The Works of Guy de Maupassant, Volume 2

I pictured her so clearly to myself that I did not even feel any wish to know her, but yet she was dear to me, because of the happy expression which they all put on when they spoke of her, and I was angry with the old women who spoke against her. One thing certainly puzzled me, and that was, that the superintendent was among those who went into ecstasies over her, and this made me strongly disinclined to question him about her, though I had no other reason for this feeling.

But all this passed through my mind in rather a confused manner, and without my taking the trouble to fix or to formulate any ideas and sensations, for I continued to dream, rather than to think effectively, and it is very probable that, when my visit was over, I should not have remembered much about it, not even with regard to Babette, if I had not been suddenly awakened by the sight of her in the person, and been quite upset by the difference that there was between my fancy and the reality.

We had just crossed a small back yard, and had gone into a very dark passage, when a door suddenly opened at the other end of it, and an unexpected apparition appeared through another door, and we could indistinctly see that it was the figure of a woman. At the same moment, the superintendent called out in a furious voice:

"Babette! Babette!"

He had mechanically quickened his pace, and almost ran, and we followed him, and he quickly opened the door through which the apparition had vanished, and which led on to a staircase, and he again called out, and a burst of stifled laughter was the only reply. I looked over the balusters, and saw a woman down below, who was looking at us fixedly.

She was an old woman; there could be no doubt of that, from her wrinkled face and her few straggling gray locks which appeared under her cap. But one did not think of that when one saw her eyes, which were wonderfully youthful, for then, one saw nothing but them. They were profound eyes, of a deep, almost violet blue; the eyes of a child.

Suddenly the superintendent called out to her: "You have been with la Friezê again!"

The old woman did not reply, but shook with laughter, as she had done just before, and then she ran off, giving the superintendent a look, which said as plainly as words could have done: "Do you think I care a fig for you?"

Those insulting words were clearly written in her face, and at the same time I noticed that the old woman's eyes had utterly changed, for during that short moment of bravado the childish eyes had become the eyes of a monkey, of some ferocious, obstinate baboon.

That time, in spite of any dislike to question him further, I could not help saying to him: "That is Babette, I suppose?"

"Yes," he replied, growing rather red, as if he guessed that I understood the old woman's insulting looks.

"Is she the woman who is so precious?" I added, with a touch of irony, which made him grow altogether crimson.

"That is she," he said, walking on quickly, so as to escape my further questions.

But I was egged on by curiosity, and I made a direct appeal to our host's complaisance. "I should like to see this Friezê," I said. "Who is Friezê?"

He turned round and said: "Oh! nothing, nothing, he is not at all interesting. What is the good of seeing him? It is not worth while."

And he ran downstairs, two at a time. He who was usually so delicate, and so very careful to explain everything, was now in a hurry to get finished, and our visit was cut short.

The next day I had to leave that part of the country, without hearing anything more about Babette, but I came back about four months later, when the shooting season began. I had not forgotten her during that time, for nobody could ever forget her eyes, and so I was very glad to have as my traveling companion on my three hours' diligence journey from the station to my friend's house, a man who talked to me about her all the time.

He was a young magistrate whom I had already met, and who had much interested me by his wit and his close manner of observing things, and by his singularly refined casuistry, and, above all, by the contrast between his professional severity, and his tolerant philosophy.

But he never appeared so attractive to me as he did on that day, when he told me the history of that mysterious Babette.

He had inquired into it, and had applied all his faculties as an examining magistrate to it, for, like me, his visit to the asylum had roused his curiosity. This is what he had learned and what he told me.

When she was ten years old, Babette had been violated by her own father, and at thirteen she had been sent to the house of correction for vagabondage and debauchery. From the time she was twenty until she was forty she had been a servant in the neighborhood, frequently changing her situation, and being nearly everywhere her employer's mistress, and she had ruined several families without getting any money herself, or without gaining any definite position. A shopkeeper had committed suicide on her account, and a respectable young fellow had turned thief and incendiary, and had finished at the hulks.

She had been married twice, and had twice been left a widow, and for ten years, until she was fifty, she had been the only commodity in the district, for pleasure, to which five villages came to amuse themselves on holidays.

"She was very pretty, I suppose?"

"No; she never was that. It seems she was short, thin, with no bust or hips, at her best, I am told, and nobody can remember that she was pretty, even when she was young."

"Then how can you explain …?"

"How?" the magistrate exclaimed. "Well! what about the eyes? You could not have looked at them?"

"Yes, yes, you are right," I replied. "Those eyes explain many things, certainly. They are the eyes of an innocent child."

"Ah!" he exclaimed again, enthusiastically, "Cleopatra, Diana of Poiters, Ninon de L'Enclos, all the queens of love who were adored when they were growing old, must have had eyes like hers. A woman who has such eyes can never grow old. But if Babette lives to be a hundred, she will always be loved as she has been, and as she is."

"As she is! Bah! By whom, pray?"

"By all the old men in the asylum, by all those who have preserved a fiber that can be touched, a corner of their heart that can be inflamed, or the least spark of desire left."

"Do you think so?"

"I am sure of it. And the superintendent loves her more than any of them do."

"Impossible!"

"I would stake my head on it."

"Well, after all, it is possible, and even probable; it is even certain. I now remember …"

And again I saw the insulting, ferocious, familiar look which she had given the superintendent.

"And who is la Friezê?" I asked the magistrate "I suppose you know that also?"

"He is a retired butcher, who had both his legs frozen in the war of 1870, and whom she is very fond of. No doubt he is a cripple, with two wooden legs, but still a vigorous man enough, in spite of his fifty-three years. The loins of a Hercules and the face of a satyr. The superintendent is quite jealous of him!"

I thought the matter over again, and it seemed very probable to me. "Does she love la Friezê?"

"Yes; he is the chosen lover."

When we arrived at the host's house a short time afterwards, we were surprised to find everybody in a terrible state of excitement. A crime had been committed in the asylum; the gendarmes were there and our host was with them, so we instantly joined them. La Friezê had murdered the superintendent, and they gave us the details, which were horrible. The former butcher had hidden behind a door, and catching hold of the other, had rolled onto the ground with him and bitten him in the throat, tearing out his carotid, from which the blood spurted into the murderer's face.

I saw him, la Friezê. His fat face, which had been badly washed, was still blood-stained; he had a low forehead, square jaws, pointed ears, sticking out from his head, and flat nostrils, like the muzzle of some wild animal; but above all, I saw Babette.

She was smiling, and at that moment, her eyes had not their monkey-like and ferocious expression, but they were pleading and tender, with all of their sweetest childlike candor.

"You know," my host said to me in a low voice, "that the poor woman has fallen into senile imbecility, and that is the cause of her looks, which are so strange, considering the terrible sight she has seen.

"Do you think so?" the magistrate said. "You must remember that she is not yet sixty, and I do not think that it is a case of senile imbecility, but that she is quite conscious of the crime that has been committed."

"Then why should she smile?"

"Because she is pleased at what she has done."

"Oh! no; you are really too subtle!"

The magistrate suddenly turned to Babette, and, looking at her steadily, he said:

"I suppose you know what has happened, and why this crime was committed?"

She left off smiling, and her pretty, childlike eyes became her abominable monkey's eyes again, and then the answer was, suddenly to pull up her petticoats and to show us the lower part of her person. Yes, the magistrate had been quite right. That old woman had been a Cleopatra, a Diana, a Ninon de L'Enclos, and the rest of her body had remained like a child's, even more than her eyes. We were thunderstruck at the sight.

"Pigs! Pigs!" la Friezê shouted to us. "You also wanted to have something to do with her!"

And I saw that actually the magistrate's face was pale and contracted, and that his hands and lips trembled like those of a man caught in the act of doing wrong.

SYMPATHY

He was going up the Rue des Martyrs in a melancholy frame of mind, and in a melancholy frame of mind she also was going up the Rue des Martyrs. He was already old, nearly sixty, with a bald head under his seedy, tall hat, a gray beard, half buried in a high shirt collar, with dull eyes, an unpleasant mouth and yellow teeth.

She was past forty, with thin hair over her pads, and with a false plait; her linen was doubtful in color, and she had evidently bought her unfashionable dress at a reach-me-down shop. He was thin, while she was chubby. He had been handsome, proud, ardent, full of self-confidence, certain of his future, and seeming to hold in his hands all the trumps with which to win the game on the green table of Parisian life, while she had been pretty, sought after, fast, and in a fair way to have horses and carriages, and to win the first prize on the turf of gallantry, among the favorites of fortune.

At times, in his dark moments, he remembered the time when he had come to Paris from the country, with a volume of poetry and plays in his portmanteau, feeling a supreme contempt for all the writers who were then in vogue, and sure of supplanting them. She often, when she awoke in the morning to another day's unhappiness, remembered that happy time when she had been launched onto the world, when she already saw that she was more sought after than Marie G. or Sophie N. or any other woman of that class, who had been her companions in vice, and whose lovers she had stolen from them.

He had had a splendid start. Not, indeed, as a poet and dramatist, as he had hoped at first, but thanks to a series of scandalous stories which had made a sensation on the boulevards, so that after an action for damages and several duels, he had become our witty and brilliant colleague who, etc., etc.

She had had her moments of extraordinary good luck, though she certainly did not eclipse Marie P. or Camille L., whom men compared to Zenobia or Ninon de l'Enclos, but still enough to cause her to be talked about in the newspapers, and to cause a resolution at certain tables-d'hòtes at Montmarte. But one fine day, the newspaper in which our brilliant and witty colleague who … used to write, became defunct, having been killed by a much more cynical rival, thanks to the much more venomous pen of a much more brilliant and witty colleague who … Then, the insults of the latter having become pure and simple mud-pelting, his style soon became worn out, to the disgust of the public, and the celebrated Mr. What's his name had great difficulty in getting onto some obscure paper, where he was transformed into the obscure penny-a-liner Machin.

Now, one evening the quasi-rival of Marie X. and Camille L. had fallen ill, and consequently into pecuniary difficulties, and the prostitute No-matter-who was now on the lookout for a dinner, and would have been only too happy to get it at some table-d'hòte at Montmarte. Machin had had a return of ambition with regard to his poetry and his dramas, but then, his verses of former days had lost their freshness, and his youthful dramas appeared to him to be childish. He would have to write others, and, by Jove! he felt himself capably of doing it, for he had plenty of ideas and plans in his head, and he could easily demolish many successful writers if he chose to try! But then, the difficulty was, how to set about it, and to find the necessary leisure and time for thought. He had his daily bread to gain, and something besides: his coffee, his game of cards and other little requirements; and the incessant writing article upon article barely sufficed for that, and so days and years went by, and Machin was Machin still.

She also longed for former years, and surely it could not be so very hard to find a lover to start her on her career once more, for many of her female friends, who were not nearly so nice as she was, had unearthed one, so why should not she be equally fortunate? But there, her youth had gone and she had lost all her chances; other women had their fancy men, and she had to take them on, every day at reduced prices, so that she was reduced from taking up with any man she met, and so day after day and months and years passed, and the prostitute No-matter-who had remained the prostitute No-matter-who.

Often, in a fit of despondency, he used to say to himself, thinking of some one who had succeeded in life: "But, after all, I am cleverer than that fellow." And she always said to herself, when she got up to her miserable, daily round, when she thought of such and such a woman, who was now settled in life: "In what respect is that woman better than I am?"

And Machin, who was nearly sixty, and whose head was bald under his shabby tall hat, and whose gray beard was half-buried in a high shirt collar, who had dull eyes, an unpleasant mouth and yellow teeth, was mad with his fellow men, while the prostitute No-matter-who, with thin hair over her pads, and with a false plait, with her linen of a doubtful color, and with her unfashionable dress, which she had evidently bought at a reach-me-down shop, was enraged with society.

Ah! Those miserable, dark hours, and the wretched awakenings! And that evening he was more than usually wretched, as he had just lost all his pay for the next month, that miserable screw which he earned so hardly by almost editing the newspaper, for three hundred francs a month, in a brothel.

And that evening she was in a state of semi-stupidity, as she had had too many glasses of beer which a charitable female friend had given her, and was almost afraid to go back to her room, as her landlord had told her in the morning that unless she paid the fortnight's back rent that she owed at the rate of a franc a day, he would turn her out of doors and keep her things.

And this was the reason why they were both going up the Rue des Martyrs in a melancholy frame of mind. There was scarcely a soul in the muddy streets; it was getting dark, and beginning to rain, and the drains smelled horribly.

He passed her, and in a mechanical voice she said: "Will you not come home with me, you handsome dark man?" "I have no money," he replied. But she ran after him, and catching hold of his arm, she said: "Only a franc; that is having it for nothing." And he turned round, looked at her, and seeing that she must have been pretty, and that she was still stout (and he was fond of fat women), he said: "Where do you live? Near here?" "In the Rue Lepic." "Why! So do I." "Then that is all right, eh? Come along, old fellow."

He felt in his pockets and pulled out all the money he found there, which amounted to thirteen sous, and said: "That is all I have, upon my honor!" "All right," she said; "come along."

And they continued their melancholy walk along the Rue des Martyrs, side by side now, but without speaking, and without guessing that their two existences harmonized and corresponded with each other, and that by huddling up together, they would be merely accomplishing the acme of their twin destinies.

THE DEBT

"Pst! Pst! Come with me, you handsome, dark fellow. I am very nice, as you will see. Do come up. At any rate you will be able to warm yourself, for I have a capital fire at home."

But nothing enticed the foot-passengers, neither being called a handsome, dark fellow, which she applied quite impartially to old or fat men also, nor the promise of pleasure which was emphasized by a caressing ogle and smile, nor even the promise of a good fire, which was so attractive in the bitter December wind. And tall Fanny continued her useless walk, and the night advanced and foot-passengers grew scarcer. In another hour the streets would be absolutely deserted, and unless she could manage to pick up some belated drunken man, she would be obliged to return home alone.

And yet, tall Fanny was a beautiful woman! With her head like a Bacchante, and her body like a goddess, in all the full splendor of her twenty-three years, she deserved something better than this miserable pavement, where she could not even pick up the five francs which she wanted for the requirements of the next day. But there! In this infernal Paris, in this swarming crowd of competitors who all jostled each other, courtesans, like artists, did not attain to eminence until their later years. In that they resembled precious stones, as the most valuable of them are those that have been set the oftenest.

And that was why tall Fanny, who was later to become one of the richest and most brilliant stars of Parisian gallantry, was walking about the streets on this bitter December night, without a half-penny in her pocket, in spite of her head like a Bacchante, and her body like a goddess, and in all the full splendor of her twenty-three years.

However, it was too late now to hope to meet anybody; there was not a single foot passenger about; the street was decidedly empty, dull and lifeless. Nothing was to be heard, except the whistling of sudden gusts of wind, and nothing was to be seen, except the flickering gas lights, which looked like dying butterflies. Well! The only thing was to return home alone.

But suddenly, tall Fanny saw a human form standing on the pavement at the next crossing, and whoever it was, seemed to be hesitating and uncertain which way to go. The figure, which was very small and slight, was wrapped in a long cloak, which reached almost to the ground.

"Perhaps he is a hunchback," the girl said to herself. "They like tall women!" And she walked quickly towards him, from habit, already saying: "Pst! Pst! Come home with me, you handsome, dark fellow!" What luck! The man did not go away, but came towards Fanny, although somewhat timidly, while she went to meet him, repeating her wheedling words, so as to reassure him. She went all the quicker, as she saw that he was staggering with the zig-zag walk of a drunken man, and she thought to herself: "When once they sit down, there is no possibility of getting these beggars up again, and they want to go to sleep just where they are. I only hope I shall get to him before he tumbles down."

Luckily she reached him, just in time to catch him in her arms, but as soon as she had done so, she almost let him fall, in her astonishment. It was neither a drunken man nor a hunchback, but a child of twelve or thirteen in an overcoat, who was crying, and who said in a weak voice: "I beg your pardon, madame, I beg your pardon. If you only knew how hungry and cold I am! I beg your pardon! Oh! I am so cold."

"Poor child!" she said, putting her arms around him and kissing him. And she carried him off, with a full, but happy heart, and while he continued to sob, she said to him mechanically: "Don't be frightened, my little man. You will see how nice I can be! And then, you can warm yourself; I have a capital fire." But the fire was out; the room, however, was warm, and the child said, as soon as they got in: "Oh! How comfortable it is here! It is a great deal better than in the streets, I can tell you! And I have been living in the streets for six days." He began to cry again, and added: "I beg your pardon, madame. I have eaten nothing for two days."

Tall Fanny opened her cupboard, which had glass doors. The middle shelf held all her linen, and on the upper one there was a box of Albert biscuits, a drop of brandy at the bottom of a bottle, and a few small lumps of sugar in a cup. With that, and some water out of the bottle, she concocted a sort of broth, which he swallowed ravenously, and when he had done, he wished to tell his story, which he did, yawning all the time.

His grandfather, (the only one of his relations whom he had ever known,) who had been painter and decorator at Soisson, had died about a month before; but before his death he had said to him: "When I am gone, little man, you will find a letter to my brother, who is in business in Paris, among my papers. You must take it to him, and he will be certain to take care of you. However, in any case you must go to Paris, for you have an aptitude for painting, and only there can you hope to become an artist."

When the old man was dead (he died in the hospital), the child started, dressed in an old coat of his grandfather's and with thirty francs, which was all that the old man had left behind him in his pocket. But when he got to Paris, there was nobody of the name at the address mentioned on the letter. The dead man's brother had left there six months before, and nobody knew where he had gone to, and so the child was alone, and for a few days he managed to exist on what he had over, after paying for his journey. After he had spent his last franc, he had wandered about the streets, as he had no money with which to pay for a bed, buying his bread by the half-penny-worth, until for the last forty-eight hours, he had been without anything, absolutely without anything.

He told her all this while he was half asleep, amidst sobs and yawns, so that the girl did not venture to ask him any more questions, in spite of her curiosity, but, on the contrary, cut him short, and undressed him while she listened, and only interrupted him to kiss him, and to say to him: "There, there, my poor child! You shall tell me the rest to-morrow. You cannot go on now, so go to bed and have a good sleep." And as soon as he had finished, she put him to bed, where he immediately fell into a profound sleep. Then she undressed herself quickly, got into bed by his side, so she might keep him warm, and went to sleep, crying to herself, without exactly knowing why.

The next day they breakfasted and dined together at a common eating house, on money that she had borrowed, and when it was dark, she said to the child: "Wait for me here; I will come for you at closing time." She came back sooner, however about ten o'clock. She had twelve francs, which she gave him, telling him that she had earned them, and she continued, with a laugh: "I feel that I shall make some more. I am in luck this evening, and you have brought it me. Do not be impatient, but have some milk-posset while you are waiting for me."

She kissed him before she went, and the kind girl felt real maternal happiness as she went out. An hour later, however, she was run in by the police for having been found in a prohibited place, and off she went, game for St. Lazare8.

And the child, who was turned out by the proprietor at closing time, and then driven from the furnished lodgings the next morning, where they told him that Tall Fanny was in quod, began his wretched vagabond life in the streets again, with only the twelve francs to depend on.

Fifteen years afterwards the newspapers announced one morning that the famous Fanny Clairet, the celebrated horizontal, whose caprices had caused a revolution in high life, that queen of frail beauties for whom three men had committed suicide, and so many others had ruined themselves, that incomparable living statue, who had attracted all Paris to the theater where she impersonated Venus in her transparent skin tights, made of woven air and knitted nothing had been shut up in a lunatic asylum. She had been seized suddenly; it was an attack of general paralysis, and as her debts were enormous, when her estate had been liquidated, she would have to end her days at La Salpêtrière.