The Dead Command

The boat headed straight for the tower, and when near it they turned her toward a nearby beach, the bow grating upon the gravel. The old man struck the sail and warped the boat near a rock along shore from which hung a chain. He fastened the boat to it, and then he and Jaime sprang out. He did not wish to beach the boat; he was thinking of going out again after dinner, a matter of putting out a trawl which he would take up again the next morning. Would the señor accompany him? Febrer made a negative gesture, and the old man left him until the following day when he would awaken him from the beach singing the introit, while the stars still shimmered in the sky. Daybreak must find them at the Vedrá.

"Let us see how early you will come down from the tower!"

The fisherman turned toward the mainland, his fish-basket hanging on his arm.

"Give my regards to Margalida, Tío Ventolera, and tell her to have my dinner brought over right away."

The sailor replied with a shrug of his shoulders without turning his face, and Jaime walked along the beach in the direction of the tower. His feet, shod in hempen sandals, crunched on the gravel at the edge of the wash from the surf. Among the azure pebbles were fragments of pottery; portions of earthen handles; concave pieces of bowls bearing vestiges of decoration, which had, perhaps, belonged to swelling urns; small, irregular spheres of gray clay in which one seemed to make out, despite the corrosion of the salt water, human features worn by the passing centuries. They were curious relics of days of storm; suggestions of the great secret of the sea, which had come to light after being hidden thousands of years; confused and legendary history returned by the restless waves to the shores of these islands, which had been the refuge in ancient times of Phoenicians and Carthaginians, of Arabs and Normans. Tío Ventolera told of silver coins, thin as wafers, found by boys at play on the beach. His grandfather remembered the tradition of mysterious caves containing treasure, caves of the Saracens and Normans, which had been walled in with heavy blocks of stone, and long forgotten.

Jaime began to ascend the rocky slope leading to the tower. The tamarisk-shrubs stood erect like dwarf pines clothed in sharp and rustling foliage, which seemed to be nourished on the salt carried in the atmosphere, their roots embedded in the rock. The wind on stormy days, as it swept away the sand, left bare their multiple, entangled roots, black and slender serpents in which Febrer's feet were often caught. A sound of hurried flight and a crackling of leaves in the bushes answered to the echo of his footsteps, while a bunch of gray hair with a tail like a button scampered from bush to bush in blind haste. The startled rabbits roused dark emerald-colored lizards basking lazily in the sun.

Together with these sounds there floated to Jaime's ears a faint drumming, and the voice of a man intoning an Ivizan romance. He hesitated from time to time as if undecided, repeating the same verses over and over until he managed to pass on to new ones, uttering at the end of each strophe, according to the custom of the country, a strange screech like a peacock, a harsh and strident trill like that which accompanies the songs of the Arabs.

When Febrer gained the crest, he saw the musician sitting on a stone behind the tower, gazing at the sea.

It was a youth he had met several times at Can Mallorquí, the house of his old renter, Pèp. Resting on his thigh was the Ivizan tambourine, a small drum painted blue, decorated with flowers and gilded branches. His left arm was resting on the instrument, his chin in his hand, almost concealing his face. He beat the drum slowly with a little stick held in his right hand, and he sat motionless, in a reflective attitude, with his thoughts concentrated on his improvisation, peeping between his fingers at the immense horizon on the sea.

He was called the Minstrel, as were all those in the island who sang original verses at dances and serenades. He was a tall young man, slender, and narrow shouldered, a youth not yet eighteen. As he sang he coughed, his slender neck swelled, and his face, of a transparent whiteness, flushed. His eyes were large, the eyes of a woman, prominent and rose-colored. He always wore gala costume; blue velvet trousers; the girdle, and the ribbon which served him as a cravat, were of a flaming red, and above this he wore a little feminine kerchief around his neck, with the embroidered point in front. Two roses were tucked behind his ears; his hair, lustrous with pomade, hung like a wavy fringe beneath a hat with a flowered band, which he wore thrust on the back of his head. Seeing these almost feminine adornments, the large eyes and the pale face, Febrer compared him to one of those anemic virgins who are idealized in modern art. But this virgin displayed a certain suggestive bulk protruding beneath his red belt. Undoubtedly it was one of the knives or pistols made by the ironworkers of the island; the inseparable companion of every Ivizan youth.

Seeing Jaime, the Minstrel arose, leaving the tambourine hanging from his left arm by a strap, while he touched the brim of his hat with his right hand, still holding his drumstick.

"Good-day to you!"

Febrer, who, like a good Majorcan, had believed in the ferocity of the Ivizans, admired their courteous manners when he met them on the roadways. They committed murder among themselves, always on account of love affairs, but the stranger was respected with the same traditional scruples that the Arab possesses for the man who seeks hospitality beneath his tent.

The Minstrel seemed ashamed that the Majorcan señor had surprised him near his house, on his own land. He had come because he liked to look at the sea from this height. He felt better in the shadow of the tower; no friend was near to disturb him, and he could freely compose the verses of a romance for the next dance in the town of San Antonio.

Jaime smiled at the Minstrel's timid excuses, suggesting that perhaps the verses were dedicated to some maiden. The boy inclined his head. "Sí, señor."

"And who is she?"

"Flower of the Almond," said the poet.

"Flower of the Almond? A pretty name."

Encouraged by the señor's approbation, the youth continued talking. The "Flower of the Almond" was Margalida, the daughter of señor Pèp of Can Mallorquí. The Minstrel himself had given her this name, seeing her as white and beautiful as the flowers which the almond tree puts forth when the frosts are done and the first warm breezes blowing in from the sea announce the spring. All the youths roundabout repeated it, and Margalida was known by no other name. He had a certain gift for thinking of pretty sobriquets. Those which he gave lasted forever.

Febrer listened to the boy's words with a smile. In what a strange creature had the muse taken refuge! He asked the youth if he worked, and the boy replied negatively. His parents did not wish him to do so; a doctor from the city had seen him in the market place one day and advised his family that he must avoid all fatigue; and he, pleased at such counsel, spent the working days in the country in the shade of a tree, listening to the songs of the birds, spying on the girls walking along the paths, and when some new verse rung in his head he sat down on the seashore to quietly work it out and fix it in his memory.

Jaime took leave of him, saying that he might continue his poetic occupation, but a few steps away he stopped, turning his head at not hearing the tambourine again. The troubador was going down the hill, fearful of annoying the señor with his music, and seeking another solitary retreat.

Febrer reached the tower. All that which from a distance seemed to belong to a lower story was massive foundation. The door was on a level with the elevated windows; thus the guards in early days could avoid being surprised by the pirates. For ingress and egress they made use of a ladder which they drew up after them at night. Jaime had ordered made a rude wooden ladder by which to reach his room, but he never drew it in. The tower, constructed of sandstone, was somewhat eroded on its exterior by the winds from the sea. Many stones had fallen from their places, and these hollows simulated steps for scaling the tower.

The hermit ascended to his habitation. It was a round room with no other opening than the door and the window, which almost seemed to be tunnels, so great was the thickness of the walls. These, on the inside, were carefully whitewashed with the gleaming lime of Iviza, giving a transparency and milky softness to all the buildings, and to the modest little country houses the appearance of elegant mansions. Only on the ceiling, broken by a skylight, which told of the ancient ladder-way leading to the flat-roof above, did there remain any trace of the soot of the fires which used to be lighted in former days.

Rough boards, crudely fastened to wooden cross-pieces, which served to reinforce them, were used for door, window-shutter, and ceiling trap-door. There was not a pane of glass in the tower. It was still summer, and Febrer, undecided, and, in truth, indifferent as to his future, put off the details of actually settling down until some other time.

This retreat seemed to him romantic and pleasing, in spite of its crudity. He detected in it the skilful hand of Pèp and the grace of Margalida. He noticed the whiteness of the walls, the neatness of three chairs and of the deal table, all scrubbed by the daughter of his former tenant. Fish nets were draped upon the walls like tapestry; beyond hung the gun and a bag of cartridges. Long, slender sea-shells with the brown translucency of the tortoise were arranged in the form of fans. They were the gift of Tío Ventolera, as were two enormous periwinkles on the table, white, with erect points, and the interior of a moist rose-color, like feminine flesh. Near the window his mattress lay rolled up with his pillow and sheets—a rustic bed which Margalida or her mother made every afternoon.

Jaime slept there more peacefully than in his palace in Palma. When Tío Ventolera failed to awaken him at dawn by singing mass down on the beach or by climbing up the hill to fling stones at the door of the tower, the hermit rested on his mattress until late in the morning, listening to the music of the sea, the great crooning mother; watching the mysterious light, a mixture of golden sun and blue waters filtering through the cracks and trembling on the white walls; hearing the gulls scream outside, as they passed before the windows in joyous flight, flinging swift shadows within the room.

At night he retired early and lay open-eyed in the diffused starry light, wakeful in the glint of the moon as it shimmered through the half-opened door. It was that half hour in which all the past appears supernatural; that forerunner of sleep, in which the remotest memories are revived. The sea roared, strident calls of the night birds broke the stillness, the gulls complained with a lament like tortured children. What were his friends doing now? What were they saying in the cafés of the Borne? Who might be in the Casino?

In the morning these recollections brought a sad smile to his lips. The returning day seemed to gladden his life. Had he ever been like others who rejoiced in existence in the city? Here was where one could really live.

He glanced over the interior of his round tower. It was a veritable salon, more agreeable to him than the house of his forefathers; this was all his own, free from the dread of co-ownership with money lenders and usurers. He even had handsome antiquities which no one could claim. Near the door was a pair of amphoræ, drawn up by fishermen's nets—whitish earthern jars with pointed bases, indurated by the sea and capriciously decorated by Nature with garlands of adhering shells. In the center of the table, between the periwinkles, was another gift from Tío Ventolera, a terra cotta female head with a strange round tiara crowning her braided hair. The grayish clay was dotted with little, hard spherical concretions formed while lying for centuries in the salt water. As Jaime gazed at this companion of his solitude his imagination pierced the harsh outer crust and he recognized the serenity of feature, the strangeness and mystery of the almond-shaped, Oriental eyes. It appeared to him as to no one else. His long hours of silent contemplation had brushed away the mask, the work of centuries.

"Look at her! She is my sweetheart," he had said one morning to Margalida while she was cleaning his room. "Isn't she beautiful? She must have been a princess of Tyre or of Ascalon, I am not sure which; but the thing of which I am sure is that she was destined for me, that she loved me four thousand years before I was born, and that she has come down through the ages to seek me. She owned ships, robes of purple and palaces with terraced gardens, but she abandoned all to hide in the sea, waiting dozens of centuries for a wave to bear her to this coast so that Tío Ventolera might find her and bring her home to me. Why do you stare at me like that? You, poor child, cannot comprehend these things."

Margalida did, indeed, look at him in surprise. Imbued with her father's respect for this high-caste gentleman, she could only imagine him talking seriously. What things he must have seen in this world!

Now his words about this millenial sweetheart shook her credulity, causing her to smile nervously, while at the same time she looked with superstitious fear at the great lady of forgotten centuries who was nothing but a terra cotta head. How could Don Jaime talk like that? Everything about him was strange!

Whenever Febrer climbed up to the tower he sat down near the doorway and looked across the landscape. At the base of the hill spread recently ploughed fields, wooded areas belonging to Febrer which Pèp was clearing for cultivation. Then began the plantations of almonds, of a fresh green color, and the ancient and twisted olive trees, which lifted up their dark trunks with tufted branches bearing silver gray leaves. The house, Can Mallorquí, was a sort of Moorish dwelling, a cluster of buildings, all as square as dice, dazzling white, and flat-roofed. New white buildings had been added as the family increased, and as its necessities were augmented. Each of the dice constituted one room, and, taken together, they formed a house, which resembled an Arabian village. From without no one could guess which were the living rooms and which the stables.

Beyond Can Mallorquí lay the grove, and the high-banked terraces, separated by thick stone walls. The strong winds did not suffer the trees to grow tall, so they put out many luxuriant branches round about them, gaining in width what they lost in height. The branches of all the trees were upheld by numerous forked sticks. Some of the fig trees had hundreds of supports and spread out like an immense green tent ready to shelter sleeping giants. They were natural summer-houses in which nearly a whole tribe might be sheltered. The horizon in the background was shut out by pine-clad mountains, having here and there red, barren spots. Columns of smoke rose out of the dark foliage from the pits of the charcoal burners.

Febrer had now been on the island three months. His arrival had astonished Pèp Arabi, who was still busy telling his friends and relatives of his stupendous adventure, his unheard of daring, his recent voyage to Majorca with his children, his few hours in Palma, and his visit to the Palace of the Febrers, a place of enchantment, which held within its confines all the luxurious and regal splendor that existed in the world. Jaime's brusque declarations had astonished the peasant less.

"Pèp, I am ruined; you are rich compared to me. I have come to live in the tower; I don't know how long; perhaps forever."

He entered into the details of getting settled in his new quarters while Pèp smiled with an incredulous air. Ruined! All great gentlemen said the same thing, but what was left them in their misfortune was enough to enrich many poor men. They were like the vessels shipwrecked off Formentera, before the government established lighthouses. The people of Formentera, a lawless and God-forsaken crowd—they were natives of a smaller island—used to light bonfires to decoy the sailors, and when the ship was lost to them it was not lost to the islanders, for its spoils made many of them rich.

A Febrer poor? Pèp would not accept the money Febrer offered him. He was going to cultivate some of the señor's lands; they would settle accounts some other time. Since he was determined to live in the tower Pèp worked hard to make it habitable, besides ordering his children to carry the señor's dinner to him whenever he did not feel like coming down to the table.

These three months had been rustic isolation to Jaime. He did not write a letter, nor open a newspaper, nor read any book, except the half dozen volumes he had brought from Palma. The city of Iviza, as tranquil and dreamy as a town in the interior of the Peninsula, seemed to him a remote capital. Probably Majorca and the other great cities he had visited no longer existed. During the first month of his new life an extraordinary event disturbed his placid tranquillity. A letter came; an envelope bearing the mark of one of the cafés in the Borne and a few lines in large, crude script. It was Toni Clapés who had written. He wished him much joy in his new existence. In Palma everything was as usual. Pablo Vails did not write because he was angry with Febrer for going away without bidding him good-bye. Still he was a good friend, and he was busy disentangling Jaime's business affairs. He had a diabolical cleverness for that sort of thing—a Chueta, in fact! He would write more later.

Two months had gone by without the arrival of another letter. What did he care about news from a world to which he should never return? He did not know what destiny had in store for him; he did not even wish to think of it; hither he had come and here he would stay, with no other pleasures than hunting and fishing, enjoying an animal-like ease, having no other ideas or desires than those of primitive man.

He dwelt apart from Ivizan life, not mingling in their doings. He was a gentleman among peasants; a stranger! They treated him respectfully, but it was a frigid respect.

The traditional existence of these rude and somewhat ferocious people held for him that attraction which the extraordinary and the vigorous always exerts. The island, thrown upon its own resources, had been compelled century after century to face Norman pirates, Moorish sailors, galleys from Castile, ships from the Italian republics, Turkish, Tunisian, and Algerian vessels, and in more recent times, the English buccaneers. Formentera, uninhabited for centuries after having been a granary of the Romans, served as a treacherous anchorage for the hostile fleets. The churches were still veritable fortresses, with strong towers where the peasants took refuge on being warned by bonfires that enemies had landed. This hazardous life of perpetual danger and ceaseless struggle had produced a people habituated to the shedding of blood, to the defense of their rights, weapons in hand; the farmers and fishermen of the present day possessed the mentality of their ancestors, and kept up the same customs. There were no villages; there were houses scattered over many kilometers, with no other nucleus than the church and the dwellings of the curate and the alcalde. The only town was the capital, the one called in ancient documents the Royal Fortress of Iviza, with its adjacent suburb of La Marina.

When a youth arrived at puberty his father summoned him into the kitchen of the farmhouse in the presence of all the family.

"Now you are a man," he said solemnly, handing him a knife with a stout blade. The youthful paladin lost his filial shrinking. In future he would defend himself instead of seeking the protection of his family. Later, when he had saved some money he would complete his knightly trappings by purchasing a pocket-pistol with silver decorations, made by the ironworkers of the country, who had their forges set up in the forest.

Fortified by possession of these evidences of citizenship, which he never laid aside as long as he lived, he associated with other youths similarly armed and the life of a swain with its courtings opened before him; serenades with the accompaniment of signal calls; dances, excursions to parishes that were celebrating the feast of their patron saint, where they amused themselves slinging stones at a rooster with unerring aim, and above all the festeigs, the traditional courtships when seeking a bride, the most respectable of customs, which gave occasion for fights and murders.

There were no thieves on the island. Houses isolated in the heart of the country were often left with the key in the door during the absence of their owners. The men did not commit murder over questions of gain. Enjoyment of the soil was equitably divided, and the mildness of the climate and the frugality of the people made them generous and but mildly attached to material possessions. Love, only love, impelled men to kill each other. The rustic caballeros were impassioned in their predilections, and as fatal in their jealousy as heroes in novels. For the sake of a maiden with black eyes and brown hands they hunted and challenged each other in the darkness of night, with outcries of defiance; they sighted each other from afar with a howl before coming to blows. The modern pistol which fired but one shot seemed to them insufficient, and in addition to the cartridge they rammed in a handful of powder and balls. If the weapon did not burst in the hands of the aggressor, it was sure to make dust of the enemy.

The courtings lasted for months and even for years. A peasant-farmer who had a daughter of suitable age for betrothal would see the youths of the district and others from all over the island offer themselves, for every Ivizan deemed it his privilege to court her. The father of the girl would count the suitors—ten, fifteen, twenty, sometimes even thirty. Then he would calculate the amount of time that could be devoted to the affair before he would be overcome by sleep, and, taking into account the number of aspirants, he divided it into so many minutes for each.

At twilight they would gather from every direction for the courting, some in groups, humming to the accompaniment of clucking and a sort of whinnying, others alone, blowing on the bimbau, an instrument made of small sheets of iron, which buzzed like a hornet, serving to lull them into forgetfulness of the fatigue of the journey. They came from far away. Some walked three hours, and must travel as many back again, crossing from one end of the island to the other on the courting days which were Thursdays and Saturdays, for the sake of talking three minutes with a girl.

In the summer they sat in the pòrchu, a kind of rural zaguán, or if it were winter they would go into the kitchen. The girl sat motionless on a stone bench. She had removed her straw hat with its long streamers that during the daytime gave her the air of an operetta shepherdess; she was dressed in gala attire, wearing the blue or green accordian-plaited skirt, which she kept during the remainder of the week compressed by cords, and hanging from the ceiling, in order to keep the plaiting intact. Under this she wore other and still other skirts; eight, ten or twelve petticoats, all the feminine clothing the house possessed, a solid funnel of wool and cotton that obliterated every sign of sex and made it impossible to image the existence of a fleshy reality beneath the bulk of cloth. Rows of filigree buttons glittered on the cuffs of her jacket; on her breast, crushed flat by a monastic corset which seemed made of iron, shone a triple chain of gold with its enormous links; from beneath the kerchief worn on the head hung her heavy braids tied with ribbons. On the bench, serving as a cushion for her voluminous body, made bulky by skirts, lay the abrigais, the feminine winter garment.

The suitors deliberated over the question of precedence in the courting, and one after another they took their places at the girl's side, talking to her the allotted number of minutes. If one of them, becoming too enthusiastic in conversation, forgot his companions and trespassed on their time, they reminded him by coughs, furious glances, and threatening words. If he persisted, the strongest of the band would grasp him by the arm and drag him away so that another might take his place. Sometimes when there were many suitors and time was at a premium, the girl would talk with two at once, trying to display no preference. Thus the courting continued until she manifested predilection for a youth, often without regard for her parents' choice. In this short springtime of her life the woman was queen. After marriage she cultivated the soil alongside her husband and was little better than a beast.