Somebody's Luggage

“Madame, that baby – ”

“Pardon, monsieur. That lamp.”

“No, no, that little girl.”

“But, pardon!” said Madame Bonclet, angling for a clew, “one cannot light a little girl, or send her to be repaired?”

“The little girl – at the house of the barber.”

“Ah-h-h!” cried Madame Bouclet, suddenly catching the idea with her delicate little line and rod. “Little Bebelle? Yes, yes, yes! And her friend the Corporal? Yes, yes, yes, yes! So genteel of him, – is it not?”

“He is not – ?”

“Not at all; not at all! He is not one of her relations. Not at all!”

“Why, then, he – ”

“Perfectly!” cried Madame Bouclet, “you are right, monsieur. It is so genteel of him. The less relation, the more genteel. As you say.”

“Is she – ?”

“The child of the barber?” Madame Bouclet whisked up her skilful little line and rod again. “Not at all, not at all! She is the child of – in a word, of no one.”

“The wife of the barber, then – ?”

“Indubitably. As you say. The wife of the barber receives a small stipend to take care of her. So much by the month. Eh, then! It is without doubt very little, for we are all poor here.”

“You are not poor, madame.”

“As to my lodgers,” replied Madame Bouclet, with a smiling and a gracious bend of her head, “no. As to all things else, so-so.”

“You flatter me, madame.”

“Monsieur, it is you who flatter me in living here.”

Certain fishy gasps on Mr. The Englishman’s part, denoting that he was about to resume his subject under difficulties, Madame Bouclet observed him closely, and whisked up her delicate line and rod again with triumphant success.

“O no, monsieur, certainly not. The wife of the barber is not cruel to the poor child, but she is careless. Her health is delicate, and she sits all day, looking out at window. Consequently, when the Corporal first came, the poor little Bebelle was much neglected.”

“It is a curious – ” began Mr. The Englishman.

“Name? That Bebelle? Again you are right, monsieur. But it is a playful name for Gabrielle.”

“And so the child is a mere fancy of the Corporal’s?” said Mr. The Englishman, in a gruffly disparaging tone of voice.

“Eh, well!” returned Madame Bouclet, with a pleading shrug: “one must love something. Human nature is weak.”

(“Devilish weak,” muttered the Englishman, in his own language.)

“And the Corporal,” pursued Madame Bouclet, “being billeted at the barber’s, – where he will probably remain a long time, for he is attached to the General, – and finding the poor unowned child in need of being loved, and finding himself in need of loving, – why, there you have it all, you see!”

Mr. The Englishman accepted this interpretation of the matter with an indifferent grace, and observed to himself, in an injured manner, when he was again alone: “I shouldn’t mind it so much, if these people were not such a” – National Participled – “sentimental people!”

There was a Cemetery outside the town, and it happened ill for the reputation of the Vaubanois, in this sentimental connection, that he took a walk there that same afternoon. To be sure there were some wonderful things in it (from the Englishman’s point of view), and of a certainty in all Britain you would have found nothing like it. Not to mention the fanciful flourishes of hearts and crosses in wood and iron, that were planted all over the place, making it look very like a Firework-ground, where a most splendid pyrotechnic display might be expected after dark, there were so many wreaths upon the graves, embroidered, as it might be, “To my mother,” “To my daughter,” “To my father,” “To my brother,” “To my sister,” “To my friend,” and those many wreaths were in so many stages of elaboration and decay, from the wreath of yesterday, all fresh colour and bright beads, to the wreath of last year, a poor mouldering wisp of straw! There were so many little gardens and grottos made upon graves, in so many tastes, with plants and shells and plaster figures and porcelain pitchers, and so many odds and ends! There were so many tributes of remembrance hanging up, not to be discriminated by the closest inspection from little round waiters, whereon were depicted in glowing lines either a lady or a gentleman with a white pocket-handkerchief out of all proportion, leaning, in a state of the most faultless mourning and most profound affliction, on the most architectural and gorgeous urn! There were so many surviving wives who had put their names on the tombs of their deceased husbands, with a blank for the date of their own departure from this weary world; and there were so many surviving husbands who had rendered the same homage to their deceased wives; and out of the number there must have been so many who had long ago married again! In fine, there was so much in the place that would have seemed more frippery to a stranger, save for the consideration that the lightest paper flower that lay upon the poorest heap of earth was never touched by a rude hand, but perished there, a sacred thing!

“Nothing of the solemnity of Death here,” Mr. The Englishman had been going to say, when this last consideration touched him with a mild appeal, and on the whole he walked out without saying it. “But these people are,” he insisted, by way of compensation, when he was well outside the gate, “they are so” – Participled – “sentimental!”

His way back lay by the military gymnasium-ground. And there he passed the Corporal glibly instructing young soldiers how to swing themselves over rapid and deep watercourses on their way to Glory, by means of a rope, and himself deftly plunging off a platform, and flying a hundred feet or two, as an encouragement to them to begin. And there he also passed, perched on a crowning eminence (probably the Corporal’s careful hands), the small Bebelle, with her round eyes wide open, surveying the proceeding like a wondering sort of blue and white bird.

“If that child was to die,” this was his reflection as he turned his back and went his way, – “and it would almost serve the fellow right for making such a fool of himself, – I suppose we should have him sticking up a wreath and a waiter in that fantastic burying-ground.”

Nevertheless, after another early morning or two of looking out of window, he strolled down into the Place, when the Corporal and Bebelle were walking there, and touching his hat to the Corporal (an immense achievement), wished him Good-day.

“Good-day, monsieur.”

“This is a rather pretty child you have here,” said Mr. The Englishman, taking her chin in his hand, and looking down into her astonished blue eyes.

“Monsieur, she is a very pretty child,” returned the Corporal, with a stress on his polite correction of the phrase.

“And good?” said the Englishman.

“And very good. Poor little thing!”

“Hah!” The Englishman stooped down and patted her cheek, not without awkwardness, as if he were going too far in his conciliation. “And what is this medal round your neck, my little one?”

Bebelle having no other reply on her lips than her chubby right fist, the Corporal offered his services as interpreter.

“Monsieur demands, what is this, Bebelle?”

“It is the Holy Virgin,” said Bebelle.

“And who gave it you?” asked the Englishman.

“Théophile.”

“And who is Théophile?”

Bebelle broke into a laugh, laughed merrily and heartily, clapped her chubby hands, and beat her little feet on the stone pavement of the Place.

“He doesn’t know Théophile! Why, he doesn’t know any one! He doesn’t know anything!” Then, sensible of a small solecism in her manners, Bebelle twisted her right hand in a leg of the Corporal’s Bloomer trousers, and, laying her cheek against the place, kissed it.

“Monsieur Théophile, I believe?” said the Englishman to the Corporal.

“It is I, monsieur.”

“Permit me.” Mr. The Englishman shook him heartily by the hand and turned away. But he took it mighty ill that old Monsieur Mutuel in his patch of sunlight, upon whom he came as he turned, should pull off his cap to him with a look of pleased approval. And he muttered, in his own tongue, as he returned the salutation, “Well, walnut-shell! And what business is it of yours?”

Mr. The Englishman went on for many weeks passing but disturbed evenings and worse nights, and constantly experiencing that those aforesaid windows in the houses of Memory and Mercy rattled after dark, and that he had very imperfectly nailed them up. Likewise, he went on for many weeks daily improving the acquaintance of the Corporal and Bebelle. That is to say, he took Bebelle by the chin, and the Corporal by the hand, and offered Bebelle sous and the Corporal cigars, and even got the length of changing pipes with the Corporal and kissing Bebelle. But he did it all in a shamefaced way, and always took it extremely ill that Monsieur Mutuel in his patch of sunlight should note what he did. Whenever that seemed to be the case, he always growled in his own tongue, “There you are again, walnut-shell! What business is it of yours?”

In a word, it had become the occupation of Mr. The Englishman’s life to look after the Corporal and little Bebelle, and to resent old Monsieur Mutuel’s looking after him. An occupation only varied by a fire in the town one windy night, and much passing of water-buckets from hand to hand (in which the Englishman rendered good service), and much beating of drums, – when all of a sudden the Corporal disappeared.

Next, all of a sudden, Bebelle disappeared.

She had been visible a few days later than the Corporal, – sadly deteriorated as to washing and brushing, – but she had not spoken when addressed by Mr. The Englishman, and had looked scared and had run away. And now it would seem that she had run away for good. And there lay the Great Place under the windows, bare and barren.

In his shamefaced and constrained way, Mr. The Englishman asked no question of any one, but watched from his front windows and watched from his back windows, and lingered about the Place, and peeped in at the Barber’s shop, and did all this and much more with a whistling and tune-humming pretence of not missing anything, until one afternoon when Monsieur Mutuel’s patch of sunlight was in shadow, and when, according to all rule and precedent, he had no right whatever to bring his red ribbon out of doors, behold here he was, advancing with his cap already in his hand twelve paces off!

Mr. The Englishman had got as far into his usual objurgation as, “What bu-si – ” when he checked himself.

“Ah, it is sad, it is sad! Hélas, it is unhappy, it is sad!” Thus old Monsieur Mutuel, shaking his gray head.

“What busin – at least, I would say, what do you mean, Monsieur Mutuel?”

“Our Corporal. Hélas, our dear Corporal!”

“What has happened to him?”

“You have not heard?”

“No.”

“At the fire. But he was so brave, so ready. Ah, too brave, too ready!”

“May the Devil carry you away!” the Englishman broke in impatiently; “I beg your pardon, – I mean me, – I am not accustomed to speak French, – go on, will you?”

“And a falling beam – ”

“Good God!” exclaimed the Englishman. “It was a private soldier who was killed?”

“No. A Corporal, the same Corporal, our dear Corporal. Beloved by all his comrades. The funeral ceremony was touching, – penetrating. Monsieur The Englishman, your eyes fill with tears.”

“What bu-si – ”

“Monsieur The Englishman, I honour those emotions. I salute you with profound respect. I will not obtrude myself upon your noble heart.”

Monsieur Mutuel, – a gentleman in every thread of his cloudy linen, under whose wrinkled hand every grain in the quarter of an ounce of poor snuff in his poor little tin box became a gentleman’s property, – Monsieur Mutuel passed on, with his cap in his hand.

“I little thought,” said the Englishman, after walking for several minutes, and more than once blowing his nose, “when I was looking round that cemetery – I’ll go there!”

Straight he went there, and when he came within the gate he paused, considering whether he should ask at the lodge for some direction to the grave. But he was less than ever in a mood for asking questions, and he thought, “I shall see something on it to know it by.”

In search of the Corporal’s grave he went softly on, up this walk and down that, peering in, among the crosses and hearts and columns and obelisks and tombstones, for a recently disturbed spot. It troubled him now to think how many dead there were in the cemetery, – he had not thought them a tenth part so numerous before, – and after he had walked and sought for some time, he said to himself, as he struck down a new vista of tombs, “I might suppose that every one was dead but I.”

Not every one. A live child was lying on the ground asleep. Truly he had found something on the Corporal’s grave to know it by, and the something was Bebelle.

With such a loving will had the dead soldier’s comrades worked at his resting-place, that it was already a neat garden. On the green turf of the garden Bebelle lay sleeping, with her cheek touching it. A plain, unpainted little wooden Cross was planted in the turf, and her short arm embraced this little Cross, as it had many a time embraced the Corporal’s neck. They had put a tiny flag (the flag of France) at his head, and a laurel garland.

Mr. The Englishman took off his hat, and stood for a while silent. Then, covering his head again, he bent down on one knee, and softly roused the child.

“Bebelle! My little one!”

Opening her eyes, on which the tears were still wet, Bebelle was at first frightened; but seeing who it was, she suffered him to take her in his arms, looking steadfastly at him.

“You must not lie here, my little one. You must come with me.”

“No, no. I can’t leave Théophile. I want the good dear Théophile.”

“We will go and seek him, Bebelle. We will go and look for him in England. We will go and look for him at my daughter’s, Bebelle.”

“Shall we find him there?”

“We shall find the best part of him there. Come with me, poor forlorn little one. Heaven is my witness,” said the Englishman, in a low voice, as, before he rose, he touched the turf above the gentle Corporal’s breast, “that I thankfully accept this trust!”

It was a long way for the child to have come unaided. She was soon asleep again, with her embrace transferred to the Englishman’s neck. He looked at her worn shoes, and her galled feet, and her tired face, and believed that she had come there every day.

He was leaving the grave with the slumbering Bebelle in his arms, when he stopped, looked wistfully down at it, and looked wistfully at the other graves around. “It is the innocent custom of the people,” said Mr. The Englishman, with hesitation. “I think I should like to do it. No one sees.”

Careful not to wake Bebelle as he went, he repaired to the lodge where such little tokens of remembrance were sold, and bought two wreaths. One, blue and white and glistening silver, “To my friend;” one of a soberer red and black and yellow, “To my friend.” With these he went back to the grave, and so down on one knee again. Touching the child’s lips with the brighter wreath, he guided her hand to hang it on the Cross; then hung his own wreath there. After all, the wreaths were not far out of keeping with the little garden. To my friend. To my friend.

Mr. The Englishman took it very ill when he looked round a street corner into the Great Place, carrying Bebelle in his arms, that old Mutuel should be there airing his red ribbon. He took a world of pains to dodge the worthy Mutuel, and devoted a surprising amount of time and trouble to skulking into his own lodging like a man pursued by Justice. Safely arrived there at last, he made Bebelle’s toilet with as accurate a remembrance as he could bring to bear upon that work of the way in which he had often seen the poor Corporal make it, and having given her to eat and drink, laid her down on his own bed. Then he slipped out into the barber’s shop, and after a brief interview with the barber’s wife, and a brief recourse to his purse and card-case, came back again with the whole of Bebelle’s personal property in such a very little bundle that it was quite lost under his arm.

As it was irreconcilable with his whole course and character that he should carry Bebelle off in state, or receive any compliments or congratulations on that feat, he devoted the next day to getting his two portmanteaus out of the house by artfulness and stealth, and to comporting himself in every particular as if he were going to run away, – except, indeed, that he paid his few debts in the town, and prepared a letter to leave for Madame Bouclet, enclosing a sufficient sum of money in lieu of notice. A railway train would come through at midnight, and by that train he would take away Bebelle to look for Théophile in England and at his forgiven daughter’s.

At midnight, on a moonlight night, Mr. The Englishman came creeping forth like a harmless assassin, with Bebelle on his breast instead of a dagger. Quiet the Great Place, and quiet the never-stirring streets; closed the cafés; huddled together motionless their billiard-balls; drowsy the guard or sentinel on duty here and there; lulled for the time, by sleep, even the insatiate appetite of the Office of Town-dues.

Mr. The Englishman left the Place behind, and left the streets behind, and left the civilian-inhabited town behind, and descended down among the military works of Vauban, hemming all in. As the shadow of the first heavy arch and postern fell upon him and was left behind, as the shadow of the second heavy arch and postern fell upon him and was left behind, as his hollow tramp over the first drawbridge was succeeded by a gentler sound, as his hollow tramp over the second drawbridge was succeeded by a gentler sound, as he overcame the stagnant ditches one by one, and passed out where the flowing waters were and where the moonlight, so the dark shades and the hollow sounds and the unwholesomely locked currents of his soul were vanquished and set free. See to it, Vaubans of your own hearts, who gird them in with triple walls and ditches, and with bolt and chain and bar and lifted bridge, – raze those fortifications, and lay them level with the all-absorbing dust, before the night cometh when no hand can work!

All went prosperously, and he got into an empty carriage in the train, where he could lay Bebelle on the seat over against him, as on a couch, and cover her from head to foot with his mantle. He had just drawn himself up from perfecting this arrangement, and had just leaned back in his own seat contemplating it with great satisfaction, when he became aware of a curious appearance at the open carriage window, – a ghostly little tin box floating up in the moonlight, and hovering there.

He leaned forward, and put out his head. Down among the rails and wheels and ashes, Monsieur Mutuel, red ribbon and all!

“Excuse me, Monsieur The Englishman,” said Monsieur Mutuel, holding up his box at arm’s length, the carriage being so high and he so low; “but I shall reverence the little box for ever, if your so generous hand will take a pinch from it at parting.”

Mr. The Englishman reached out of the window before complying, and – without asking the old fellow what business it was of his – shook hands and said, “Adieu! God bless you!”

“And, Mr. The Englishman, God bless you!” cried Madame Bouclet, who was also there among the rails and wheels and ashes. “And God will bless you in the happiness of the protected child now with you. And God will bless you in your own child at home. And God will bless you in your own remembrances. And this from me!”

He had barely time to catch a bouquet from her hand, when the train was flying through the night. Round the paper that enfolded it was bravely written (doubtless by the nephew who held the pen of an Angel), “Homage to the friend of the friendless.”

“Not bad people, Bebelle!” said Mr. The Englishman, softly drawing the mantle a little from her sleeping face, that he might kiss it, “though they are so – ”

Too “sentimental” himself at the moment to be able to get out that word, he added nothing but a sob, and travelled for some miles, through the moonlight, with his hand before his eyes.

CHAPTER III – HIS BROWN-PAPER PARCEL

My works are well known. I am a young man in the Art line. You have seen my works many a time, though it’s fifty thousand to one if you have seen me. You say you don’t want to see me? You say your interest is in my works, and not in me? Don’t be too sure about that. Stop a bit.

Let us have it down in black and white at the first go off, so that there may be no unpleasantness or wrangling afterwards. And this is looked over by a friend of mine, a ticket writer, that is up to literature. I am a young man in the Art line – in the Fine-Art line. You have seen my works over and over again, and you have been curious about me, and you think you have seen me. Now, as a safe rule, you never have seen me, and you never do see me, and you never will see me. I think that’s plainly put – and it’s what knocks me over.

If there’s a blighted public character going, I am the party.

It has been remarked by a certain (or an uncertain,) philosopher, that the world knows nothing of its greatest men. He might have put it plainer if he had thrown his eye in my direction. He might have put it, that while the world knows something of them that apparently go in and win, it knows nothing of them that really go in and don’t win. There it is again in another form – and that’s what knocks me over.

Not that it’s only myself that suffers from injustice, but that I am more alive to my own injuries than to any other man’s. Being, as I have mentioned, in the Fine-Art line, and not the Philanthropic line, I openly admit it. As to company in injury, I have company enough. Who are you passing every day at your Competitive Excruciations? The fortunate candidates whose heads and livers you have turned upside down for life? Not you. You are really passing the Crammers and Coaches. If your principle is right, why don’t you turn out to-morrow morning with the keys of your cities on velvet cushions, your musicians playing, and your flags flying, and read addresses to the Crammers and Coaches on your bended knees, beseeching them to come out and govern you? Then, again, as to your public business of all sorts, your Financial statements and your Budgets; the Public knows much, truly, about the real doers of all that! Your Nobles and Right Honourables are first-rate men? Yes, and so is a goose a first-rate bird. But I’ll tell you this about the goose; – you’ll find his natural flavour disappointing, without stuffing.

Perhaps I am soured by not being popular? But suppose I AM popular. Suppose my works never fail to attract. Suppose that, whether they are exhibited by natural light or by artificial, they invariably draw the public. Then no doubt they are preserved in some Collection? No, they are not; they are not preserved in any Collection. Copyright? No, nor yet copyright. Anyhow they must be somewhere? Wrong again, for they are often nowhere.

Says you, “At all events, you are in a moody state of mind, my friend.” My answer is, I have described myself as a public character with a blight upon him – which fully accounts for the curdling of the milk in that cocoa-nut.

Those that are acquainted with London are aware of a locality on the Surrey side of the river Thames, called the Obelisk, or, more generally, the Obstacle. Those that are not acquainted with London will also be aware of it, now that I have named it. My lodging is not far from that locality. I am a young man of that easy disposition, that I lie abed till it’s absolutely necessary to get up and earn something, and then I lie abed again till I have spent it.

It was on an occasion when I had had to turn to with a view to victuals, that I found myself walking along the Waterloo Road, one evening after dark, accompanied by an acquaintance and fellow-lodger in the gas-fitting way of life. He is very good company, having worked at the theatres, and, indeed, he has a theatrical turn himself, and wishes to be brought out in the character of Othello; but whether on account of his regular work always blacking his face and hands more or less, I cannot say.

“Tom,” he says, “what a mystery hangs over you!”

“Yes, Mr. Click” – the rest of the house generally give him his name, as being first, front, carpeted all over, his own furniture, and if not mahogany, an out-and-out imitation – “yes, Mr. Click, a mystery does hang over me.”