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Hinduism and Buddhism, An Historical Sketch, Vol. 2
379
The Kṛishṇa of the Chândogya Upanishad receives instruction but it is not said that he was himself a teacher.
380
Hopkins, India Old and New, p. 105.
381
Bhandarkar. Allusions to Kṛishṇa in Mahâbhâshya, Ind. Ant. 1874, p. 14. For the pastoral Kṛishṇa see Bhandarkar, Vaishṇavism and Śaivism, chap. IX.
382
The divinity of Râdhâ is taught specially in the Brahma-vaivarta Purâṇa and the Nârada pâncarâtra, also called Jñânâmṛitasâra. She is also described in the Gopâla-tâpanîya Upanishad of unknown date.
383
But Kaṃsa appears in both series of legends, i.e., in the Ghata-Jâtaka which contains no hint of the pastoral legends but is a variant of the story of the warlike Kṛishṇa.
384
Vishṇu Purâṇa, V. 10, 11 from which the quotations in the text are taken. Much of it is repeated in the Harivamsa. See for instance H. 3808.
385
The Muttra cycle of legends cannot be very late for the inscription of Glai Lomor in Champa (811 A.D.) speaks of Nârâyana holding up Goburdhan and a Cambojan inscription of Prea Eynkosey (970 A.D.) speaks of the banks of the Yamunâ where Kṛishṇa sported. These legends must have been prevalent in India some time before they travelled so far. Some of them are depicted on a pillar found at Mandor and possibly referable to the fourth century A.D. See Arch. Survey Ind. 1905-1906, p. 135.
386
Strom, III. 194. See M'Crindle, Ancient India, p. 183.
387
Vincent Smith, Fine Art in India, pp. 134-138.
388
In the Sutta-nipâta Mâra, the Evil One is called Kaṇha, the phonetic equivalent of Kṛishṇa in Prâkrit. Can it be that Mâra and his daughters have anything to do with Kṛishṇa and the Gopîs?
389
Compare the Greek stories of the infant Hermes who steals Apollo's cattle and invents the lyre. Compare too, as having a general resemblance to fantastic Indian legends, the story of young Hephæstus.
390
Mgr. Bongard, Histoire de la Bienheureuse Marguérite Marie. Quoted by W. James, Varieties of Religious Experience, p. 343.
391
Viṭṭhal or Viṭṭoba is a local deity of Pandharpur in the Deccan (perhaps a deified Brahman of the place) now identified with Kṛishṇa.
392
Life and Sayings of Râmakṛishṇa. Trans. F. Max Müller, pp. 137-8. The English poet Crashaw makes free use of religious metaphors drawn from love and even Francis Thompson represents God as the lover of the Soul, e.g. in his poem Any Saint.
393
Though surprising, it can be paralleled in modern times for Kabir (c. 1400) was identified by his later followers with the supreme spirit.
394
Mahâbhâr. Sabhâp. XIV. Vishṇu Pur. V. xxxiv. The name also occurs in the Taittirîya Âraṇyaka (i. 31) a work of moderate if not great antiquity Nâzâyanâya vidmahe Vasudevâya dhîmahi.
395
See. Vishṇu Pur. VI. V. See also Wilson, Vishṇu Purâṇa, I. pp. 2 and 17.
396
Thus the Saura Purâṇa inveighs against the Mâdhva sect (XXXVIII.-XL.) and calls Vishṇu the servant of Śiva: a Purâṇic legal work called the Vriddha-Harita-Samhitâ is said to contain a polemic against Śiva. Occasionally we hear of collisions between the followers of Vishṇu and Śiva or the desecration of temples by hostile fanatics. But such conflicts take place most often not between widely different sects but between subdivisions of the same sect, e.g., Tengalais and Vadagalais. It would seem too that at present most Hindus of the higher castes avoid ostentatious membership of the modern sects, and though they may practise special devotion to either Vishṇu or Śiva, yet they visit the temples of both deities when they go on pilgrimages. Jogendra Nath Bhattacharya in his Hindu Castes and Sects says (p. 364) that aristocratic Brahmans usually keep in their private chapels both a salâgram representing Vishṇu and emblems representing Śiva and his spouse. Hence different observers vary in their estimates of the importance of sectarian divisions, some holding that sect is the essence of modern Hinduism and others that most educated Hindus do not worship a sectarian deity. The Kûrma Purâṇa, Part I. chap. XXII. contains some curious rules as to what deities should be worshipped by the various classes of men and spirits.
397
Bhag.-gîtâ, XL. 23-34.
398
See Srisa Chandra Vasu, Daily practice of the Hindus, p. 118.
399
II. 1 and I. 1.
400
See Maitrâyaṇa Up. V. 2. It is highly probable that the celebrated image at Elephanta is not a Trimûrti at all but a Maheśamûrti of Śiva. See Gopinâtha Rao, Hindu Iconog. II. 382.
401
The population of India (about 315 millions) is larger than that of Europe without Russia.
402
But compare the English poet
"Flower in the crannied wall,I pluck you out of the crannies,… but if I could understandWhat you are, root and all, and all in allI should know what God and man is."403
Efforts are now being made by Hindus to suppress this institution.
404
In the Vedic funeral ceremonies the wife lies down by her dead husband and is called back to the world of the living which points to an earlier form of the rite where she died with him. But even at this period, those who did not follow the Vedic customs may have killed widows with their husbands (see too Ath. Veda, XII. 3), and later, the invaders from Central Asia probably reinforced the usage. The much-abused Tantras forbid it.
405
For the history of the Râmâyaṇa and Mahâbhârata and the dates assignable to the different periods of growth, see Winternitz, Gesch. Ind. Lit. vol. I. p. 403 and p. 439. Also Hopkins' Great Epic of India, p. 397. The two poems had assumed something like their present form in the second and fourth centuries A.D. respectively. These are probably the latest dates for any substantial additions or alterations and there is considerable evidence that poems called Bhârata and Râmâyaṇa were well known early in the Christian era. Thus in Aśvaghosha's Sûtrâlankâra (story XXIV) they are mentioned as warlike poems inculcating unbuddhist views. The Râmâyaṇa is mentioned in the Mahâvibhâshâ and was known to Vasubandhu (J.R.A.S. 1907, p. 99). A Cambojan inscription dating from the first years of the seventh century records arrangements made for the recitation of the Râmâyaṇa, Purâṇa and complete (aśesha) Bhârata, which implies that they were known in India considerably earlier. See Barth, Inscrip. Sanscrites de Cambodge, pp. 29-31. The Mahabharata itself admits that it is the result of gradual growth for in the opening section it says that the Bhârata consists of 8,800 verses, 24,000 verses and 100,000 verses.
406
Hardy, Indische Religionsgeschichte, p. 101.
407
But some of these latter sacrifice images made of dough instead of living animals.
408
It is said that the Agnishtoma was performed in Benares in 1898, and in the last few years I am told that one or two Vedic sacrifices have been offered annually in various parts of southern India. I have myself seen the sites where such sacrifices were offered in 1908-9 in Mysore city and in Chidambaram, and in 1912 at Wei near Poona. The most usual form of sacrifice now-a-days is said to be the Vâjapeya. Much Vedic ritual is still preserved in the domestic life of the Nambathiri and other Brahmans of southern India. See Cochin, Tribes and Castes, and Thurston, Castes and Tribes of southern India.
409
The outline of a stûpa may be due to imitation of houses constructed with curved bamboos as Vincent Smith contends (History of Fine Art, p. 17). But this is compatible with the view that stone buildings with this curved outline had come to be used specially as funeral monuments before Buddhism popularized in India and all Eastern Asia the architectural form called stûpa.
410
The temple of Aihole near Badami seems to be a connecting link between a Buddhist stûpa with a pradakshiṇa path and a Hindu shrine.
411
In most temples (at least in southern India) there are two images: the mûla-vigraha which is of stone and fixed in the sanctuary, and the utsava-vigraha which is smaller, made of metal and carried in processions.
412
Thus Bhaṭṭâchârya (Hindu Castes and Sects, p. 127) enumerates eleven classes of Brahmans, who "have a very low status on account of their being connected with the great public shrines," and adds that mere residence in a place of pilgrimage for a few generations tends to lower the status of a Brahmanic family.
413
Thus in Bengal there is a special class, the Barna Brahmans, who perform religious rites for the lower castes, and are divided into six classes according to the castes to whom they minister. Other Brahmans will not eat or intermarry with them or even take water from them.
414
This is extraordinarily like the temple ritual of the ancient Egyptians. For some account of the construction and ritual of south Indian temples see Richards in J. of Mythic Soc. 1919, pp. 158-107.
415
But Vedic mantras are used in these ceremonies. The libations of water or other liquids are said to be accompanied by the mantras recited at the Soma sacrifice.
416
At these sacrifices there is no elaborate ritual or suggestion of symbolism. The animal is beheaded and the inference is that Kâlî likes it. Similarly simple is the offering of coco-nuts to Kâlî. The worshipper gives a nut to the pujâri who splits it in two with an axe, spills the milk and hands back half the nut to the worshipper. This is the sort of primitive offering that might be made to an African fetish.
417
See especially the Ambaṭṭha Sûtta (Dig. Nik. 3) and Rhys Davids's introduction.
418
See Weber, Die Vajrasuchi and Nanjio, Catal. No. 1303. In Ceylon at the present day only members of the higher castes can become Bhikkhus.
419
But it is said that in Southern India serious questions of caste are reported to the abbot of the Sringeri monastery for his decision.
420
The modern Lingâyats demur to the statement that their founder rejected caste.
421
So too in the cakras of the Śâktists all castes are equal during the performance of the ceremony.
422
Some (Khandelwals, Dasa Srimalis and Palliwals) include both Jains and Vaishnavas: the Agarwals are mostly Vaishnavas but some of them are Jains and some worship Śiva and Kâlî. Jogendra Nath Bhattacharya, Hindu Castes and Sects, pp. 205 ff.
423
The names used are not the same. The four Vedic castes are called Varṇa: the hundreds of modern castes are called Jâti.
424
Sampradâya seems to be the ordinary Sanskrit word for sectarian doctrine. It means traditional teaching transmitted from one teacher to another.
425
I am discussing elsewhere the possible debt which Christianity and Hinduism may owe to one another.
426
Pâṇini, IV. 3. 95-98.
427
Kaṭhâ Up. I. 1. 2, 23.
428
R.V. X. 125.
429
Compare too the hymns of the R.V. to Varuṇa as a rudimentary expression of Bhakti from the worshipper's point of view.
430
E.g. Theragâthâ, 818-841 and 1231-1245.
431
I. 2.
432
They are called the Śândilya Sûtras and appear to be not older than about the twelfth century A.D., but the tradition which connects them with the School of Śândilya may be just, for the teaching of this sage (Chândog. Up. III. 14) lays stress on will and belief. Râmânuja (Śrîbhâshya, II. 2. 43) refers to Śândilya as the alleged author of the Pâncarâtra. There are other Bhakti sûtras called Nâradiya and ascribed to Nârada, published and translated in The Sacred Books of the Hindus, No. 23. They consist of 84 short aphorisms. Raj. Mitra in his notices of Sanskrit MSS. describes a great number of modern works dealing with Bhakti.
433
Yet it is found in Francis Thompson's poem called Any Saint
So bestGod loves to jestWith children small, a freakOf heavenly hide and seekFitFor thy wayward wit.434
Pope, The History of Manikka-Vaçagar, p. 23. For the 64 sports of Śiva see Siddhanta Dipika, vol. IX.
435
E.g. Râmânuja, NammâṛVâr, Basava.
436
Apparently meaning "possessor of cows," and originally a title of the youthful Kṛishṇa. It is also interpreted as meaning Lord of the Vedas or Lord of his own senses.
437
E.g. the beginning of the Chând. Up. about the syllable Om. See too the last section of the Aitareya Âran. The Yoga Upanishads analyse and explain Om and some Vishnuite Upanishads (Nṛisiṃha and Râmatâ-panîya) enlarge on the subject of letters and diagrams.
438
The same idea pervades the old literature in a slightly different form. The parts of the sacrifice are constantly identified with parts of the universe or of the human body.
439
The cakras are mentioned in Act V of Mâlatî and Mâdhava written early in the eighth century. The doctrine of the nâḍîs occurs in the older Upanishads (e.g. Chând. and Maitrâyaṇa) in a rudimentary form.
440
An attempt was made to adapt the Veda to modern ideas by composing new Upanishads. The inspiration of such works is not denied but they have not the same influence as the literature mentioned below.
441
Śri Bhâshya, II. 2. 43. So too the Vishṇu Purâṇa, I. 1 describes itself as equal in sanctity to the Vedas. Śankara on Brah. Sûtras, I. 3. 33 says that the Purâṇas are authoritative.
442
See Grierson in Ind. Ant. 1908, p. 251 and p. 373.
443
E.g. the Sanatsujatîya and Anugîtâ (both in S.B.E. VIII.). See Deussen, Vier philosophische Texte des Mahâbhâratam.
444
Forming part of the Brahmâṇḍa Purâṇa.
445
See for a summary of them Winternitz, Gesch. Ind. Lit. I. pp. 450-483. For the dates see Pargiter Dynasties of the Kali age. He holds that the historical portions of the older Purânas were compiled in Prakrit about 250 A.D. and re-edited in Sanskrit about 350. See also Vincent Smith, Early History, p. 21 and, against Pargiter, Keith in J.R.A.S. 1914, p. 1021. Alberuni (who wrote in 1030) mentions eighteen Purânas and gives two lists of them. Bâṇa (c. 620 A.D.) mentions the recitation of the Vâyu Purâṇa. The commentary on the Śvetâśvatara Upan. ascribed to Śaṇkara quotes the Brahma P., Linga P. and Vishṇu P. as authorities as well as Puranic texts described as Vishṇudharma and Śivadharmottara. But the authorship of this commentary is doubtful. The Puranic literature as we know it probably began with the Gupta dynasty or a century before it, but the word Purâṇa in the sense of an ancient legend which ought to be learnt occurs as early as the Śatapatha Brâhmaṇa (XI. 5. 6. 8) and even in A.V. XI. 7. 24.
446
See Dinesh Chandra Sen, Hist. Bengali Language and Lit. pp. 220-225.
447
Pargiter, l.c. pp. xvii, xxviii. It does not belong to the latest class of Purâṇas for it seems to contemplate the performance of Smârta rites not temple ceremonial, but it is not quoted by Râmânuja (twelfth century) though he cites the Vishṇu Purâṇa. Probably he disapproved of it.
448
It was made as late as 1803 by Lallû Jî Lâl, but is a rendering into Hindi of a version in the Braj dialect, probably made in the sixteenth century.
449
Another Vishnuite work is cited indifferently as Padma-tantra or Padma-samhîtâ, and the Bhâgavata Purâṇa (I. 3. 8) speaks of the Sâttvatam Tantram, which is apparently the Sâttvata-saṃhitâ. The work edited by Schrader is described as the Ahirbudhnya Saṃhitâ of the Pâncarâtra Âgama.
450
See for some notices of these works A. Avalon's various publications about Tantra. Srinivasa Iyengar, Outlines of Indian Philosophy, 118-191. Govïndacarya Svâmi on the Vaishnava Samhitâs, J.R.A.S. 1911, pp. 935 ff. Schomerus, Çaiva-Siddhânta, pp. 7 ff. and Schrader's Introduction to the Pâncarâtra. Whereas these works claim to be independent of the Veda, the Sectarian Upanishads (see vol. I. p. 76) are an attempt to connect post-Vedic sects with the Veda.
451
Jñâna, Yoga, Caryâ, Kriyâ. The same names are used of Buddhist Tantras, except that Anuttara replaces Jñâna.
452
See Schrader, Introd. to the Pâncarâtra, p. 98. In the Raghuvaṃsa, X. 27. Âgamas are not only mentioned but said to be extremely numerous. But in such passages it is hard to say whether Âgama means the books now so-called or merely tradition. Alberuni seems not to have known of this literature and a Tantra for him is merely a minor treatise on astronomy. He evidently regards the Vedas, Purâṇas, philosophical Darśanas and Epics as constituting the religious literature of India.
453
Râjagopala Chariar (Vaishnavite Reformers, p. 4) says that in Vishnu temples two rituals are used called Pâncarâtra and Vaikhânasa. The latter is apparently consistent with Smârta usage whereas the Pâncarâtra is not. From Gopinâtha Rao's Elements of Hindu Iconography, pp. 56, 77, 78 it appears that there is a Vaikhânasâgama parallel to the Pâncarâtrâgama. It is frequently quoted by this author, though as yet unpublished. It seems to be the ritual of those Bhâgavatas who worship both Śiva and Vishṇu. It is said to exist in two recensions, prose and metrical, of which the former is perhaps the oldest of the Vaishṇava Âgamas. The Vaikhânasa ritual was once followed at Śrîrangam but Râmânuja substituted the Pâncarâtra for it.
454
Avalon, Principles of Tantra, p. xxvii describes it as "that development of the Vaidika Karmakâṇḍa which under the name of the Tantra Shâstra is the scripture of the Kali age." This seems to me a correct statement of the tantric theory.
455
Thus the Gautamîya Tantra which is held in high estimation by Vishnuite householders in Bengal, though not by ascetics, is a complete application of Śâkta worship to the cult of Kṛishṇa. The Vârâhi Tantra is also Vishnuite. See Raj. Mitra, Sanskrit MSS. of Bikaner, p. 583 and Notices of Sk. MSS. III. (1876), p. 99, and I. cclxxxvii. See too the usages of the Nambuthiri Brahmans as described in Cochin Tribes and Castes, II. pp. 229-233. In many ways the Nambuthiris preserve the ancient Vedic practices.
456
See Grierson's articles Gleanings from the Bhaktamâlâ in J.R.A.S. 1909-1910.
457
E.g. Mârkaṇḍeya, Vâmana and Varâha. Also the Skanda Upanishad.
458
Mahâbh. Vanaparvan, 11001 ff. The Bhâgavata Purâṇa, Book IV. sec. 2-7 emphasizes more clearly the objections of the Rishis to Śiva as an enemy of Vedic sacrifices and a patron of unhallowed rites.
459
Mahâbh. XII. sec. 283. In the same way the worship of Dionysus was once a novelty in Greece and not countenanced by the more conservative and respectable party. See Eur. Bacchae, 45. The Varâha-Purâna relates that the Śivaite scriptures were revealed for the benefit of certain Brahmans whose sins had rendered them incapable of performing Vedic rites. There is probably some truth in this legend in so far as it means that Brahmans who were excommunicated for some fault were disposed to become the ministers of non-Vedic cults.
460
Mahâbh. II. secs. 16, 22 ff.
461
Droṇa-p., 2862 ff. Anusâsana-p., 590 ff.
462
E.g. Anusâsana P., 6806 ff.
463
E.g. the Ahirbudhnya Saṃhitâ and Adhyâtma Râmâyaṇa.
464
Śântipar. cccxxxvii, 12711 ff. In the Bhagavad-gîtâ Kṛishṇa says that he is Vâsudeva of the Vṛishṇis, XI. 37.
465
Cf. the title Bhâgavata Purâṇa.
466
Ekâyana is mentioned several times in the Chândogya Up. (VII. 1, 2 and afterwards) as a branch of religious or literary knowledge and in connection with Nârada. But it is not represented as the highest or satisfying knowledge.
467
Even in the Śatapatha Br. Nârâyaṇa is mentioned in connection with a sacrifice lasting five days, XIII. 6. 1.
468
The Saṃhitâs hitherto best known to orientalists appear to be late and spurious. The Bṛihadbrahma Saṃhitâ published by the Anandasrama Press mentions Râmânuja. The work printed in the Bibliotheca Indica as Nârada Pâncarâtra (although its proper title apparently is Jñânamritasâra) has been analyzed by Roussel in Mélanges Harlez and is apparently a late liturgical compilation of little originality. Schrader's work was published by the Adyar Library in Madras, 1916. Apparently the two forms Pâncarâtra and Pâncarâtra are both found, but that with the long vowel is the more usual. Govindâcârya's article in J.R.A.S. 1911, p. 951 may also be consulted.
469
The oldest are apparently the Paushkara, Vârâha, Brahma, Sâttvata, Jaya and Ahirbudhnya Saṃhitâs, all quoted as authoritative by either Râmânuja or Vedânta Deśika.
470
It is quoted as equal to the Vedas by Yâmunâcârya, so it must then have been in existence some centuries.
471
The story of Śvetadvîpa or White Island in the Śânti-parvan of the Mahâbhârata states definitely that Nârada received the Pâncarâtra there.
472
There is much diversity of statement as to whether there are one or many Śaktis.
473
Vishṇu is the name of God in all his aspects, but especially God as the absolute. Vâsudeva is used both of God as the absolute and also as the first emanation (Vyûha).
474
Kriyâśakti and Bhûtiśakti.
475
Jñâna, aiśvarya, śakti, bala, vîrya, tejas. These are called guṇas but are not to be confounded with the three ordinary guṇas.