he began again, presently. “At Fleurières. You can find out. Mrs. Bread knows. Tell her I begged you to ask her. Then tell them that, and see. It may help you. If not, tell everyone. It will—it will”—here Valentin’s voice sank to the feeblest murmur—“it will avenge you!”

The words died away in a long, soft groan. Newman stood up, deeply impressed, not knowing what to say; his heart was beating violently. “Thank you,” he said at last. “I am much obliged.” But Valentin seemed not to hear him, he remained silent, and his silence continued. At last Newman went and opened the door. M. le Curé re-entered, bearing his sacred vessel and followed by the three gentlemen and by Valentin’s servant. It was almost processional.

CHAPTER XX

Valentin de Bellegarde died tranquilly, just as the cold faint March dawn began to illumine the faces of the little knot of friends gathered about his bedside. An hour afterwards Newman left the inn and drove to Geneva; he was naturally unwilling to be present at the arrival of Madame de Bellegarde and her first-born. At Geneva, for the moment, he remained. He was like a man who has had a fall and wants to sit still and count his bruises. He instantly wrote to Madame de Cintré, relating to her the circumstances of her brother’s death—with certain exceptions—and asking her what was the earliest moment at which he might hope that she would consent to see him. M. Ledoux had told him that he had reason to know that Valentin’s will—Bellegarde had a great deal of elegant personal property to dispose of—contained a request that he should be buried near his father in the churchyard of Fleurières, and Newman intended that the state of his own relations with the family should not deprive him of the satisfaction of helping to pay the last earthly honors to the best fellow in the world. He reflected that Valentin’s friendship was older than Urbain’s enmity, and that at a funeral it was easy to escape notice. Madame de Cintré’s answer to his letter enabled him to time his arrival at Fleurières. This answer was very brief; it ran as follows:—

“I thank you for your letter, and for your being with Valentin. It is a most inexpressible sorrow to me that I was not. To see you will be nothing but a distress to me; there is no need, therefore, to wait for what you call brighter days. It is all one now, and I shall have no brighter days. Come when you please; only notify me first. My brother is to be buried here on Friday, and my family is to remain here. C. de C.”

As soon as he received this letter Newman went straight to Paris and to Poitiers. The journey took him far southward, through green Touraine and across the far-shining Loire, into a country where the early spring deepened about him as he went. But he had never made a journey during which he heeded less what he would have called the lay of the land. He obtained lodging at the inn at Poitiers, and the next morning drove in a couple of hours to the village of Fleurières. But here, preoccupied though he was, he could not fail to notice the picturesqueness of the place. It was what the French call a petit bourg; it lay at the base of a sort of huge mound on the summit of which stood the crumbling ruins of a feudal castle, much of whose sturdy material, as well as that of the wall which dropped along the hill to enclose the clustered houses defensively, had been absorbed into the very substance of the village. The church was simply the former chapel of the castle, fronting upon its grass-grown court, which, however, was of generous enough width to have given up its quaintest corner to a little graveyard. Here the very headstones themselves seemed to sleep, as they slanted into the grass; the patient elbow of the rampart held them together on one side, and in front, far beneath their mossy lids, the green plains and blue distances stretched away. The way to church, up the hill, was impracticable to vehicles. It was lined with peasants, two or three rows deep, who stood watching old Madame de Bellegarde slowly ascend it, on the arm of her elder son, behind the pall-bearers of the other. Newman chose to lurk among the common mourners who murmured “Madame la Comtesse” as a tall figure veiled in black passed before them. He stood in the dusky little church while the service was going forward, but at the dismal tomb-side he turned away and walked down the hill. He went back to Poitiers, and spent two days in which patience and impatience were singularly commingled. On the third day he sent Madame de Cintré a note, saying that he would call upon her in the afternoon, and in accordance with this he again took his way to Fleurières. He left his vehicle at the tavern in the village street, and obeyed the simple instructions which were given him for finding the château.

“It is just beyond there,” said the landlord, and pointed to the tree-tops of the park, above the opposite houses. Newman followed the first cross-road to the right—it was bordered with mouldy cottages—and in a few moments saw before him the peaked roofs of the towers. Advancing farther, he found himself before a vast iron gate, rusty and closed; here he paused a moment, looking through the bars. The château was near the road; this was at once its merit and its defect; but its aspect was extremely impressive. Newman learned afterwards, from a guide-book of the province, that it dated from the time of Henry IV. It presented to the wide, paved area which preceded it and which was edged with shabby farm-buildings an immense façade of dark time-stained brick, flanked by two low wings, each of which terminated in a little Dutch-looking pavilion capped with a fantastic roof. Two towers rose behind, and behind the towers was a mass of elms and beeches, now just faintly green.

But the great feature was a wide, green river which washed the foundations of the château. The building rose from an island in the circling stream, so that this formed a perfect moat spanned by a two-arched bridge without a parapet. The dull brick walls, which here and there made a grand, straight sweep; the ugly little cupolas of the wings, the deep-set windows, the long, steep pinnacles of mossy slate, all mirrored themselves in the tranquil river. Newman rang at the gate, and was almost frightened at the tone with which a big rusty bell above his head replied to him. An old woman came out from the gate-house and opened the creaking portal just wide enough for him to pass, and he went in, across the dry, bare court and the little cracked white slabs of the causeway on the moat. At the door of the château he waited for some moments, and this gave him a chance to observe that Fleurières was not “kept up,” and to reflect that it was a melancholy place of residence. “It looks,” said Newman to himself—and I give the comparison for what it is worth—“like a Chinese penitentiary.” At last the door was opened by a servant whom he remembered to have seen in the Rue de l’Université. The man’s dull face brightened as he perceived our hero, for Newman, for indefinable reasons, enjoyed the confidence of the liveried gentry. The footman led the way across a great central vestibule, with a pyramid of plants in tubs in the middle of glass doors all around, to what appeared to be the principal drawing-room of the château. Newman crossed the threshold of a room of superb proportions, which made him feel at first like a tourist with a guide-book and a cicerone awaiting a fee. But when his guide had left him alone, with the observation that he would call Madame la Comtesse, Newman perceived that the salon contained little that was remarkable save a dark ceiling with curiously carved rafters, some curtains of elaborate, antiquated tapestry, and a dark oaken floor, polished like a mirror. He waited some minutes, walking up and down; but at length, as he turned at the end of the room, he saw that Madame de Cintré had come in by a distant door. She wore a black dress, and she stood looking at him. As the length of the immense room lay between them he had time to look at her before they met in the middle of it.

He was dismayed at the change in her appearance. Pale, heavy-browed, almost haggard with a sort of monastic rigidity in her dress, she had little but her pure features in common with the woman whose radiant good grace he had hitherto admired. She let her eyes rest on his own, and she let him take her hand; but her eyes looked like two rainy autumn moons, and her touch was portentously lifeless.

“I was at your brother’s funeral,” Newman said. “Then I waited three days. But I could wait no longer.”

“Nothing can be lost or gained by waiting,” said Madame de Cintré. “But it was very considerate of you to wait, wronged as you have been.”

“I’m glad you think I have been wronged,” said Newman, with that oddly humorous accent with which he often uttered words of the gravest meaning.

“Do I need to say so?” she asked. “I don’t think I have wronged, seriously, many persons; certainly not consciously. To you, to whom I have done this hard and cruel thing, the only reparation I can make is to say, ‘I know it, I feel it!’ The reparation is pitifully small!”

“Oh, it’s a great step forward!” said Newman, with a gracious smile of encouragement. He pushed a chair towards her and held it, looking at her urgently. She sat down, mechanically, and he seated himself near her; but in a moment he got up, restlessly, and stood before her. She remained seated, like a troubled creature who had passed through the stage of restlessness.

“I say nothing is to be gained by my seeing you,” she went on, “and yet I am very glad you came. Now I can tell you what I feel. It is a selfish pleasure, but it is one of the last I shall have.” And she paused, with her great misty eyes fixed upon him. “I know how I have deceived and injured you; I know how cruel and cowardly I have been. I see it as vividly as you do—I feel it to the ends of my fingers.” And she unclasped her hands, which were locked together in her lap, lifted them, and dropped them at her side. “Anything that you may have said of me in your angriest passion is nothing to what I have said to myself.”

“In my angriest passion,” said Newman, “I have said nothing hard of you. The very worst thing I have said of you yet is that you are the loveliest of women.” And he seated himself before her again abruptly.

She flushed a little, but even her flush was pale. “That is because you think I will come back. But I will not come back. It is in that hope you have come here, I know; I am very sorry for you. I would do almost anything for you. To say that, after what I have done, seems simply impudent; but what can I say that will not seem impudent? To wrong you and apologize—that is easy enough. I should not have wronged you.” She stopped a moment, looking at him, and motioned him to let her go on. “I ought never to have listened to you at first; that was the wrong. No good could come of it. I felt it, and yet I listened; that was your fault. I liked you too much; I believed in you.”