Night and Morning, Complete

“You are saved!” cried Morton; when at the moment a volley burst from the fatal casement—the smoke rolled over both the fugitives—a groan, or rather howl, of rage, and despair, and agony, appalled even the hardest on whose ear it came. Morton sprang to his feet and looked below. He saw on the rugged stones far down, a dark, formless, motionless mass—the strong man of passion and levity—the giant who had played with life and soul, as an infant with the baubles that it prizes and breaks—was what the Caesar and the leper alike are, when the clay is without God’s breath—what glory, genius, power, and beauty, would be for ever and for ever, if there were no God!

“There is another!” cried the voice of one of the pursuers. “Fire!”

“Poor Gawtrey!” muttered Philip. “I will fulfil your last wish;” and scarcely conscious of the bullet that whistled by him, he disappeared behind the parapet.

CHAPTER XI

“Gently movedBy the soft wind of whispering silks.”—DECKER.

The reader may remember that while Monsieur Favart and Mr. Birnie were holding commune in the lane, the sounds of festivity were heard from a house in the adjoining street. To that house we are now summoned.

At Paris, the gaieties of balls, or soirees, are, I believe, very rare in that period of the year in which they are most frequent in London. The entertainment now given was in honour of a christening; the lady who gave it, a relation of the new-born.

Madame de Merville was a young widow; even before her marriage she had been distinguished in literature; she had written poems of more than common excellence; and being handsome, of good family, and large fortune, her talents made her an object of more interest than they might otherwise have done. Her poetry showed great sensibility and tenderness. If poetry be any index to the heart, you would have thought her one to love truly and deeply. Nevertheless, since she married—as girls in France do—not to please herself, but her parents, she made a mariage de convenance. Monsieur de Merville was a sober, sensible man, past middle age. Not being fond of poetry, and by no means coveting a professional author for his wife, he had during their union, which lasted four years, discouraged his wife’s liaison with Apollo. But her mind, active and ardent, did not the less prey upon itself. At the age of four-and-twenty she became a widow, with an income large even in England for a single woman, and at Paris constituting no ordinary fortune. Madame de Merville, however, though a person of elegant taste, was neither ostentatious nor selfish; she had no children, and she lived quietly in apartments, handsome, indeed, but not more than adequate to the small establishment which—where, as on the Continent, the costly convenience of an entire house is not usually incurred—sufficed for her retinue. She devoted at least half her income, which was entirely at her own disposal, partly to the aid of her own relations, who were not rich, and partly to the encouragement of the literature she cultivated. Although she shrank from the ordeal of publication, her poems and sketches of romance were read to her own friends, and possessed an eloquence seldom accompanied with so much modesty. Thus, her reputation, though not blown about the winds, was high in her own circle, and her position in fashion and in fortune made her looked up to by her relations as the head of her family; they regarded her as femme superieure, and her advice with them was equivalent to a command. Eugenie de Merville was a strange mixture of qualities at once feminine and masculine. On the one hand, she had a strong will, independent views, some contempt for the world, and followed her own inclinations without servility to the opinion of others; on the other hand, she was susceptible, romantic, of a sweet, affectionate, kind disposition. Her visit to M. Love, however indiscreet, was not less in accordance with her character than her charity to the mechanic’s wife; masculine and careless where an eccentric thing was to be done—curiosity satisfied, or some object in female diplomacy achieved—womanly, delicate, and gentle, the instant her benevolence was appealed to or her heart touched. She had now been three years a widow, and was consequently at the age of twenty-seven. Despite the tenderness of her poetry and her character, her reputation was unblemished. She had never been in love. People who are much occupied do not fall in love easily; besides, Madame de Merville was refining, exacting, and wished to find heroes where she only met handsome dandies or ugly authors. Moreover, Eugenie was both a vain and a proud person—vain of her celebrity and proud of her birth. She was one whose goodness of heart made her always active in promoting the happiness of others. She was not only generous and charitable, but willing to serve people by good offices as well as money. Everybody loved her. The new-born infant, to whose addition to the Christian community the fete of this night was dedicated, was the pledge of a union which Madame de Merville had managed to effect between two young persons, first cousins to each other, and related to herself. There had been scruples of parents to remove—money matters to adjust—Eugenie had smoothed all. The husband and wife, still lovers, looked up to her as the author, under Heaven, of their happiness.

The gala of that night had been, therefore, of a nature more than usually pleasurable, and the mirth did not sound hollow, but wrung from the heart. Yet, as Eugenie from time to time contemplated the young people, whose eyes ever sought each other—so fair, so tender, and so joyous as they seemed—a melancholy shadow darkened her brow, and she sighed involuntarily. Once the young wife, Madame d’Anville, approaching her timidly, said:

“Ah! my sweet cousin, when shall we see you as happy as ourselves? There is such happiness,” she added, innocently, and with a blush, “in being a mother!—that little life all one’s own—it is something to think of every hour!”

“Perhaps,” said Eugenie, smiling, and seeking to turn the conversation from a subject that touched too nearly upon feelings and thoughts her pride did not wish to reveal—“perhaps it is you, then, who have made our cousin, poor Monsieur de Vaudemont, so determined to marry? Pray, be more cautious with him. How difficult I have found it to prevent his bringing into our family some one to make us all ridiculous!”

“True,” said Madame d’Anville, laughing. “But then, the Vicomte is so poor, and in debt. He would fall in love, not with the demoiselle, but the dower. A propos of that, how cleverly you took advantage of his boastful confession to break off his liaisons with that bureau de mariage.”

“Yes; I congratulate myself on that manoeuvre. Unpleasant as it was to go to such a place (for, of course, I could not send for Monsieur Love here), it would have been still more unpleasant to have received such a Madame de Vaudemont as our cousin would have presented to us. Only think—he was the rival of an epicier! I heard that there was some curious denouement to the farce of that establishment; but I could never get from Vaudemont the particulars. He was ashamed of them, I fancy.”

“What droll professions there are in Paris!” said Madame d’Anville. “As if people could not marry without going to an office for a spouse as we go for a servant! And so the establishment is broken up? And you never again saw that dark, wild-looking boy who so struck your fancy that you have taken him as the original for the Murillo sketch of the youth in that charming tale you read to us the other evening? Ah! cousin, I think you were a little taken with him. The bureau de mariage had its allurements for you as well as for our poor cousin!” The young mother said this laughingly and carelessly.

“Pooh!” returned Madame de Merville, laughing also; but a slight blush broke over her natural paleness. “But a propos of the Vicomte. You know how cruelly he has behaved to that poor boy of his by his English wife—never seen him since he was an infant—kept him at some school in England; and all because his vanity does not like the world to know that he has a son of nineteen! Well, I have induced him to recall this poor youth.”

“Indeed! and how?”

“Why,” said Eugenie, with a smile, “he wanted a loan, poor man, and I could therefore impose conditions by way of interest. But I also managed to conciliate him to the proposition, by representing that, if the young man were good-looking, he might, himself, with our connections, &c., form an advantageous marriage; and that in such a case, if the father treated him now justly and kindly, he would naturally partake with the father whatever benefits the marriage might confer.”

“Ah! you are an excellent diplomatist, Eugenie; and you turn people’s heads by always acting from your heart. Hush! here comes the Vicomte!”

“A delightful ball,” said Monsieur de Vaudemont, approaching the hostess. “Pray, has that young lady yonder, in the pink dress, any fortune? She is pretty—eh? You observe she is looking at me—I mean at us!”

“My dear cousin, what a compliment you pay to marriage! You have had two wives, and you are ever on the qui vive for a third!”

“What would you have me do?—we cannot resist the overtures of your bewitching sex. Hum—what fortune has she?”

“Not a sou; besides, she is engaged.”

“Oh! now I look at her, she is not pretty—not at all. I made a mistake. I did not mean her; I meant the young lady in blue.”

“Worse and worse—she is married already. Shall I present you?”

“Ah, Monsieur de Vaudemont,” said Madame d’Anville; “have you found out a new bureau de mariage?”

The Vicomte pretended not to hear that question. But, turning to Eugenie, took her aside, and said, with an air in which he endeavoured to throw a great deal of sorrow, “You know, my dear cousin, that, to oblige you, I consented to send for my son, though, as I always said, it is very unpleasant for a man like me, in the prime of life, to hawk about a great boy of nineteen or twenty. People soon say, ‘Old Vaudemont and younq Vaudemont.’ However, a father’s feelings are never appealed to in vain.” (Here the Vicomte put his handkerchief to his eyes, and after a pause, continued,)—“I sent for him—I even went to your old bonne, Madame Dufour, to make a bargain for her lodgings, and this day—guess my grief—I received a letter sealed with black. My son is dead!—a sudden fever—it is shocking!”

“Horrible! dead!—your own son, whom you hardly ever saw—never since he was an Infant!”

“Yes, that softens the blow very much. And now you see I must marry. If the boy had been good-looking, and like me, and so forth, why, as you observed, he might have made a good match, and allowed me a certain sum, or we could have all lived together.”

“And your son is dead, and you come to a ball!”

“Je suis philosophe,” said the Vicomte, shrugging his shoulders. “And, as you say, I never saw him. It saves me seven hundred francs a-year. Don’t say a word to any one—I sha’n’t give out that he is dead, poor fellow! Pray be discreet: you see there are some ill-natured people who might think it odd I do not shut myself up. I can wait till Paris is quite empty. It would be a pity to lose any opportunity at present, for now, you see, I must marry!” And the philosophe sauntered away.

CHAPTER XII

GUIOMAR.“Those devotions I am to payAre written in my heart, not in this book.”Enter RUTILIO.“I am pursued—all the ports are stopped too,Not any hope to escape—behind, before me,On either side, I am beset.”BEAUMONT AND FLETCHER, The Custom of the Country

The party were just gone—it was already the peep of day—the wheels of the last carriage had died in the distance.

Madame de Merville had dismissed her woman, and was seated in her own room, leaning her head musingly on her hand.

Beside her was the table that held her MSS. and a few books, amidst which were scattered vases of flowers. On a pedestal beneath the window was placed a marble bust of Dante. Through the open door were seen in perspective two rooms just deserted by her guests; the lights still burned in the chandeliers and girandoles, contending with the daylight that came through the half-closed curtains. The person of the inmate was in harmony with the apartment. It was characterised by a certain grace which, for want of a better epithet, writers are prone to call classical or antique. Her complexion, seeming paler than usual by that light, was yet soft and delicate—the features well cut, but small and womanly. About the face there was that rarest of all charms, the combination of intellect with sweetness; the eyes, of a dark blue, were thoughtful, perhaps melancholy, in their expression; but the long dark lashes, and the shape of the eyes, themselves more long than full, gave to their intelligence a softness approaching to languor, increased, perhaps, by that slight shadow round and below the orbs which is common with those who have tasked too much either the mind or the heart. The contour of the face, without being sharp or angular, had yet lost a little of the roundness of earlier youth; and the hand on which she leaned was, perhaps, even too white, too delicate, for the beauty which belongs to health; but the throat and bust were of exquisite symmetry.

“I am not happy,” murmured Eugenie to herself; “yet I scarce know why. Is it really, as we women of romance have said till the saying is worn threadbare, that the destiny of women is not fame but love. Strange, then, that while I have so often pictured what love should be, I have never felt it. And now,—and now,” she continued, half rising, and with a natural pang—“now I am no longer in my first youth. If I loved, should I be loved again? How happy the young pair seemed—they are never alone!”

At this moment, at a distance, was heard the report of fire-arms—again! Eugenie started, and called to her servant, who, with one of the waiters hired for the night, was engaged in removing, and nibbling as he removed, the remains of the feast. “What is that, at this hour?—open the window and look out!”

“I can see nothing, madame.”

“Again—that is the third time. Go into the street and look—some one must be in danger.”

The servant and the waiter, both curious, and not willing to part company, ran down the stairs, and thence into the street.

Meanwhile, Morton, after vainly attempting Birnie’s window, which the traitor had previously locked and barred against the escape of his intended victim, crept rapidly along the roof, screened by the parapet not only from the shot but the sight of the foe. But just as he gained the point at which the lane made an angle with the broad street it adjoined, he cast his eyes over the parapet, and perceived that one of the officers had ventured himself to the fearful bridge; he was pursued—detection and capture seemed inevitable. He paused, and breathed hard. He, once the heir to such fortunes, the darling of such affections!—he, the hunted accomplice of a gang of miscreants! That was the thought that paralysed—the disgrace, not the danger. But he was in advance of the pursuer—he hastened on—he turned the angle—he heard a shout behind from the opposite side—the officer had passed the bridge: “it is but one man as yet,” thought he, and his nostrils dilated and his hands clenched as he glided on, glancing at each casement as he passed.

Now as youth and vigour thus struggled against Law for life, near at hand Death was busy with toil and disease. In a miserable grabat, or garret, a mechanic, yet young, and stricken by a lingering malady contracted by the labour of his occupation, was slowly passing from that world which had frowned on his cradle, and relaxed not the gloom of its aspect to comfort his bed of Death. Now this man had married for love, and his wife had loved him; and it was the cares of that early marriage which had consumed him to the bone. But extreme want, if long continued, eats up love when it has nothing else to eat. And when people are very long dying, the people they fret and trouble begin to think of that too often hypocritical prettiness of phrase called “a happy release.” So the worn-out and half-famished wife did not care three straws for the dying husband, whom a year or two ago she had vowed to love and cherish in sickness and in health. But still she seemed to care, for she moaned, and pined, and wept, as the man’s breath grew fainter and fainter.

“Ah, Jean!” said she, sobbing, “what will become of me, a poor lone widow, with nobody to work for my bread?” And with that thought she took on worse than before.

“I am stifling,” said the dying man, rolling round his ghastly eyes. “How hot it is! Open the window; I should like to see the light—daylight once again.”

“Mon Dieu! what whims he has, poor man!” muttered the woman, without stirring.

The poor wretch put out his skeleton hand and clutched his wife’s arm.

“I sha’n’t trouble you long, Marie! Air—air!”

“Jean, you will make yourself worse—besides, I shall catch my death of cold. I have scarce a rag on, but I will just open the door.”

“Pardon me,” groaned the sufferer; “leave me, then.” Poor fellow! perhaps at that moment the thought of unkindness was sharper than the sharp cough which brought blood at every paroxysm. He did not like her so near him, but he did not blame her. Again, I say,—poor fellow! The woman opened the door, went to the other side of the room, and sat down on an old box and began darning an old neck-handkerchief. The silence was soon broken by the moans of the fast-dying man, and again he muttered, as he tossed to and fro, with baked white lips:

“Je m’etoufee!—Air!”

There was no resisting that prayer, it seemed so like the last. The wife laid down the needle, put the handkerchief round her throat, and opened the window.

“Do you feel easier now?”

“Bless you, Marie—yes; that’s good—good. It puts me in mind of old days, that breath of air, before we came to Paris. I wish I could work for you now, Marie.”

“Jean! my poor Jean!” said the woman, and the words and the voice took back her hardening heart to the fresh fields and tender thoughts of the past time. And she walked up to the bed, and he leaned his temples, damp with livid dews, upon her breast.

“I have been a sad burden to you, Marie; we should not have married so soon; but I thought I was stronger. Don’t cry; we have no little ones, thank God. It will be much better for you when I am gone.”

And so, word after word gasped out—he stopped suddenly, and seemed to fall asleep.

The wife then attempted gently to lay him once more on his pillow—the head fell back heavily—the jaw had dropped—the teeth were set—the eyes were open and like the stone—the truth broke on her!

“Jean—Jean! My God, he is dead! and I was unkind to him at the last!” With these words she fell upon the corpse, happily herself insensible.

Just at that moment a human face peered in at the window. Through that aperture, after a moment’s pause, a young man leaped lightly into the room. He looked round with a hurried glance, but scarcely noticed the forms stretched on the pallet. It was enough for him that they seemed to sleep, and saw him not. He stole across the room, the door of which Marie had left open, and descended the stairs. He had almost gained the courtyard into which the stairs had conducted, when he heard voices below by the porter’s lodge.

“The police have discovered a gang of coiners!”

“Coiners!”

“Yes, one has been shot dead! I have seen his body in the kennel; another has fled along the roofs—a desperate fellow! We were to watch for him. Let us go up-stairs and get on the roof and look out.”

By the hum of approval that followed this proposition, Morton judged rightly that it had been addressed to several persons whom curiosity and the explosion of the pistols had drawn from their beds, and who were grouped round the porter’s lodge. What was to be done?—to advance was impossible: and was there yet time to retreat?—it was at least the only course left him; he sprang back up the stairs; he had just gained the first flight when he heard steps descending; then, suddenly, it flashed across him that he had left open the window above—that, doubtless, by that imprudent oversight the officer in pursuit had detected a clue to the path he had taken. What was to be done?—die as Gawtrey had done!—death rather than the galleys. As he thus resolved, he saw to the right the open door of an apartment in which lights still glimmered in their sockets. It seemed deserted—he entered boldly and at once, closing the door after him. Wines and viands still left on the table; gilded mirrors, reflecting the stern face of the solitary intruder; here and there an artificial flower, a knot of riband on the floor, all betokening the gaieties and graces of luxurious life—the dance, the revel, the feast—all this in one apartment!—above, in the same house, the pallet—the corpse—the widow—famine and woe! Such is a great city! such, above all, is Paris! where, under the same roof, are gathered such antagonist varieties of the social state! Nothing strange in this; it is strange and sad that so little do people thus neighbours know of each other, that the owner of those rooms had a heart soft to every distress, but she did not know the distress so close at hand. The music that had charmed her guests had mounted gaily to the vexed ears of agony and hunger. Morton passed the first room—a second—he came to a third, and Eugenie de Merville, looking up at that instant, saw before her an apparition that might well have alarmed the boldest. His head was uncovered—his dark hair shadowed in wild and disorderly profusion the pale face and features, beautiful indeed, but at that moment of the beauty which an artist would impart to a young gladiator—stamped with defiance, menace, and despair. The disordered garb—the fierce aspect—the dark eyes, that literally shone through the shadows of the room—all conspired to increase the terror of so abrupt a presence.

“What are you?—What do you seek here?” said she, falteringly, placing her hand on the bell as she spoke. Upon that soft hand Morton laid his own.

“I seek my life! I am pursued! I am at your mercy! I am innocent! Can you save me?”

As he spoke, the door of the outer room beyond was heard to open, and steps and voices were at hand.

“Ah!” he exclaimed, recoiling as he recognised her face. “And is it to you that I have fled?”

Eugenie also recognised the stranger; and there was something in their relative positions—the suppliant, the protectress—that excited both her imagination and her pity. A slight colour mantled to her cheeks—her look was gentle and compassionate.

“Poor boy! so young!” she said. “Hush!”

She withdrew her hand from his, retired a few steps, lifted a curtain drawn across a recess—and pointing to an alcove that contained one of those sofa-beds common in French houses, added in a whisper,—

“Enter—you are saved.”

Morton obeyed, and Eugenie replaced the curtain.

CHAPTER XIII

GUIOMAR.“Speak! What are you?”RUTILIO.“Gracious woman, hear me. I am a stranger:And in that I answer all your demands.”Custom of the Country.

Eugenie replaced the curtain. And scarcely had she done so ere the steps in the outer room entered the chamber where she stood. Her servant was accompanied by two officers of the police.

“Pardon, madame,” said one of the latter; “but we are in pursuit of a criminal. We think he must have entered this house through a window above while your servant was in the street. Permit us to search?”

“Without doubt,” answered Eugenie, seating herself. “If he has entered, look in the other apartments. I have not quitted this room.”

“You are right. Accept our apologies.”

And the officers turned back to examine every corner where the fugitive was not. For in that, the scouts of Justice resembled their mistress: when does man’s justice look to the right place?

The servant lingered to repeat the tale he had heard—the sight he had seen. When, at that instant, he saw the curtain of the alcove slightly stirred. He uttered an exclamation—sprung to the bed—his hand touched the curtain—Eugenie seized his arm. She did not speak; but as he turned his eyes to her, astonished, he saw that she trembled, and that her cheek was as white as marble.

“Madame,” he said, hesitating, “there is some one hid in the recess.”

“There is! Be silent!”

A suspicion flashed across the servant’s mind. The pure, the proud, the immaculate Eugenie!