The Village Rector

Monsieur de Grandville, to whom Veronique’s grandeur of soul and noble qualities were well known, made her an offer of marriage; but, to the surprise of all Limoges, Madame Graslin declined, under pretext that the Church discouraged second marriages. Grossetete, a man of strong common-sense and sure grasp of a situation, advised Veronique to invest her property and what remained of Monsieur Graslin’s in the Funds; and he made the investment himself in one of the government securities which offered special advantages at that time, namely, the Three-per-cents, which were then quoted at fifty. The child Francis received, therefore, six thousand francs a year, and his mother forty thousand. Veronique’s fortune was still the largest in the department.

When these affairs were all settled, Madame Graslin announced her intention of leaving Limoges and taking up her residence at Montegnac, to be near Monsieur Bonnet. She sent for the rector to consult about the enterprise he was so anxious to carry on at Montegnac, in which she desired to take part. But he endeavored unselfishly to dissuade her, telling her that her place was in the world and in society.

“I was born of the people and I wish to return to the people,” she replied. On which the rector, full of love for his village, said no more against Madame Graslin’s apparent vocation; and the less because she had actually put it out of her power to continue in Limoges, having sold the hotel Graslin to Grossetete, who, to cover a sum that was due to him, took it at its proper valuation.

The day of her departure, toward the end of August, 1831, Madame Graslin’s numerous friends accompanied her some distance out of the town. A few went as far as the first relay. Veronique was in an open carriage with her mother. The Abbe Dutheil (just appointed to a bishopric) occupied the front seat of the carriage with old Grossetete. As they passed through the place d’Aine, Veronique showed signs of a sudden shock; her face contracted so that the play of the muscles could be seen; she clasped her infant to her breast with a convulsive motion, which old Madame Sauviat concealed by instantly taking the child, for she seemed to be on the watch for her daughter’s agitation. Chance willed that Madame Graslin should pass through the square in which stood the house she had formerly occupied with her father and mother in her girlish days; she grasped her mother’s hand while great tears fell from her eyes and rolled down her cheeks.

After leaving Limoges she turned and looked back, seeming to feel an emotion of happiness which was noticed by all her friends. When Monsieur de Grandville, then a young man of twenty-five, whom she declined to take as a husband, kissed her hand with an earnest expression of regret, the new bishop noticed the strange manner in which the black pupil of Veronique’s eyes suddenly spread over the blue of the iris, reducing it to a narrow circle. The eye betrayed unmistakably some violent inward emotion.

“I shall never see him again,” she whispered to her mother, who received this confidence without betraying the slightest feeling in her old face.

Madame Graslin was at that instant under the observation of Grossetete, who was directly in front of her; but, in spite of his shrewdness, the old banker did not detect the hatred which Veronique felt for the magistrate, whom she nevertheless received at her house. But churchmen have far more perception than other men, and Monsieur Dutheil suddenly startled Veronique with a priestly glance.

“Do you regret nothing in Limoges?” he asked her.

“Nothing, now that you are leaving it; and monsieur,” she added, smiling at Grossetete, who was bidding her adieu, “will seldom be there.”

The bishop accompanied Madame Graslin as far as Montegnac.

“I ought to walk this road in sackcloth and ashes,” she said in her mother’s ear as they went on foot up the steep slope of Saint-Leonard.

The old woman put her finger on her lips and glanced at the bishop, who was looking at the child with terrible attention. This gesture, and the luminous look in the prelate’s eyes, sent a shudder through Veronique’s body. At the aspect of the vast plains stretching their gray expanse before Montegnac the fire died out of her eyes, and an infinite sadness overcame her. Presently she saw the village rector coming to meet her, and together they returned to the carriage.

“There is your domain, madame,” said Monsieur Bonnet, extending his hand toward the barren plain.

A few moments more, and the village of Montegnac, with its hill, on which the newly erected buildings struck the eye, came in sight, gilded by the setting sun, and full of the poesy born of the contrast between the beautiful spot and the surrounding barrenness, in which it lay like an oasis in the desert. Madame Graslin’s eyes filled suddenly with tears. The rector called her attention to a broad white line like a gash on the mountain side.

“See what my parishioners have done to testify their gratitude to the lady of the manor,” he said, pointing to the line, which was really a road; “we can now drive up to the chateau. This piece of road has been made by them without costing you a penny, and two months hence we shall plant it with trees. Monseigneur will understand what trouble and care and devotion were needed to accomplish such a change.”

“Is it possible they have done that?” said the bishop.

“Without accepting any payment for their work, Monseigneur. The poorest put their hands into it, knowing that it would bring a mother among them.”

At the foot of the hill the travellers saw the whole population of the neighborhood, who were lighting fire-boxes and discharging a few guns; then two of the prettiest of the village girls, dressed in white, came forward to offer Madame Graslin flowers and fruit.

“To be thus received in this village!” she exclaimed, grasping the rector’s hand as if she stood on the brink of a precipice.

The crowd accompanied the carriage to the iron gates of the avenue. From there Madame Graslin could see her chateau, of which as yet she had only caught glimpses, and she was thunderstruck at the magnificence of the building. Stone is rare in those parts, the granite of the mountains being difficult to quarry. The architect employed by Graslin to restore the house had used brick as the chief substance of this vast construction. This was rendered less costly by the fact that the forest of Montegnac furnished all the necessary wood and clay for its fabrication. The framework of wood and the stone for the foundations also came from the forest; otherwise the cost of the restorations would have been ruinous. The chief expenses had been those of transportation, labor, and salaries. Thus the money laid out was kept in the village, and greatly benefited it.

At first sight, and from a distance, the chateau presents an enormous red mass, threaded by black lines produced by the pointing, and edged with gray; for the window and door casings, the entablatures, corner stones, and courses between the stories, are of granite, cut in facets like a diamond. The courtyard, which forms a sloping oval like that of the Chateau de Versailles, is surrounded by brick walls divided into panels by projecting buttresses. At the foot of these walls are groups of rare shrubs, remarkable for the varied color of their greens. Two fine iron gates placed opposite to each other lead on one side to a terrace which overlooks Montegnac, on the other to the offices and a farm-house.

The grand entrance-gate, to which the road just constructed led, is flanked by two pretty lodges in the style of the sixteenth century. The facade on the courtyard looking east has three towers, – one in the centre, separated from the two others by the main building of the house. The facade on the gardens, which is absolutely the same as the others, looks westward. The towers have but one window on the facade; the main building has three on either side of the middle tower. The latter, which is square like a campanile, the corners being vermiculated, is noticeable for the elegance of a few carvings sparsely distributed. Art is timid in the provinces, and though, since 1829, ornamentation has made some progress at the instigation of certain writers, landowners were at that period afraid of expenses which the lack of competition and skilled workmen rendered serious.

The corner towers, which have three stories with a single window in each, looking to the side, are covered with very high-pitched roofs surrounded by granite balustrades, and on each pyramidal slope of these roofs crowned at the top with the sharp ridge of a platform surrounded with a wrought iron railing, is another window carved like the rest. On each floor the corbels of the doors and windows are adorned with carvings copied from those of the Genoese mansions. The corner tower with three windows to the south looks down on Montegnac; the other, to the north, faces the forest. From the garden front the eye takes in that part of Montegnac which is still called Les Tascherons, and follows the high-road leading through the village to the chief town of the department. The facade on the courtyard has a view of the vast plains semicircled by the mountains of the Correze, on the side toward Montegnac, but ending in the far distance on a low horizon. The main building has only one floor above the ground-floor, covered with a mansarde roof in the olden style. The towers at each end are three stories in height. The middle tower has a stunted dome something like that on the Pavillon de l’Horloge of the palace of the Tuileries, and in it is a single room forming a belvedere and containing the clock. As a matter of economy the roofs had all been made of gutter-tiles, the enormous weight of which was easily supported by the stout beams and uprights of the framework cut in the forest.

Before his death Graslin had laid out the road which the peasantry had just built out of gratitude; for these restorations (which Graslin called his folly) had distributed several hundred thousand francs among the people; in consequence of which Montegnac had considerably increased. Graslin had also begun, before his death, behind the offices on the slope of the hill leading down to the plain, a number of farm buildings, proving his intention to draw some profit from the hitherto uncultivated soil of the plains. Six journeyman-gardeners, who were lodged in the offices, were now at work under orders of a head gardener, planting and completing certain works which Monsieur Bonnet had considered indispensable.

The ground-floor apartments of the chateau, intended only for reception-rooms, had been sumptuously furnished; the upper floor was rather bare, Monsieur Graslin having stopped for a time the work of furnishing it.

“Ah, Monseigneur!” said Madame Graslin to the bishop, after going the rounds of the house, “I who expected to live in a cottage! Poor Monsieur Graslin was extravagant indeed!”

“And you,” said the bishop, adding after a pause, as he noticed the shudder than ran through her frame at his first words, “you will be extravagant in charity?”

She took the arm of her mother, who was leading Francis by the hand, and went to the long terrace at the foot of which are the church and the parsonage, and from which the houses of the village can be seen in tiers. The rector carried off Monseigneur Dutheil to show him the different sides of the landscape. Before long the two priests came round to the farther end of the terrace, where they found Madame Graslin and her mother motionless as statues. The old woman was wiping her eyes with a handkerchief, and her daughter stood with both hands stretched beyond the balustrade as though she were pointing to the church below.

“What is the matter, madame?” said the rector to Madame Sauviat.

“Nothing,” replied Madame Graslin, turning round and advancing a few steps to meet the priests; “I did not know that I should have the cemetery under my eyes.”

“You can put it elsewhere; the law gives you that right.”

“The law!” she exclaimed with almost a cry.

Again the bishop looked fixedly at Veronique. Disturbed by the dark glance with which the priest had penetrated the veil of flesh that covered her soul, dragging thence a secret hidden in the grave of that cemetery, she said to him suddenly: —

“Well, yes!”

The priest laid his hand over his eyes and was silent for a moment as if stunned.

“Help my daughter,” cried the old mother; “she is fainting.”

“The air is so keen, it overcomes me,” said Madame Graslin, as she fell unconscious into the arms of the two priests, who carried her into one of the lower rooms of the chateau.

When she recovered consciousness she saw the priests on their knees praying for her.

“May the angel you visited you never leave you!” said the bishop, blessing her. “Farewell, my daughter.”

Overcome by those words Madame Graslin burst into tears.

“Tears will save her!” cried her mother.

“In this world and in the next,” said the bishop, turning round as he left the room.

The room to which they had carried Madame Graslin was on the first floor above the ground-floor of the corner tower, from which the church and cemetery and southern side of Montegnac could be seen. She determined to remain there, and did so, more or less uncomfortably, with Aline her maid and little Francis. Madame Sauviat, naturally, took another room near hers.

It was several days before Madame Graslin recovered from the violent emotion which overcame her on that first evening, and her mother induced her to stay in bed at least during the mornings. At night, Veronique would come out and sit on a bench of the terrace from which her eyes could rest on the church and cemetery. In spite of Madame Sauviat’s mute but persistent opposition, Madame Graslin formed an almost monomaniacal habit of sitting in the same place, where she seemed to give way to the blackest melancholy.

“Madame will die,” said Aline to the old mother.

Appealed to by Madame Sauviat, the rector, who had wished not to seem intrusive, came henceforth very frequently to visit Madame Graslin; he needed only to be warned that her soul was sick. This true pastor took care to pay his visits at the hour when Veronique came out to sit at the corner of the terrace with her child, both in deep mourning.

XI. THE RECTOR AT WORK

It was now the beginning of October, and Nature was growing dull and sad. Monsieur Bonnet, perceiving in Veronique from the moment of her arrival at Montegnac the existence of an inward wound, thought it wisest to wait for the voluntary and complete confidence of a woman who would sooner or later become his penitent.

One evening Madame Graslin looked at the rector with eyes almost glazed with that fatal indecision often observable in persons who are cherishing the thought of death. From that moment Monsieur Bonnet hesitated no longer; he set before him the duty of arresting the progress of this cruel moral malady.

At first there was a brief struggle of empty words between the priest and Veronique, in which they both sought to veil their real thoughts. In spite of the cold, Veronique was sitting on the granite bench holding Francis on her knee. Madame Sauviat was standing at the corner of the terrace, purposely so placed as to hide the cemetery. Aline was waiting to take the child away.

“I had supposed, madame,” said the rector, who was now paying his seventh visit, “that you were only melancholy; but I see,” sinking his voice to a whisper, “that your soul is in despair. That feeling is neither Christian nor Catholic.”

“But,” she replied, looking to heaven with piercing eyes and letting a bitter smile flicker on her lips, “what other feeling does the Church leave to a lost soul unless it be despair?”

As he heard these words the rector realized the vast extent of the ravages in her soul.

“Ah!” he said, “you are making this terrace your hell, when it ought to be your Calvary from which to rise to heaven.”

“I have no pride left to place me on such a pedestal,” she answered, in a tone which revealed the self-contempt that lay within her.

Here the priest, by one of those inspirations which are both natural and frequent in noble souls, the man of God lifted the child in his arms and kissed its forehead, saying, in a fatherly voice, “Poor little one!” Then he gave it himself to the nurse, who carried it away.

Madame Sauviat looked at her daughter, and saw the efficacy of the rector’s words; for Veronique’s eyes, long dry, were moist with tears. The old woman made a sign to the priest and disappeared.

“Let us walk,” said the rector to Veronique leading her along the terrace to the other end, from which Les Tascherons could be seen. “You belong to me; I must render account to God for your sick soul.”

“Give me time to recover from my depression,” she said to him.

“Your depression comes from injurious meditation,” he replied, quickly.

“Yes,” she said, with the simplicity of a grief which has reached the point of making no attempt at concealment.

“I see plainly that you have fallen into the gulf of apathy,” he cried. “If there is a degree of physical suffering at which all sense of modesty expires, there is also a degree of moral suffering in which all vigor of soul is lost; I know that.”

She was surprised to hear that subtle observation and to find such tender pity from this village rector; but, as we have seen already, the exquisite delicacy which no passion had ever touched gave him the true maternal spirit for his flock. This mens devinior, this apostolic tenderness, places the priest above all other men and makes him, in a sense, divine. Madame Graslin had not as yet had enough experience of Monsieur Bonnet to know this beauty hidden in his soul like a spring, from which flowed grace and purity and true life.

“Ah! monsieur,” she cried, giving herself wholly up to him by a gesture, a look, such as the dying give.

“I understand you,” he said. “What is to be done? What will you become?”

They walked in silence the whole length of the balustrade, facing toward the plain. The solemn moment seemed propitious to the bearer of good tidings, the gospel messenger, and he took it.

“Suppose yourself now in the presence of God,” he said, in a low voice, mysteriously; “what would you say to Him?”

Madame Graslin stopped as though struck by a thunderbolt; she shuddered; then she said simply, in tones that brought tears to the rector’s eyes: —

“I should say, as Jesus Christ said: ‘Father, why hast thou forsaken me?’”

“Ah! Magdalen, that is the saying I expected of you,” cried Monsieur Bonnet, who could not help admiring her. “You see you are forced to appeal to God’s justice; you invoke it! Listen to me, madame. Religion is, by anticipation, divine justice. The Church claims for herself the right to judge the actions of the soul. Human justice is a feeble image of divine justice; it is but a pale imitation of it applied to the needs of society.”

“What do you mean by that?”

“You are not the judge of your own case, you are dependent upon God,” said the priest; “you have neither the right to condemn yourself nor the right to absolve yourself. God, my child, is a great reverser of judgments.”

“Ah!” she exclaimed.

“He sees the origin of things, where we see only the things themselves.”

Veronique stopped again, struck by these ideas, that were new to her.

“To you,” said the brave priest, “to you whose soul is a great one, I owe other words than those I ought to give to my humble parishioners. You, whose mind and spirit are so cultivated, you can rise to the sense divine of the Catholic religion, expressed by images and words to the poor and childlike. Listen to me attentively, for what I am about to say concerns you; no matter how extensive is the point of view at which I place myself for a moment, the case is yours. Law, invented to protect society, is based on equality. Society, which is nothing but an assemblage of acts, is based on inequality. There is therefore lack of harmony between act and law. Ought society to march on favored or repressed by law? In other words, ought law to be in opposition to the interior social movement for the maintenance of society, or should it be based on that movement in order to guide it? All legislators have contented themselves with analyzing acts, indicating those that seemed to them blamable or criminal, and attaching punishments to such or rewards to others. That is human law; it has neither the means to prevent sin, nor the means to prevent the return to sinfulness of those it punishes. Philanthropy is a sublime error; it tortures the body uselessly, it produces no balm to heal the soul. Philanthropy gives birth to projects, emits ideas, confides the execution of them to man, to silence, to labor, to rules, to things mute and powerless. Religion is above these imperfections, for it extends man’s life beyond this world. Regarding us all as degraded from our high estate, religion has opened to us an inexhaustible treasure of indulgence. We are all more or less advanced toward our complete regeneration; no one is sinless; the Church expects wrong-doing, even crime. Where society sees a criminal to be expelled from its bosom, the Church sees a soul to save. More, far more than that! Inspired by God, whom she studies and contemplates, the Church admits the inequalities of strength, she allows for the disproportion of burdens. If she finds us unequal in heart, in body, in mind, in aptitude, and value, she makes us all equal by repentance. Hence equality is no longer a vain word, for we can be, we are, all equal through feeling. From the formless fetichism of savages to the graceful inventions of Greece, or the profound and metaphysical doctrines of Egypt and India, whether taught in cheerful or in terrifying worship, there is a conviction in the soul of man – that of his fall, that of his sin – from which comes everywhere the idea of sacrifice and redemption. The death of the Redeemer of the human race is an image of what we have to do for ourselves, – redeem our faults, redeem our errors, redeem our crimes! All is redeemable; Catholicism itself is in that word; hence its adorable sacraments, which help the triumph of grace and sustain the sinner. To weep, to moan like Magdalen in the desert, is but the beginning; the end is Action. Monasteries wept and prayed; they prayed and civilized; they were the active agents of our divine religion. They built, planted, cultivated Europe; all the while saving the treasures of learning, knowledge, human justice, politics, and art. We shall ever recognize in Europe the places where those radiant centres once were. Nearly all our modern towns are the children of monasteries. If you believe that God will judge you, the Church tells you by my voice that sin can be redeemed by works of repentance. The mighty hand of God weighs both the evil done and the value of benefits accomplished. Be yourself like those monasteries; work here the same miracles. Your prayers must be labors. From your labors must come the good of those above whom you are placed by fortune, by superiority of mind; even this natural position of your dwelling is the image of your social situation.”

As he said the last words, the priest and Madame Graslin turned to walk back toward the plains, and the rector pointed both to the village at the foot of the hill, and to the chateau commanding the whole landscape. It was then half-past four o’clock; a glow of yellow sunlight enveloped the balustrade and the gardens, illuminated the chateau, sparkled on the gilded railings of the roof, lighted the long plain cut in two by the high-road, – a sad, gray ribbon, not bordered there by the fringe of trees which waved above it elsewhere on either side.

When Veronique and Monsieur Bonnet had passed the main body of the chateau, they could see – beyond the courtyard, the stables, and the offices – the great forest of Montegnac, along which the yellow glow was gliding like a soft caress. Though this last gleam of the setting sun touched the tree-tops only, it enabled the eye to see distinctly the caprices of that marvellous tapestry which nature makes of a forest in autumn. The oaks were a mass of Florentine bronze, the walnuts and the chestnuts displayed their blue-green tones, the early trees were putting on their golden foliage, and all these varied colors were shaded with the gray of barren spots. The trunks of trees already stripped of leafage showed their light-gray colonnades; the russet, tawny, grayish colors, artistically blended by the pale reflections of an October sun, harmonized with the vast uncultivated plain, green as stagnant water.