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The Mediterranean: Its Storied Cities and Venerable Ruins
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The Mediterranean: Its Storied Cities and Venerable Ruins

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The Mediterranean: Its Storied Cities and Venerable Ruins

But in 1884 a fire broke out in the shrine itself, which wrecked almost irreparably the sumptuous edifice. The statue of the Virgin still crowns the façade, to be sure, and the chapel still shows up bravely from a modest distance; but within, all the glory has faded away, and the interior of the church is no longer accessible. Nevertheless, the visitor who stands upon the platform in front of the doorway and gazes down upon the splendid panoramic view that stretches before him in the vale beneath, will hardly complain of having had his stiff pull uphill for nothing. Except the view of Montreal and the St. Lawrence River from Mont Royal Mountain, I hardly know a town view in the world to equal that from Notre Dame de la Garde, for beauty and variety, on a clear spring morning.

Close at our feet lies the city itself, filling up the whole wide valley with its mass, and spreading out long arms of faubourg, or roadway, up the lateral openings. Beyond rise the great white limestone hills, dotted about like mushrooms, with their glittering bastides. In front lies the sea – the blue Mediterranean – with that treacherous smile which has so often deceived us all the day before we trusted ourselves too rashly, with ill-deserved confidence, upon its heaving bosom. Near the shore the waves chafe the islets and the Château d’If; then come the Old Port and the busy bassins; and, beyond them all, the Chain of Estaques, rising grim and gray in serrated outline against the western horizon. A beautiful prospect though barren and treeless, for nowhere in the world are mountains barer than those great white guardians of the Provençal seaboard.

The fortress that overhangs the Old Port at our feet itself deserves a few passing words of polite notice; for it is the Fort St. Nicolas, the one link in his great despotic chain by which Louis Quatorze bound recalcitrant Marseilles to the throne of the Tuileries. The town – like all great commercial towns – had always clung hard to its ancient liberties. Ever rebellious when kings oppressed, it was a stronghold of the Fronde; and when Louis at last made his entry perforce into the malcontent city, it was through a breach he had effected in the heavy ramparts. The king stood upon this commanding spot, just above the harbor, and, gazing landward, asked the citizens round him how men called those little square boxes which he saw dotted about over the sunlit hillsides. “We call them bastides, sire,” answered a courtly Marseillais. “Every citizen of our town has one.” “Moi aussi, je veux avoir ma bastide à Marseille,” cried the theatrical monarch, and straightway gave orders for building the Fort St. Nicolas: so runs the tale that passes for history. But as the fort stands in the very best possible position, commanding the port, and could only have been arranged for after consultation with the engineers of the period – it was Vauban who planned it – I fear we must set down Louis’s bon mot as one of those royal epigrams which has been carefully prepared and led up to beforehand.

In every town, however, it is a favorite theory of mine that the best of all sights is the town itself: and nowhere on earth is this truism truer than here at Marseilles. After one has climbed Notre Dame, and explored the Prado and smiled at the Château d’Eau and stood beneath the frowning towers of St. Victor, one returns once more with real pleasure and interest to the crowded Cannebière and sees the full tide of human life flow eagerly on down that picturesque boulevard. That, after all, is the main picture that Marseilles always leaves photographed on the visitor’s memory. How eager, how keen, how vivacious is the talk; how fiery the eyes; how emphatic the gesture! With what teeming energy, with what feverish haste, the great city pours forth its hurrying thousands! With what endless spirit they move up and down in endless march upon its clattering pavements! Circulez, messieurs, circulez: and they do just circulate! From the Quai de la Fraternité to the Allées de Meilhan, what mirth and merriment, what life and movement! In every café, what warm southern faces! At every shop-door, what quick-witted, sharp-tongued, bartering humanity! I have many times stopped at Marseilles, on my way hither and thither round this terraqueous globe, farther south or east; but I never stop there without feeling once more the charm and interest of its strenuous personality. There is something of Greek quickness and Greek intelligence left even now about the old Phocæan colony. A Marseillais crowd has to this very day something of the sharp Hellenic wit; and I believe the rollicking humor of Aristophanes would be more readily seized by the public of the Alcazar than by any other popular audience in modern Europe.

“Bon chien chasse de race,” and every Marseillais is a born Greek and a born littérateur. Is it not partly to this old Greek blood, then, that we may set down the long list of distinguished men who have drawn their first breath in the Phocæan city? From the days of the Troubadours, Raymond des Tours and Barral des Baux, Folquet, and Rostang, and De Salles, and Bérenger, through the days of D’Urfé, and Mascaron, and Barbaroux, and De Pastoret, to the days of Méry, and Barthélemy, and Taxile Delord, and Joseph Autran, Marseilles has always been rich in talent. It is enough to say that her list of great men begins with Petronius Arbiter, and ends with Thiers, to show how long and diversely she has been represented in her foremost citizens. Surely, then, it is not mere fancy to suppose that in all this the true Hellenic blood has counted for something! Surely it is not too much to believe that with the Greek profile and the Greek complexion the inhabitants have still preserved to this day some modest measure of the quick Greek intellect, the bright Greek fancy, and the plastic and artistic Greek creative faculty! I love to think it, for Marseilles is dear to me; especially when I land there after a sound sea-tossing.

Unlike many of the old Mediterranean towns, too, Marseilles has not only a past but also a future. She lives and will live. In the middle of the past century, indeed, it might almost have seemed to a careless observer as if the Mediterranean were “played out.” And so in part, no doubt, it really is; the tracks of commerce and of international intercourse have shifted to wider seas and vaster waterways. We shall never again find that inland basin ringed round by a girdle of the great merchant cities that do the carrying trade and finance of the world. Our area has widened, so that New York, Rio, San Francisco, Yokohama, Shanghai, Calcutta, Bombay, and Melbourne have taken the place of Syracuse, Alexandria, Tyre, and Carthage, of Florence, Genoa, Venice, and Constantinople. But in spite of this cramping change, this degradation of the Mediterranean from the center of the world into a mere auxiliary or side-avenue of the Atlantic, a certain number of Mediterranean ports have lived on uninterruptedly by force of position from one epoch into the other. Venice has had its faint revival of recent years; Trieste has had its rise; Barcelona, Algiers, Smyrna, Odessa, have grown into great harbors for cosmopolitan traffic. Of this new and rejuvenescent Mediterranean, girt round by the fresh young nationalities of Italy and the Orient, and itself no longer an inland sea, but linked by the Suez Canal with the Indian Ocean and so turned into the main highway of the nations between East and West, Marseilles is still the key and the capital. That proud position the Phocæan city is not likely to lose. And as the world is wider now than ever, the new Marseilles is perforce a greater and a wealthier town than even the old one in its proudest days. Where tribute came once from the North African, Levantine, and Italian coasts alone, it comes now from every shore of Europe, Asia, Africa, and America, with Australia and the Pacific Isles thrown in as an afterthought. Regions Cæsar never knew enrich the good Greeks of the Quai de la Fraternité: brown, black, and yellow men whom his legions never saw send tea and silk, cotton, corn, and tobacco to the crowded warehouses of the Cannebière and the Rue de la République.

VI

NICE

The Queen of the Riviera – The Port of Limpia – Castle Hill – Promenade des Anglais – The Carnival and Battle of Flowers – Place Masséna, the center of business – Beauty of the suburbs – The road to Monte Carlo – The quaintly picturesque town of Villefranche – Aspects of Nice and its environs.

Who loves not Nice, knows it not. Who knows it, loves it. I admit it is windy, dusty, gusty. I allow it is meretricious, fashionable, vulgar. I grant its Carnival is a noisy orgy, its Promenade a meeting place for all the wealthiest idlers of Europe or America, and its clubs more desperate than Monte Carlo itself in their excessive devotion to games of hazard. And yet, with all its faults, I love it still. Yes, deliberately love it; for nothing that man has done or may ever do to mar its native beauty can possibly deface that beauty itself as God made it. Nay, more, just because it is Nice, we can readily pardon it these obvious faults and minor blemishes. The Queen of the Riviera, with all her coquettish little airs and graces, pleases none the less, like some proud and haughty girl in court costume, partly by reason of that very finery of silks and feathers which we half-heartedly deprecate. If she were not herself, she would be other than she is. Nice is Nice, and that is enough for us.

Was ever town more graciously set, indeed, in more gracious surroundings? Was ever pearl girt round with purer emeralds? On every side a vast semicircle of mountains hems it in, among which the bald and naked summit of the Mont Cau d’Aspremont towers highest and most conspicuous above its darkling compeers. In front the blue Mediterranean, that treacherous Mediterranean all guile and loveliness, smiles with myriad dimples to the clear-cut horizon. Eastward, the rocky promontories of the Mont Boron and the Cap Ferrat jut boldly out into the sea with their fringe of white dashing breakers. Westward, the longer and lower spit of the point of Antibes bounds the distant view, with the famous pilgrimage chapel of Notre Dame de la Garoupe just dimly visible on its highest knoll against the serrated ridge of the glorious Esterel in the background. In the midst of all nestles Nice itself, the central gem in that coronet of mountains. There are warmer and more sheltered nooks on the Riviera, I will allow: there can be none more beautiful. Mentone may surpass it in the charm of its mountain paths and innumerable excursions; Cannes in the rich variety of its nearer walks and drives; but for mingled glories of land and sea, art and nature, antiquity and novelty, picturesqueness and magnificence, Nice still stands without a single rival on all that enchanted coast that stretches its long array of cities and bays between Marseilles and Genoa. There are those, I know, who run down Nice as commonplace and vulgarized. But then they can never have strayed one inch, I feel sure, from the palm-shaded trottoir of the Promenade des Anglais. If you want Italian mediævalism, go to the Old Town; if you want quaint marine life, go to the good Greek port of Limpia; if you want a grand view of sea and land and snow mountains in the distance, go to the Castle Hill; if you want the most magnificent panorama in the whole of Europe, go to the summit of the Corniche Road. No, no; these brawlers disturb our pure worship. We have only one Nice, let us make the most of it.

It is so easy to acquire a character for superiority by affecting to criticize what others admire. It is so easy to pronounce a place vulgar and uninteresting by taking care to see only the most vulgar and uninteresting parts of it. But the old Rivieran who knows his Nice well, and loves it dearly, is troubled rather by the opposite difficulty. Where there is so much to look at and so much to describe, where to begin? what to omit? how much to glide over? how much to insist upon? Language fails him to give a conception of this complex and polychromatic city in a few short pages to anyone who knows it by name alone as the cosmopolitan winter capital of fashionable seekers after health and pleasure. It is that, indeed, but it is so much more that one can never tell it.

For there are at least three distinct Nices, Greek, Italian, French; each of them beautiful in its own way, and each of them interesting for its own special features. To the extreme east, huddled in between the Mont Boron and the Castle Hill, lies the seafaring Greek town, the most primitive and original Nice of all; the home of the fisher-folk and the petty coasting sailors; the Nicæa of the old undaunted Phocæan colonists; the Nizza di Mare of modern Italians; the mediæval city; the birthplace of Garibaldi. Divided from this earliest Nice by the scarped rock on whose summit stood the château of the Middle Ages, the eighteenth century Italian town (the Old Town as tourists nowadays usually call it, the central town of the three) occupies the space between the Castle Hill and the half dry bed of the Paillon torrent. Finally, west of the Paillon, again, the modern fashionable pleasure resort extends its long line of villas, hotels, and palaces in front of the sea to the little stream of the Magnan on the road to Cannes, and stretches back in endless boulevards and avenues and gardens to the smiling heights of Cimiez and Carabacel. Every one of these three towns, “in three different ages born,” has its own special history and its own points of interest. Every one of them teems with natural beauty, with picturesque elements, and with varieties of life, hard indeed to discover elsewhere.

The usual guide-book way to attack Nice is, of course, the topsy-turvey one, to begin at the Haussmannised white façades of the Promenade des Anglais and work backwards gradually through the Old Town to the Port of Limpia and the original nucleus that surrounds its quays. I will venture, however, to disregard this time-honored but grossly unhistorical practice, and allow the reader and myself, for once in our lives, to “begin at the beginning.” The Port of Limpia, then, is, of course, the natural starting point and prime original of the very oldest Nice. Hither, in the fifth century before the Christian era, the bold Phocæan settlers of Marseilles sent out a little colony, which landed in the tiny land-locked harbor and called the spot Nicæa (that is to say, the town of victory) in gratitude for their success against its rude Ligurian owners. For twenty-two centuries it has retained that name almost unchanged, now perhaps, the only memento still remaining of its Greek origin. During its flourishing days as a Hellenic city Nicæa ranked among the chief commercial entrepôts of the Ligurian coast; but when “the Province” fell at last into the hands of the Romans, and the dictator Cæsar favored rather the pretensions of Cemenelum or Cimiez on the hill-top in the rear, the town that clustered round the harbor of Limpia became for a time merely the port of its more successful inland rival. Cimiez still possesses its fine ruined Roman amphitheater and baths, besides relics of temples and some other remains of the imperial period; but the “Quartier du Port,” the ancient town of Nice itself, is almost destitute of any architectural signs of its antique greatness.

Nevertheless, the quaint little seafaring village that clusters round the harbor, entirely cut off as it is by the ramping crags of the Castle Hill from its later representative, the Italianized Nice of the last century, may fairly claim to be the true Nice of history, the only spot that bore that name till the days of the Bourbons. Its annals are far too long and far too eventful to be narrated here in full. Goths, Burgundians, Lombards, and Franks disputed for it in turn, as the border fortress between Gaul and Italy; and that familiar round white bastion on the eastern face of the Castle Hill, now known to visitors as the Tour Bellanda, and included (such is fate!) as a modern belvedere in the grounds of the comfortable Pension Suisse, was originally erected in the fifth century after Christ to protect the town from the attacks of these insatiable invaders. But Nice had its consolations, too, in these evil days, for when the Lombards at last reduced the hill fortress of Cimiez, the Roman town, its survivors took refuge from their conquerors in the city by the port, which thus became once more, by the fall of its rival, unquestioned mistress of the surrounding littoral.

The after story of Nice is confused and confusing. Now a vassal of the Frankish kings; now again a member of the Genoese league; now engaged in a desperate conflict with the piratical Saracens; and now constituted into a little independent republic on the Italian model; Nizza struggled on against an adverse fate as a fighting-ground of the races, till it fell finally into the hands of the Counts of Savoy, to whom it owes whatever little still remains of the mediæval castle. Continually changing hands between France and the kingdom of Sardinia in later days, it was ultimately made over to Napoleon III. by the Treaty of Villafranca, and is now completely and entirely Gallicized. The native dialect, however, remains even to the present day an intermediate form between Provençal and Italian, and is freely spoken (with more force than elegance) in the Old Town and around the enlarged modern basins of the Port of Limpia. Indeed, for frankness of expression and perfect absence of any false delicacy, the ladies of the real old Greek Nice surpass even their London compeers at Billingsgate.

One of the most beautiful and unique features of Nice at the present day is the Castle Hill a mass of solid rearing rock, not unlike its namesake at Edinburgh in position, intervening between the Port and the eighteenth century town, to which latter I will in future allude as the Italian city. It is a wonderful place, that Castle Hill – wonderful alike by nature, art, and history, and I fear I must also add at the same time “uglification.” In earlier days it bore on its summit or slopes the château fort of the Counts of Provence with the old cathedral and archbishop’s palace (now wholly destroyed), and the famous deep well, long ranked among the wonders of the world in the way of engineering. But military necessity knows no law; the cathedral gave place in the fifteenth century to the bastions of the Duke of Savoy’s new-fangled castle; the castle itself in turn was mainly battered down in 1706 by the Duke of Berwick; and of all its antiquities none now remain save the Tour Bellanda, in its degraded condition of belvedere, and the scanty ground-plan of the mediæval buildings.

Nevertheless, the Castle Hill is still one of the loveliest and greenest spots in Nice. A good carriage road ascends it to the top by leafy gradients, and leads to an open platform on the summit, now converted into charming gardens, rich with palms and aloes and cactuses and bright southern flowers. On one side, alas! a painfully artificial cataract, fed from the overflow of the waterworks, falls in stiff cascades among hand-built rockwork; but even that impertinent addition to the handicraft of nature can hardly offend the visitor for long among such glorious surroundings. For the view from the summit is one of the grandest in all France. The eye ranges right and left over a mingled panorama of sea and mountains, scarcely to be equaled anywhere round the lovely Mediterranean, save on the Ligurian coast and the neighborhood of Sorrento. Southward lies the blue expanse of water itself, bounded only in very clear and cloudless weather by the distant peaks of Corsica on the doubtful horizon. Westward, the coast-line includes the promontory of Antibes, basking low on the sea, the Iles Lérins near Cannes, the mouth of the Var, and the dim-jagged ridge of the purple Esterel. Eastward, the bluff headland of the Mont Boron, grim and brown, blocks the view towards Italy. Close below the spectator’s feet the three distinct towns of Nice gather round the Port and the two banks of the Paillon, spreading their garden suburbs, draped in roses and lemon groves, high up the spurs of the neighboring mountains. But northward a tumultuous sea of Alps rises billow-like to the sky, the nearer peaks frowning bare and rocky, while the more distant domes gleam white with virgin snow. It is a sight, once seen, never to be forgotten. One glances around entranced, and murmurs to oneself slowly, “It is good to be here.” Below, the carriages are rolling like black specks along the crowded Promenade, and the band is playing gaily in the Public Garden; but up there you look across to the eternal hills, and feel yourself face to face for one moment with the Eternities behind them.

One may descend from the summit either by the ancient cemetery or by the Place Garibaldi, through bosky gardens of date-palm, fan-palm, and agave. Cool winding alleys now replace the demolished ramparts, and lovely views open out on every side as we proceed over the immediate foreground.

At the foot of the Castle Hill, a modern road, hewn in the solid rock round the base of the seaward escarpment, connects the Greek with the Italian town. The angle where it turns the corner, bears on native lips the quaint Provençal or rather Niçois name of Raüba Capeu or Rob-hat Point, from the common occurrence of sudden gusts of wind, which remove the unsuspecting Parisian headgear with effective rapidity, to the great joy of the observant gamins. Indeed, windiness is altogether the weak point of Nice, viewed as a health-resort; the town lies exposed in the open valley of the Paillon, down whose baking bed the mistral, that scourge of Provence, sweeps with violent force from the cold mountain-tops in the rear; and so it cannot for a moment compete in point of climate with Cannes, Monte Carlo, Mentone or San Remo, backed up close behind by their guardian barrier of sheltering hills. But not even the mistral can make those who love Nice love her one atom the less. Her virtues are so many that a little wholesome bluster once in a while may surely be forgiven her. And yet the dust does certainly rise in clouds at times from the Promenade des Anglais.

The Italian city, which succeeds next in order, is picturesque and old-fashioned, but is being daily transformed and Gallicized out of all knowledge by its modern French masters. It dates back mainly to the seventeenth and eighteenth centuries, when the population became too dense for the narrow limits of the small Greek town, and began to overflow, behind the Castle Hill, on to the eastern banks of the Paillon torrent. The sea-front in this quarter, now known as the Promenade du Midi, has been modernized into a mere eastward prolongation of the Promenade des Anglais, of which “more anon;” but the remainder of the little triangular space between the Castle Hill and the river-bed still consists of funny narrow Italian lanes, dark, dense, and dingy, from whose midst rises the odd and tile-covered dome of the cathedral of St. Réparate. That was the whole of Nice as it lived and moved till the beginning of this century; the real Nice of to-day, the Nice of the tourist, the invalid, and the fashionable world, the Nice that we all visit or talk about, is a purely modern accretion of some half-dozen decades.

This wonderful modern town, with its stately sea-front, its noble quays, its dainty white villas, its magnificent hotels, and its Casino, owes its existence entirely to the vogue which the coast has acquired in our own times as a health-resort for consumptives. As long ago as Smollett’s time, the author of “Roderick Random” remarks complacently that an acquaintance, “understanding I intended to winter in the South of France, strongly recommended the climate of Nice in Provence, which indeed I had often heard extolled,” as well he might have done. But in those days visitors had to live in the narrow and dirty streets of the Italian town, whose picturesqueness itself can hardly atone for their unwholesome air and their unsavory odors. It was not till the hard winters of 1822-23-24 that a few kind-hearted English residents, anxious to find work for the starving poor, began the construction of a sea-road beyond the Paillon, which still bears the name of the Promenade des Anglais. Nice may well commemorate their deed to this day, for to them she owes as a watering-place her very existence.

The western suburb, thus pushed beyond the bed of the boundary torrent, has gradually grown in wealth and prosperity till it now represents the actual living Nice of the tourist and the winter resident. But how to describe that gay and beautiful city; that vast agglomeration of villas, pensions, hotels, and clubs; that endless array of sun-worshipers gathered together to this temple of the sun from all the four quarters of the habitable globe? The sea-front consists of the Promenade des Anglais itself, which stretches in an unbroken line of white and glittering houses, most of them tasteless, but all splendid and all opulent, from the old bank of the Paillon to its sister torrent, the Magnan, some two miles away. On one side the villas front the shore with their fantastic façades; on the other side a walk, overshadowed with date-palms and purple-flowering judas-trees, lines the steep shingle beach of the tideless sea.

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