The Story of a Mine

“I suppose our California slang borrows largely from the medical and spiritual profession,” returned Thatcher. “But isn’t it odd that a man should keep a conscientious record of his own villainy?”

Harlowe, a little abashed at his want of knowledge of American metaphor, now felt himself at home. “Well, no. It’s not unusual. In one of those books yonder there is the record of a case where a man, who had committed a series of nameless atrocities, extending over a period of years, absolutely kept a memorandum of them in his pocket diary. It was produced in Court. Why, my dear fellow, one half our business arises from the fact that men and women are in the habit of keeping letters and documents that they might—I don’t say, you know, that they OUGHT, that’s a question of sentiment or ethics—but that they MIGHT destroy.”

Thatcher half-mechanically took the telegram of poor Carmen and threw it in the fire. Harlowe noticed the act and smiled.

“I’ll venture to say, however, that there’s nothing in the bag that YOU lost that need give you a moment’s uneasiness. It’s only your rascal or fool who carries with him that which makes him his own detective.”

“I had a friend,” continued Harlowe, “a clever fellow enough, but who was so foolish as to seriously complicate himself with a woman. He was himself the soul of honor, and at the beginning of their correspondence he proposed that they should each return the other’s letters with their answer. They did so for years, but it cost him ten thousand dollars and no end of trouble after all.”

“Why?” asked Thatcher simply.

“Because he was such an egotistical ass as TO KEEP THE LETTER PROPOSING IT, which she had duly returned, among his papers as a sentimental record. Of course somebody eventually found it.”

“Good night,” said Thatcher, rising abruptly. “If I stayed here much longer I should begin to disbelieve my own mother.”

“I have known of such hereditary traits,” returned Harlowe with a laugh. “But come, you must not go without the champagne.” He led the way to the adjacent room, which proved to be only the ante-chamber of another, on the threshold of which Thatcher stopped with genuine surprise. It was an elegantly furnished library.

“Sybarite! Why was I never here before?”

“Because you came as a client; to-night you are my guest. All who enter here leave their business, with their hats, in the hall. Look; there isn’t a law book on those shelves; that table never was defaced by a title deed or parchment. You look puzzled? Well, it was a whim of mine to put my residence and my work-shop under the same roof, yet so distinct that they would never interfere with each other. You know the house above is let out to lodgers. I occupy the first floor with my mother and sister, and this is my parlor. I do my work in that severe room that fronts the street: here is where I play. A man must have something else in life than mere business. I find it less harmful and expensive to have my pleasure here.”

Thatcher had sunk moodily in the embracing arms of an easy chair. He was thinking deeply; he was fond of books too, and, like all men who have fared hard and led wandering lives, he knew the value of cultivated repose. Like all men who have been obliged to sleep under blankets and in the open air, he appreciated the luxuries of linen sheets and a frescoed roof. It is, by the way, only your sick city clerk or your dyspeptic clergyman who fancy that they have found in the bad bread, fried steaks, and frowzy flannels of mountain picknicking the true art of living. And it is a somewhat notable fact that your true mountaineer or your gentleman who has been obliged to honestly “rough it,” does not, as a general thing, write books about its advantages, or implore their fellow mortals to come and share their solitude and their discomforts.

Thoroughly appreciating the taste and comfort of Harlowe’s library, yet half-envious of its owner, and half-suspicious that his own earnest life for the past few years might have been different, Thatcher suddenly started from his seat and walked towards a parlor easel, whereon stood a picture. It was Carmen de Haro’s first sketch of the furnace and the mine.

“I see you are taken with that picture,” said Harlowe, pausing with the champagne bottle in his hand. “You show your good taste. It’s been much admired. Observe how splendidly that firelight plays over the sleeping face of that figure, yet brings out by very contrast its almost death-like repose. Those rocks are powerfully handled; what a suggestion of mystery in those shadows! You know the painter?”

Thatcher murmured, “Miss De Haro,” with a new and rather odd self-consciousness in speaking her name.

“Yes. And you know the story of the picture of course?”

Thatcher thought he didn’t. Well, no; in fact, he did not remember.

“Why, this recumbent figure was an old Spanish lover of hers, whom she believed to have been murdered there. It’s a ghastly fancy, isn’t it?”

Two things annoyed Thatcher: first the epithet “lover,” as applied to Concho by another man; second, that the picture belonged to him: and what the d–l did she mean by—

“Yes,” he broke out finally, “but how did YOU get it?”

“Oh, I bought it of her. I’ve been a sort of patron of her ever since I found out how she stood towards us. As she was quite alone here in Washington, my mother and sister have taken her up, and have been doing the social thing.”

“How long since?” asked Thatcher.

“Oh, not long. The day she telegraphed you, she came here to know what she could do for us, and when I said nothing could be done except to keep Congress off, why, she went and DID IT. For SHE, and she alone, got that speech out of the Senator. But,” he added, a little mischievously, “you seem to know very little about her?”

“No!—I—that is—I’ve been very busy lately,” returned Thatcher, staring at the picture. “Does she come here often?”

“Yes, lately, quite often; she was here this evening with mother; was here, I think, when you came.”

Thatcher looked intently at Harlowe. But that gentleman’s face betrayed no confusion. Thatcher refilled his glass a little awkwardly, tossed off the liquor at a draught, and rose to his feet.

“Come, old fellow, you’re not going now. I shan’t permit it,” said Harlowe, laying his hand kindly on his client’s shoulder. “You’re out of sorts! Stay here with me to-night. Our accommodations are not large, but are elastic. I can bestow you comfortably until morning. Wait here a moment while I give the necessary orders.”

Thatcher was not sorry to be left alone. In the last half hour he had become convinced that his love for Carmen de Haro had been in some way most dreadfully abused. While HE was hard at work in California, she was being introduced in Washington society by parties with eligible brothers who bought her paintings. It is a relief to the truly jealous mind to indulge in plurals. Thatcher liked to think that she was already beset by hundreds of brothers.

He still kept staring at the picture. By and by it faded away in part, and a very vivid recollection of the misty, midnight, moonlit walk he had once taken with her came back, and refilled the canvas with its magic. He saw the ruined furnace; the dark, overhanging masses of rock, the trembling intricacies of foliage, and, above all, the flash of dark eyes under a mantilla at his shoulder. What a fool he had been! Had he not really been as senseless and stupid as this very Concho, lying here like a log? And she had loved that man. What a fool she must have thought him that evening! What a snob she must think him now!

He was startled by a slight rustling in the passage, that ceased almost as he turned. Thatcher looked towards the door of the outer office, as if half expecting that the Lord Chancellor, like the commander in Don Juan, might have accepted his thoughtless invitation. He listened again; everything was still. He was conscious of feeling ill at ease and a trifle nervous. What a long time Harlowe took to make his preparations. He would look out in the hall. To do this it was necessary to turn up the gas. He did so, and in his confusion turned it out!

Where were the matches? He remembered that there was a bronze something on the table that, in the irony of modern decorative taste, might hold ashes or matches, or anything of an unpicturesque character. He knocked something over, evidently the ink,—something else,—this time a champagne glass. Becoming reckless, and now groping at random in the ruins, he overturned the bronze Mercury on the center table, and then sat down hopelessly in his chair. And then a pair of velvet fingers slid into his, with the matches, and this audible, musical statement:

“It is a match you are seeking? Here is of them.”

Thatcher flushed, embarrassed, nervous,—feeling the ridiculousness of saying, “Thank you” to a dark somebody,—struck the match, beheld by its brief, uncertain glimmer Carmen de Haro beside him, burned his fingers, coughed, dropped the match, and was cast again into outer darkness.

“Let me try!”

Carmen struck a match, jumped briskly on the chair, lit the gas, jumped lightly down again, and said: “You do like to sit in the dark,—eh? So am I—sometimes—alone.”

“Miss De Haro,” said Thatcher, with sudden, honest earnestness, advancing with outstretched hands, “believe me I am sincerely delighted, overjoyed, again to meet—”

She had, however, quickly retreated as he approached, ensconcing herself behind the high back of a large antique chair, on the cushion of which she knelt. I regret to add also that she slapped his outstretched fingers a little sharply with her inevitable black fan as he still advanced.

“We are not in California. It is Washington. It is after midnight. I am a poor girl, and I have to lose—what you call—‘a character.’ You shall sit over there,”—she pointed to the sofa,—“and I shall sit here;” she rested her boyish head on the top of the chair; “and we shall talk, for I have to speak to you, Don Royal.”

Thatcher took the seat indicated, contritely, humbly, submissively. Carmen’s little heart was touched. But she still went on over the back of the chair.

“Don Royal,” she said, emphasizing each word at him with her fan, “before I saw you,—ever knew of you,—I was a child. Yes, I was but a child! I was a bold, bad child;—and I was what you call a—a—‘forgaire’!”

“A what?” asked Thatcher, hesitating between a smile and a sigh.

“A forgaire!” continued Carmen demurely. “I did of myself write the names of ozzer peoples;” when Carmen was excited she lost the control of the English tongue; “I did write just to please myself;—it was my onkle that did make of it money;—you understand, eh? Shall you not speak? Must I again hit you?”

“Go on,” said Thatcher laughing.

“I did find out, when I came to you at the mine, that I had forged against you the name of Micheltorena. I to the lawyer went, and found that it was so—of a verity—so! so! all the time. Look at me not now, Don Royal;—it is a ‘forgaire’ you stare at.”

“Carmen!”

“Hoosh! Shall I have to hit you again? I did overlook all the papers. I found the application: it was written by me. There.”

She tossed over the back of her chair an envelope to Thatcher. He opened it.

“I see,” he said gently, “you repossessed yourself of it!”

“What is that—‘r-r-r-e—possess’?”

“Why!”—Thatcher hesitated—“you got possession of this paper,—this innocent forgery,—again.”

“Oh! You think me a thief as well as a ‘forgaire.’ Go away! Get up. Get out.”

“My dear girl—”

“Look at the paper! Will you? Oh, you silly!”

Thatcher looked at the paper. In paper, handwriting, age, and stamp it was identical with the formal, clerical application of Garcia for the grant. The indorsement of Micheltorena was unquestionably genuine. BUT THE APPLICATION WAS MADE FOR ROYAL THATCHER. And his own signature was imitated to the life.

“I had but one letter of yours wiz your name,” said Carmen apologetically; “and it was the best poor me could do.”

“Why, you blessed little goose and angel,” said Thatcher, with the bold, mixed metaphor of amatory genius, “don’t you see—”

“Ah, you don’t like it,—it is not good?”

“My darling!”

“Hoosh! There is also an ‘old cat’ up stairs. And now I have here a character. WILL you sit down? Is it of a necessity that up and down you should walk and awaken the whole house? There!”—she had given him a vicious dab with her fan as he passed. He sat down.

“And you have not seen me nor written to me for a year?”

“Carmen!”

“Sit down, you bold, bad boy. Don’t you see it is of business that you and I talk down here; and it is of business that ozzer people up stairs are thinking. Eh?”

“D—n business! See here, Carmen, my darling, tell me”—I regret to say he had by this time got hold of the back of Carmen’s chair—“tell me, my own little girl,—about—about that Senator. You remember what you said to him?”

“Oh, the old man? Oh, THAT was business. And you say of business, ‘d—n.’”

“Carmen!”

“Don Royal!”

Although Miss Carmen had recourse to her fan frequently during this interview, the air must have been chilly, for a moment later, on his way down stairs, poor Harlowe, a sufferer from bronchitis, was attacked with a violent fit of coughing, which troubled him all the way down.

“Well,” he said, as he entered the room, “I see you have found Mr. Thatcher, and shown those papers. I trust you have, for you’ve certainly had time enough. I am sent by mother to dismiss you all to bed.”

Carmen still in the arm chair, covered with her mantilla, did not speak.

“I suppose you are by this time lawyer enough to know,” continued Harlowe, “that Miss De Haro’s papers, though ingenious, are not legally available, unless—”

“I chose to make her a witness. Harlowe! you’re a good fellow! I don’t mind saying to you that these are papers I prefer that my WIFE should not use. We’ll leave it for the present—Unfinished Business.”

They did. But one evening our hero brought Mrs. Royal Thatcher a paper containing a touching and beautiful tribute to the dead Senator.

“There, Carmen, love, read that. Don’t you feel a little ashamed of your—your—your lobbying—”

“No,” said Carmen promptly. “It was business,—and if all lobbying business was as honest,—well?—”

1

Falda, or valda, i. e., that part of the skirt of a woman’s robe that breaks upon the ground, and is also applied to the final slope of a hill, from the angle that it makes upon the level plain.

2

Grants, applications, and official notifications, under the Spanish Government, were drawn on a stamped paper known as custom House paper.

3

The Spanish “rubric” is the complicated flourish attached to a signature, and is as individual and characteristic as the handwriting.