The Chouans

“Cousin,” he said, imploringly, “since I am speaking to you as I would to my confessor, I do assure you, by the holy name of God, that I have nothing to reproach myself with except for having, now and then, buttered my bread on both sides; and I call on Saint-Labre, who is there over the chimney-piece, to witness that I have never said one word about the Gars. No, my good friends, I have not betrayed him.”

“Very good, that will do, cousin; you can explain all that to God in course of time.”

“But let me say good-bye to Barbette.”

“Come,” said Marche-a-Terre, “if you don’t want us to think you worse than you are, behave like a Breton and be done with it.”

The two Chouans seized him again and threw him on the bench where he gave no other sign of resistance than the instinctive and convulsive motions of an animal, uttering a few smothered groans, which ceased when the axe fell. The head was off at the first blow. Marche-a-Terre took it by the hair, left the room, sought and found a large nail in the rough casing of the door, and wound the hair about it; leaving the bloody head, the eyes of which he did not even close, to hang there.

The two Chouans then washed their hands, without the least haste, in a pot full of water, picked up their hats and guns, and jumped the gate, whistling the “Ballad of the Captain.” Pille-Miche began to sing in a hoarse voice as he reached the field the last verses of that rustic song, their melody floating on the breeze: —

“At the first townHer lover dressed herAll in white satin;“At the next townHer lover dressed herIn gold and silver.“So beautiful was sheThey gave her veilsTo wear in the regiment.”

The tune became gradually indistinguishable as the Chouans got further away; but the silence of the country was so great that several of the notes reached Barbette’s ear as she neared home, holding her boy by the hand. A peasant-woman never listens coldly to that song, so popular is it in the West of France, and Barbette began, unconsciously, to sing the first verses: —

“Come, let us go, my girl,Let us go to the war;Let us go, it is time.“Brave captain,Let it not trouble you,But my daughter is not for you.“You shall not have her on earth,You shall not have her at sea,Unless by treachery.“The father took his daughter,He unclothed herAnd flung her out to sea.“The captain, wiser still,Into the waves he jumpedAnd to the shore he brought her.“Come, let us go, my girl,Let us go to the war;Let us go, it is time.“At the first townHer lover dressed her,”Etc., etc.

As Barbette reached this verse of the song, where Pille-Miche had begun it, she was entering the courtyard of her home; her tongue suddenly stiffened, she stood still, and a great cry, quickly repressed, came from her gaping lips.

“What is it, mother?” said the child.

“Walk alone,” she cried, pulling her hand away and pushing him roughly; “you have neither father nor mother.”

The child, who was rubbing his shoulder and weeping, suddenly caught sight of the thing on the nail; his childlike face kept the nervous convulsion his crying had caused, but he was silent. He opened his eyes wide, and gazed at the head of his father with a stupid look which betrayed no emotion; then his face, brutalized by ignorance, showed savage curiosity. Barbette again took his hand, grasped it violently, and dragged him into the house. When Pille-Miche and Marche-a-Terre threw their victim on the bench one of his shoes, dropping off, fell on the floor beneath his neck and was afterward filled with blood. It was the first thing that met the widow’s eye.

“Take off your shoe,” said the mother to her son. “Put your foot in that. Good. Remember,” she cried, in a solemn voice, “your father’s shoe; never put on your own without remembering how the Chouans filled it with his blood, and kill the Chouans!”

She swayed her head with so convulsive an action that the meshes of her black hair fell upon her neck and gave a sinister expression to her face.

“I call Saint-Labre to witness,” she said, “that I vow you to the Blues. You shall be a soldier to avenge your father. Kill, kill the Chouans, and do as I do. Ha! they’ve taken the head of my man, and I am going to give that of the Gars to the Blues.”

She sprang at a bound on the bed, seized a little bag of money from a hiding-place, took the hand of the astonished little boy, and dragged him after her without giving him time to put on his shoe, and was on her way to Fougeres rapidly, without once turning her head to look at the home she abandoned. When they reached the summit of the rocks of Saint-Sulpice Barbette set fire to the pile of fagots, and the boy helped her to pile on the green gorse, damp with hoarfrost, to make the smoke more dense.

“That fire will last longer than your father, longer than I, longer than the Gars,” said Barbette, in a savage voice.

While the widow of Galope-Chopine and her son with his bloody foot stood watching, the one, with a gloomy expression of revenge, the other with curiosity, the curling of the smoke, Mademoiselle de Verneuil’s eyes were fastened on the same rock, trying, but in vain, to see her lover’s signal. The fog, which had thickened, buried the whole region under a veil, its gray tints obscuring even the outlines of the scenery that was nearest the town. She examined with tender anxiety the rocks, the castle, the buildings, which loomed like shadows through the mist. Near her window several trees stood out against this blue-gray background; the sun gave a dull tone as of tarnished silver to the sky; its rays colored the bare branches of the trees, where a few last leaves were fluttering, with a dingy red. But too many dear and delightful sentiments filled Marie’s soul to let her notice the ill-omens of a scene so out of harmony with the joys she was tasting in advance. For the last two days her ideas had undergone a change. The fierce, undisciplined vehemence of her passions had yielded under the influence of the equable atmosphere which a true love gives to life. The certainty of being loved, sought through so many perils, had given birth to a desire to re-enter those social conditions which sanction love, and which despair alone had made her leave. To love for a moment only now seemed to her a species of weakness. She saw herself lifted from the dregs of society, where misfortune had driven her, to the high rank in which her father had meant to place her. Her vanity, repressed for a time by the cruel alternations of hope and misconception, was awakened and showed her all the benefits of a great position. Born in a certain way to rank, marriage to a marquis meant, to her mind, living and acting in the sphere that belonged to her. Having known the chances and changes of an adventurous life, she could appreciate, better than other women, the grandeur of the feelings which make the Family. Marriage and motherhood with all their cares seemed to her less a task than a rest. She loved the calm and virtuous life she saw through the clouds of this last storm as a woman weary of virtue may sometimes covet an illicit passion. Virtue was to her a new seduction.

“Perhaps,” she thought, leaving the window without seeing the signal on the rocks of Saint-Sulpice, “I have been too coquettish with him – but I knew he loved me! Francine, it is not a dream; to-night I shall be Marquise de Montauran. What have I done to deserve such perfect happiness? Oh! I love him, and love alone is love’s reward. And yet, I think God means to recompense me for taking heart through all my misery; he means me to forget my sufferings – for you know, Francine, I have suffered.”

“To-night, Marquise de Montauran, you, Marie? Ah! until it is done I cannot believe it! Who has told him your true goodness?”

“Dear child! he has more than his handsome eyes to see me with, he has a soul. If you had seen him, as I have, in danger! Oh! he knows how to love – he is so brave!”

“If you really love him why do you let him come to Fougeres?”

“We had no time to say one word to each other when the Blues surprised us. Besides, his coming is a proof of love. Can I ever have proofs enough? And now, Francine, do my hair.”

But she pulled it down a score of times with motions that seemed electric, as though some stormy thoughts were mingling still with the arts of her coquetry. As she rolled a curl or smoothed the shining plaits she asked herself, with a remnant of distrust, whether the marquis were deceiving her; but treachery seemed to her impossible, for did he not expose himself to instant vengeance by entering Fougeres? While studying in her mirror the effects of a sidelong glance, a smile, a gentle frown, an attitude of anger, or of love, or disdain, she was seeking some woman’s wile by which to probe to the last instant the heart of the young leader.

“You are right, Francine,” she said; “I wish with you that the marriage were over. This is the last of my cloudy days – it is big with death or happiness. Oh! that fog is dreadful,” she went on, again looking towards the heights of Saint-Sulpice, which were still veiled in mist.

She began to arrange the silk and muslin curtains which draped the window, making them intercept the light and produce in the room a voluptuous chiaro-scuro.

“Francine,” she said, “take away those knick-knacks on the mantelpiece; leave only the clock and the two Dresden vases. I’ll fill those vases myself with the flowers Corentin brought me. Take out the chairs, I want only this sofa and a fauteuil. Then sweep the carpet, so as to bring out the colors, and put wax candles in the sconces and on the mantel.”

Marie looked long and carefully at the old tapestry on the walls. Guided by her innate taste she found among the brilliant tints of these hangings the shades by which to connect their antique beauty with the furniture and accessories of the boudoir, either by the harmony of color or the charm of contrast. The same thought guided the arrangement of the flowers with which she filled the twisted vases which decorated her chamber. The sofa was placed beside the fire. On either side of the bed, which filled the space parallel to that of the chimney, she placed on gilded tables tall Dresden vases filled with foliage and flowers that were sweetly fragrant. She quivered more than once as she arranged the folds of the green damask above the bed, and studied the fall of the drapery which concealed it. Such preparations have a secret, ineffable happiness about them; they cause so many delightful emotions that a woman as she makes them forgets her doubts; and Mademoiselle de Verneuil forgot hers. There is in truth a religious sentiment in the multiplicity of cares taken for one beloved who is not there to see them and reward them, but who will reward them later with the approving smile these tender preparations (always so fully understood) obtain. Women, as they make them, love in advance; and there are few indeed who would not say to themselves, as Mademoiselle de Verneuil now thought: “To-night I shall be happy!” That soft hope lies in every fold of silk or muslin; insensibly, the harmony the woman makes about her gives an atmosphere of love in which she breathes; to her these things are beings, witnesses; she has made them the sharers of her coming joy. Every movement, every thought brings that joy within her grasp. But presently she expects no longer, she hopes no more, she questions silence; the slightest sound is to her an omen; doubt hooks its claws once more into her heart; she burns, she trembles, she is grasped by a thought which holds her like a physical force; she alternates from triumph to agony, and without the hope of coming happiness she could not endure the torture. A score of times did Mademoiselle de Verneuil raise the window-curtain, hoping to see the smoke rising above the rocks; but the fog only took a grayer tone, which her excited imagination turned into a warning. At last she let fall the curtain, impatiently resolving not to raise it again. She looked gloomily around the charming room to which she had given a soul and a voice, asking herself if it were done in vain, and this thought brought her back to her preparations.

“Francine,” she said, drawing her into a little dressing-room which adjoined her chamber and was lighted through a small round window opening on a dark corner of the fortifications where they joined the rock terrace of the Promenade, “put everything in order. As for the salon, you can leave that as it is,” she added, with a smile which women reserve for their nearest friends, the delicate sentiment of which men seldom understand.

“Ah! how sweet you are!” exclaimed the little maid.

“A lover is our beauty – foolish women that we are!” she replied gaily.

Francine left her lying on the ottoman and went away convinced that, whether her mistress were loved or not, she would never betray Montauran.

“Are you sure of what you are telling me, old woman?” Hulot was saying to Barbette, who had sought him out as soon as she had reached Fougeres.

“Have you got eyes? Look at the rocks of Saint-Sulpice, there, my good man, to the right of Saint-Leonard.”

Corentin, who was with Hulot, looked towards the summit in the direction pointed out by Barbette, and, as the fog was beginning to lift, he could see with some distinctness the column of white smoke the woman told of.

“But when is he coming, old woman? – to-night, or this evening?”

“My good man,” said Barbette, “I don’t know.”

“Why do you betray your own side?” said Hulot, quickly, having drawn her out of hearing of Corentin.

“Ah! general, see my boy’s foot – that’s washed in the blood of my man, whom the Chouans have killed like a calf, to punish him for the few words you got out of me the other day when I was working in the fields. Take my boy, for you’ve deprived him of his father and his mother; make a Blue of him, my good man, teach him to kill Chouans. Here, there’s two hundred crowns, – keep them for him; if he is careful, they’ll last him long, for it took his father twelve years to lay them by.”

Hulot looked with amazement at the pale and withered woman, whose eyes were dry.

“But you, mother,” he said, “what will become of you? you had better keep the money.”

“I?” she replied, shaking her head sadly. “I don’t need anything in this world. You might bolt me into that highest tower over there” (pointing to the battlements of the castle) “and the Chouans would contrive to come and kill me.”

She kissed her boy with an awful expression of grief, looked at him, wiped away her tears, looked at him again, and disappeared.

“Commandant,” said Corentin, “this is an occasion when two heads are better than one. We know all, and yet we know nothing. If you surrounded Mademoiselle de Verneuil’s house now, you will only warn her. Neither you, nor I, nor your Blues and your battalions are strong enough to get the better of that girl if she takes it into her head to save the ci-devant. The fellow is brave, and consequently wily; he is a young man full of daring. We can never get hold of him as he enters Fougeres. Perhaps he is here already. Domiciliary visit? Absurdity! that’s no good, it will only give them warning.”

“Well,” said Hulot impatiently, “I shall tell the sentry on the Place Saint-Leonard to keep his eye on the house, and pass word along the other sentinels, if a young man enters it; as soon as the signal reaches me I shall take a corporal and four men and – ”

“ – and,” said Corentin, interrupting the old soldier, “if the young man is not the marquis, or if the marquis doesn’t go in by the front door, or if he is already there, if – if – if – what then?”

Corentin looked at the commandant with so insulting an air of superiority that the old soldier shouted out: “God’s thousand thunders! get out of here, citizen of hell! What have I got to do with your intrigues? If that cockchafer buzzes into my guard-room I shall shoot him; if I hear he is in a house I shall surround that house and take him when he leaves it and shoot him, but may the devil get me if I soil my uniform with any of your tricks.”

“Commandant, the order of the ministers states that you are to obey Mademoiselle de Verneuil.”

“Let her come and give them to me herself and I’ll see about it.”

“Well, citizen,” said Corentin, haughtily, “she shall come. She shall tell you herself the hour at which she expects the ci-devant. Possibly she won’t be easy till you do post the sentinels round the house.”

“The devil is made man,” thought the old leader as he watched Corentin hurrying up the Queen’s Staircase at the foot of which this scene had taken place. “He means to deliver Montauran bound hand and foot, with no chance to fight for his life, and I shall be harrassed to death with a court-martial. However,” he added, shrugging his shoulders, “the Gars certainly is an enemy of the Republic, and he killed my poor Gerard, and his death will make a noble the less – the devil take him!”

He turned on the heels of his boots and went off, whistling the Marseillaise, to inspect his guard-rooms.

Mademoiselle de Verneuil was absorbed in one of those meditations the mysteries of which are buried in the soul, and prove by their thousand contradictory emotions, to the woman who undergoes them, that it is possible to have a stormy and passionate existence between four walls without even moving from the ottoman on which her very life is burning itself away. She had reached the final scene of the drama she had come to enact, and her mind was going over and over the phases of love and anger which had so powerfully stirred her during the ten days which had now elapsed since her first meeting with the marquis. A man’s step suddenly sounded in the adjoining room and she trembled; the door opened, she turned quickly and saw Corentin.

“You little cheat!” said the police-agent, “when will you stop deceiving? Ah, Marie, Marie, you are playing a dangerous game by not taking me into your confidence. Why do you play such tricks without consulting me? If the marquis escapes his fate – ”

“It won’t be your fault, will it?” she replied, sarcastically. “Monsieur,” she continued, in a grave voice, “by what right do you come into my house?”

“Your house?” he exclaimed.

“You remind me,” she answered, coldly, “that I have no home. Perhaps you chose this house deliberately for the purpose of committing murder. I shall leave it. I would live in a desert to get away from – ”

“Spies, say the word,” interrupted Corentin. “But this house is neither yours nor mine, it belongs to the government; and as for leaving it you will do nothing of the kind,” he added, giving her a diabolical look.

Mademoiselle de Verneuil rose indignantly, made a few steps to leave the room, but stopped short suddenly as Corentin raised the curtain of the window and beckoned her, with a smile, to come to him.

“Do you see that column of smoke?” he asked, with the calmness he always kept on his livid face, however intense his feelings might be.

“What has my departure to do with that burning brush?” she asked.

“Why does your voice tremble?” he said. “You poor thing!” he added, in a gentle voice, “I know all. The marquis is coming to Fougeres this evening; and it is not with any intention of delivering him to us that you have arranged this boudoir and the flowers and candles.”

Mademoiselle de Verneuil turned pale, for she saw her lover’s death in the eyes of this tiger with a human face, and her love for him rose to frenzy. Each hair on her head caused her an acute pain she could not endure, and she fell on the ottoman. Corentin stood looking at her for a moment with his arms folded, half pleased at inflicting a torture which avenged him for the contempt and the sarcasms this woman had heaped upon his head, half grieved by the sufferings of a creature whose yoke was pleasant to him, heavy as it was.

“She loves him!” he muttered.

“Loves him!” she cried. “Ah! what are words? Corentin! he is my life, my soul, my breath!” She flung herself at the feet of the man, whose silence terrified her. “Soul of vileness!” she cried, “I would rather degrade myself to save his life than degrade myself by betraying him. I will save him at the cost of my own blood. Speak, what price must I pay you?”

Corentin quivered.

“I came to take your orders, Marie,” he said, raising her. “Yes, Marie, your insults will not hinder my devotion to your wishes, provided you will promise not to deceive me again; you must know by this time that no one dupes me with impunity.”

“If you want me to love you, Corentin, help me to save him.”

“At what hour is he coming?” asked the spy, endeavoring to ask the question calmly.

“Alas, I do not know.”

They looked at each other in silence.

“I am lost!” thought Mademoiselle de Verneuil.

“She is deceiving me!” thought Corentin. “Marie,” he continued, “I have two maxims. One is never to believe a single word a woman says to me – that’s the only means of not being duped; the other is to find what interest she has in doing the opposite of what she says, and behaving in contradiction to the facts she pretends to confide to me. I think that you and I understand each other now.”

“Perfectly,” replied Mademoiselle de Verneuil. “You want proofs of my good faith; but I reserve them for the time when you give me some of yours.”

“Adieu, mademoiselle,” said Corentin, coolly.

“Nonsense,” said the girl, smiling; “sit down, and pray don’t sulk; but if you do I shall know how to save the marquis without you. As for the three hundred thousand francs which are always spread before your eyes, I will give them to you in good gold as soon as the marquis is safe.”

Corentin rose, stepped back a pace or two, and looked at Marie.

“You have grown rich in a very short time,” he said, in a tone of ill-disguised bitterness.

“Montauran,” she continued, “will make you a better offer still for his ransom. Now, then, prove to me that you have the means of guaranteeing him from all danger and – ”

“Can’t you send him away the moment he arrives?” cried Corentin, suddenly. “Hulot does not know he is coming, and – ” He stopped as if he had said too much. “But how absurd that you should ask me how to play a trick,” he said, with an easy laugh. “Now listen, Marie, I do feel certain of your loyalty. Promise me a compensation for all I lose in furthering your wishes, and I will make that old fool of a commandant so unsuspicious that the marquis will be as safe at Fougeres as at Saint-James.”

“Yes, I promise it,” said the girl, with a sort of solemnity.

“No, not in that way,” he said, “swear it by your mother.”

Mademoiselle de Verneuil shuddered; raising a trembling hand she made the oath required by the man whose tone to her had changed so suddenly.

“You can command me,” he said; “don’t deceive me again, and you shall have reason to bless me to-night.”

“I will trust you, Corentin,” cried Mademoiselle de Verneuil, much moved. She bowed her head gently towards him and smiled with a kindness not unmixed with surprise, as she saw an expression of melancholy tenderness on his face.

“What an enchanting creature!” thought Corentin, as he left the house. “Shall I ever get her as a means to fortune and a source of delight? To fling herself at my feet! Oh, yes, the marquis shall die! If I can’t get that woman in any other way than by dragging her through the mud, I’ll sink her in it. At any rate,” he thought, as he reached the square unconscious of his steps, “she no longer distrusts me. Three hundred thousand francs down! she thinks me grasping! Either the offer was a trick or she is already married to him.”

Corentin, buried in thought, was unable to come to a resolution. The fog which the sun had dispersed at mid-day was now rolling thicker and thicker, so that he could hardly see the trees at a little distance.

“That’s another piece of ill-luck,” he muttered, as he turned slowly homeward. “It is impossible to see ten feet. The weather protects the lovers. How is one to watch a house in such a fog? Who goes there?” he cried, catching the arm of a boy who seemed to have clambered up the dangerous rocks which made the terrace of the Promenade.

“It is I,” said a childish voice.

“Ah! the boy with the bloody foot. Do you want to revenge your father?” said Corentin.

“Yes,” said the child.

“Very good. Do you know the Gars?”

“Yes.”

“Good again. Now, don’t leave me except to do what I bid you, and you will obey your mother and earn some big sous – do you like sous?”