The Humbugs of the World

The father of these boys, who had accompanied them to New York, took them home immediately after that exposure. In Buffalo, they continued to hold “circles,” hoping to retrieve their lost reputation as good mediums – by being, not more honest, but more cautious. To prevent any one getting hold of them while operating, they hit upon the plan of passing a rope through a button-hole of each gentleman’s coat, the ends to be held by a trusty person – assigning, as a reason for that arrangement, that it would then be known no one in the circle could assist in producing the manifestations. The plan did not always work well, however; for a skeptic would sometimes cut the rope, and then pounce upon “the spirit” – that is, if he didn’t happen to miss that individual, on account of the darkness and while trying to avoid a collision with the instruments.

To secure greater immunity from detection, and to enable them to exhibit in large halls which could not easily be darkened, the boys finally fixed upon a “cabinet” as the best thing in which to work. They had, some time before, made the “rope-test” a feature of their exhibitions; and in their cabinet-show they depended for success in deceiving entirely upon the presumption of the audience that their hands were so secured with ropes as to prevent their playing upon the musical instruments, or doing whatever else the spirits were assumed to do.

Their cabinet is about six feet high, six feet long, and two and a half feet deep, the front consisting of three doors, opening outward. In each end is a seat, with holes through which the ropes can be passed in securing the mediums. In the upper part of the middle door is a lozenge-shaped aperture, curtained on the inside with black muslin or oilcloth. The bolts are on the inside of the doors.

The mediums are generally first tied by a committee of two gentlemen appointed from the audience. The doors of the cabinet are then closed, those at the ends first, and then the middle one, the bolt of which is reached by the manager through the aperture.

By the time the end doors are closed and bolted, the Davenports, in many instances, have succeeded in loosening the knots next their wrists, and in slipping their hands out, the latter being then exhibited at the aperture. Lest the hands should be recognized as belonging to the mediums, they are kept in a constant shaking motion while in view; and to make the hands look large or small, they spread or press together the fingers. With that peculiar rapid motion imparted to them, four hands in the aperture will appear to be half-a-dozen. A lady’s flesh colored kid glove, nicely stuffed with cotton, is sometimes exhibited as a female hand – a critical observation of it never being allowed. It does not take the medium long to draw the knots close to their wrists again. They are then ready to be inspected by the Committee, who report them tied as they were left. Supposing them to have been securely bound all the while, those who witness the show are very naturally astonished.

Sometimes, after being tied by a committee, the mediums cannot readily extricate their hands and get them back as they were; in which case they release themselves entirely from the ropes before the doors are again opened, concluding to wait till after “the spirits” have bound them, before showing hands or making music.

It is a common thing for these impostors to give the rope between their hands a twist while those limbs are being bound; and that movement, if dexterously made, while the attention of the committee-men is momentarily diverted, is not likely to be detected. Reversing that movement will let the hand out.

The great point with the Davenports in tying themselves is, to have a knot next their wrists that looks solid, “fair and square,” at the same time that they can slip it and get their hands out in a moment. There are several ways of forming such a knot, one of which I will attempt to describe. In the middle of a rope a square knot is tied, loosely at first, so that the ends of the rope can be tucked through, in opposite directions, below the knot, and the latter is then drawn tight. There are then two loops – which should be made small – through which the hands are to pass after the rest of the tying is done. Just sufficient slack is left to admit of the hands passing through the loops, which, lastly, are drawn close to the wrists, the knot coming between the latter. No one, from the appearance of such a knot, would suspect it could be slipped. The mediums thus tied can, immediately after the committee have inspected the knots, and closed the doors, show hands or play upon musical instruments, and in a few seconds be, to all appearance, firmly tied again.

If flour has been placed in their hands, it makes no difference as to their getting those members out of or into the ropes; but, to show hands at the aperture, or to make a noise on the musical instruments, it is necessary that they should get the flour out of one hand into the other. The moisture of the hand and squeezing, packs the flour into a lump, which can be laid into the other hand and returned without losing any. The little flour that adheres to the empty hand can be wiped off in the pantaloons pocket. The mediums seldom if ever take flour in their hands while they are in the bonds put upon them by the committee. The principal part of the show is after the tying has been done in their own way. Wm. Fay, who accompanies the Davenports, is thus fixed when the hypothetical spirits take the coat off his back.

As I before remarked, there are several ways in which the mediums tie themselves. They always do it, however, in such a manner that, though the tying looks secure, they can immediately get one or both hands out. Let committees insist upon untying the knots of the spirits, whether the mediums are willing or not. A little critical observation will enable them to learn the trick.

To make this subject of tying clearer, I will repeat that the Davenports always untie themselves by using their hands; as they are able in ninety-nine cases out of a hundred, however impossible it may seem, to release their hands by loosening the knots next their wrists. Sometimes they do this by twisting the rope between their wrists; sometimes it is by keeping their muscles as tense as possible during the tying, so that when relaxed there shall be some slack. Most “committees” know so little about tying, that anybody, by a little pulling, slipping, and wriggling, could slip his hands out of their knots.

A violin, bell, and tambourine, with perhaps a guitar and drum, are the instruments used by the Davenports in the cabinet. The one who plays the violin holds the bell in his hand with the bow. The other chap beats the tambourine on his knee, and has a hand for something else.

The “mediums” frequently allow a person to remain with them, providing he will let his hands be tied to their knees, the operators having previously been tied by “the spirits.” The party who ventures upon that experiment is apt to be considerably “mussed up,” as “the spirits” are not very gentle in their manipulations.

To expose all the tricks of these impostors would require more space than I can afford at present. They have exhibited throughout the Northern States and the Canadas; but never succeeded very well pecuniarily until about two years ago, when they employed an agent, who advertised them in such a way as to attract public attention. In September last, they went to England, where they have since created considerable excitement.

If the hands of these boys were tied close against the side of their cabinet, the ropes passing through holes and fastened on the outside, I think “the spirits” would always fail to work.

Dr. W. F. Van Vleck, of Ohio, to whom I am indebted for some of the facts contained in this chapter, can beat the Davenport brothers at their own game. In order that he might the better learn the various methods pursued by the professed “mediums” in deceiving the public, Dr. Van Vleck entered into the medium-business himself, and by establishing confidential relations with those of the profession whose acquaintance he made, he became duly qualified to expose them.

He was accepted and indorsed by leading spiritualists in different parts of the country, as a good medium, who performed the most remarkable spiritual wonders. As the worthy doctor practiced this innocent deception on the professed mediums solely in order that he might thus be able to expose their blasphemous impositions, the public will scarcely dispute that in this case the end justified the means. I suppose it is not possible for any professed medium to puzzle or deceive the doctor. He is up to all their “dodges,” because he has learned in their school. Mediums always insist upon certain conditions, and those conditions are just such as will best enable them to deceive the senses and pervert the judgment.

Anderson “the Wizard of the North,” and other conjurers in England, gave the Davenports battle, but the “prestidigitators” did not reap many laurels. Conjurers are no more likely to understand the tricks of the mediums than any other person is. Before a trick can be exposed it must be learned. Dr. Van Vleck, having learned “the ropes,” is competent to expose them; and he is doing it in many interesting public lectures and illustrations.

If the Davenports were exhibiting simply as jugglers, I might admire their dexterity, and have nothing to say against them; but when they presumptuously pretend to deal in “things spiritual,” I consider it my duty, while treating of humbugs, to do this much at least in exposing them.

CHAPTER X

THE SPIRIT-RAPPING AND MEDIUM HUMBUGS. – THEIR ORIGIN. – HOW THE THING IS DONE. – $500 REWARD

The “spirit-rapping” humbug was started in Hydesville, New York, about seventeen years ago, by several daughters of a Mr. Fox, living in that place. These girls discovered that certain exercises of their anatomy would produce mysterious sounds – mysterious to those who heard them, simply because the means of their production were not apparent. Reports of this wonder soon went abroad, and the Fox family were daily visited by people from different sections of the country – all having a greed for the marvelous. Not long after the strange sounds were first heard, some one suggested that they were, perhaps, produced by spirits; and a request was made for a certain number of raps, if that suggestion was correct. The specified number were immediately heard. A plan was then proposed by means of which communications might be received from “the spirits.” An investigator would repeat the alphabet, writing down whatever letters were designated by the “raps.” Sentences were thus formed – the orthography, however, being decidedly bad.

What purported to be the spirit of a murdered peddler, gave an account of his “taking off.” He said that his body was buried beneath that very house, in a corner of the cellar; that he had been killed by a former occupant of the premises. A peddler really had disappeared, somewhat mysteriously, from that part of the country some time before; and ready credence was given the statements thus spelled out through the “raps.” Digging to the depth of eight feet in the cellar did not disclose any “dead corpus,” or even the remains of one. Soon after that, the missing peddler reappeared in Hydesville, still “clothed with mortality,” and having a new assortment of wares to sell.

That the “raps” were produced by disembodied spirits many firmly believed. False communications were attributed to evil spirits. The answers to questions were as often wrong as right; and only right when the answer could be easily guessed, or inferred from the nature of the question itself.

The Fox family moved to Rochester, New York, soon after the rapping-humbug was started; and it was there that their first public effort was made. A committee was appointed to investigate the matter, most of whom reported adversely to the claims of the “mediums;” though all of them were puzzled to know how the thing was done. In Buffalo, where the Foxes subsequently let their spirits flow, a committee of doctors reported that these loosely-constructed girls produced the “raps” by snapping their toe and knee joints. That theory, though very much ridiculed by the spiritualists then and since, was correct, as further developments proved.

Mrs. Culver, a relative of the Fox girls, made a solemn deposition before a magistrate, to the effect that one of the girls had instructed her how to produce the “raps,” on condition that she (Mrs. C.) should not communicate a knowledge of the matter to any one. Mrs. Culver was a good Christian woman, and she felt it her duty – as the deception had been carried so far – to expose the matter. She actually produced the “raps,” in presence of the magistrate, and explained the manner of making them.

Doctor Von Vleck – to whom I referred in connection with my exposition of the Davenport imposture – produces very loud “raps” before his audiences, and so modulates them that they will seem to be at any desired point in his vicinity; yet not a movement of his body betrays the fact that the sounds are caused by him.

The Fox family found that the rapping business would be made to pay; and so they continued it, with varying success, for a number of years, making New York city their place of residence and principal field of operation. I believe that none of them are now in the “spiritual line.” Margaret Fox, the youngest of the rappers, has for some time been a member of the Roman Catholic Church.

From the very commencement of spiritualism, there has been a constantly increasing demand for “spiritual” wonders, to meet which numerous “mediums” have been “developed.”

Many, who otherwise would not be in the least distinguished, have become “mediums” in order to obtain notoriety, if nothing more.

Communicating by “raps” was a slow process; so some of the mediums took to writing spasmodically; others talked in a “trance” – all under the influence of spirits!

Mediumship has come to be a profession steadily pursued by quite a number of persons, who get their living by it.

There are various classes of “mediums,” the operations of each class being confined to a particular department of “spiritual” humbuggery.

Some call themselves “test mediums;” and, by insisting upon certain formulas, they succeed in astonishing, if they don’t convince most of them who visit them. It is by this class that the public is most likely to be deceived.

There is a person by the name of J. V. Mansfield, who has been called by spiritualists the “Great Spirit Postmaster,” his specialty being the answering of sealed letters addressed to spirits. The letters are returned – some of them at least – to the writers without appearing to have been opened, accompanied by answers purporting to be written through Mansfield by the spirits addressed. Such of these letters as are sealed with gum-arabic merely, can be steamed open, and the envelopes resealed and reglazed as they were before. If sealing-wax has been used, a sharp, thin blade will enable the medium to nicely cut off the seal by splitting the paper under it; and then, after a knowledge of the contents of the letter is arrived at, the seal can be replaced in its original position, and made fast with gum-arabic. Not more than one out of a hundred would be likely to observe that the seal had ever been tampered with. The investigator opens the envelope, when returned to him, at the end, preserving the sealed part intact, in order to show his friends that the letter was answered without being opened!

Another method of the medium is, to slit open the envelope at the end with a sharp knife, and afterward stick it together again with gum, rubbing the edge slightly as soon as the gum is dry. If the job is nicely done, a close observer would hardly perceive it.

Mr. Mansfield does not engage to answer all letters; those unanswered being too securely sealed for him to open without detection. To secure the services of the “Great Spirit-Postmaster,” a fee of five dollars must accompany your letter to the spirits; and the money is retained whether an answer is returned or not.

Rather high postage that!

Several years since, a gentleman living in Buffalo, N. Y., addressed some questions to one of his spirit-friends, and inclosed them, together with a single hair and a grain of sand, in an envelope, which he sealed so closely that no part of the contents could escape while being transmitted by mail. The questions were sent to Mr. Mansfield and answers requested through his “mediumship.” The envelope containing the questions was soon returned, with answers to the letter. The former did not appear to have been opened. Spreading a large sheet of blank paper on a table before him, the gentleman opened the envelope and placed its contents on the table. The hair and grain of sand were not there.

Time and again has Mansfield been convicted of imposture, yet he still prosecutes his nefarious business.

The “Spirit-Postmaster” fails to get answers to such questions as these:

“Where did you die?”

“When?”

“Who attended you in your last illness?”

“What were your last words?”

“How many were present at your death?”

But if the questions are of such a nature as the following, answers are generally obtained:

“Are you happy?”

“Are you often near me?”

“And can you influence me?”

“Have you changed your religious notions since entering the spirit-world?”

It is to be observed that the questions which the “Spirit-Postmaster” can answer require no knowledge of facts about the applicant, while those which he cannot answer, do require it.

Address, for instance, your spirit-father without mentioning his name, and the name will not be given in connection with the reply purporting to come from him – unless the medium knows your family.

I will write a series of questions addressed to one of my spirit-friends, inclose them in an envelope, and if Mr. Mansfield or any other professed medium will answer those questions pertinently in my presence, and without touching the envelope, I will give to such party five hundred dollars, and think I have got the worth of my money.

CHAPTER XI

THE “BALLOT-TEST.” – THE OLD GENTLEMAN AND HIS “DISEASED” RELATIVES. – A “HUNGRY SPIRIT.” – “PALMING” A BALLOT. – REVELATIONS ON STRIPS OF PAPER

An aptitude for deception is all the capital that a person requires in order to become a “spirit-medium;” or, at least, to gain the reputation of being one. Backing up the pretence to mediumship with a show of something mysterious, is all-sufficient to enlist attention, and insure the making of converts.

One of the most noted of the mediumistic fraternity – whose name I do not choose to give at present – steadily pursued his business, for several years, in a room in Broadway, in this city, and succeeded not only in humbugging a good many people, but in what was more important to him – acquiring quite an amount of money. His mode of operating was “the ballot-test,” and was as follows:

Medium and investigator being seated opposite each other at a table, the latter was handed several slips of blank paper, with the request that he write the first (or Christian) names – one on each paper – of several of his deceased relatives, which being done, he was desired to touch the folded papers, one after the other, till one should be designated, by three tips of the table, as containing the name of the spirit who would communicate. The selected paper was laid aside, and the others thrown upon the floor, the investigator being further requested to write on as many different pieces of paper as contained the names, and the relation (to himself) of the spirits bearing them. Supposing the names written were Mary, Joseph, and Samuel, being, respectively, the investigator’s mother, father, and brother. The last-named class would be secondly written, and one of them designated by three tips of the table, as in the first instance. The respective ages of the deceased parties, at the time of their decease, would also be written, and one of them selected. The first “test” consisted in having the selected name, relationship, and age correspond – that is, refer to the same party; to ascertain which the investigator was desired to look at them, and state if it was the case. If the correspondence was affirmed, a communication was soon given, with the selected name, relationship, and age appended. Questions, written in the presence of the medium, were answered relevantly, if not pertinently. Investigators generally did their part of the writing in a guarded manner, interposing their left hand between the paper on which they wrote and the medium’s eyes; and they were very much astonished when they received a communication, couched in affectionate terms, with the names of their spirit-friends attached.

By long practice, the medium was enabled to determine what the investigator wrote, by the motion of his hand in writing. Nine out of ten wrote the relationship first that corresponded with the first name they had written. Therefore, if the medium selected the first that was written of each class, they in most cases referred to the same spirit. He waited till the investigator had affirmed the coincidence, before proceeding; for he did not like to write a communication, appending to it, for instance, “Your Uncle John,” when it ought to be “Your Father John.” The reason he did not desire inquirers to write the surnames of their spirit-friends, was this: almost all Christian names are common, and he was familiar with the motions which the hand must make in writing them; but there are comparatively few people who have the same surnames, and to determine them would have been more difficult. No fact was communicated that had not been surreptitiously gleaned from the investigator.

An old gentleman, apparently from the country, one day entered the room of this medium and expressed a desire for a “sperit communication.”

He was told to take a seat at the table, and to write the names of his deceased relatives. The medium, like many others, incorrectly pronounced the term “deceased,” the same as “diseased” – sounding the s like z.

The old gentleman carefully adjusted his “specs” and did what was required of him. A name and relationship having been selected from those written, the investigator was desired to examine and state if they referred to one party.

“Wal, I declare they do!” said he. “But I say Mister, what has them papers to do with a sperit communication?”

“You will see, directly,” replied the medium.

Whereupon the latter spasmodically wrote a “communication,” which read somewhat as follows:

“My Dear Husband: – I am very glad to be able to address you through this channel. Keep on investigating, and you will soon be convinced of the great fact of spirit-intercourse. I am happy in my spirit-home; patiently awaiting the time when you will join me here, etc. Your loving wife, Betsey.”

“Good gracious! But my old woman can’t be dead,” said the investigator, “for I left her tu hum!”

“Not dead!” exclaimed the medium. “Did I not tell you to write the names of deceazed relatives?”

“Diseased!” returned the old man; “Wal, she ain’t anything else, for she’s had the rumatiz orfully for six months!”

Saying which, he took his hat and left, concluding that it was not worth while to “keep on investigating” any longer at that time.

This same medium, not long since, visited Great Britain for the purpose of practicing his profession there.

In one of the cities of Scotland, some shrewd investigator divined that he was able to nearly guess from the motion of the hand what questions were written.

“Are you happy?” being a question commonly asked the “spirits,” one of these gentlemen varied it by asking:

“Are you hungry?”

The reply was, an emphatic affirmative.

They tricked the trickster in other ways; one of which was to write the names of mortals instead of spirits. It made no difference, however, as to getting a “communication.”

To tip the table without apparent muscular exertion, this impostor placed his hands on it in such a way that the “pisiform bone” (which may be felt projecting at the lower corner of the palm, opposite the thumb) pressed against the edge. By pushing, the table tipped from him, it being prevented from sliding by little spikes in the legs of the side opposite the operator.

There are other “ballot-test mediums,” as they are called, who have a somewhat different method of cheating. They, too, require investigators to write the names – in full, however – of their spirit-friends; the slips of paper containing the names, to be folded and placed on a table. The medium then seizes one of the “ballots,” and asks: