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A cascade of cosmic energy sweeps through the body in the Squatting Single Whip posture.
Tai chi is a multidimensional art form that has the capacity to touch several important levels in the life of anyone who embarks on its exploration. Tai chi is not just about health or about self-defense, but about the development of the whole individual—body, mind, and spirit. This book will introduce you to tai chi as a system of movement with a variety of health, fighting, and self-development aspects. The roots of tai chi are ancient, but its principles remain applicable in the highly pressurized modern world.
How to Use this Book (#ulink_0dda9017-e578-512a-828a-da6709399260)
Illustrated Elements of Tai Chi is a comprehensive introduction to an ancient Eastern practice that is becoming more and more popular in the West in response to the pressures of modern life. Tai chi is a holistic healing art that embraces body, mind, and spirit. It improves physical and mental well-being through posture training and exercising all parts of the body, combined with encouraging greater awareness of the links between body and mind. Practiced regularly and with dedication, tai chi becomes a system of self-development and encourages a flowering of personal creativity.
Historical Origins (#ulink_83a63de8-c5cc-5ead-b6b4-c6a905a7d928)
TAI CHI IS rooted in the rich soil of ancient Chinese thought, which is based on observing the way things work in nature. The art embodies the concept of continuous change from one extreme to the other as expressed in the ancient book of wisdom, the I Ching: “When the sun has reached its meridian, it declines, and when the moon has become full, it wanes.” Tai chi stems from the ancient philosophy of Taoism, which arose at a time when China’s earliest martial traditions were emerging, among agricultural peoples whose lives were frequently disrupted by wars waged by contending states. And it was founded on the principle of following the natural way or Tao – the ancient philosophy of Taoism.
The Taoist philosopher Lao Tzu is said to have been Official Archivist of the State of Chou (1st century B.C.E.).
TAOIST PHILOSOPHY
The first written records of tai chi practice do not appear until the end of the first millennium C.E. However, the art is known to have been developed perhaps a thousand years earlier by Taoist recluses who retreated from the world to mountain hermitages to contemplate the meaning of action by studying nature.
Taoism is an ancient Chinese system of thought that attempts to understand the laws governing change in the universe. The Tao, or Way, is the way the universe works, the natural way of things, from the way the clouds form and disperse to the way a person behaves.
The early Taoists sought to cultivate the Tao within themselves. Taoism centers on the concept of effortless action and the power it engenders. Water symbolizes the idea of strength in weakness; it accepts the lowest level without resistance, yet it wears down the hardest obstacles simply by flowing around them. Striving is the antithesis of Taoist action: understanding springs from spontaneous creativity, not from mental or physical effort.
Ideas about the Tao were eventually set down in writing in the Tao Te Ching (Classic of the Way and Virtue), the principal text of Taoism, an anthology of writings produced in about 300 B.C.E. (often referred to as the Lao Tzu).
The philosophers of ancient China sought to make suggestions that might generate ideas and unanswered questions in the mind. Taoist writings are full of paradoxes and contradictions intended to challenge limited and inhibiting views on life, and to open the perceptions.
Taoist thought pervades tai chi. “Plants when they enter life are soft and tender,” says the Lao Tzu. “When they die they are dry and stiff… The hard and strong are companions of death. The soft and weak are the companions of life.” In tai chi, learning the qualities of softness and understanding its power are essential parts of practice.
TAI AND CHI
In Chinese, the characters for “tai” and “chi” express a double superlative, often translated as “Supreme Ultimate” or more simply as “cosmos.” Tai chi is said to have been born from wu chi, the Great Void, the original state of cosmic emptiness. With the birth of tai chi, stillness changed into movement or energy. This movement was generated by the interplay of the opposing yet complementary forces of yin and yang. Tai chi can also be interpreted as “central pole” or “pillar,” like the ridgepole of a house around which all the other parts are arranged and upon which they all depend. T’ai chi is a Western abbreviation of the Chinese term tai chi ch’uan, the full name of the Chinese fighting art, which translated means “fighting art based on the laws of the universe.”
CHANGE AND HARMONY
Chinese philosophy is based on a belief in two opposing but complementary forces, yin and yang. Traditionally, yin has been presented as the feminine force, passive, nurturing, and soft, and yang as the harder, more active masculine principle. Yin and yang are also the forces of harmony and change, and together they form a balanced whole. When they are not in perfect equilibrium, disorder and disease are said to follow. The interrelationship between change and harmony is the guiding principle behind tai chi, which seeks to establish a dynamic equilibrium between the two.
Change is a constant in our lives. The Earth moves unceasingly around its orbit, causing the seasons to change and recreating the cycle of birth, life, and death. From the moment of conception to the time of death the body changes ceaselessly. The blood circulates, air is breathed in and out, mind and body mature and age. Throughout our lives we experience not one moment of absolute stillness. Change brings about rhythm, however – every in-breath is followed by an out-breath – and so harmony is maintained.
This ceaseless interplay between change and harmony is perfectly expressed in the yin-yang symbol. As any condition reaches its fullest point, it already contains the seed of its opposite: in the dark portion is a seed of white; and in the white portion is a seed of black.
In tai chi the interplay between yin and yang, the forces of change and harmony, reveals itself in the changing postures and the quality of the movements. Body weight shifts from one leg to the other, awareness moves from inside to out, empty changes to full, open to closed. The forces work simultaneously, creating a continous and ever-changing dance of energy. Life is filled with countless forces and arrangements of opposites: day and night; sound and silence; giving and receiving; fear and courage; sadness and happiness. Taoism teaches that the concepts of yin and yang offer a view of the way things work according to a natural law of change and harmony.
Everyone practicing tai chi is enjoined to embody natural law in their movements in accordance with the constantly changing balance between yin and yang. It may take time, practice, concentration, and self-love, but the reward is true harmony of body and mind, the achievement of central equilibrium – which is the essence of tai chi.
THE I CHING
The I Ching or Book of Changes is the classic of Taoist thought. It is a book of divination and wisdom, stemming from oracles written more than 4,000 years ago. The I Ching is a collection of commentaries on 64 hexagrams. Hexagrams are drawn by tossing coins. You ask the book a question on any subject, and its answer appears in the hexagram you drew. The text interprets life conditions and situations in terms of yin and yang. Many people find the I Ching assists in their decisions by helping them to make wise choices.
The hexagram Chien from a copy of the I Ching printed in China in the tenth century B.C.E.
YIN YANG QUALITIES
Below is a list of a few of the many yin and yang qualities. It is important, however, not to see any of them as always being a yin or a yang quality, but as generally belonging to either category under certain circumstances. For example, the Earth receives the seed, protects it, and nurtures it, and so is usually categorized as yin, but if you fall and hit the ground you experience it as hard – as yang.
The Birth of Tai Chi (#ulink_0c8532de-7141-5d4e-9159-7b170a825494)
ONE TRADITION SAYS that tai chi originated some 5,000 years ago during the reign of China’s mythical first emperor, Fu Hsi. Exercises for health are described in a collection of classic writings attributed to one of his successors, the legendary Yellow Emperor, Huang Ti, who is said to have founded the traditional Chinese system of medicine. The principles of the art were established by Taoist recluses who retired from the world to live as hermits. And it evolved during turbulent periods in China’s history as a martial art called t’ai chi ch’uan.
Although tai chi is thought to have originated before the first millennium, the earliest known references date from the T’ang Dynasty (618–960 C.E.). They describe “patterns” of tai chi practiced by recluses who had retired to China’s mountain regions.
The early tai chi teachers remain semi-mythical figures. Chang San-feng is no exception, a colorful figure, said to have been more than 6 feet tall and a powerful fighter. No one knows whether he really existed or when he lived. Yet, he is credited as the founder of a spiritual fighting art called Wudang kung fu.
Three founding fathers of Taoism, the ancient Chinese philosophy on which tai chi is based.
History records that Chang San-feng studied under a Taoist recluse living in the northwest of China, then studied martial arts at the Shaolin Temple Monastery near Zhengzhou in modern Henan.
It is said that in tai chi a process leads the player from body to mind to spirit, and eventually back to the Great Void to merge with the cosmos. Chang San-feng followed this path, which led him to further studies at the Purple Summit Temple on the Wudang Shan, a mountain held sacred by Taoists. Chang San-feng is said to have spent nine years there studying nature, and was struck by the martial potential of yielding while watching a fight between a snake and a bird. He modified his kung fu style, replacing many of the physical training methods with mind-focusing techniques such as visualization, and the cultivation of energy through qigung. From this point, China’s “soft” fighting arts – ba gua, hsingi, and t’ai chi ch’uan – developed.
As the peaceful and prosperous Ming Dynasty declined in the 1600s, to be replaced by conquerors from Manchuria, hand-to-hand battlefield combat was a frequent reality and personal combat skills were at a premium. Foremost among the soft, or internal, fighting styles was the Chen style of tai chi, founded by Chen Wang-t’ing, a soldier in the imperial Ming armies who served under a respected general, Ch’i Chiguang. Ch’i wrote the Classic of kung fu, setting out the principles of what became Chen style. However, it is also claimed that Chen studied under the author of the now-classic Treatise on T’ai Chi Ch’uan, Wang Tsung-yueh, whose lineage could be traced back to the legendary fighter Chang San-feng.
By the 1800s tai chi was at its zenith as a fighting art, and the Chen style was well established. However, it was still taught only to members of the Chen family. In the early 1800s a student from a poor family, Yang Lu-ch’an, worked in the household of the clan head, Chen Chang-xing. where he spied on tai chi sessions. One day he offered to fight a stranger who had challenged Chen Chang-xing. Yang fought so well that it was obvious that he had been secretly learning the Chen style. Chen accepted Yang as a student.
Yang Lu-ch’an traveled China as a Chen family representative, offering challenges to fighters, and was nicknamed “Ever-Victorious.” He is said to have been appointed to teach Chen-style t’ai chi ch’uan to the household of the Ch’ing Emperor. Chen style is dynamic and physically demanding. To adapt the style for courtiers who had not trained from early youth Yang omitted the more vigorous movements, creating a gentler form of tai chi. Today, while Chen is recognized as the oldest of the three main tai chi styles practiced today, a shorter version of Yang’s style is most widely taught.
An outstanding teacher who bridged the classic tai chi styles with 20th century development is Cheng Man-ching. In the 1930’s Cheng, a disciple of Yang Cheng Fu, condensed his teacher’s form of 108 moves down to a more managable 37. He opened a school in New York in the 1960’s and as a result was most instrumental in bringing tai chi to West. Another short version of the Yang style was created in 1949 by the Washu Council of China, known as the Peking 24 step.
The third style was developed by Yang’s student, Wu Yu-hsiang, who also studied with the Chen family, so his style incorporates features of both. These three styles have given rise to numerous derivatives.
TAI CHI SPREADS WORLDWIDE
During the 1800s t’ai chi ch’uan flourished and the classic schools were established. New warfare technology diminished tai chi’s role as a battlefield art so that the tai chi families no longer needed to keep their arts secret. Since 1900 tai chi has become accessible to ordinary Chinese people, and has spread westward, to North America, Australia and New Zealand, and into Europe.
A Healing Art (#ulink_696d3456-9ad3-56fa-abde-fd27ac4068de)
TAI CHI IS best known in the West as a system of exercises to benefit health, prevent degenerative illnesses, and promote longevity. It stimulates circulation, aligns misplaced bones, mobilizes the joints, stimulates and maintains vital organs, and improves balance and coordination. It improves the breathing, which revitalizes body and brain. But tai chi is a holistic practice and it also trains the mind to focus and concentrate. It widens sensitivity and the capacity to feel, so that people who practice become more awake, alive, and responsive.
A few minutes of gentle massage can release tension and remove pain.
The following pages show many different ways in which tai chi can benefit health of body and mind. Tai chi works with the body to support and encourage its natural capacity for healing. Practicing the techniques correctly raises chi, or life energy, which strengthens the immune system and improves health, and jin or whole body energy, also called intrinsic energy, which improves coordination.
Tai chi movements build energy gradually. Tai chi movements generate warmth, often accompanied by a sense of fullness. After perhaps half an hour of practice the body may feel as if it is humming. After a training session this can be felt as heat energy in certain parts of the body, especially the hands, which seem to radiate heat.
HEALING OTHERS
Massage for tai chi can be reassuring, so offering to massage relatives or friends is a way of helping them through touch. Explore the following methods for yourself and discover how the healing energy generated in tai chi practice can help you, your friends, and family.
Foot-holding and intuitive foot massage
The simple technique of foot-holding embodies the principle of “not doing” perfectly. For the best effect the person to be massaged should lie down comfortably, or, if this is not possible, sit in a chair with the knees and legs supported on a stool or cushions. Rest your hands on the other person’s ankles or feet and do nothing for at least 10 minutes. Notice how energy builds in both bodies. This demonstrates the two-way nature of healing and the positive feedback that begins with tai chi practice. Intuitive foot massage is stimulating and comforting. Simply massage the other person’s feet in any way that occurs to you.
Dispelling a headache
Ask your friend to sit comfortably. Rest your right hand on his or her forehead and your left hand on the back of the neck, and keep your hands still for at least three minutes. Now move your hands about 9 inches away from your friend’s head and neck, imagining them offering a healing space into which the “disease” of the headache can melt. Finish by placing both of your hands in light contact with your friend’s head for about a minute.
When tai chi is practiced regularly, a combination of mindset, visualization, body shape (the positions made by the body), and movement create the conditions for streams of energy to flow vigorously through the body, stimulating the internal systems. It is said in the ancient writings on tai chi that the chi (life energy) follows the mind – each posture cultivates a different kind of energy flow, depending on visualization and the body shapes it makes. The hands are transmitters for this energy, and become charged by the large amounts of information that pass through them.
Healing is a natural force that cannot be made to take place, any more than a plant can be made to grow. The role of the individual in the process is to try, through tai chi, to create the conditions in which energy can flow, and to give the body time to heal itself.
MASSAGE
The idea in massage for tai chi is to develop your spontaneity and intuition for self-healing. There are no special strokes to apply, and you need not worry about direction or pressure of stroke. Begin by following your own feelings about what to do. Rub briskly if you want to, or stroke gently.
MASSAGING THE FACE
Bring both hands to your chin and slowly draw them up over your face, back through your hair, and down your neck. Repeat five times.
MASSAGING THE EARS
Rub the lobes of each ear vigorously, then run your finger and thumb around the rim of the ear and back again to each ear lobe.
MASSAGING THE EYES
Close your eyes and (always with clean hands) stroke the upper eyelids lightly with the middle finger from close to the top of the nose out to the side of the head. Repeat this action at least seven times, then stroke the bottom eyelid in the same way.
MASSAGING THE FEET
Massaging your feet stimulates the nerve-endings and is relaxing and comforting. Hold or rub your feet one at a time for at least two minutes each.
MASSAGING THE HANDS
Massage stimulates the many nerve-endings in the hands, improving the circulation and bringing life to them. Gently or vigorously rub your hands. Pay attention to each finger and both thumbs, the palms, and the backs of the hands.
The feet work hard, yet they tend to be neglected. They benefit from massage, especially before and after practice.
SELF-HEALING
Tai chi is a healing art and just practicing it generates the energy that makes healing possible. The following exercises act as a useful complement to this aspect of tai chi. They can be done at any time, but they are especially effective immediately after practice.
HANDS ON
1 Place your left hand on the lower tantien energy center, just below the navel, and your right hand on top of it. Rest in this position for two to five minutes. Concentrate on gathering into yourself and recharging your batteries.
HANDS ON
2 Release your hands, place your right hand on the lower tantien and your left hand on the center of your chest. Again, hold this position for two to five minutes, concentrating on gathering into yourself and charging your batteries.
Seven Qualities (#ulink_14dca9b9-1c33-5ec6-9249-6ac1b5593994)
EVERY POSTURE IN tai chi is a combination of seven basic qualities. Central to these qualities is the concept of yin and yang, the forces of change and harmony. Like yin and yang, the basic qualities of tai chi are almost all polarities: open and closed; full and empty. The exception is the seventh, central equilibrium. Consciousness of these seven qualities pervades every aspect of a posture. They are the focus of the mind, they are expressed in the movements, and they are the message communicated through the very spirit of the posture.
The nonstop sequence of movements called the form is the essence of the art of tai chi. The postures are in a state of perpetual transformation, a cycle of harmony and change. A posture begins, grows, reaches a fullness, and starts to empty, ready for the growth of the next one.
To fulfil their task of restoring equilibrium between yin and yang, the movements of the form must be executed with the correct technique and mind intent (attitude). Often for a beginner, body and mind are too fully occupied with learning the sequence of movements and the technique to experience the qualities of each movement. So, to accompany the form practice, experiment with moves that develop a sense of feeling, such as relaxing your muscles and moving your weight from one side to the other.
Balance improves by standing on each leg in turn for a few minutes each day. This strengthens the legs and improves the coordination, but it also makes you feel different. Physical equilibrium infiltrates the mental and emotional spheres of your being.
All postures contain the polarities of open and closed. Open is generally associated with gathering energy and closed with releasing. At each moment every part of the body is either open or closed, so studying one’s own posture helps in understanding the concept. Bringing the hands together as if clapping, carries the feeling of closed. Open is felt when lifting the arms outward as when welcoming friends.
The polarities of full and empty give the body mobility. In tai chi balance is held in one side, leaving the other free to move. The balance empties from one side and fills the other, as the exercise Balanced Walking (#litres_trial_promo) demonstrates, increasing mobility. Open or closed, the body must be in balance.
Without equilibrium a posture will lose its structure, becoming too open or too closed. Structure lends strength to a posture. Central equilibrium is the foundation of every stance and the hub of every movement. When a posture is based on central equilibrium, the body is aligned between earth and sky, so it is perfectly balanced.
Beginners unfamiliar with these ideas find it hard to combine the mental concept with the physical experience. Familiarity makes these qualities more and more interesting, however, since they affect almost every aspect of every tai chi movement. Familiarizing yourself with them therefore needs to become part of regular practice.
EXPERIENCE YOUR BODY SHAPES
Create your own body shapes to express the qualities of yin and yang described previously. As a guide for yin, use soft, round, smooth, flowing shapes to embody the qualities. For yang use hard, angular, and linear shapes as your guiding concepts. Play with all these possibilities and add your own movements.
You can discover how open and closed feel when expressed as movement. As you practice, the polarity intensifies the experience of the movement.
The second exercise expands the first to make greater demands on your imagination. Imagine yourself as an empty vessel; picture the reality of fullness.
YIN BODY SHAPE
YANG BODY SHAPE
OPEN AND CLOSED
1 Stand with your feet apart, lift your arms up and out in a welcoming gesture, and imagine each body part and your feelings opening up.
OPEN AND CLOSED
2 Slowly draw your arms in, crossing them over your chest, contemplating this closed position. End by lowering your arms and standing erect for a while.
FULL AND EMPTY
1 Imagine colored liquid filling you from your feet up. Experience every cell in your body expanding as it rises, moving your arms out as if you are inflating.
FULL AND EMPTY
2 Then close your eyes and imagine your body is hollow. Visualize yourself becoming emptiness.
Seven Steps to Progress (#ulink_e04a5cdb-8d09-5398-9d89-9da182c2c2c8)
TAI CHI OFFERS more than exercises for health, it also provides a program for self-development. The influential teachers Cheng Man-ch’ing and Chi Chiang-tao mapped out a sevenfold path to tai chi practice. For just as the postures are composed of seven basic qualities, so there are seven dimensions to practice, seven steps to progress through the form.
Tai chi teaches you to respond to a partner’s movements. Sumo wrestlers use force against force.
Imagine trying to stop the flow of a river or make it flow faster. The way of tai chi is always to flow with the river. Beginners may be surprised to find that they have been conditioned to fight the river’s natural flow, to use force against force. We are trained to keep to timetables and meet deadlines rather than follow the natural rhythms of our body and mind.
