Through the Magic Door

X

I don't know how those two little books got in there. They are Henley's "Song of the Sword" and "Book of Verses." They ought to be over yonder in the rather limited Poetry Section. Perhaps it is that I like his work so, whether it be prose or verse, and so have put them ready to my hand. He was a remarkable man, a man who was very much greater than his work, great as some of his work was. I have seldom known a personality more magnetic and stimulating. You left his presence, as a battery leaves a generating station, charged up and full. He made you feel what a lot of work there was to be done, and how glorious it was to be able to do it, and how needful to get started upon it that very hour. With the frame and the vitality of a giant he was cruelly bereft of all outlet for his strength, and so distilled it off in hot words, in warm sympathy, in strong prejudices, in all manner of human and stimulating emotions. Much of the time and energy which might have built an imperishable name for himself was spent in encouraging others; but it was not waste, for he left his broad thumb-mark upon all that passed beneath it. A dozen second-hand Henleys are fortifying our literature to-day.

Alas that we have so little of his very best! for that very best was the finest of our time. Few poets ever wrote sixteen consecutive lines more noble and more strong than those which begin with the well-known quatrain –

"Out of the night that covers me, Black as the pit from Pole to Pole, I thank whatever Gods there be For my unconquerable soul."

It is grand literature, and it is grand pluck too; for it came from a man who, through no fault of his own, had been pruned, and pruned again, like an ill-grown shrub, by the surgeon's knife. When he said –

"In the fell clutch of Circumstance I have not winced nor cried aloud, Beneath the bludgeonings of Chance My head is bloody but unbowed."

It was not what Lady Byron called "the mimic woe" of the poet, but it was rather the grand defiance of the Indian warrior at the stake, whose proud soul can hold in hand his quivering body.

There were two quite distinct veins of poetry in Henley, each the very extreme from the other. The one was heroic, gigantic, running to large sweeping images and thundering words. Such are the "Song of the Sword" and much more that he has written, like the wild singing of some Northern scald. The other, and to my mind both the more characteristic and the finer side of his work, is delicate, precise, finely etched, with extraordinarily vivid little pictures drawn in carefully phrased and balanced English. Such are the "Hospital Verses," while the "London Voluntaries" stand midway between the two styles. What! you have not read the "Hospital Verses!" Then get the "Book of Verses" and read them without delay. You will surely find something there which, for good or ill, is unique. You can name – or at least I can name – nothing to compare it with. Goldsmith and Crabbe have written of indoor themes; but their monotonous, if majestic metre, wearies the modern reader. But this is so varied, so flexible, so dramatic. It stands by itself. Confound the weekly journals and all the other lightning conductors which caused such a man to pass away, and to leave a total output of about five booklets behind him!

However, all this is an absolute digression, for the books had no business in this shelf at all. This corner is meant for chronicles of various sorts. Here are three in a line, which carry you over a splendid stretch of French (which usually means European) history, each, as luck would have it, beginning just about the time when the other leaves off. The first is Froissart, the second de Monstrelet, and the third de Comines. When you have read the three you have the best contemporary account first hand of considerably more than a century – a fair slice out of the total written record of the human race.

Froissart is always splendid. If you desire to avoid the mediaeval French, which only a specialist can read with pleasure, you can get Lord Berners' almost equally mediaeval, but very charming English, or you can turn to a modern translation, such as this one of Johnes. A single page of Lord Berners is delightful; but it is a strain, I think, to read bulky volumes in an archaic style. Personally, I prefer the modern, and even with that you have shown some patience before you have reached the end of that big second tome.

I wonder whether, at the time, the old Hainault Canon had any idea of what he was doing – whether it ever flashed across his mind that the day might come when his book would be the one great authority, not only about the times in which he lived, but about the whole institution of chivalry? I fear that it is far more likely that his whole object was to gain some mundane advantage from the various barons and knights whose names and deeds be recounts. He has left it on record, for example, that when he visited the Court of England he took with him a handsomely-bound copy of his work; and, doubtless, if one could follow the good Canon one would find his journeys littered with similar copies which were probably expensive gifts to the recipient, for what return would a knightly soul make for a book which enshrined his own valour?

But without looking too curiously into his motives, it must be admitted that the work could not have been done more thoroughly. There is something of Herodotus in the Canon's cheery, chatty, garrulous, take-it-or-leave-it manner. But he has the advantage of the old Greek in accuracy. Considering that he belonged to the same age which gravely accepted the travellers' tales of Sir John Maundeville, it is, I think, remarkable how careful and accurate the chronicler is. Take, for example, his description of Scotland and the Scotch. Some would give the credit to Jean-le-Bel, but that is another matter. Scotch descriptions are a subject over which a fourteenth-century Hainaulter might fairly be allowed a little scope for his imagination. Yet we can see that the account must on the whole have been very correct. The Galloway nags, the girdle-cakes, the bagpipes – every little detail rings true. Jean-le-Bel was actually present in a Border campaign, and from him Froissart got his material; but he has never attempted to embroider it, and its accuracy, where we can to some extent test it, must predispose us to accept his accounts where they are beyond our confirmation.

But the most interesting portion of old Froissart's work is that which deals with the knights and the knight-errants of his time, their deeds, their habits, their methods of talking. It is true that he lived himself just a little after the true heyday of chivalry; but he was quite early enough to have met many of the men who had been looked upon as the flower of knighthood of the time. His book was read too, and commented on by these very men (as many of them as could read), and so we may take it that it was no fancy portrait, but a correct picture of these soldiers which is to be found in it. The accounts are always consistent. If you collate the remarks and speeches of the knights (as I have had occasion to do) you will find a remarkable uniformity running through them. We may believe then that this really does represent the kind of men who fought at Crecy and at Poictiers, in the age when both the French and the Scottish kings were prisoners in London, and England reached a pitch of military glory which has perhaps never been equalled in her history.

In one respect these knights differ from anything which we have had presented to us in our historical romances. To turn to the supreme romancer, you will find that Scott's mediaeval knights were usually muscular athletes in the prime of life: Bois-Guilbert, Front-de-Boeuf, Richard, Ivanhoe, Count Robert – they all were such. But occasionally the most famous of Froissart's knights were old, crippled and blinded. Chandos, the best lance of his day, must have been over seventy when he lost his life through being charged upon the side on which he had already lost an eye. He was well on to that age when he rode out from the English army and slew the Spanish champion, big Marten Ferrara, upon the morning of Navaretta. Youth and strength were very useful, no doubt, especially where heavy armour had to be carried, but once on the horse's back the gallant steed supplied the muscles. In an English hunting-field many a doddering old man, when he is once firmly seated in his familiar saddle, can give points to the youngsters at the game. So it was among the knights, and those who had outlived all else could still carry to the wars their wiliness, their experience with arms, and, above all, their cool and undaunted courage.

Beneath his varnish of chivalry, it cannot be gainsayed that the knight was often a bloody and ferocious barbarian. There was little quarter in his wars, save when a ransom might be claimed. But with all his savagery, he was a light-hearted creature, like a formidable boy playing a dreadful game. He was true also to his own curious code, and, so far as his own class went, his feelings were genial and sympathetic, even in warfare. There was no personal feeling or bitterness as there might be now in a war between Frenchmen and Germans. On the contrary, the opponents were very softspoken and polite to each other. "Is there any small vow of which I may relieve you?" "Would you desire to attempt some small deed of arms upon me?" And in the midst of a fight they would stop for a breather, and converse amicably the while, with many compliments upon each other's prowess. When Seaton the Scotsman had exchanged as many blows as he wished with a company of French knights, he said, "Thank you, gentlemen, thank you!" and galloped away. An English knight made a vow, "for his own advancement and the exaltation of his lady," that he would ride into the hostile city of Paris, and touch with his lance the inner barrier. The whole story is most characteristic of the times. As he galloped up, the French knights around the barrier, seeing that he was under vow, made no attack upon him, and called out to him that he had carried himself well. As he returned, however, there stood an unmannerly butcher with a pole-axe upon the side-walk, who struck him as he passed, and killed him. Here ends the chronicler; but I have not the least doubt that the butcher had a very evil time at the hands of the French knights, who would not stand by and see one of their own order, even if he were an enemy, meet so plebeian an end.

De Comines, as a chronicler, is less quaint and more conventional than Froissart, but the writer of romance can dig plenty of stones out of that quarry for the use of his own little building. Of course Quentin Durward has come bodily out of the pages of De Comines. The whole history of Louis XI and his relations with Charles the Bold, the strange life at Plessis-le-Tours, the plebeian courtiers, the barber and the hangman, the astrologers, the alternations of savage cruelty and of slavish superstition – it is all set forth here. One would imagine that such a monarch was unique, that such a mixture of strange qualities and monstrous crimes could never be matched, and yet like causes will always produce like results. Read Walewski's "Life of Ivan the Terrible," and you will find that more than a century later Russia produced a monarch even more diabolical, but working exactly on the same lines as Louis, even down to small details. The same cruelty, the same superstition, the same astrologers, the same low-born associates, the same residence outside the influence of the great cities – a parallel could hardly be more complete. If you have not supped too full of horrors when you have finished Ivan, then pass on to the same author's account of Peter the Great. What a land! What a succession of monarchs! Blood and snow and iron! Both Ivan and Peter killed their own sons. And there is a hideous mockery of religion running through it all which gives it a grotesque horror of its own. We have had our Henry the Eighth, but our very worst would have been a wise and benevolent rule in Russia.

Talking of romance and of chivalry, that tattered book down yonder has as much between its disreputable covers as most that I know. It is Washington Irving's "Conquest of Granada." I do not know where he got his material for this book – from Spanish Chronicles, I presume – but the wars between the Moors and the Christian knights must have been among the most chivalrous of exploits. I could not name a book which gets the beauty and the glamour of it better than this one, the lance-heads gleaming in the dark defiles, the red bale fires glowing on the crags, the stern devotion of the mail-clad Christians, the debonnaire and courtly courage of the dashing Moslem. Had Washington Irving written nothing else, that book alone should have forced the door of every library. I love all his books, for no man wrote fresher English with a purer style; but of them all it is still "The Conquest of Granada" to which I turn most often.

To hark back for a moment to history as seen in romances, here are two exotics side by side, which have a flavour that is new. They are a brace of foreign novelists, each of whom, so far as I know, has only two books. This green-and-gold volume contains both the works of the Pomeranian Meinhold in an excellent translation by Lady Wilde. The first is "Sidonia the Sorceress," the second, "The Amber Witch." I don't know where one may turn for a stranger view of the Middle Ages, the quaint details of simple life, with sudden intervals of grotesque savagery. The most weird and barbarous things are made human and comprehensible. There is one incident which haunts one after one has read it, where the executioner chaffers with the villagers as to what price they will give him for putting some young witch to the torture, running them up from a barrel of apples to a barrel and a half, on the grounds that he is now old and rheumatic, and that the stooping and straining is bad for his back. It should be done on a sloping hill, he explains, so that the "dear little children" may see it easily. Both "Sidonia" and "The Amber Witch" give such a picture of old Germany as I have never seen elsewhere.

But Meinhold belongs to a bygone generation. This other author, in whom I find a new note, and one of great power, is Merejkowski, who is, if I mistake not, young and with his career still before him. "The Forerunner" and "The Death of the Gods" are the only two books of his which I have been able to obtain, but the pictures of Renaissance Italy in the one, and of declining Rome in the other, are in my opinion among the masterpieces of fiction. I confess that as I read them I was pleased to find how open my mind was to new impressions, for one of the greatest mental dangers which comes upon a man as he grows older is that he should become so attached to old favourites that he has no room for the new-comer, and persuades himself that the days of great things are at an end because his own poor brain is getting ossified. You have but to open any critical paper to see how common is the disease, but a knowledge of literary history assures us that it has always been the same, and that if the young writer is discouraged by adverse comparisons it has been the common lot from the beginning. He has but one resource, which is to pay no heed to criticism, but to try to satisfy his own highest standard and leave the rest to time and the public. Here is a little bit of doggerel, pinned, as you see, beside my bookcase, which may in a ruffled hour bring peace and guidance to some younger brother –

"Critics kind – never mind! Critics flatter – no matter! Critics blame – all the same! Critics curse – none the worse! Do your best – the rest!"

XI

I have been talking in the past tense of heroes and of knight-errants, but surely their day is not yet passed. When the earth has all been explored, when the last savage has been tamed, when the final cannon has been scrapped, and the world has settled down into unbroken virtue and unutterable dulness, men will cast their thoughts back to our age, and will idealize our romance and – our courage, even as we do that of our distant forbears. "It is wonderful what these people did with their rude implements and their limited appliances!" That is what they will say when they read of our explorations, our voyages, and our wars.

Now, take that first book on my travel shelf. It is Knight's "Cruise of the Falcon." Nature was guilty of the pun which put this soul into a body so named. Read this simple record and tell me if there is anything in Hakluyt more wonderful. Two landsmen – solicitors, if I remember right – go down to Southampton Quay. They pick up a long-shore youth, and they embark in a tiny boat in which they put to sea. Where do they turn up? At Buenos Ayres. Thence they penetrate to Paraquay, return to the West Indies, sell their little boat there, and so home. What could the Elizabethan mariners have done more? There are no Spanish galleons now to vary the monotony of such a voyage, but had there been I am very certain our adventurers would have had their share of the doubloons. But surely it was the nobler when done out of the pure lust of adventure and in answer to the call of the sea, with no golden bait to draw them on. The old spirit still lives, disguise it as you will with top hats, frock coats, and all prosaic settings. Perhaps even they also will seem romantic when centuries have blurred them.

Another book which shows the romance and the heroism which still linger upon earth is that large copy of the "Voyage of the Discovery in the Antarctic" by Captain Scott. Written in plain sailor fashion with no attempt at over-statement or colour, it none the less (or perhaps all the more) leaves a deep impression upon the mind. As one reads it, and reflects on what one reads, one seems to get a clear view of just those qualities which make the best kind of Briton. Every nation produces brave men. Every nation has men of energy. But there is a certain type which mixes its bravery and its energy with a gentle modesty and a boyish good-humour, and it is just this type which is the highest. Here the whole expedition seem to have been imbued with the spirit of their commander. No flinching, no grumbling, every discomfort taken as a jest, no thought of self, each working only for the success of the enterprise. When you have read of such privations so endured and so chronicled, it makes one ashamed to show emotion over the small annoyances of daily life. Read of Scott's blinded, scurvy-struck party staggering on to their goal, and then complain, if you can, of the heat of a northern sun, or the dust of a country road.

That is one of the weaknesses of modern life. We complain too much. We are not ashamed of complaining. Time was when it was otherwise – when it was thought effeminate to complain. The Gentleman should always be the Stoic, with his soul too great to be affected by the small troubles of life. "You look cold, sir," said an English sympathizer to a French emigre. The fallen noble drew himself up in his threadbare coat. "Sir," said he, "a gentleman is never cold." One's consideration for others as well as one's own self-respect should check the grumble. This self-suppression, and also the concealment of pain are two of the old noblesse oblige characteristics which are now little more than a tradition. Public opinion should be firmer on the matter. The man who must hop because his shin is hacked, or wring his hand because his knuckles are bruised should be made to feel that he is an object not of pity, but of contempt.

The tradition of Arctic exploration is a noble one among Americans as well as ourselves. The next book is a case in point. It is Greely's "Arctic Service," and it is a worthy shelf-companion to Scott's "Account of the Voyage of the Discovery." There are incidents in this book which one can never forget. The episode of those twenty-odd men lying upon that horrible bluff, and dying one a day from cold and hunger and scurvy, is one which dwarfs all our puny tragedies of romance. And the gallant starving leader giving lectures on abstract science in an attempt to take the thoughts of the dying men away from their sufferings – what a picture! It is bad to suffer from cold and bad to suffer from hunger, and bad to live in the dark; but that men could do all these things for six months on end, and that some should live to tell the tale, is, indeed, a marvel. What a world of feeling lies in the exclamation of the poor dying lieutenant: "Well, this is wretched," he groaned, as he turned his face to the wall.

The Anglo-Celtic race has always run to individualism, and yet there is none which is capable of conceiving and carrying out a finer ideal of discipline. There is nothing in Roman or Grecian annals, not even the lava-baked sentry at Pompeii, which gives a more sternly fine object-lesson in duty than the young recruits of the British army who went down in their ranks on the Birkenhead. And this expedition of Greely's gave rise to another example which seems to me hardly less remarkable. You may remember, if you have read the book, that even when there were only about eight unfortunates still left, hardly able to move for weakness and hunger, the seven took the odd man out upon the ice, and shot him dead for breach of discipline. The whole grim proceeding was carried out with as much method and signing of papers, as if they were all within sight of the Capitol at Washington. His offence had consisted, so far as I can remember, of stealing and eating the thong which bound two portions of the sledge together, something about as appetizing as a bootlace. It is only fair to the commander to say, however, that it was one of a series of petty thefts, and that the thong of a sledge might mean life or death to the whole party.

Personally I must confess that anything bearing upon the Arctic Seas is always of the deepest interest to me. He who has once been within the borders of that mysterious region, which can be both the most lovely and the most repellent upon earth, must always retain something of its glamour. Standing on the confines of known geography I have shot the southward flying ducks, and have taken from their gizzards pebbles which they have swallowed in some land whose shores no human foot has trod. The memory of that inexpressible air, of the great ice-girt lakes of deep blue water, of the cloudless sky shading away into a light green and then into a cold yellow at the horizon, of the noisy companionable birds, of the huge, greasy-backed water animals, of the slug-like seals, startlingly black against the dazzling whiteness of the ice – all of it will come back to a man in his dreams, and will seem little more than some fantastic dream itself, go removed is it from the main stream of his life. And then to play a fish a hundred tons in weight, and worth two thousand pounds – but what in the world has all this to do with my bookcase?

Yet it has its place in my main line of thought, for it leads me straight to the very next upon the shelf, Bullen's "Cruise of the Cachelot," a book which is full of the glamour and the mystery of the sea, marred only by the brutality of those who go down to it in ships. This is the sperm-whale fishing, an open-sea affair, and very different from that Greenland ice groping in which I served a seven-months' apprenticeship. Both, I fear, are things of the past – certainly the northern fishing is so, for why should men risk their lives to get oil when one has but to sink a pipe in the ground. It is the more fortunate then that it should have been handled by one of the most virile writers who has described a sailor's life. Bullen's English at its best rises to a great height. If I wished to show how high, I would take that next book down, "Sea Idylls."

How is this, for example, if you have an ear for the music of prose? It is a simple paragraph out of the magnificent description of a long calm in the tropics.

"A change, unusual as unwholesome, came over the bright blue of the sea. No longer did it reflect, as in a limpid mirror, the splendour of the sun, the sweet silvery glow of the moon, or the coruscating clusters of countless stars. Like the ashen-grey hue that bedims the countenance of the dying, a filmy greasy skin appeared to overspread the recent loveliness of the ocean surface. The sea was sick, stagnant, and foul, from its turbid waters arose a miasmatic vapour like a breath of decay, which clung clammily to the palate and dulled all the senses. Drawn by some strange force, from the unfathomable depths below, eerie shapes sought the surface, blinking glassily at the unfamiliar glare they had exchanged for their native gloom – uncouth creatures bedight with tasselled fringes like weed-growths waving around them, fathom-long, medusae with coloured spots like eyes clustering all over their transparent substance, wriggling worm-like forms of such elusive matter that the smallest exposure to the sun melted them, and they were not. Lower down, vast pale shadows creep sluggishly along, happily undistinguishable as yet, but adding a half-familiar flavour to the strange, faint smell that hung about us."