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The Valleys of Tirol: Their traditions and customs and how to visit them
The Valleys of Tirol: Their traditions and customs and how to visit them
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The Valleys of Tirol: Their traditions and customs and how to visit them

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The Valleys of Tirol: Their traditions and customs and how to visit them

Ladybird, ladybird, fly away home!Thy house is on fire!Thy children at home!

can be proved to refer to a belief of our forefathers in the coming downfall of the universe by a great conflagration. The ladybird has its name from having been sacred to our Lady Freia. The words addressed to the insect were once an incantation – an appeal to the goddess for the protection of the soul of the unborn, over whom in her heavenly abode she was supposed to keep watch and ward, and whom she is asked to shield from the fire that consumes the world… If we ever wean men from the crude notions that haunt them, and yet promote the enjoyment of fancies which serve as embellishing garlands for the rude realities of life, we cannot do better than promote a fuller scientific knowledge of that circle of ideas in which those moved who moulded our very speech. We feel delight in the conceptions of the Greek Olympus. Painters and poets still go back to that old fountain of fancy. Why should we not seek for similar delight in studying the figures of the Germanic Pantheon, and the rich folk-lore connected with them? Why should that powerful Bible of the Norse religion, which contains such a wealth of striking ideas and descriptions in language the most picturesque, not be as much perused as the Iliad, the Odyssey, or the Æneid? Is it too much to say that many even of those who know of the Koran, of the precepts of Kou-fu-tsi and of Buddha, of the Zendavesta and the Vedas, have but the dimmest notion of that grand Germanic Scripture?..

‘Can it be said that there is a lack of poetical conception in the figure of Wodan or Odin, the hoary ruler of the winds and the clouds, who, clad in a flowing mantle, careers through the sky on a milk-white horse, from whose nostrils fire issues, and who is followed at night by a retinue of heroic warriors whom he leads into the golden shield-adorned Walhalla? Is there a want of artistic delineation in Freia – an Aphrodite and Venus combined, who changes darkness into light wherever she appears – the goddess with the streaming golden locks and siren voice, who hovers in her sun-white robe between heaven and earth, making flowers sprout along her path and planting irresistible longings in the hearts of men? Do we not see in bold and well-marked outline the figure of the red-bearded, steel-handed Thor, who rolls along the sky in his goat-drawn car, and who smites the mountain giants with his magic hammer? Are these mere spectres without distinct contour?.. are they not, even in their uncouth passions, the representatives of a primitive race, in which the pulse throbs with youthful freshness? Or need I allude to that fantastic theory of minor deities, of fairies and wood-women, and elfin and pixies and cobolds, that have been evolved out of all the forces of Nature by the Teutonic mind, and before whose bustling crowd even Hellenic imagination pales?

‘Then what a dramatic power has the Germanic mythology! The gods of classic antiquity have been compared to so many statues ranged along a stately edifice … in the Germanic view all is active struggle, dramatic contest, with a deep dark background of inevitable fate that controls alike gods and men.’

Such are the Beings whom we meet wandering all over Tirol; transformed often into new personalities, invested with new attributes and supplemented with many a mysterious companion, the offspring of an imagination informed by another order of thought, but all of them more living, and more readily to be met with, than in any part of wonder-loving Germany itself.

Apart from their mythological value, how large is the debt we owe to legends and traditions in building up our very civilization. Their influence on art is apparent, from the earliest sculptured stones unearthed in India or Etruria to the latest breathing of symbolism in the very reproductions of our own day. In poetry, no less a master than Dante lamented that their influence was waning at the very period ascribed a few years ago as the date of their taking rise. Extolling the simpler pursuits and pleasures of his people at a more primitive date than his own, ‘One by the crib kept watch,’ he says, ‘studious to still the infant plaint with words which erst the parents’ minds diverted; another, the flaxen maze upon the distaff twirling, recounted to her household, tales of Troy, Fiesole, and Rome.’19 Their work is patent in his own undying pages, and in those of all true poets before and since.

Besides all this, have they not preserved to us, as in a registering mirror, the manners and habits of thought of the ages preceding ours? Have they not served to record as well as to mould the noblest aspirations of those who have gone before? ‘What are they,’ asks an elegant Italian writer of the present day,20 treating, however, only of the traditions of the earliest epoch of Christianity, ‘but narratives woven beside the chimney, under the tent, during the halt of the caravan, embodying as in a lively picture the popular customs of the apostolic ages, the interior life of the rising (nascente) Christian society? In them we have a delightful opportunity of seeing stereotyped the great transformation and the rich source of ideas and sentiments which the new belief opened up, to illuminate the common people in their huts no less than the patricians in their palaces. Those even who do not please to believe the facts they expose are afforded a genuine view of the habits of life, the manner of speaking and behaving – all that expresses and paints the erudition of those men and of those times. Thus, it may be affirmed, they comment beautifully on the Gospels, and in the midst of fables is grafted a great abundance of truth.

‘If we would investigate the cause of their multiplication, and of the favour with which they were received from the earliest times, we shall find it to consist chiefly in the need and love of the marvellous which governed the new society, notwithstanding the severity of its dogmas. Neophytes snatched from the superstitions of paganism would not have been able all at once to suppress every inclination for poetical fables. They needed another food according to their fancy. And indeed were they not great marvels (though of another order from those to which they were accustomed) which were narrated to them? The aggregate mass was, however, increased by the way in which they lived and the scarcity of communication; every uncertain rumour was thus readily dressed up in the form of a wonderful fact.

‘Again, dogmatic and historical teaching continued long to be oral; so that when an apostle, or the apostle of an apostle, arrived in any city and chained the interest of the faithful with a narration of the acts of Jesus he had himself witnessed or received from the personal narrative of witnesses, his words ran along from mouth to mouth, and each repeater added something, suggested by his faith or by his heart. In this way his teaching constituted itself into a legend, which in the end was no longer the narrative of one, but the expression of the faith of all.

‘Thus whoever looks at legends only as isolated productions of a period most worthy of study, without attending to the influence they exercised on later epochs, must even so hold them in account as literary monuments of great moment.’

Nor is this the case only with the earliest legends. The popular mind in all ages has evinced a necessity for filling up all blanks in the histories of its heroes. The probable, and even the merely possible, is idealized; what might have been is reckoned to have happened; the logical deductions as to what a favourite saint or cobbold ought to have done, according to certain fixed principles of action previously ascribed to his nature, are taken to be the very acts he did perform; and thus, even those traditions which are the most transparently human in their origin, have served to show reflected in action the virtues and perfections which it is the boast of religion to inculcate.

A Flemish writer on Spanish traditions similarly remarks, ‘Peoples who are cut off from the rest of the world by such boundaries as seas, mountains, or wastes, by reason of the difficulty of communication thus occasioned, are driven to concentrate their attention to local events; and in their many idle hours they work up their myths and tales into poems, which stand them in stead of books, and, in fact, constitute a literature.’21

Europe possesses in Tirol one little country at least in whose mountain fastnesses a store of these treasures not only lies enshrined, but where we may yet see it in request. Primitive and unsophisticated tillers of the soil, accustomed to watch as a yearly miracle the welling up of its fruits, and to depend for their hopes of subsistence on the sun and rain in the hand of their Creator, its children have not yet acquired the independence of thought and the habit of referring all events to natural causes, which is generated by those industries of production to which the human agent appears to be all in all. Among them we have the opportunity of seeing these expositions of the supernatural, at home as it were in their contemporary life, supplying a representation of what has gone before, only to be compared to the revelations of deep-cut strata to the geologist, and the unearthing of buried cities to the student of history. It is further satisfactory to find that, in spite of our repugnance to superstition, this unreasoning realization of the supernatural has in no way deteriorated the people. Their public virtues, seen in their indomitable devotion to their country, have been conspicuous in all ages, no less than their heroic labours in grappling with the obstacles of soil and climate; while all who have visited them concur in bearing testimony to their possession of sterling homely qualities, frugality, morality, hospitality; and, for that which is of most importance to the tourist, all who have been among them will bear witness to the justice of the remark in the latest Guide-book, that, except just in the more cultivated centres of Innsbruck, Brixen, and Botzen, you need take no thought among the Tiroleans concerning the calls on your purse.

My first acquaintance with Tirol was made at Feldkirch, where I had to pay somewhat dearly for my love of the legendary and the primitive. Our plan for the autumn was to join a party of friends from Italy at Innsbruck, spend some months of long-promised enjoyment in exploring Tirol, and return together to winter in Rome. The arrangements of the journey had been left to me; and as I delight in getting beyond railways and travelling in a conveyance whose pace and hours are more under one’s own control, I traced our road through France to Bâle, and then by way of Zurich and Rorschach and Oberriet to Feldkirch (which I knew to be a post-station) as a base of operations, for leisurely threading our mountain way through Bludenz and Landeck and the intervening valleys to Innsbruck.

How our plan was thwarted22 I will relate presently. I still recommend this line of route to others less encumbered with luggage, as leading through out-of-the-way and unfrequented places. The projected railway between Feldkirch and Innsbruck is now completed as far as Bludenz; and Feldkirch is reached direct by the new junction with the Rorschach-Chur railway at Buchsstation.23

Feldkirch affords excursions, accessible for all, to the Margarethenkapf and the St. Veitskapf, from either of which a glorious view is to be enjoyed. The latter commands the stern gorges through which the Ill makes its final struggles before losing its identity in the Rhine – struggles which are often terrific and devastating, for every few years it carries down a whole torrent of pebbles for many days together. The former overlooks the more smiling tracts we traversed in our forced march, locally called the Ardetzen, hemmed in by noble mountain peaks. Then its fortifications, intended at one time to make it a strong border town against Switzerland, have left some few picturesque remains, and in particular the so-called Katzenthurm, named from certain clumsy weapons styled ‘cat’s head guns,’ which once defended it, and which were ultimately melted down to make a chime of peaceful bells. And then it has two or three churches to which peculiar legends attach. Not the least curious of these is that of St. Fidelis, a local saint, whose cultus sprang up as late as the year 1622, when he was laid in wait for and assassinated by certain fanatical reprobates, whose consciences his earnest preaching had disturbed. He was declared a martyr, and canonized at Rome in 1746. The sword with which he was put to death, the bier on which his body was carried back into the town, and other things belonging to him, are venerated as relics. About eight miles outside the town another saint is venerated with a precisely similar history, but dating from the year 844. This is St. Eusebius, one of a band of Scotch missionaries, who founded a monastery there called Victorsberg, the oldest foundation in all Vorarlberg. St. Eusebius, returning from a pilgrimage one day, lay down to sleep in this neighbourhood, being overtaken by the darkness of night. Heathen peasants, who had resisted his attempts at converting them, going out early in the morning to mow, found him lying on the ground, and one of them cut off his head with his scythe. To their astonishment the decapitated body rose to its feet, and, taking up the head in its hands, walked straight to the door of the monastery, where the brethren took it in and laid it to rest in the churchyard. A little further (reached most conveniently by a by-path off the road near Altenstadt, mentioned below,) is Rankweil. In the church on Our Lady’s Mount (Frauenberg) is a little chapel on the north side, where a reddish stone is preserved (Der rothe Stein in der Fridolinskapelle), of which the following story is told. St. Fridolin was a Scotch missionary in the seventh century, and among other religious houses had founded one at Müsigen. Two noblemen of this neighbourhood (brothers) held him in great respect, and before dying, one of them, Ursus by name, endowed the convent with all his worldly goods. Sandolf, the other, who did not carry his admiration of the saint to so great a length as to renounce his brother’s rich inheritance, disputed the possession, and it was decided that Fridolin must give it up unless he could produce the testimony of the donor. Fridolin went in faith to Glarus, where Ursus had been buried two years before. At his call the dead man rose to his feet, and pushing the grave-stone aside, walked, hand-in-hand, with his friend back to Rankweil, where he not only substantiated Fridolin’s statements, but so effectually frightened his brother that he immediately added to the gift all his own possessions also. But the story says that when the judgment requiring him to produce the testimony of the dead was first given, Fridolin went to pray in the chapel of Rankweil, and there a shining being appeared to him, and told him to go to Glarus and call Ursus; and as he spoke Fridolin’s knees sank into the ‘red stone,’ making the marks now seen.24

The reason given why this hill is called Our Lady’s Mound is, that on it once stood a fortress called Schönberg. Schönberg having been burnt down, its owner, the knight of Hörnlingen, set about rebuilding it; but whatever work his workmen did in the day-time, was destroyed by invisible hands during the night. A pious old workman, too, used to hear a mysterious voice saying that instead of a fortress they should build a sanctuary in honour of the mother of God. The knight yielded to the commands of the voice, and the church was built out of the ruins of his castle. In this church, too, is preserved a singular antique cross, studded with coloured glass gems, which the people venerate because it was brought down to them by the mountain stream. It is obviously of very ancient workmanship, and an inscription records that it was repaired in 1347.

Winding round the mountain path which from Rankweil runs behind Feldkirch to Satteins, the convent of Valduna is reached; and the origin of this sanctuary is ascribed to a legend, of which counterparts crop up in various places, of a hermit who passed half a life within a hollow tree,25 and acquired the lasting veneration of the neighbouring people.

Another mountain sanctuary which received its veneration from the memory of a tree-hermit, is S. Gerold, situated on a little elevation below the Hoch Gerach, about seven miles on the east side of Feldkirch. It dates from the tenth century. Count Otho, Lord of Sax in the Rhinethal, was out hunting, when the bear to which he was giving chase sought refuge at the foot of an old oak tree, whither his dogs durst not follow it. Living as a hermit within this oak tree Count Otho found his long lost father, S. Gerold, who years before had forsaken his throne and found there a life of contemplation in the wild.26 The tomb of the saint and his two sons is to be seen in the church, and some curious frescoes with the story of his adventures.

Another way to be recommended for entering Vorarlberg is by crossing Lake Constance from Rorschach to Lindau, a very pleasant trajet of about two hours in the tolerably well-appointed, but not very swift lake-steamers. Lindau itself is a charming old place, formed out of three islands on the edge of the lake; but as it is outside the border of Tirol, I will only note in favour of the honesty of its inhabitants, that I saw a tree laden with remarkably fine ripe pears overhanging a wall in the principal street, and no street-boy raised a hand to them.

The first town in Tirol by this route is Bregenz, which reckons as the capital of Vorarlberg. It may be reached by boat in less than half an hour. It is well situated at the foot of the Gebhartsberg, which affords a most delightful, and in Tirol widely celebrated, view over Lake Constance and the Appenzel mountains and the rapid Rhine between; and here, at either the Post Hotel or the Black Eagle, there is no lack of carriages for reaching Feldkirch. Bregenz deserves to be remembered as the birth-place of one of the best modern painters of the Munich-Roman school, Flatz, who I believe, spends much of his time there.

Among the objects of interest in Bregenz are the Capuchin Convent, situated on a wooded peak of the Gebhardsberg, founded in 1636; on another peak, S. Gebhard auf dem Pfannenberge, called after a bishop of Constance, who preached the Christian faith in the neighbourhood, and was martyred. Bregenz has an ancient history and high lineage. Its lords, who were powerful throughout the Middle Ages, were of sufficiently high estate at the time of Charlemagne that he should take Hildegard, the daughter of one of them, to be his wife, and there is a highly poetical popular tale about her. Taland (a favourite name in Vorarlberg) was a suitor who had, with jealous eye, seen her given to the powerful Emperor, and in the bitterness of his rejected affection, so calumniated her to Charlemagne, that he repudiated her and married Desiderata, the Lombard princess.27 Hildegard accepted her trial with angelic resignation, and devoted her life to tending pilgrims at Rome. Meantime Taland, stricken with blindness, came to Rome in penitential pilgrimage, where he fell under the charitable care of Hildegard. Hildegard’s saintly handling restored his sight – not only that of his bodily eyes, but also his moral perception of truth and falsehood. In reparation for the evil he had done, he now led her back to Charlemagne, confessed all, and she was once more restored to favour and honour. Bregenz has also another analogous and equally beautiful legend. One of its later counts, Ulrich V., was supposed by his people to have died in war in Hungary, about the year 916. Wendelgard, his wife, devoted her widowhood to the cloistral life, but took the veil under the condition that she should every year hold a popular festival and distribution of alms in memory of her husband. On the fourth anniversary, as she was distributing her bounty, a pilgrim came forward who allowed himself the liberty of kissing the hand which bestowed the dole. Wendelgard’s indignation was changed into delight when she recognized that the audaciously gallant pilgrim was no other than her own lord, who, having succeeded in delivering himself from captivity, had elected to make himself thus known to her. Salomo, Bishop of Constance, dispensed her from her vow, and Ulrich passed the remainder of his life at Bregenz by her side. Another celebrated worthy of Bregenz, whose name must not be passed over, is ‘Ehreguota’ or ‘Ehre Guta,’ a name still dear to every peasant of Vorarlberg, and which has perpetuated itself in the appellation of Hergotha, a favourite Christian name there to the present day. She was a poor beggar-woman really named Guta, whose sagacity and courage delivered her country people from an attack of the Appenzell folk, to which they had nearly succumbed in the year 1408; it was the ‘honour’ paid her by her patriotic friends that added the byname of ‘Ehre,’ and made them erect a monument to her. One of the variants of the story makes her, instead of a beggar-woman, the beautiful young bride of Count Wilhelm of Montfort-Bregenz; some have further sought to identify her with the goddess Epona.

Pursuing the journey southwards towards Feldkirch, every step is full of natural beauty and legendary interest. At first leaving Bregenz you have to part company with Lake Constance, and leave in the right hand distance the ruins of Castle Fussach. On the left is Riedenberg, which, if not great architecturally, is interesting as a highly useful institution, under the fostering care of the present Empress of Austria, for the education of girls belonging to families of a superior class with restricted means. From Fussach the road runs parallel to the Rhine; there is a shorter road by Dornbirn, but less interesting, which joins it again at Götzis, near Hohenembs. The two roads separate before Fussach at Wolfurth, where there is an interesting chapel, the bourne of a pilgrimage worth making if only for the view over the lake. The country between S. John Höchst and Lustenau is much frequented in autumn for the sake of the shooting afforded by the wild birds which haunt its secluded recesses on the banks of the Rhine at that season. At Lustenau there is a ferry over the Rhine.

The favourite saints of this part of the country are Merboth, Diedo, and Ilga – two brothers and a sister of a noble family, hermit-apostles and martyrs of the eleventh century. Ilga established her hermit-cell in the Schwarzenberg, just over Dornbirn, where not only all dainty food, but even water, was wanting. The people of Dornbirn also wanted water; and though she had not asked the boon for herself, she asked it for her people, and obtained from the hard rock, a miraculous spring of sparkling water which even the winter cold could not freeze. Ilga used to fetch this water for her own use, and carry it up the mountain paths in her apron. One day she spilt some of it on the rock near her cell on her arrival, and see! as it touched the rock, the rock responded to the appeal, and from out there flowed a corresponding stream, which has never ceased to flow to this day.

The most important and interesting spot between Bregenz and Feldkirch, is Embs or Hohenembs, with its grand situation, its picturesque buildings and its two ruined castles, which though distinguished as Alt and Neu Hohenembs, do not display at first sight any very great disparity of age; both repay a visit, but the view from Alt Hohenembs is the finer. The virtues and bravery of the lords of Hohenembs have been duly chronicled. James Von Embs served by the side of the chevalier Bayard in the battle of Ravenna, and having at the first onset received his death wound, raised himself up again to pour out his last breath in crying to his men, ‘The King of France has been our fair ally, let us serve him bravely this day!’ His grandson, who was curiously enough christened James Hannibal, was the first Count of Embs, and his descendants often figure in records of the wars of the Austrian Empire, particularly in those connected with the famous Schmalkaldischer Krieg, and are now merged in the family of Count Harrach.

The ‘Swiss embroidery’ industry here crosses the Rhine, and, in the female gatherings which it occasions, as in the ‘Filo’ of the south, many local chronicles and legends are, or at least have been, perpetuated.

In the parish church, I have been told by a traveller, that the cardinal’s hat of S. Charles Borromeo is preserved, though why it should be so I cannot tell; and I think I have myself had it shown me both at Milan and, if I mistake not, also at the church in Rome whence he had his ‘title.’

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