Under the Redwoods

“Yes.”

“Why I prefer him to the hull caboodle that you girls have married or are going to marry?” she continued, meditatively biting the end of her braid.

“Yes.”

“Well, he’s the only man of the whole lot that hasn’t proposed to me first.”

It is presumed that Sparrell made good the omission, or that the family were glad to get rid of her, for they were married that autumn. And really a later comparison of the family records shows that while Captain Fairfax remained “Captain Fairfax,” and the other sons-in-law did not advance proportionately in standing or riches, the lame storekeeper of Red Gulch became the Hon. Senator Tom Sparrell.

A WIDOW OF THE SANTA ANA VALLEY

The Widow Wade was standing at her bedroom window staring out, in that vague instinct which compels humanity in moments of doubt and perplexity to seek this change of observation or superior illumination. Not that Mrs. Wade’s disturbance was of a serious character. She had passed the acute stage of widowhood by at least two years, and the slight redness of her soft eyelids as well as the droop of her pretty mouth were merely the recognized outward and visible signs of the grievously minded religious community in which she lived. The mourning she still wore was also partly in conformity with the sad-colored garments of her neighbors, and the necessities of the rainy season. She was in comfortable circumstances, the mistress of a large ranch in the valley, which had lately become more valuable by the extension of a wagon road through its centre. She was simply worrying whether she should go to a “sociable” ending with “a dance”—a daring innovation of some strangers—at the new hotel, or continue to eschew such follies, that were, according to local belief, unsuited to “a vale of tears.”

Indeed at this moment the prospect she gazed abstractedly upon seemed to justify that lugubrious description. The Santa Ana Valley—a long monotonous level—was dimly visible through moving curtains of rain or veils of mist, to the black mourning edge of the horizon, and had looked like that for months. The valley—in some remote epoch an arm of the San Francisco Bay—every rainy season seemed to be trying to revert to its original condition, and, long after the early spring had laid on its liberal color in strips, bands, and patches of blue and yellow, the blossoms of mustard and lupine glistened like wet paint. Nevertheless on that rich alluvial soil Nature’s tears seemed only to fatten the widow’s acres and increase her crops. Her neighbors, too, were equally prosperous. Yet for six months of the year the recognized expression of Santa Ana was one of sadness, and for the other six months—of resignation. Mrs. Wade had yielded early to this influence, as she had to others, in the weakness of her gentle nature, and partly as it was more becoming the singular tragedy that had made her a widow.

The late Mr. Wade had been found dead with a bullet through his head in a secluded part of the road over Heavy Tree Hill in Sonora County. Near him lay two other bodies, one afterwards identified as John Stubbs, a resident of the Hill, and probably a traveling companion of Wade’s, and the other a noted desperado and highwayman, still masked, as at the moment of the attack. Wade and his companion had probably sold their lives dearly, and against odds, for another mask was found on the ground, indicating that the attack was not single-handed, and as Wade’s body had not yet been rifled, it was evident that the remaining highwayman had fled in haste. The hue and cry had been given by apparently the only one of the travelers who escaped, but as he was hastening to take the overland coach to the East at the time, his testimony could not be submitted to the coroner’s deliberation. The facts, however, were sufficiently plain for a verdict of willful murder against the highwayman, although it was believed that the absent witness had basely deserted his companion and left him to his fate, or, as was suggested by others, that he might even have been an accomplice. It was this circumstance which protracted comment on the incident, and the sufferings of the widow, far beyond that rapid obliteration which usually overtook such affairs in the feverish haste of the early days. It caused her to remove to Santa Ana, where her old father had feebly ranched a “quarter section” in the valley. He survived her husband only a few months, leaving her the property, and once more in mourning. Perhaps this continuity of woe endeared her to a neighborhood where distinctive ravages of diphtheria or scarlet fever gave a kind of social preeminence to any household, and she was so sympathetically assisted by her neighbors in the management of the ranch that, from an unkempt and wasteful wilderness, it became paying property. The slim, willowy figure, soft red-lidded eyes, and deep crape of “Sister Wade” at church or prayer-meeting was grateful to the soul of these gloomy worshipers, and in time she herself found that the arm of these dyspeptics of mind and body was nevertheless strong and sustaining. Small wonder that she should hesitate to-night about plunging into inconsistent, even though trifling, frivolities.

But apart from this superficial reason, there was another instinctive one deep down in the recesses of Mrs. Wade’s timid heart which she had kept to herself, and indeed would have tearfully resented had it been offered by another. The late Mr. Wade had been, in fact, a singular example of this kind of frivolous existence carried to a man-like excess. Besides being a patron of amusements, Mr. Wade gambled, raced, and drank. He was often home late, and sometimes not at all. Not that this conduct was exceptional in the “roaring days” of Heavy Tree Hill, but it had given Mrs. Wade perhaps an undue preference for a less certain, even if a more serious life. His tragic death was, of course, a kind of martyrdom, which exalted him in the feminine mind to a saintly memory; yet Mrs. Wade was not without a certain relief in that. It was voiced, perhaps crudely, by the widow of Abner Drake in a visit of condolence to the tearful Mrs. Wade a few days after Wade’s death. “It’s a vale o’ sorrow, Mrs. Wade,” said the sympathizer, “but it has its ups and downs, and I recken ye’ll be feelin’ soon pretty much as I did about Abner when HE was took. It was mighty soothin’ and comfortin’ to feel that whatever might happen now, I always knew just whar Abner was passin’ his nights.” Poor slim Mrs. Wade had no disquieting sense of humor to interfere with her reception of this large truth, and she accepted it with a burst of reminiscent tears.

A long volleying shower had just passed down the level landscape, and was followed by a rolling mist from the warm saturated soil like the smoke of the discharge. Through it she could see a faint lightening of the hidden sun, again darkening through a sudden onset of rain, and changing as with her conflicting doubts and resolutions. Thus gazing, she was vaguely conscious of an addition to the landscape in the shape of a man who was passing down the road with a pack on his back like the tramping “prospectors” she had often seen at Heavy Tree Hill. That memory apparently settled her vacillating mind; she determined she would NOT go to the dance. But as she was turning away from the window a second figure, a horseman, appeared in another direction by a cross-road, a shorter cut through her domain. This she had no difficulty in recognizing as one of the strangers who were getting up the dance. She had noticed him at church on the previous Sunday. As he passed the house he appeared to be gazing at it so earnestly that she drew back from the window lest she should be seen. And then, for no reason whatever, she changed her mind once more, and resolved to go to the dance. Gravely announcing this fact to the wife of her superintendent who kept house with her in her loneliness, she thought nothing more about it. She should go in her mourning, with perhaps the addition of a white collar and frill.

It was evident, however, that Santa Ana thought a good deal more than she did of this new idea, which seemed a part of the innovation already begun by the building up of the new hotel. It was argued by some that as the new church and new schoolhouse had been opened by prayer, it was only natural that a lighter festivity should inaugurate the opening of the hotel. “I reckon that dancin’ is about the next thing to travelin’ for gettin’ up an appetite for refreshments, and that’s what the landlord is kalkilatin’ to sarve,” was the remark of a gloomy but practical citizen on the veranda of “The Valley Emporium.” “That’s so,” rejoined a bystander; “and I notice on that last box o’ pills I got for chills the directions say that a little ‘agreeable exercise’—not too violent—is a great assistance to the working o’ the pills.”

“I reckon that that Mr. Brooks who’s down here lookin’ arter mill property, got up the dance. He’s bin round town canvassin’ all the women folks and drummin’ up likely gals for it. They say he actooally sent an invite to the Widder Wade,” remarked another lounger. “Gosh! he’s got cheek!”

“Well, gentlemen,” said the proprietor judicially, “while we don’t intend to hev any minin’ camp fandangos or ‘Frisco falals round Santa Any—(Santa Ana was proud of its simple agricultural virtues)—I ain’t so hard-shelled as not to give new things a fair trial. And, after all, it’s the women folk that has the say about it. Why, there’s old Miss Ford sez she hasn’t kicked a fut sence she left Mizoori, but wouldn’t mind trying it agin. Ez to Brooks takin’ that trouble—well, I suppose it’s along o’ his bein’ HEALTHY!” He heaved a deep dyspeptic sigh, which was faintly echoed by the others. “Why, look at him now, ridin’ round on that black hoss o’ his, in the wet since daylight and not carin’ for blind chills or rhumatiz!”

He was looking at a serape-draped horseman, the one the widow had seen on the previous night, who was now cantering slowly up the street. Seeing the group on the veranda, he rode up, threw himself lightly from his saddle, and joined them. He was an alert, determined, good-looking fellow of about thirty-five, whose smooth, smiling face hardly commended itself to Santa Ana, though his eyes were distinctly sympathetic. He glanced at the depressed group around him and became ominously serious.

“When did it happen?” he asked gravely.

“What happen?” said the nearest bystander.

“The Funeral, Flood, Fight, or Fire. Which of the four F’s was it?”

“What are ye talkin’ about?” said the proprietor stiffly, scenting some dangerous humor.

“YOU,” said Brooks promptly. “You’re all standing here, croaking like crows, this fine morning. I passed YOUR farm, Johnson, not an hour ago; the wheat just climbing out of the black adobe mud as thick as rows of pins on paper—what have YOU to grumble at? I saw YOUR stock, Briggs, over on Two-Mile Bottom, waddling along, fat as the adobe they were sticking in, their coats shining like fresh paint—what’s the matter with YOU? And,” turning to the proprietor, “there’s YOUR shed, Saunders, over on the creek, just bursting with last year’s grain that you know has gone up two hundred per cent. since you bought it at a bargain—what are YOU growling at? It’s enough to provoke a fire or a famine to hear you groaning—and take care it don’t, some day, as a lesson to you.”

All this was so perfectly true of the prosperous burghers that they could not for a moment reply. But Briggs had recourse to what he believed to be a retaliatory taunt.

“I heard you’ve been askin’ Widow Wade to come to your dance,” he said, with a wink at the others. “Of course she said ‘Yes.’”

“Of course she did,” returned Brooks coolly. “I’ve just got her note.”

“What?” ejaculated the three men together. “Mrs. Wade comin’?”

“Certainly! Why shouldn’t she? And it would do YOU good to come too, and shake the limp dampness out o’ you,” returned Brooks, as he quietly remounted his horse and cantered away.

“Darned ef I don’t think he’s got his eye on the widder,” said Johnson faintly.

“Or the quarter section,” added Briggs gloomily.

For all that, the eventful evening came, with many lights in the staring, undraped windows of the hotel, coldly bright bunting on the still damp walls of the long dining-room, and a gentle downpour from the hidden skies above. A close carryall was especially selected to bring Mrs. Wade and her housekeeper. The widow arrived, looking a little slimmer than usual in her closely buttoned black dress, white collar and cuffs, very glistening in eye and in hair,—whose glossy black ringlets were perhaps more elaborately arranged than was her custom,—and with a faint coming and going of color, due perhaps to her agitation at this tentative reentering into worldly life, which was nevertheless quite virginal in effect. A vague solemnity pervaded the introductory proceedings, and a singular want of sociability was visible in the “sociable” part of the entertainment. People talked in whispers or with that grave precision which indicates good manners in rural communities; conversed painfully with other people whom they did not want to talk to rather than appear to be alone, or rushed aimlessly together like water drops, and then floated in broken, adherent masses over the floor. The widow became a helpless, religious centre of deacons and Sunday-school teachers, which Brooks, untiring, yet fruitless, in his attempt to produce gayety, tried in vain to break. To this gloom the untried dangers of the impending dance, duly prefigured by a lonely cottage piano and two violins in a desert of expanse, added a nervous chill. When at last the music struck up—somewhat hesitatingly and protestingly, from the circumstance that the player was the church organist, and fumbled mechanically for his stops, the attempt to make up a cotillon set was left to the heroic Brooks. Yet he barely escaped disaster when, in posing the couples, he incautiously begged them to look a little less as if they were waiting for the coffin to be borne down the aisle between them, and was rewarded by a burst of tears from Mrs. Johnson, who had lost a child two years before, and who had to be led away, while her place in the set was taken by another. Yet the cotillon passed off; a Spanish dance succeeded; “Moneymusk,” with the Virginia Reel, put a slight intoxicating vibration into the air, and healthy youth at last asserted itself in a score of freckled but buxom girls in white muslin, with romping figures and laughter, at the lower end of the room. Still a rigid decorum reigned among the elder dancers, and the figures were called out in grave formality, as if, to Brooks’s fancy, they were hymns given from the pulpit, until at the close of the set, in half-real, half-mock despair, he turned desperately to Mrs. Wade, his partner:—

“Do you waltz?”

Mrs. Wade hesitated. She HAD, before marriage, and was a good waltzer. “I do,” she said timidly, “but do you think they”—

But before the poor widow could formulate her fears as to the reception of “round dances,” Brooks had darted to the piano, and the next moment she heard with a “fearful joy” the opening bars of a waltz. It was an old Julien waltz, fresh still in the fifties, daring, provocative to foot, swamping to intellect, arresting to judgment, irresistible, supreme! Before Mrs. Wade could protest, Brooks’s arm had gathered up her slim figure, and with one quick backward sweep and swirl they were off! The floor was cleared for them in a sudden bewilderment of alarm—a suspense of burning curiosity. The widow’s little feet tripped quickly, her long black skirt swung out; as she turned the corner there was not only a sudden revelation of her pretty ankles, but, what was more startling, a dazzling flash of frilled and laced petticoat, which at once convinced every woman in the room that the act had been premeditated for days! Yet even that criticism was presently forgotten in the pervading intoxication of the music and the movement. The younger people fell into it with wild rompings, whirlings, and clasping of hands and waists. And stranger than all, a corybantic enthusiasm seized upon the emotionally religious, and those priests and priestesses of Cybele who were famous for their frenzy and passion in camp-meeting devotions seemed to find an equal expression that night in the waltz. And when, flushed and panting, Mrs. Wade at last halted on the arm of her partner, they were nearly knocked over by the revolving Johnson and Mrs. Stubbs in a whirl of gloomy exultation! Deacons and Sunday-school teachers waltzed together until the long room shook, and the very bunting on the walls waved and fluttered with the gyrations of those religious dervishes. Nobody knew—nobody cared how long this frenzy lasted—it ceased only with the collapse of the musicians. Then, with much vague bewilderment, inward trepidation, awkward and incoherent partings, everybody went dazedly home; there was no other dancing after that—the waltz was the one event of the festival and of the history of Santa Ana. And later that night, when the timid Mrs. Wade, in the seclusion of her own room and the disrobing of her slim figure, glanced at her spotless frilled and laced petticoat lying on a chair, a faint smile—the first of her widowhood—curved the corners of her pretty mouth.

A week of ominous silence regarding the festival succeeded in Santa Ana. The local paper gave the fullest particulars of the opening of the hotel, but contented itself with saying: “The entertainment concluded with a dance.” Mr. Brooks, who felt himself compelled to call upon his late charming partner twice during the week, characteristically soothed her anxieties as to the result. “The fact of it is, Mrs. Wade, there’s really nobody in particular to blame—and that’s what gets them. They’re all mixed up in it, deacons and Sunday-school teachers; and when old Johnson tried to be nasty the other evening and hoped you hadn’t suffered from your exertions that night, I told him you hadn’t quite recovered yet from the physical shock of having been run into by him and Mrs. Stubbs, but that, you being a lady, you didn’t tell just how you felt at the exhibition he and she made of themselves. That shut him up.”

“But you shouldn’t have said that,” said Mrs. Wade with a frightened little smile.

“No matter,” returned Brooks cheerfully. “I’ll take the blame of it with the others. You see they’ll have to have a scapegoat—and I’m just the man, for I got up the dance! And as I’m going away, I suppose I shall bear off the sin with me into the wilderness.”

“You’re going away?” repeated Mrs. Wade in more genuine concern.

“Not for long,” returned Brooks laughingly. “I came here to look up a mill site, and I’ve found it. Meantime I think I’ve opened their eyes.”

“You have opened mine,” said the widow with timid frankness.

They were soft pretty eyes when opened, in spite of their heavy red lids, and Mr. Brooks thought that Santa Ana would be no worse if they remained open. Possibly he looked it, for Mrs. Wade said hurriedly, “I mean—that is—I’ve been thinking that life needn’t ALWAYS be as gloomy as we make it here. And even HERE, you know, Mr. Brooks, we have six months’ sunshine—though we always forget it in the rainy season.”

“That’s so,” said Brooks cheerfully. “I once lost a heap of money through my own foolishness, and I’ve managed to forget it, and I even reckon to get it back again out of Santa Ana if my mill speculation holds good. So good-by, Mrs. Wade—but not for long.” He shook her hand frankly and departed, leaving the widow conscious of a certain sympathetic confidence and a little grateful for—she knew not what.

This feeling remained with her most of the afternoon, and even imparted a certain gayety to her spirits, to the extent of causing her to hum softly to herself; the air being oddly enough the Julien Waltz. And when, later in the day, the shadows were closing in with the rain, word was brought to her that a stranger wished to see her in the sitting-room, she carried a less mournful mind to this function of her existence. For Mrs. Wade was accustomed to give audience to traveling agents, tradesmen, working-hands and servants, as chatelaine of her ranch, and the occasion was not novel. Yet on entering the room, which she used partly as an office, she found some difficulty in classifying the stranger, who at first glance reminded her of the tramping miner she had seen that night from her window. He was rather incongruously dressed, some articles of his apparel being finer than others; he wore a diamond pin in a scarf folded over a rough “hickory” shirt; his light trousers were tucked in common mining boots that bore stains of travel and a suggestion that he had slept in his clothes. What she could see of his unshaven face in that uncertain light expressed a kind of dogged concentration, overlaid by an assumption of ease. He got up as she came in, and with a slight “How do, ma’am,” shut the door behind her and glanced furtively around the room.

“What I’ve got to say to ye, Mrs. Wade,—as I reckon you be,—is strictly private and confidential! Why, ye’ll see afore I get through. But I thought I might just as well caution ye agin our being disturbed.”

Overcoming a slight instinct of repulsion, Mrs. Wade returned, “You can speak to me here; no one will interrupt you—unless I call them,” she added with a little feminine caution.

“And I reckon ye won’t do that,” he said with a grim smile. “You are the widow o’ Pulaski Wade, late o’ Heavy Tree Hill, I reckon?”

“I am,” said Mrs. Wade.

“And your husband’s buried up thar in the graveyard, with a monument over him setting forth his virtues ez a Christian and a square man and a high-minded citizen? And that he was foully murdered by highwaymen?”

“Yes,” said Mrs. Wade, “that is the inscription.”

“Well, ma’am, a bigger pack o’ lies never was cut on stone!”

Mrs. Wade rose, half in indignation, half in terror.

“Keep your sittin’,” said the stranger, with a warning wave of his hand. “Wait till I’m through, and then you call in the hull State o’ Californy, ef ye want.”

The stranger’s manner was so doggedly confident that Mrs. Wade sank back tremblingly in her chair. The man put his slouch hat on his knee, twirled it round once or twice, and then said with the same stubborn deliberation:—

“The highwayman in that business was your husband—Pulaski Wade—and his gang, and he was killed by one o’ the men he was robbin’. Ye see, ma’am, it used to be your husband’s little game to rope in three or four strangers in a poker deal at Spanish Jim’s saloon—I see you’ve heard o’ the place,” he interpolated as Mrs. Wade drew back suddenly—“and when he couldn’t clean ‘em out in that way, or they showed a little more money than they played, he’d lay for ‘em with his gang in a lone part of the trail, and go through them like any road agent. That’s what he did that night—and that’s how he got killed.”

“How do you know this?” said Mrs. Wade, with quivering lips.

“I was one o’ the men he went through before he was killed. And I’d hev got my money back, but the rest o’ the gang came up, and I got away jest in time to save my life and nothin’ else. Ye might remember thar was one man got away and giv’ the alarm, but he was goin’ on to the States by the overland coach that night and couldn’t stay to be a witness. I was that man. I had paid my passage through, and I couldn’t lose THAT too with my other money, so I went.”

Mrs. Wade sat stunned. She remembered the missing witness, and how she had longed to see the man who was last with her husband; she remembered Spanish Jim’s saloon—his well-known haunt; his frequent and unaccountable absences, the sudden influx of money which he always said he had won at cards; the diamond ring he had given her as the result of “a bet;” the forgotten recurrence of other robberies by a secret masked gang; a hundred other things that had worried her, instinctively, vaguely. She knew now, too, the meaning of the unrest that had driven her from Heavy Tree Hill—the strange unformulated fears that had haunted her even here. Yet with all this she felt, too, her present weakness—knew that this man had taken her at a disadvantage, that she ought to indignantly assert herself, deny everything, demand proof, and brand him a slanderer!

“How did—you—know it was my husband?” she stammered.

“His mask fell off in the fight; you know another mask was found—it was HIS. I saw him as plainly as I see him there!” he pointed to a daguerreotype of her husband which stood upon her desk.

Mrs. Wade could only stare vacantly, hopelessly. After a pause the man continued in a less aggressive manner and more confidential tone, which, however, only increased her terror. “I ain’t sayin’ that YOU knowed anything about this, ma’am, and whatever other folks might say when THEY know of it, I’ll allers say that you didn’t.”