The Lancashire Witches: A Romance of Pendle Forest

"When ey see it, ey shanna forget it," replied Jennet. "Boh ey am nah quite so familiar wi' Owd Scrat os yo seem to suppose."

"Has it ever occurred to you that Alizon might be addicted to these practices?" pursued Potts, "and that she obtained her extraordinary and otherwise unaccountable beauty by some magical process—some charm—some diabolical unguent prepared, as the Lord Keeper of the Privy Seals, the singularly learned Lord Bacon, declares, from fat of unbaptised babes, compounded with henbane, hemlock, mandrake, moonshade, and other terrible ingredients. She could not be so beautiful without some such aid."

"That shows how little yo knoaw about it," replied Jennet. "Alizon is os good as she's protty, and dunna yo think to wheedle me into sayin' out agen her, fo' yo winna do it. Ey'd dee rayther than harm a hure o' her heaod."

"Very praiseworthy, indeed, my little dear," replied Potts, ironically. "I honour you for your sisterly affection; but, notwithstanding all this, I cannot help thinking she has bewitched Mistress Nutter."

"Licker, Mistress Nutter has bewitched her," replied Jennet.

"Then you think Mistress Nutter is a witch, eh?" cried Potts, eagerly.

"Ey'st neaw tell ye what ey think, mon," rejoined Jennet, doggedly.

"But hear me," cried Potts, "I have my own suspicions, also, nay, more than suspicions."

"If ye're shure, yo dunna want me," said Jennet.

"But I want a witness," pursued Potts, "and if you'll serve as one—"

"Whot'll ye gi' me?" said Jennet.

"Whatever you like," rejoined Potts. "Only name the sum. So you can prove the practice of witchcraft against Mistress Nutter—eh?"

Jennet nodded. "Wad ye loike to knoa why brother Jem is gone to Pendle to-neet?" she said.

"Very much, indeed," replied Potts, drawing still nearer to her. "Very much, indeed."

The little girl was about to speak, but on a sudden a sharp convulsion agitated her frame; her utterance totally failed her; and she fell back in the seat insensible.

Very much startled, Potts flew in search of some restorative, and on doing so, he perceived Mistress Nutter moving away from this part of the hall.

"She has done it," he cried. "A piece of witchcraft before my very eyes. Has she killed the child? No; she breathes, and her pulse beats, though faintly. She is only in a swoon, but a deep and deathlike one. It would be useless to attempt to revive her; she must come to in her own way, or at the pleasure of the wicked woman who has thrown her into this condition. I have now an assured witness in this girl. But I must keep watch upon Mistress Nutter's further movements."

And he walked cautiously after her.

As Richard had anticipated, his explanation was perfectly satisfactory to Dorothy; and the young lady, who had suffered greatly from the restraint she had imposed upon herself, flew to Alizon, and poured forth excuses, which were as readily accepted as they were freely made. They were instantly as great friends as before, and their brief estrangement only seemed to make them dearer to each other. Dorothy could not forgive herself, and Alizon assured her there was nothing to be forgiven, and so they took hands upon it, and promised to forget all that had passed. Richard stood by, delighted with the change, and wrapped in the contemplation of the object of his love, who, thus engaged, seemed to him more beautiful than he had ever beheld her.

Towards the close of the evening, while all three were still together. Nicholas came up and took Richard aside. The squire looked flushed; and there was an undefined expression of alarm in his countenance.

"What is the matter?" inquired Richard, dreading to hear of some new calamity.

"Have you not noticed it, Dick?" said Nicholas, in a hollow tone. "The portrait is gone."

"What portrait?" exclaimed Richard, forgetting the previous circumstances.

"The portrait of Isole de Heton," returned Nicholas, becoming more sepulchral in his accents as he proceeded; "it has vanished from the wall. See and believe."

"Who has taken it down?" cried Richard, remarking that the picture had certainly disappeared.

"No mortal hand," replied Nicholas. "It has come down of itself. I knew what would happen, Dick. I told you the fair votaress gave me the clin d'oeil—the wink. You would not believe me then—and now you see your mistake."

"I see nothing but the bare wall," said Richard.

"But you will see something anon, Dick," rejoined Nicholas, with a hollow laugh, and in a dismally deep tone. "You will see Isole herself. I was foolhardy enough to invite her to dance the brawl with me. She smiled her assent, and winked at me thus—very significantly, I protest to you—and she will be as good as her word."

"Absurd!" exclaimed Richard.

"Absurd, sayest thou—thou art an infidel, and believest nothing, Dick," cried Nicholas. "Dost thou not see that the picture is gone? She will be here presently. Ha! the brawl is called for—the very dance I invited her to. She must be in the room now. I will go in search of her. Look out, Dick. Thou wilt behold a sight presently shall make thine hair stand on end."

And he moved away with a rapid but uncertain step.

"The potent wine has confused his brain," said Richard. "I must see that no mischance befalls him."

And, waving his hand to his sister, he followed the squire, who moved on, staring inquisitively into the countenance of every pretty damsel he encountered.

Time had flown fleetly with Dorothy and Alizon, who, occupied with each other, had taken little note of its progress, and were surprised to find how quickly the hours had gone by. Meanwhile several dances had been performed; a Morisco, in which all the May-day revellers took part, with the exception of the queen herself, who, notwithstanding the united entreaties of Robin Hood and her gentleman-usher, could not be prevailed upon to join it: a trenchmore, a sort of long country-dance, extending from top to bottom of the hall, and in which the whole of the rustics stood up: a galliard, confined to the more important guests, and in which both Alizon and Dorothy were included, the former dancing, of course, with Richard, and the latter with one of her cousins, young Joseph Robinson: and a jig, quite promiscuous and unexclusive, and not the less merry on that account. In this way, what with the dances, which were of some duration—the trenchmore alone occupying more than an hour—and the necessary breathing-time between them, it was on the stroke of ten without any body being aware of it. Now this, though a very early hour for a modern party, being about the time when the first guest would arrive, was a very late one even in fashionable assemblages at the period in question, and the guests began to think of retiring, when the brawl, intended to wind up the entertainment, was called. The highest animation still prevailed throughout the company, for the generous host had taken care that the intervals between the dances should be well filled up with refreshments, and large bowls of spiced wines, with burnt oranges and crabs floating in them, were placed on the side-table, and liberally dispensed to all applicants. Thus all seemed destined to be brought to a happy conclusion.

Throughout the evening Alizon had been closely watched by Mistress Nutter, who remarked, with feelings akin to jealousy and distrust, the marked predilection exhibited by her for Richard and Dorothy Assheton, as well as her inattention to her own expressed injunctions in remaining constantly near them. Though secretly displeased by this, she put a calm face upon it, and neither remonstrated by word or look. Thus Alizon, feeling encouraged in the course she had adopted, and prompted by her inclinations, soon forgot the interdiction she had received. Mistress Nutter even went so far in her duplicity as to promise Dorothy, that Alizon should pay her an early visit at Middleton—though inwardly resolving no such visit should ever take place. However, she now received the proposal very graciously, and made Alizon quite happy in acceding to it.

"I would fain have her go back with me to Middleton when I return," said Dorothy, "but I fear you would not like to part with your newly-adopted daughter so soon; neither would it be quite fair to rob you of her. But I shall hold you to your promise of an early visit."

Mistress Nutter replied by a bland smile, and then observed to Alizon that it was time for them to retire, and that she had stayed on her account far later than she intended—a mark of consideration duly appreciated by Alizon. Farewells for the night were then exchanged between the two girls, and Alizon looked round to bid adieu to Richard, but unfortunately, at this very juncture, he was engaged in pursuit of Nicholas. Before quitting the hall she made inquiries after Jennet, and receiving for answer that she was still in the hall, but had fallen asleep in a chair at one corner of the side-table, and could not be wakened, she instantly flew thither and tried to rouse her, but in vain; when Mistress Nutter, coming up the next moment, merely touched her brow, and the little girl opened her eyes and gazed about her with a bewildered look.

"She is unused to these late hours, poor child," said Alizon. "Some one must be found to take her home."

"You need not go far in search of a convoy," said Potts, who had been hovering about, and now stepped up; "I am going to the Dragon myself, and shall be happy to take charge of her."

"You are over-officious, sir," rejoined Mistress Nutter, coldly; "when we need your assistance we will ask it. My own servant, Simon Blackadder, will see her safely home."

And at a sign from her, a tall fellow with a dark, scowling countenance, came from among the other serving-men, and, receiving his instructions from his mistress, seized Jennet's hand, and strode off with her. During all this time, Mistress Nutter kept her eyes steadily fixed on the little girl, who spoke not a word, nor replied even by a gesture to Alizon's affectionate good-night, retaining her dazed look to the moment of quitting the hall.

"I never saw her thus before," said Alizon. "What can be the matter with her?"

"I think I could tell you," rejoined Potts, glancing maliciously and significantly at Mistress Nutter.

The lady darted an ireful and piercing look at him, which seemed to produce much the same consequences as those experienced by Jennet, for his visage instantly elongated, and he sank back in a chair.

"Oh dear!" he cried, putting his hand to his head; "I'm struck all of a heap. I feel a sudden qualm—a giddiness—a sort of don't-know-howishness. Ho, there! some aquavitæ—or imperial water—or cinnamon water—or whatever reviving cordial may be at hand. I feel very ill—very ill, indeed—oh dear!"

While his requirements were attended to, Mistress Nutter moved away with her daughter; but they had not proceeded far when they encountered Richard, who, having fortunately descried them, came up to say good-night.

The brawl, meanwhile, had commenced, and the dancers were whirling round giddily in every direction, somewhat like the couples in a grand polka, danced after a very boisterous, romping, and extravagant fashion.

"Who is Nicholas dancing with?" asked Mistress Nutter suddenly.

"Is he dancing with any one?" rejoined Richard, looking amidst the crowd.

"Do you not see her?" said Mistress Nutter; "a very beautiful woman with flashing eyes: they move so quickly, that I can scarce discern her features; but she is habited like a nun."

"Like a nun!" cried Richard, his blood growing chill in his veins. "'Tis she indeed, then! Where is he?"

"Yonder, yonder, whirling madly round," replied Mistress Nutter.

"I see him now," said Richard, "but he is alone. He has lost his wits to dance in that strange manner by himself. How wild, too, is his gaze!"

"I tell you he is dancing with a very beautiful woman in the habit of a nun," said Mistress Nutter. "Strange I should never have remarked her before. No one in the room is to be compared with her in loveliness—not even Alizon. Her eyes seem to flash fire, and she bounds like the wild roe."

"Does she resemble the portrait of Isole de Heton?" asked Richard, shuddering.

"She does—she does," replied Mistress Nutter. "See! she whirls past us now."

"I can see no one but Nicholas," cried Richard.

"Nor I," added Alizon, who shared in the young man's alarm.

"Are you sure you behold that figure?" said Richard, drawing Mistress Nutter aside, and breathing the words in her ear. "If so, it is a phantom—or he is in the power of the fiend. He was rash enough to invite that wicked votaress, Isole de Heton, condemned, it is said, to penal fires for her earthly enormities, to dance with him, and she has come."

"Ha!" exclaimed Mistress Nutter.

"She will whirl him round till he expires," cried Richard; "I must free him at all hazards."

"Stay," said Mistress Nutter; "it is I who have been deceived. Now I look again, I see that Nicholas is alone."

"But the nun's dress—the wondrous beauty—the flashing eyes!" cried Richard. "You described Isole exactly."

"It was mere fancy," said Mistress Nutter. "I had just been looking at her portrait, and it dwelt on my mind, and created the image."

"The portrait is gone," cried Richard, pointing to the empty wall.

Mistress Nutter looked confounded.

And without a word more, she took Alizon, who was full of alarm and astonishment, by the arm, and hurried her out of the hall.

As they disappeared, the young man flew towards Nicholas, whose extraordinary proceedings had excited general amazement. The other dancers had moved out of the way, so that free space was left for his mad gyrations. Greatly scandalised by the exhibition, which he looked upon as the effect of intoxication, Sir Ralph called loudly to him to stop, but he paid no attention to the summons, but whirled on with momently-increasing velocity, oversetting old Adam Whitworth, Gregory, and Dickon, who severally ventured to place themselves in his path, to enforce their master's injunctions, until at last, just as Richard reached him, he uttered a loud cry, and fell to the ground insensible. By Sir Ralph's command he was instantly lifted up and transported to his own chamber.

This unexpected and extraordinary incident put an end to the ball, and the whole of the guests, after taking a respectful and grateful leave of the host, departed—not in "most admired" disorder, but full of wonder. By most persons the squire's "fantastical vagaries," as they were termed, were traced to the vast quantity of wine he had drunk, but a few others shook their heads, and said he was evidently bewitched, and that Mother Chattox and Nance Redferne were at the bottom of it. As to the portrait of Isole de Heton, it was found under the table, and it was said that Nicholas himself had pulled it down; but this he obstinately denied, when afterwards taken to task for his indecorous behaviour; and to his dying day he asserted, and believed, that he had danced the brawl with Isole de Heton. "And never," he would say, "had mortal man such a partner."

From that night the two portraits in the banqueting-hall were regarded with great awe by the inmates of the Abbey.

CHAPTER X.—THE NOCTURNAL MEETING

On gaining the head of the staircase leading to the corridor, Mistress Nutter, whose movements had hitherto been extremely rapid, paused with her daughter to listen to the sounds arising from below. Suddenly was heard a loud cry, and the music, which had waxed fast and furious in order to keep pace with the frenzied boundings of the squire, ceased at once, showing some interruption had occurred, while from the confused noise that ensued, it was evident the sudden stoppage had been the result of accident. With blanched cheek Alizon listened, scarcely daring to look at her mother, whose expression of countenance, revealed by the lamp she held in her hand, almost frightened her; and it was a great relief to hear the voices and laughter of the serving-men as they came forth with Nicholas, and bore him towards another part of the mansion; and though much shocked, she was glad when one of them, who appeared to be Nicholas's own servant, assured the others "that it was only a drunken fit and that the squire would wake up next morning as if nothing had happened."

Apparently satisfied with this explanation, Mistress Nutter moved on; but a new feeling of uneasiness came over Alizon as she followed her down the long dusky corridor, in the direction of the mysterious chamber, where they were to pass the night. The fitful flame of the lamp fell upon many a grim painting depicting the sufferings of the early martyrs; and these ghastly representations did not serve to re-assure her. The grotesque carvings on the panels and ribs of the vaulted roof, likewise impressed her with vague terror, and there was one large piece of sculpture—Saint Theodora subjected to diabolical temptation, as described in the Golden Legend—that absolutely scared her. Their footsteps echoed hollowly overhead, and more than once, deceived by the sound, Alizon turned to see if any one was behind them. At the end of the corridor lay the room once occupied by the superior of the religious establishment, and still known from that circumstance as the "Abbot's Chamber." Connected with this apartment was the beautiful oratory built by Paslew, wherein he had kept his last vigils; and though now no longer applied to purposes of worship, still wearing from the character of its architecture, its sculptured ornaments, and the painted glass in its casements, a dim religious air. The abbot's room was allotted to Dorothy Assheton; and from its sombre magnificence, as well as the ghostly tales connected with it, had impressed her with so much superstitious misgiving, that she besought Alizon to share her couch with her, but the young girl did not dare to assent. Just, however, as Mistress Nutter was about to enter her own room, Dorothy appeared on the corridor, and, calling to Alizon to stay a moment, flew quickly towards her, and renewed the proposition. Alizon looked at her mother, but the latter decidedly, and somewhat sternly, negatived it.

The young girls then said good-night, kissing each other affectionately, after which Alizon entered the room with Mistress Nutter, and the door was closed. Two tapers were burning on the dressing-table, and their light fell upon the carved figures of the wardrobe, which still exercised the same weird influence over her. Mistress Nutter neither seemed disposed to retire to rest immediately, nor willing to talk, but sat down, and was soon lost in thought. After awhile, an impulse of curiosity which she could not resist, prompted Alizon to peep into the closet, and pushing aside the tapestry, partly drawn over the entrance, she held the lamp forward so as to throw its light into the little chamber. A mere glance was all she was allowed, but it sufficed to show her the large oak chest, though the monkish robe lately suspended above it, and which had particularly attracted her attention, was gone. Mistress Nutter had noticed the movement, and instantly and somewhat sharply recalled her.

As Alizon obeyed, a slight tap was heard at the door. The young girl turned pale, for in her present frame of mind any little matter affected her. Nor were her apprehensions materially allayed by the entrance of Dorothy, who, looking white as a sheet, said she did not dare to remain in her own room, having been terribly frightened, by seeing a monkish figure in mouldering white garments, exactly resembling one of the carved images on the wardrobe, issue from behind the hangings on the wall, and glide into the oratory, and she entreated Mistress Nutter to let Alizon go back with her. The request was peremptorily refused, and the lady, ridiculing Dorothy for her fears, bade her return; but she still lingered. This relation filled Alizon with inexpressible alarm, for though she did not dare to allude to the disappearance of the monkish gown, she could not help connecting the circumstance with the ghostly figure seen by Dorothy.

Unable otherwise to get rid of the terrified intruder, whose presence was an evident restraint to her, Mistress Nutter, at length, consented to accompany her to her room, and convince her of the folly of her fears, by an examination of the oratory. Alizon went with them, her mother not choosing to leave her behind, and indeed she herself was most anxious to go.

The abbot's chamber was large and gloomy, nearly twice the size of the room occupied by Mistress Nutter, but resembling it in many respects, as well as in the No interdusky hue of its hangings and furniture, most of which had been undisturbed since the days of Paslew. The very bed, of carved oak, was that in which he had slept, and his arms were still displayed upon it, and on the painted glass of the windows. As Alizon entered she looked round with apprehension, but nothing occurred to justify her uneasiness. Having raised the arras, from behind which Dorothy averred the figure had issued, and discovering nothing but a panel of oak; with a smile of incredulity, Mistress Nutter walked boldly towards the oratory, the two girls, hand in hand, following tremblingly after her; but no fearful object met their view. A dressing-table, with a large mirror upon it, occupied the spot where the altar had formerly stood; but, in spite of this, and of other furniture, the little place of prayer, as has previously been observed, retained much of its original character, and seemed more calculated to inspire sentiments of devotional awe than any other.

After remaining for a short time in the oratory, during which she pointed out the impossibility of any one being concealed there, Mistress Nutter assured Dorothy she might rest quite easy that nothing further would occur to alarm her, and recommending her to lose the sense of her fears as speedily as she could in sleep, took her departure with Alizon.

But the recommendation was of little avail. The poor girl's heart died within her, and all her former terrors returned, and with additional force. Sitting down, she looked fixedly at the hangings till her eyes ached, and then covering her face with her hands, and scarcely daring to breathe, she listened intently for the slightest sound. A rustle would have made her scream—but all was still as death, so profoundly quiet, that the very hush and silence became a new cause of disquietude, and longing for some cheerful sound to break it, she would have spoken aloud but from a fear of hearing her own voice. A book lay before her, and she essayed to read it, but in vain. She was ever glancing fearfully round—ever listening intently. This state could not endure for ever, and feeling a drowsiness steal over her she yielded to it, and at length dropped asleep in her chair. Her dreams, however, were influenced by her mental condition, and slumber was no refuge, as promised by Mistress Nutter, from the hauntings of terror.

At last a jarring sound aroused her, and she found she had been awakened by the clock striking twelve. Her lamp required trimming and burnt dimly, but by its imperfect light she saw the arras move. This could be no fancy, for the next moment the hangings were raised, and a figure looked from behind them; and this time it was not the monk, but a female robed in white. A glimpse of the figure was all Dorothy caught, for it instantly retreated, and the tapestry fell back to its place against the wall. Scared by this apparition, Dorothy rushed out of the room so hurriedly that she forgot to take her lamp, and made her way, she scarcely knew how, to the adjoining chamber. She did not tap at the door, but trying it, and finding it unfastened, opened it softly, and closed it after her, resolved if the occupants of the room were asleep not to disturb them, but to pass the night in a chair, the presence of some living beings beside her sufficing, in some degree, to dispel her terrors. The room was buried in darkness, the tapers being extinguished.

Advancing on tiptoe she soon discovered a seat, when what was her surprise to find Alizon asleep within it. She was sure it was Alizon—for she had touched her hair and face, and she felt surprised that the contact had not awakened her. Still more surprised did she feel that the young girl had not retired to rest. Again she stepped forward in search of another chair, when a gleam of light suddenly shot from one side of the bed, and the tapestry, masking the entrance to the closet, was slowly drawn aside. From behind it, the next moment, appeared the same female figure, robed in white, that she had previously beheld in the abbot's chamber. The figure held a lamp in one hand, and a small box in the other, and, to her unspeakable horror, disclosed the livid and contorted countenance of Mistress Nutter.