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“Anything?”
Luvo shakes his head. His brain feels heavy, explosive. The lifespan for a memory-tapper, Luvo has heard, is one or two years. Infections, convulsions, seizures. Some days he can feel blood vessels warping around the columns installed in his brain, can feel the neurons tearing and biting as they try to weave through the obstructions.
Roger looks gray, almost sick. He runs a shaky hand across the front pockets of his shirt.
“Nothing in the desert? Nothing in a Land Cruiser with her husband? You’re sure?”
Again Luvo shakes his head. He asks, “Is she sleeping?”
“Finally.”
They file downstairs. Memories twist slowly through Luvo’s thoughts: Alma as a six-year-old, a dining room, linen tablecloths, the laughter of grown-ups, the soft hush of servants in white shirts bringing in food. Alma sheathing the body of an earthworm over the point of a fishhook. A faintly glowing churchyard, and Alma’s mother’s bony fingers wrapped around a steering wheel. Bulldozers and rattling buses and gaps in the security fences around the suburbs where she grew up. Buying a backlot brandy called white lightning from Xhosa kids half her age.
By the time he reaches the living room, Luvo is close to fainting. The two armchairs and the lamp and the glass balcony doors and the massive grandfather clock with its scrollwork and brass pendulum and heavy mahogany feet all seem to pulse in the dimness. His headache is advancing, irrepressible; it is an orange flame licking at the edges of everything. Each beat of his heart sends his brain reverberating off the walls of his skull. Any moment his field of vision will ignite.
Roger tugs the boy’s wool cap over his head for him, loops a long arm under his armpit, and helps Luvo out the door as the first strands of daylight break over Table Mountain.
TUESDAY MORNING
Pheko arrives just after dawn to the faint odor of tobacco in the house. Three fewer eggs in the refrigerator. He stands a minute, puzzling over it. Nothing else seems disturbed. Alma sleeps a deep sleep.
The estate agent is coming this morning. Pheko vacuums, washes the balcony windows, polishes the countertops until they shine a foot deep. Pure white light, rinsed by last night’s rain, pours through the windows. The ocean is a gleaming plate of pewter.
At ten Pheko drinks a cup of coffee in the kitchen. Two tea towels, crisp and white, are folded over the oven handle. The floors are scrubbed, the dishwasher empty, the grandfather clock wound. Everything in its place.
It occurs to Pheko that he could steal things. He could take the kitchen television and some of Harold’s books and Alma’s music player. Jewelry. Coats. The matching pea-green bicycles in the garage—how many times has Alma ridden hers? Once? Who even knows those bicycles are here? Pheko could call a taxi right now and load it with suitcases and take them into Khayelitsha and before nightfall a hundred things Alma didn’t know she had could be turned into cash.
Who would know? Not the accountant. Not Alma. Only Pheko. Only God.
Alma wakes at ten thirty, groggy, muddled. He dresses her, escorts her to the breakfast table. She sits in her chair, tea untouched, hands quivering, strands of her wig stuck in her eyelashes. “I used to come here,” Alma mutters. “Before.”
“You don’t want your tea, Mrs. Alma?”
Alma gives him a bewildered look.
Upstairs the memory wall ruffles in the wind. The estate agent’s sedan glides into the driveway at 11:00, precisely on time.
THE SOUTH AFRICAN MUSEUM
Luvo wakes in the afternoon in Roger’s one-room apartment in the Cape Flats. Beside him is a table and two chairs. Pans in a cupboard, a paraffin stove, a row of books on a shelf. Not much more than a prison cell. Roger’s one window reveals the bottom corner of a billboard, perhaps twenty feet away. On the billboard a white woman in a whiter bikini reclines on a beach holding a bottle of Crown Beer. From where he lies Luvo can see the lower half of her legs, her ankles crossed, the pale bottoms of her bare feet flecked with sand.
Through the walls and ceiling ride the racket of the Cape Flats, laughter, babies, squabbles, sex, the rumbles of engines and fans. Six or seven times, in the month or so Luvo can remember sleeping here, he has heard the drumbeat of gunfire. Women with glossy nails and chokers around their throats drift through the open hallways; every evening someone comes past the door whispering, “Mandrax, Mandrax.”
Roger is out. Probably following around Alma. Luvo sits at the table and eats a stack of saltines and reads one of Roger’s books. It is an adventure novel about men in the Arctic. The adventurers are out of food and hunting seals and the ice is thin and it seems any moment someone will break through and fall into freezing water.
After an hour or so Roger is still not back. Luvo takes two coins from a drawer and scrubs his face and hands in the sink and runs a wet paper towel over the toe of each sneaker. He fixes his watchcap over the ports in his head and rides a bus to the Company Gardens.
He enters the South African Museum around 4 p.m. and steps past the distrustful looks of two warders and into the paleontology gallery. Hundreds of fossils are locked in glass cases, specimens from all over southern Africa: shells and worms and nautiluses and seed ferns and trilobites, and minerals, too; yellow-green crystals and gleaming clusters of quartz; mosquitoes in drops of amber; scheelite, wulfenite.
In the reflections in the glass it is as if Luvo can see the papers and cartridges pinned to Alma’s wall floating in the dimness above the stones. Bones, teeth, footprints, fishes, the warped ribs of ancient reptiles—in Alma’s memories Luvo has watched Harold return from the Karoo boiling with ardor, enthusing about dolerite and siltstone, bonebeds and trackways. The big man would chisel away at rocks in the garage, show Alma whole amphibians, a footlong dragonfly embedded in limestone, little worm tracks in hardened mud. He’d come into the kitchen, flushed, animated, smelling of dust and heat and rocks, safety goggles pushed up over his forehead, waving a walking stick he’d picked up somewhere, nearly as tall as he was, made of ebony, wrapped with red beads on the handle and with an elephant carved on the top.
The whole thing infuriated Alma: the safari-tourist’s walking stick, the goggles, Harold’s boyish avidity. Forty-five years of marriage, Alma would announce, and now he had decided to become a lunatic rockhound? What about their friends, what about going for walks together, what about joining the Mediterranean Cruise Club? Retirees, Alma would yell, were supposed to move toward comforts, not away from them.
Here is what Luvo knows: Inside Roger’s frayed, beaten wallet is a four-year-old newspaper obituary. The headline reads Real Estate Ace Turned Dinosaur Hunter. Below it is a grainy black-and-white of Harold Konachek.
Luvo has asked to see the obituary enough times that he has memorized it. A sixty-eight-year-old Cape Town retiree, driving with his wife on backveld roads in the Karoo, had stopped to look for fossils at a roadcut when he had a fatal heart attack. According to the man’s wife, just before he died he had made a significant find, a rare Permian fossil. Extensive searches in the area turned up nothing.
Roger, with his straw hat and white beard and tombstone teeth, has told Luvo he went out to the desert with dozens of other fossil hunters, even with a group from the university. He says several paleontologists went to Alma’s house and asked her what she’d seen. “She said she couldn’t remember. Said the Karoo was huge and all the hills looked the same.”
Interest slackened. People assumed the fossil was unrecoverable. Then, several years later, Roger saw Alma Konachek leaving a memory clinic in Green Point with her houseboy. And he started following them around town.
“Gorgonops longifrons,” Roger told Luvo a month ago, on the first night he brought the boy to Alma’s house. Luvo has engraved the name into his memory.
“A big, nasty predator from the Permian. If it’s a complete skeleton, it’s worth forty or fifty million rand. World’s gone crazy for this stuff. Movie stars, financiers. Last year a triceratops skull sold to some Chinaman at an auction for thirty-four million American dollars.”
Luvo looks up from the display case. Footfalls echo through the gallery. Knots of tourists mill here and there. The gorgon skeleton the museum has on a granite pedestal is the same one Harold showed Alma fifty years before. Its head is flat-sided; its jaw brims with teeth. Its claws look capable of great violence.
The plaque below the gorgon reads Great Karoo, Upper Permian, 260 million years ago. Luvo stands in front of the skeleton a long time. He hears Harold’s voice, whispering to Alma through the dark hallways of her memory: These were our ancestors, too.
Luvo thinks: We are all intermediaries. He thinks: So this is what Roger is after. This incomprehensibly old thing.
WEDNESDAY NIGHT, THURSDAY NIGHT
When Luvo wakes, Roger is standing over him. It’s after midnight and he is back inside Roger’s apartment. The shock of coming into his own, tampered head is searing. Roger squats on his haunches, inhales from a cigarette, and glances at his watch with a displeased expression.
“You went out.”
“I went to the museum. I fell asleep.”
“Am I going to have to start locking you in?”
“Locking me in?”
Roger sits on the chair above Luvo, sets his hat on table, and looks at his half-smoked cigarette with a displeased expression.
“Someone put a realty sign in front of her house today.”
Luvo presses his fingertips into his temples.
“They’re selling the old lady’s house.”
“Why?”
“Why? ‘Cause she’s lost her mind.”
Spotlights shine on the tanned legs of the Crown Beer woman. Below her leaves blot and unblot the cadmium-colored lights of the Cape Flats. Dim figures move now and then through the trees. The neighborhood seethes. The tip of Roger’s cigarette flares and fades.
“So we’re done? We’re done going over there?”
Roger looks at him. “Done? No. Not yet. We’ve got to hurry up.” Again he glances at his wristwatch.
An hour later they’re back inside Alma Konachek’s house. Luvo sits on the bed in Alma’s upstairs bedroom and studies the wall in front of him and tries to concentrate. In the center, a young man walks out of the sea, trousers rolled to his knees. Around the man orbit lines from books, postcards, photos, misspelled names, grocery lists underscored with a dozen hesitant pencil strokes. Trips. Company parties. Treasure Island.
Each cartridge on Alma’s wall becomes a little brazier, burning in the darkness. Luvo wanders between them, gradually exploring the labyrinth of her history. Maybe, he thinks, at the beginning, before the disease had done its worst, the wall offered Alma a measure of control over what was happening to her. Maybe she could hang a cartridge on a nail and find it a day or two later and feel her brain successfully recall the same memory again—a new pathway forged through the dusklight.
When it worked, it must have been like descending into a pitch-black cellar for a jar of preserves, and finding the jar waiting there, cool and heavy, so she could bring it up the bowed and dusty stairs into the light of the kitchen. For a while it must have worked for Alma, anyway; it must have helped her believe she could fend off her inevitable erasure.
It has not worked as well for Roger and Luvo. Luvo does not know how to turn the wall to his ends; it will only show him Alma’s life as it wishes. The cartridges veer toward and away from his goal without ever quite reaching it; he founders inside a past and a mind over which he has no control.
On cartridge 6786 Harold tells Alma he is reclaiming something vital, finally trying to learn about the places he’d grown up, grappling with his own infinitesimal place in time. He was learning to see, he said, what once was: storms, monsters, fifty million years of Permian protomammals. Here he was, sixty-some years old, still limber enough to wander around in the richest fossil beds outside of Antarctica. To walk among the stones, to use his eyes and fingers, to find the impressions of animals that had lived such an incomprehensibly long time ago! It was enough, he told Alma, to make him want to kneel down.
“Kneel down?” Alma rages. “Kneel down? To who? To what?”
“Please,” Harold asks Alma on cartridge 1204. “I’m still the same man I’ve always been. Let me have this.”
“You’re out of your tree,” Alma tells him.
On cartridge after cartridge Luvo feels himself drawn to Harold: the man’s wide, red face, a soft curiosity glowing in his eyes. Even his silly ebony walking stick and big pieces of rocks in the garage are endearing. On the cartridges in which Harold appears, Luvo can feel himself beneath Alma, around her, and he wants to linger where she wants to leave; he wants to learn from Harold, see what the man is dragging out of the back of his Land Cruiser and scraping at with dental tools in the study. He wants to go out to the Karoo with him to prowl riverbeds and mountain passes and roadcuts—and is disappointed when he cannot.
And all those books in that white man’s study! As many books as Luvo can remember seeing in his life. Luvo is even beginning to learn the names of the fossils in Harold’s display cabinet downstairs: sea snail, tusk shell, ammonite. He wants to spread them across the desk when he and Roger arrive; he wants to run his fingers over them.
On cartridge 6567, Alma weeps. Harold is off somewhere, hunting fossils probably, and it is a long, gray evening in the house with no concerts, no invitations, nobody ringing on the telephone, and Alma eats roasted potatoes alone at the table with a detective show mumbling on the kitchen television. The faces on the screen blur and stray, and the city lights out the balcony windows look to Luvo like the portholes of a distant cruiseliner, golden and warm and far away. Alma thinks of her girlhood, how she used to stare at photographs of islands. She thinks of Billy Bones, Long John Silver, a castaway on a desert beach.
The device whines; the cartridge ejects. Luvo closes his eyes. The plates of his skull throb; he can feel the threads of the helmet shifting against the tissues of his brain.
From downstairs comes Roger’s low voice, talking to Alma.
FRIDAY MORNING
An infection creeps through Site C, waylaying children shanty by shanty. One hour radio commentators say it’s passed through saliva; the next they say it’s commuted through the air. No, township dogs carry it; no, it’s the drinking water; no, it’s a conspiracy of Western pharmaceutical companies. It could be meningitis, another flu pandemic, some new child-plague. No one seems to know anything. There is talk of public antibiotic dispensaries. There is talk of quarantine.
Friday morning Pheko wakes at four thirty as always and takes the enameled washbasin to the spigot six sheds away. He lays out his razor and soap and washcloth on a towel and squats on his heels, shaving alone and without a mirror in the cool darkness. The sodium lights are off, and a few stars show here and there between clouds. Two house crows watch him in silence from a neighbor’s eave.
When he’s done he scrubs his arms and face and empties the washbasin into the street. At five Pheko carries Temba down the lane to Miss Amanda’s and knocks lightly before entering. Amanda pushes herself up on her elbows from the bed and gives him a groggy smile. He sets still-sleeping Temba on her couch and the boy’s eyeglasses on the table beside him.
On the walk to the Site C station Pheko sees a line of schoolgirls in navy-and-white uniforms, queuing to climb onto a white bus. Each wears a paper mask over her nose and mouth. He climbs the ramp and waits. Down in the grassy field below them forgotten concrete culverts lie here and there like fallen pillars from some foregone civilization, spray-painted with signs: Exacta and Fuck and Blind 43. Rich Get Richer. Jamakota dies please help.
Trains shuttle to and fro like rattling beasts. Pheko thinks, Three more days.
CARTRIDGE 4510
Alma seems more tired than ever. Pheko helps her climb out of bed at 11:30. A clear liquid seeps from her left eye. She stares into nothingness.
This morning she lets Pheko dress her but will not eat. Twice an agent comes to show the house and Pheko has to shuttle Alma out to the yard and sit with her in the lounge chairs, holding her hand, while a young couple tools through the rooms and admires the views and leaves tracks across the carpets.
Around two Pheko sighs, gives up. He sits Alma on the upstairs bed and screws her into the remote device and lets her watch cartridge 4510, the one he keeps in the drawer beside the dishwasher so he can find it when he needs it. When she needs it.
Alma’s neck sags; her knees drift apart. Pheko goes downstairs to eat a slice of bread. Wind begins thrashing through the palms in the garden. “Southeaster coming,” says the kitchen television. Then ads flicker past. A tall white woman runs through an airport. A yardlong sandwich scrolls across the screen. Pheko closes his eyes and imagines the wind reaching Khayelitsha, boxes cartwheeling past spaza shops, plastic bags slithering across roads, slapping into fences. People at the station will be pulling their collars over their mouths against the dust.
After a few more minutes, he can hear Alma calling. He walks upstairs, sits her back down, and pushes in the same cartridge again.
CHEFE CARPENTER
Friday Roger shepherds Luvo up a sidewalk in front of a different house than Alma Konachek’s, on the opposite side of the city. The house is wrapped by a twelve-foot stucco wall with broken bottles embedded in the top. Nine or ten eucalyptus trees stand waving above it.
Roger carries a plastic sack in one hand with something heavy inside. At a gate he looks up at a security camera in a tinted bubble and holds up the sack. After perhaps ten minutes a woman shows them through without a word. Two perfumed collies trot behind her.
The house is small and walled with glass. The woman seats them in an open room with a large fireplace. Above the fireplace is a fossil of what looks like a smashed, winged crocodile spiraling out of a piece of polished slate. All around the room, Luvo realizes, are dozens more fossils, hung from pillars, on pedestals, arrayed in a backlit case. Some of them are massive. He can see a coiled shell as big as a manhole cover, and a cross-section of petrified wood mounted on a door, and what looks like an elephant tusk cradled in golden braces.
A moment later a man comes in and leans over the collies and scratches them behind the ears. Roger and Luvo stand. The man is barefoot and wears slacks rolled up to the ankles and a soft-looking shirt that is unbuttoned. A great upfold of fat is piled up against the back of his skull and a single gold bracelet is looped around his right wrist. His fingernails gleam as if polished. He looks up from the dogs and sits in a leather armchair and yawns hugely.
“Hello,” he says, and nods at them both.
“This is Chefe Carpenter,” Roger says, though it’s not clear if he is saying this to Luvo or not. Nobody shakes hands. Roger and Luvo sit.
“Your son?”
Roger shakes his head. The woman reappears with a black mug and Chefe takes it and does not offer Luvo or Roger anything. Chefe drinks the contents of the mug in three swallows, then sets the mug down and grimaces and cracks some bones in his back and rolls his neck and finally says, “You have something?”
To Luvo’s surprise Roger produces from the plastic sack a fossil Luvo recognizes. Roger has taken it from Harold’s cabinet. This one contains the impressions of a seed fern, three fronds pressed almost parallel into it, nearly white against the darker stone. Looking at it in Roger’s hands makes Luvo want to run his hands across the leaves.
Chefe Carpenter looks at it for perhaps four or five seconds but does not get up from his armchair or reach out to take it.
“I can give you five hundred rand.”
Roger lets out a forced, unctuous laugh.
“Come now,” Chefe says. “In the sunroom right now I have a hundred of these. What can I sell these for? What else do you have?”
“Nothing right now.”
“But where is this big one you’re working on?”
“It’s coming.”
Chefe reaches down for his mug and peers inside and sets it back on the floor. “You owe money, don’t you? Men are coming to collect money from you, aren’t they?” He glances over with a soft look at Luvo, then looks back. “You have a long way to go to repay your debt, don’t you?”
Roger says, “I’m working on the big one.”
“Five hundred rand,” Chefe says.
Roger gives a defeated nod. “Now,” Chefe says, and stands up, and his big, shiny face brightens, as if a cloud has moved away from the sun. “Shall I show the boy the collection?”
UPSTAIRS
There are blanks on Alma’s wall, Luvo is learning, omissions and gaps. Even if he reorganized her whole project, arranged her life in a chronological line, first memory to last, Alma’s history running in a little beige file down the stairs and around the living room, what would he learn? There’d still be breaks in time, failure in his understanding, months beyond his reach. Who is to say a cartridge even exists that contains the moments before Harold’s death?
Friday night he decides to abandon his left-to-right method. Whatever order once existed in the arrangement of these cartridges has since been shuffled out of it. It’s a museum arranged by a madwoman. He starts watching any cartridge that for some unnameable reason stands out to him from the disarray pinned to the wall. On one cartridge nine-or ten-year-old Alma lies back in a bed full of pillows while her father reads her a chapter from Treasure Island; on another a doctor tells a much older Alma that she probably will not be able to have children. On a third Alma has written Harold and Pheko. Luvo runs it through the remote device twice. In the memory Alma asks Pheko to move several crates of books into Harold’s study and arrange them alphabetically on his shelves. “By author,” she says.
