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Gemini: May 21—June 20
The symbol for Gemini is the twins and the ruling planet is Mercury. Geminis are influenced by the air element with inquisitive being a good description of them. Those born under Gemini are intellectual and natural communicators but at times they can also be inconsistent and flighty. Their endearing zest for ideas and something new sometimes makes committing to anyone and anything problematic.
Cancer: June 21—July 22
The symbol for Cancer is the crab and the ruling planet is the moon. Cancerians are influenced by the water element, and sensitive would be a good word to describe their nature. Those born under Cancer tend to be emotional and empathetic with a good sense of humour, but they can at times be oversensitive and insecure.
Leo: July 23—August 22
The symbol for Leo is the lion and the ruling planet is the sun. Leo is influenced by the fire element and charismatic would be a good description of Leos. Those born under Leo tend to be courageous, vivacious, energetic and natural leaders but they can also be prone to arrogance and attention seeking.
Virgo: August 23—September 22
The symbol of Virgo is the virgin and the sign’s ruling planet is Mercury. Virgos are influenced by the earth element, and a good word to describe them would be methodical. Those born under Virgo tend to be meticulous, disciplined and analytical. They can appear cool and reserved but great sensitivity tends to lie behind the detached exterior.
Libra: September 23–October 22
The symbol of Libra is the scales and the ruling planet is Venus. Libras are influenced by the air element with balance being a good word to describe them. Those born under Libra tend to be peace-loving, agreeable, harmonious people, but their natural ability to understand the viewpoint of everyone and fit in everywhere can be interpreted as insecurity and indecisiveness.
Scorpio: October 23–November 21
The symbol of Scorpio is the scorpion and the sign’s ruling planets are Mars and Pluto. Scorpios are influenced by the water element and intense is a good word to describe them. Those born under Scorpio tend to be passionate, focused, sensitive and sensual, but they can also be secretive and destructive.
Sagittarius: November 22– December 21
The symbol for Sagittarius is the archer and Jupiter is the ruling planet. Sagittarians are influence by the fire element and open minded is a good description of them. Those born under Sagittarius tend to be unconventional, idealistic and visionary, with a need to seek spiritual enlightenment. They can also be reckless and ruthless.
Capricorn: December 22–January 19
The symbol of Capricorn is the goat and the ruling planet is Saturn. Capricorns are influenced by the earth element and steady is a good word to describe them. Those born under the sign of Capricorn are persistent, cautious, self-disciplined, warm-hearted and stable but they can also be mean and inflexible at times.
Aquarius: January 20–February 18
The symbol of Aquarius is the water carrier and the sign’s ruling planets are Saturn and Uranus. Aquarius is influenced by the air element and a good word to define them would be independent. Those born under the sign of Aquarius tend to be idealistic, intellectual, generous, altruistic and unconventional, but they can also be unpredictable and emotionally detached.
Pisces: February 19–March 20
The symbol of Pisces is two fish and the ruling planets are Jupiter and Neptune. Pisceans are influenced by the water element, with imaginative being a good word to define them. Those born under Pisces tend to be intuitive, sensitive and spiritual, but they can also be dreamy, impractical and impressionable at times.
Over the years many elaborate systems have been developed to enable astrologers to predict the future through the movement of the planes. More than one system of astrology has developed. For example, Chinese astrology is based on signs, named after animals, which last a year rather than a month, as in Western astrology.
In popular Western astrology - the sort that appears in magazines and newspapers - the term ‘horoscope’ is based on the position of an individual’s sun sign, or the portion of the zodiac that the sun was passing through when that individual was born. The sun travels through the 12 houses of the zodiac through the course of a year, and so when someone is said to have been born under Aries, he or she was born when the sun was passing through that portion of the zodiac named after the constellation Aries.
Each of the 12 signs has its own personality traits (see box), and the daily positions of the planets affect each sun sign. However, since this method of divination divides the population into 12 different categories many find it difficult to take astrology seriously for character analysis or predictions. That’s why serious astrologers use more detailed horoscopes that chart the position of all the heavenly bodies, not just the sun, at the moment of birth.
Along with the signs and planets, planetary houses are the basic components of a birth chart. As previously mentioned the planets each have a meaning, as does the sign the sun was in at the time of your birth. The twelve divisions of the birth chart are called the astrological or planetary houses and indicate areas of life where the planetary energies become manifest.
The houses carry a theme based on the signs that are part of the natural order of the Zodiac, i.e. Aries equates with the first house, Taurus with the second, Gemini the third, Cancer the fourth, and so on. The planetary effects are interpreted not only in terms of the planets’ positions in the zodiac (for instance, the moon in the sign of Cancer means something different from the moon in Aries) but also in terms of the angles that the planets describe in relation to one another. This branch of astrology is the study of planetary aspects.
When carried out using accurate birth information this planetary aspects approach creates an analysis unique to the individual concerned. For this reason it is taken more seriously by some academics and scientists, who believe that it can be useful for counselling and therapy. Psychiatrist Carl Jung began this process when he began to consult the horoscopes of his patients to search for insight. He believed that astrology sprang from the collective unconscious and that it was a symbolic language of inner psychological processes.
Sceptics argue that astrology’s suggested link between planetary position and human destiny is unproven and perhaps even absurd. Several large-scale studies have shown no correlation whatsoever between personality characteristics and planetary positions. Despite this many people still believe that astrology can and does work, leading to the suggestion that it only works when there is an intuitive or psychic aspect involved in its interpretation. The astrologer uses the planetary positions as a rough starting point for the interpretation and thereafter intuition takes over.
Then, in the early 1970s, Professor Alan Smithers of Manchester University compiled data from the British population census showing clearly that architects tended to be born in the spring, secretaries in the summer, miners in the autumn and electricians in the winter. He also asked members of the British Astrological Association to indicate which signs were associated with the professions of nurse and trade union official. Without knowing what the BAA had predicted, Smithers conducted a massive survey of nurses and trade unionists and discovered that, just as the astrologers had indicated, there was a statistical bias of nurses being born under the signs of Taurus, Cancer, Virgo, Scorpio and Pisces, while trade union officials were born under one or other of the other six signs.
Athenodorus, THE HAUNTING OF
The story of Athenodorus may be the first written record of a haunting, and it dates back at least 2,000 years. The story was related by several ancient authors, the historian Tacitus among them, but the version below is by the Roman letter writer Pliny the Younger (AD 61-115). In it we see the classic chain-clanking ghost, the restless corpse and even the beckoning finger. The translation is that of William Melmoth (1746), slightly revised.
There was in Athens a house, spacious and open, but with an infamous reputation, as if filled with pestilence. For in the dead of night, a noise like the clashing of iron could be heard. And if one listened carefully, it sounded like the rattling of chains. At first the noise seemed to be at a distance, but then it would approach, nearer, nearer, nearer. Suddenly a phantom would appear, an old man, pale and emaciated, with a long beard, and hair that appeared driven by the wind. The fetters on his feet and hands rattled as he moved them.
Any dwellers in the house passed sleepless nights under the most dismal terrors imaginable. The nights without rest led them to a kind of madness, and as the horrors in their minds increased, onto a path toward death. Even in the daytime - when the phantom did not appear - the memory of the nightmare was so strong that it still passed before their eyes. The terror remained when the cause of it was gone.
Damned as uninhabitable, the house was at last deserted, left to the spectral monster. But in hope that some tenant might be found who was unaware of the malevolence within it, the house was posted for rent or sale. It happened that a philosopher named Athenodorus came to Athens at that time. Reading the posted bill, he discovered the dwelling’s price. The extraordinary cheapness raised his suspicion, yet when he heard the whole story, he was not in the least put off. Indeed, he was eager to take the place. And did so immediately.
As evening drew near, Athenodorus had a couch prepared for him in the front section of the house. He asked for a light and his writing materials, then dismissed his retainers. To keep his mind from being distracted by vain terrors of imaginary noises and apparitions, he directed all his energy toward his writing.
For a time the night was silent. Then came the rattling of chains. Athenodorus neither lifted up his eyes nor laid down his pen. Instead he closed his ears by concentrating on his work. But the noise increased and advanced closer till it seemed to be at the door, and at last in the very chamber. Athenodorus looked round and saw the apparition exactly as it had been described to him. It stood before him, beckoning with one finger.
Athenodorus made a sign with his hand that the visitor should wait a little, and bent over his work. The ghost, however, shook the chains over the philosopher’s head, beckoning as before. Athenodorus now took up his lamp and followed. The ghost moved slowly, as if held back by his chains. Once it reached the courtyard, it suddenly vanished.
Athenodorus, now deserted, carefully marked the spot with a handful of grass and leaves. The next day he asked the magistrate to have the spot dug up. There they found - intertwined with chains - the bones that were all that remained of a body that had long lain in the ground. Carefully, the skeletal relics were collected and given proper burial, at public expense. The tortured ancient was at rest. And the house in Athens was haunted no more.
ATLANTIS
The name of a vast island continent and the many civilizations that flourished upon it that sank under the sea in a cataclysm. At least fifty locations around the globe have been proposed as sites of the lost continent, but no proof has ever been found of its existence.
There are numerous legends about the Atlanteans and how their highly advanced civilization was destroyed by their misuse of power, but the story was first recorded by Plato in around 350 BC. Plato described the Atlanteans as a wealthy, successful, politically advanced and militarily powerful society that overran Europe with its armies before being defeated by the Greeks. Shortly afterwards an earthquake caused Atlantis to sink beneath the ocean.
The modern myth of Atlantis began in 1882 with the publication of Atlantis: The Antediluvian World by former American congressman Ignatius Donnelly Donnelly proposed that Atlantis might be located in the middle of the Atlantic Ocean, to serve as a bridge and source of culture to other areas around the globe.
Numerous other theories have been put forth. The Atlanteans have been linked to the Titans of Greek mythology, the first race of beings on earth who came from the sea and possessed the power to create thunderbolts, earthquakes and terrestrial disturbances. Madame Blavatsky, mystic and co-founder of the Theosophical Society, believed that Atlantis was located in the North Atlantic Ocean and that the Atlanteans were psychically developed descendants from another legendary lost continent, Lemuria. The Lemurians migrated to Atlantis when their own continent was destroyed. In The History of Atlantis (1926), Lewis Spencer, who founded and edited The Atlantis Quarterly, a journal reporting on Atlantean and occult studies, concluded that Atlantis existed on both sides of the Atlantic and was the means of dissemination of culture from East to West.
American medium Edgar Cayce believed Atlantis was located at Bimini, one of the Bahama Islands off the coast of Florida. Cayce said that the Atlanteans had misused the forces of nature and destroyed their own continent and that in subsequent reincarnations Atlanteans exhibited the same potentially destructive traits.
Of all the world’s unsolved mysteries, that of the lost continent of Atlantis is probably the biggest, exerting an influence over humankind for thousands of years. Even though centuries have passed, and scientists and scholars seem intent on banishing it to obscurity, interest in the fabled continent has not diminished and probably never will.
ATMOSPHERE
A term used by psychics to describe a feeling for the environment they are in or the people they meet. Walking into a house with an unhappy atmosphere may leave them with an unsettled feeling, whereas meeting someone who is genuinely kind and honest and friendly creates a positive feeling or atmosphere.
We all pick up information from the environment we are in and from any person we meet for the first time. On a visual level we are influenced by the way a person looks and dresses and by the colours, shapes and styles around us. Sounds and smells influence us too, even before we consciously decide if we like what we see. Operating alongside our other senses is a kinaesthetic awareness, which registers an emotional reaction to the atmosphere that exists in an environment or in a person. In some people this awareness is more developed than others, and for clairsentients, who can sense and respond to the atmospheres created by places and people, it is highly attuned, giving detailed information about the physical, emotional and energetic nature of people and places.
Few of us have not felt at some time that a place is spooky or unfriendly or that we feel irritable or afraid for no reason. When this happens we are psychically tuning in to an atmosphere, and a person who readily senses an atmosphere in a place usually has that same knack when summing up people.
Clairsentients who work with environmental energy believe that everything that happens within an environment affects the way it feels. For example, there is a dis-cernable difference between the feeling of a room used by people who respect and love each other and the feeling of a room in which people have been in bitter competition. Practitioners of the art of feng shui know a great deal about the need to balance environmental energy, and in feng shui the placing of objects such as mirrors and ornaments can help to regulate energy that is out of balance and create a healthier, more harmonious atmosphere in which to live and work.
Some clairsentients may be able to channel a form of healing energy, which can harmonize the feeling of a room, or they may, like feng shui experts, suggest colours, shapes, objects or spiritual practices to help transform the feeling or atmosphere of an environment.
AUBREY, JOHN [1626—1697]
One of the first known collectors of ghost stories, antiquarian and biographer John Aubrey’s compilation, Miscellanies, was published in 1696 and is packed with eye-witness accounts of ghostly sightings gathered from all points of Great Britain. Aubrey’s interest in the supernatural was reinforced by his own personal experiences. In Miscellanies, Aubrey writes about strange knocking sounds on the walls of his house a few days before his father died. ‘Three or four days before my father died’, he wrote, ‘as I was in my bed about nine o’clock in the morning, perfectly awake, I did hear three distinct knocks over the bed’s head, as if it had been with a ruler or ferula.’ This mysterious incident, when combined with his interviews of others who had encountered ghosts, utterly convinced Aubrey that the spirit world existed.
AUGURY
A form of divination using the flight or song of birds. This was common practice in ancient Rome, where augurs foretold the future by observing and interpreting bird omens, which included noticing the type of bird seen as well as the direction of its flight and its singing. The Romans also used the term ‘augur‘ to refer to divination by thunder and lightning, which was believed to be communication from the god Jupiter.
The term ‘augury‘ also refers to the general art of divination, especially the interpretation of the future based on divinations and omens, mostly related to the appearance and behaviour of animals. These practices include:
Ailuromancy(cats).
Alectromancy(chickens).
Arachnomancy(spiders).
Batrachomancy:(frogs).
Entomancy(insects).
Hippomancy(horses).
Ichthyomancy(fish).
Myomancy(mice).
Ophiomancy(snakes).
Zoomancy(any animal).
A related practice was Haruspicy, or interpreting animal entrails.
AUMAKUA
A family of guardian spirits from Hawaiian mythology, the aumakua are worshipped to ensure the wellbeing of the family. The aumakua are thought to have laws that must be followed, and transgressions are sometimes punished for decades. Many believe it is of vital importance to be on good terms with your family’s aumakua, or a soul may be abandoned before it reaches the land of the dead. Such abandoned souls haunt the living and remain in limbo until another aumakua takes pity on them and leads them to their new home.
Offspring of the aumakua can be born into families, and various legends tell of people born with supernatural powers, such as the ability to transform into animals.
According to lore the aumakua escort the souls of the dead to the afterlife in a ghostly procession, and if you have not rectified your sins against the aumakua before death, you have one chance to beg for pardon when the procession reaches its first stopping place. It is believed that the aumakua take the entire body to the next world, but if for any reason the body is not taken, the family must prepare the corpse for burial and its transformation into the aumakua form, which is that of a snake or shark.
AURA
The name given to a subtle envelope of vital energy that is thought to radiate round natural objects, including human beings, animals and plants. The colours and forms of each aura are believed to be characteristic of the person, animal or thing it surrounds and to fluctuate and shift according to mood and state of health.
The aura is normally invisible, but it can be seen by clairvoyants as a halo of light and colour. Two clairvoyants viewing the same aura might see different colours or interpret it in different ways. State of health and a person’s emotions show up as differences in colours and energy patterns or breaks in an aura. Physical illness seems related to the part of the aura that is closest to the body, often called the etheric body. Some psychics see the aura as a psychic screen for the projection of information, past, present and future.
Although the body does have a magnetic field - a biofield - there is no scientific evidence that auras exist. However, the belief that the human body emits radiations of a kind that in certain circumstances becomes visible has been encountered for centuries, and was present in ancient Egypt, India, Greece and Rome. In the sixteenth century, discourses on the astral body and its ‘fiery aura’ abound, and in the eighteenth century the theory of animal magnetism was developed by Anton Mesmer, who promoted a variety of scientific experiments to try to identify the phenomenon.
Just before World War I, Dr Walter Kilner from St Thomas’s Hospital in London developed a method to view auras, which he claimed appeared as a faint haze around the body, using an apparatus that rendered ultraviolet light visible. His theory of auric diagnosis of illness linked the appearance of an aura to a patient’s health. Kilner’s work was greeted with scepticism and interrupted by the outbreak of hostilities. In 1939, Semyon Davidovich Kirlian, a Russian electrician, developed a technique that he claimed recorded auras on film, but this technique remains to be verified. See Kirlian photography.
Auras, like parking places, are easy to find when you aren’t looking for them. So if you want to see an aura, you need to feel as relaxed and calm as possible. Breathe slowly and deeply for a few minutes. Then, instead of looking directly at someone, look straight past them and casually glance in their direction, allowing your eyes to lose focus. The idea is to trick your rational brain by deliberately putting a lot of your concentration on something else, but to keep a vague focus on the person whose aura you want to read.
With practise you may see a dim haze of energy around someone. Keep breathing deeply, and the aura may brighten to a colour. Don’t expect people to light up like Christmas trees and stay that way. Visions of auras tend to be lightning quick, but the more you practise the more natural it will feel and the more likely it is for colour to become noticeable. To find out what different auric colours could mean, see Colour divination.
AUTOMATIC WRITING
The most common form of automatism, automatic writing is writing that does not come from the conscious mind and is done in an altered state of consciousness. Some attribute it to spiritual beings who are somehow able to manipulate a writing utensil in order to communicate. Psychical researchers believe automatic writing emanates from material in the person’s subconscious mind or is obtained through ESP.
Many people try automatic writing in an effort to make contact with spirits or to communicate with the dead. Typically the writer is unaware of what is being written and the writing is much faster, larger and expansive than their normal handwriting. Some people experience tingling in the arms or hands. Pens are a common tool, but slates and typewriters may also be used. Automatic writers have been known to produce mirror scripts, starting at the bottom right of the page and finishing at the top left. At the height of spiritualism, automatic writing was common in séances, and it replaced the much slower methods of spelling out messages from spirits with table rappings or pointers.
In some cases automatic writing occurs involuntarily, as in the case of Anna Windsor. In 1860 Windsor began automatic writing with her right hand, which she called Stump. Stump had a personality of its own, writing out verses and prose while the left hand did something else.
Through automatic writing, mediums have claimed to produce messages not just from deceased relatives or loved ones but from famous persons in history, such as Francis Bacon, Emanuel Swedenborg and even Jesus Christ. Frederick Myers, one of the founders of the Society for PsychicalResearch, found little evidence that spirits communicated through automatic writing but, curiously, after his death several mediums claimed to receive automatic writing messages from him.
Exercise to practise automatic writing
Make sure you are in a calm and relaxed mood. If you feel stressed or anxious, leave it and try another day.
Find a good pen or pencil and a quiet place at a table. Sit there and let your hand move as it will. You may like to ask your hand if it has any messages for you. Hold your pen loosely in whichever hand you normally write with and let your mind roam freely. Write down whatever comes into your head for about five to ten minutes at the most.
If nothing happens, visualize a column of light made up of golden letters, forming and reforming words. Focus on one letter, and let the light flow down into your fingers and the pen. Wait until you feel your pen tremble, and let it move. At first it may scribble and make patterns, but words may follow. Don’t try to read or make sense of them or you will lose the spontaneity.
When you feel you are losing concentration, stop. Lay your pen down and see the column of light fading. Read what you have written. It may seem to relate to you or to another person in your life, perhaps a persona that is deep within you. Don’t be concerned if your first attempts appear nothing more than random scribbles or a jumble of disconnected words. It takes practise to establish a clear delivery of information.
Do something mundane or physical to bring you back to earth.
While psychical researchers continue to investigate automatic writing as evidence for the existence of the spirit world, the field of psychology has adopted automatic writing. Psychologists use it as a way for the unconscious mind to express thoughts and feelings that cannot be verbalized. Automatic writing continues to be used as a therapeutic tool to this day. Some critics warn of dangers in automatic writing -they claim that the writer is vulnerable to harassment from the evil-minded dead. However, psychologists maintain that the real danger is in exposing material from the unconscious that has been repressed.
AUTOMATISM
Automatism is divided into two categories: motor automatism and sensory automatism. Motor automatisms are unconscious movements of the muscles, which seem to be directed by supernatural guidance. The most common forms of motor automatism are automatic writing and automatic painting or psychic art, and other creative pursuits such as speaking, singing, composing and dancing. Dowsing is a type of motor automatism, an extrasensory guidance influenced by the movements of the rod held by a dowser. Other types of motor automatisms include impulsive behaviour, such as deciding to do or not do something at the last minute without knowing why, sudden inhibitions and sudden physical incapacities.
Sensory automatisms are thought to be produced by an inner voice or vision and can include apparitions of the living, inspirations, hallucinations and dreams. Hallucinations were once assumed to be caused by physical disorders, but Edmund Gurney, an early psychical researcher and a founder of the Society for Psychical Research, established that paranormal visions and sounds can occur without the presence of physical disorders.
After automatic writing and drawing, automatic music composition is perhaps the most common form of automatism. An unusual case was that of a London woman called Rosemary Brown, who, although she had limited musical ability, began in 1970 to compose music that she said was channelled to her from dead composers such as Chopin, Liszt and Beethoven. Recordings were made, and the works did indeed resemble the various styles of the composers, but critics declared them not as good as definitive compositions by these musical geniuses.
Problems associated with automatisms include compulsion, obsession and a feeling of possession. The practice may grow until a person feels taken over by it. Some people talk of possession by demons, but psychologists say that the effects are created by paranoia, not demons.
Since ancient times, inspired activity has always been attributed to the divine, the supernatural or the spirits, but today’s view is that automatisms are products of ESP or secondary personalities who produce knowledge or information that has been repressed or forgotten.
AVALON
According to Celtic legend, a mystical land of immortal heroes where the enchanted sword Excalibur was forged and where a mortally wounded King Arthur was taken after a bloody battle.
The story of King Arthur may be based on a historical figure of a Celtic king of the sixth century, who defended his kingdom against Saxon invaders, but it is the legends of King Arthur that have had a timeless, mystical hold over people’s imagination for centuries. According to legend Arthur came to power when he pulled a magical sword from a stone with the help of the wizard Merlin, an act that proclaimed his royal heritage. He started the Order of the Round Table, peopled by noble and virtuous knights, and married the beautiful but adulterous Guinevere who betrayed him for his best friend Lancelot. Arthur was mortally wounded by his treacherous nephew, Mordred, and is said to be buried on the mythical Isle of Avalon, from where he will rise again in Britain’s hour of need.
There is a tradition that Glastonbury was the Isle of Avalon. In 1191 the monks of Glastonbury unearthed, from 16 feet under the ground, an oak coffin that they said was Arthur’s. They showed an inscription: ‘Here lies beneath the renowned King Arthur with his beloved Queen Guinevere his second wife in the Isle of Avalon’ on a lead cross, which they said had been found in the coffin.
With its miraculous weapon of destiny, its goddess-like Lady of the Lake appearing by moonlight from the water and, most of all, the mysterious realm of Avalon, where Arthur journeys by water to be healed from death, the Arthurian world shimmers with a Celtic supernatural glow. Like a faraway, half-heard song, Avalon conveys a sense of something lost forever, never to be found - the mystical quest for the lost land, the lost world, the lost self and lost psychic powers.
