Rookwood

To retrace the darker course of our narrative, we must state that some weeks before this happy event the remains of the unfortunate Sir Luke Rookwood had been gathered to those of his fathers. The document that attested his legitimacy being found upon his person, the claims denied to him in life were conceded in death; and he was interred, with all the pomp and peculiar solemnity proper to one of the house, within the tomb of his ancestry.

It was then that a discovery was made respecting Alan Rookwood, in order to explain which we must again revert to the night of the meditated enlèvement of Eleanor.

After quitting his grandson in the avenue, Alan shaped his course among the fields in the direction to the church. He sought his own humble, but now deserted dwelling. The door had been forced; some of its meagre furniture was removed; and the dog, his sole companion, had fled. "Poor Mole!" said he, "thou hast found, I trust, a better master." And having possessed himself of what he came in search—namely, a bunch of keys and his lantern, deposited in an out-of-the-way cupboard, that had escaped notice, he quickly departed.

He was once more within the churchyard; once more upon that awful stage whereon he had chosen to enact, for a long season, his late fantastical character; and he gazed upon the church tower, glistening in the moonshine, the green and undulating hillocks, the "chequered cross-sticks," the clustered headstones, and the black and portentous yew-trees, as upon "old familiar faces." He mused, for a few moments, upon the scene, apparently with deep interest. He then walked beneath the shadows of one of the yews, chanting an odd stanza or so of one of his wild staves, wrapped the while, it would seem, in affectionate contemplation of the subject-matter of his song:

THE CHURCHYARD YEW—– Metuendaque succoTaxus.Statius.A noxious tree is the churchyard yew,As if from the dead its sap it drew;Dark are its branches, and dismal to see,Like plumes at Death's latest solemnity.Spectral and jagged, and black as the wingsWhich some spirit of ill o'er a sepulchre flings:Oh! a terrible tree is the churchyard yew;Like it is nothing so grimly to view.Yet this baleful tree hath a core so sound,Can nought so tough in the grove be found;From it were fashioned brave English bows,The boast of our isle, and the dread of its foes.For our sturdy sires cut their stoutest stavesFrom the branch that hung o'er their fathers' graves;And though it be dreary and dismal to view,Staunch at the heart is the churchyard yew.

His ditty concluded, Alan entered the churchyard, taking care to leave the door slightly ajar, in order to facilitate his grandson's entrance. For an instant he lingered in the chancel. The yellow moonlight fell upon the monuments of his race; and, directed by the instinct of hate, Alan's eye rested upon the gilded entablature of his perfidious brother, Reginald, and, muttering curses, "not loud but deep," he passed on. Having lighted his lantern in no tranquil mood, he descended into the vault, observing a similar caution with respect to the portal of the cemetery, which he left partially unclosed, with the key in the lock. Here he resolved to abide Luke's coming. The reader knows what probability there was of his expectations being realized.

For a while he paced the tomb, wrapped in gloomy meditation, and pondering, it might be, upon the result of Luke's expedition, and the fulfilment of his own dark schemes, scowling from time to time beneath his bent eyebrows, counting the grim array of coffins, and noticing, with something like satisfaction, that the shell which contained the remains of his daughter had been restored to its former position. He then bethought him of Father Checkley's midnight intrusion upon his conference with Luke, and their apprehension of a supernatural visitation, and his curiosity was stimulated to ascertain by what means the priest had gained admission to the spot unperceived and unheard. He resolved to sound the floor, and see whether any secret entrance existed; and hollowly and dully did the hard flagging return the stroke of his heel as he pursued his scrutiny. At length the metallic ringing of an iron plate, immediately behind the marble effigy of Sir Ranulph, resolved the point. There it was that the priest had found access to the vault; but Alan's disappointment was excessive, when he discovered that the plate was fastened on the underside, and all communication thence with the churchyard, or to wherever else it might conduct him, cut off: but the present was not the season for further investigation, and tolerably pleased with the discovery he had already made, he returned to his silent march round the sepulchre.

At length a sound, like the sudden shutting of the church door, broke upon the profound stillness of the holy edifice. In the hush that succeeded, a footstep was distinctly heard threading the aisle.

"He comes—he comes!" exclaimed Alan, joyfully; adding, an instant after, in an altered voice, "but he comes alone."

The footstep drew near to the mouth of the vault—it was upon the stairs. Alan stepped forward to greet, as he supposed, his grandson, but started back in astonishment and dismay as he encountered in his stead Lady Rookwood. Alan retreated, while the lady advanced, swinging the iron door after her, which closed with a tremendous clang. Approaching the statue of the first Sir Ranulph, she paused, and Alan then remarked the singular and terrible expression of her eyes, which appeared to be fixed upon the statue, or upon some invisible object near it. There was something in her whole attitude and manner calculated to impress the deepest terror on the beholder. And Alan gazed upon her with an awe which momently increased. Lady Rookwood's bearing was as proud and erect as we have formerly described it to have been—her brow was haughtily bent—her chiselled lip as disdainfully curled; but the staring, changeless eye, and the deep-heaved sob which occasionally escaped her, betrayed how much she was under the influence of mortal terror. Alan watched her in amazement. He knew not how the scene was likely to terminate, nor what could have induced her to visit this ghostly spot at such an hour, and alone; but he resolved to abide the issue in silence—profound as her own. After a time, however, his impatience got the better of his fears and scruples, and he spoke.

"What doth Lady Rookwood in the abode of the dead?" asked he, at length.

She started at the sound of his voice, but still kept her eye fixed upon the vacancy.

"Hast thou not beckoned me hither, and am I not come?" returned she, in a hollow tone. "And now thou asketh wherefore I am here—I am here because, as in thy life I feared thee not, neither in death do I fear thee. I am here because–"

"What seest thou?" interrupted Peter, with ill-suppressed terror.

"What see I—ha—ha!" shouted Lady Rookwood, amidst discordant laughter; "that which might appal a heart less stout than mine—a figure anguish-writhen, with veins that glow as with a subtle and consuming flame. A substance yet a shadow, in thy living likeness. Ha—frown if thou wilt; I can return thy glances."

"Where dost thou see this vision?" demanded Alan.

"Where!" echoed Lady Rookwood, becoming for the first time sensible of the presence of a stranger. "Ha—who are you that question me?—what are you?—speak!"

"No matter who or what I am," returned Alan, "I ask you what you behold."

"Can you see nothing?"

"Nothing," replied Alan.

"You knew Sir Piers Rookwood?"

"Is it he?" asked Alan, drawing near her.

"It is," replied Lady Rookwood; "I have followed him hither, and I will follow him whithersoever he leads me, were it to–"

"What doth he now?" asked Alan; "do you see him still?"

"The figure points to that sarcophagus," returned Lady Rookwood—"can you raise up the lid?"

"No," replied Alan; "my strength will not avail to lift it."

"Yet let the trial be made," said Lady Rookwood; "the figure points there still—my own arm shall aid you."

Alan watched her in dumb wonder. She advanced towards the marble monument, and beckoned him to follow. He reluctantly complied. Without any expectation of being able to move the ponderous lid of the sarcophagus, at Lady Rookwood's renewed request he applied himself to the task. What was his surprise, when, beneath their united efforts, he found the ponderous slab slowly revolve upon its vast hinges, and, with little further difficulty, it was completely elevated; though it still required the exertion of all Alan's strength to prop it open, and prevent its falling back.

"What does it contain?" asked Lady Rookwood.

"A warrior's ashes," returned Alan.

"There is a rusty dagger upon a fold of faded linen," cried Lady Rookwood, holding down the light.

"It is the weapon with which the first dame of the house of Rookwood was stabbed," said Alan, with a grim smile:

"Which whoso findeth in the tombShall clutch until the hour of doom;And when 'tis grasped by hand of clay,The curse of blood shall pass away.

So saith the rhyme. Have you seen enough?"

"No," said Lady Rookwood, precipitating herself into the marble coffin. "That weapon shall be mine."

"Come forth—come forth," cried Alan. "My arm trembles—I cannot support the lid."

"I will have it, though I grasp it to eternity," shrieked Lady Rookwood, vainly endeavoring to wrest away the dagger, which was fastened, together with the linen upon which it lay, by some adhesive substance to the bottom of the shell.

At this moment Alan Rookwood happened to cast his eye upward, and he then beheld what filled him with new terror. The axe of the sable statue was poised above its head, as in the act to strike him. Some secret machinery, it was evident, existed between the sarcophagus lid and this mysterious image. But in the first impulse of his alarm Alan abandoned his hold of the slab, and it sunk slowly downwards. He uttered a loud cry as it moved. Lady Rookwood heard this cry. She raised herself at the same moment—the dagger was in her hand—she pressed it against the lid, but its downward force was too great to be withstood. The light was within the sarcophagus, and Alan could discern her features. The expression was terrible. She uttered one shriek and the lid closed for ever.

Alan was in total darkness. The light had been enclosed with Lady Rookwood. There was something so horrible in her probable fate, that even he shuddered as he thought upon it. Exerting all his remaining strength, he essayed to raise the lid, but now it was more firmly closed than ever. It defied all his power. Once, for an instant, he fancied that it yielded to his straining sinews, but it was only his hand that slided upon the surface of the marble. It was fixed—immovable. The sides and lid rang with the strokes which the unfortunate lady bestowed upon them with the dagger's point; but those sounds were not long heard. Presently all was still; the marble ceased to vibrate with her blows. Alan struck the lid with his knuckles, but no response was returned. All was silent.

He now turned his attention to his own situation, which had become sufficiently alarming. An hour must have elapsed, yet Luke had not arrived. The door of the vault was closed—the key was in the lock, and on the outside. He was himself a prisoner within the tomb. What if Luke should not return? What if he were slain, as it might chance, in the enterprise? That thought flashed across his brain like an electric shock. None knew of his retreat but his grandson. He might perish of famine within this desolate vault.

He checked this notion as soon as it was formed—it was too dreadful to be indulged in. A thousand circumstances might conspire to detain Luke. He was sure to come. Yet the solitude—the darkness was awful, almost intolerable. The dying and the dead were around him. He dared not stir.

Another hour—an age it seemed to him—had passed. Still Luke came not. Horrible forebodings crossed him; but he would not surrender himself to them. He rose, and crawled in the direction, as he supposed, of the door—fearful, even of the stealthy sound of his own footsteps. He reached it, and his heart once more throbbed with hope. He bent his ear to the key; he drew in his breath; he listened for some sound, but nothing was to be heard. A groan would have been almost music in his ears.

Another hour was gone! He was now a prey to the most frightful apprehensions, agitated in turns by the wildest emotions of rage and terror. He at one moment imagined that Luke had abandoned him, and heaped curses upon his head; at the next, convinced that he had fallen, he bewailed with equal bitterness his grandson's fate and his own. He paced the tomb like one distracted; he stamped upon the iron plate; he smote with his hands upon the door; he shouted, and the vault hollowly echoed his lamentations. But Time's sand ran on, and Luke arrived not.

Alan now abandoned himself wholly to despair. He could no longer anticipate his grandson's coming, no longer hope for deliverance. His fate was sealed. Death awaited him. He must anticipate his slow but inevitable stroke, enduring all the grinding horrors of starvation. The contemplation of such an end was madness, but he was forced to contemplate it now; and so appalling did it appear to his imagination, that he half resolved to dash out his brains against the walls of the sepulchre, and put an end at once to his tortures; and nothing, except a doubt whether he might not, by imperfectly accomplishing his purpose, increase his own suffering, prevented him from putting this dreadful idea into execution. His dagger was gone, and he had no other weapon. Terrors of a new kind now assailed him. The dead, he fancied, were bursting from their coffins, and he peopled the darkness with grisly phantoms. They were around about him on each side, whirling and rustling, gibbering, groaning, shrieking, laughing, and lamenting. He was stunned, stifled. The air seemed to grow suffocating, pestilential; the wild laughter was redoubled; the horrible troop assailed him; they dragged him along the tomb, and amid their howls he fell, and became insensible.

When he returned to himself, it was some time before he could collect his scattered faculties; and when the agonizing consciousness of his terrible situation forced itself upon his mind, he had nigh relapsed into oblivion. He arose. He rushed towards the door; he knocked against it with his knuckles till the blood streamed from them; he scratched against it with his nails till they were torn off by the roots. With insane fury he hurled himself against the iron frame; it was in vain. Again he had recourse to the trap-door. He searched for it; he found it. He laid himself upon the ground. There was no interval of space in which he could insert a finger's point. He beat it with his clenched hand; he tore it with his teeth; he jumped upon it; he smote it with his heel. The iron returned a sullen sound.

He again essayed the lid of the sarcophagus. Despair nerved his strength. He raised the slab a few inches. He shouted, screamed, but no answer was returned; and again the lid fell.

"She is dead!" cried Alan. "Why have I not shared her fate? But mine is to come. And such a death!—oh, oh!" And, frenzied at the thought, he again hurried to the door, and renewed his fruitless attempts to escape, till nature gave way, and he sank upon the floor, groaning and exhausted.

Physical suffering now began to take the place of his mental tortures. Parched and consumed with a fierce internal fever, he was tormented by unappeasable thirst—of all human ills the most unendurable. His tongue was dry and dusty, his throat inflamed; his lips had lost all moisture. He licked the humid floor; he sought to imbibe the nitrous drops from the walls; but, instead of allaying his thirst, they increased it. He would have given the world, had he possessed it, for a draught of cold spring-water. Oh, to have died with his lips upon some bubbling fountain's marge! But to perish thus–!

Nor were the pangs of hunger wanting. He had to endure all the horrors of famine, as well as the agonies of quenchless thirst.

In this dreadful state three days and nights passed over Alan's fated head. Nor night nor day had he. Time, with him, was only measured by its duration, and that seemed interminable. Each hour added to his suffering, and brought with it no relief. During this period of prolonged misery reason often tottered on her throne. Sometimes he was under the influence of the wildest passions. He dragged coffins from their recesses, hurled them upon the ground, striving to break them open and drag forth their loathsome contents. Upon other occasions he would weep bitterly and wildly; and once—only once—did he attempt to pray; but he started from his knees with an echo of infernal laughter, as he deemed, ringing in his ears. Then, again, would he call down imprecations upon himself and his whole line, trampling upon the pile of coffins he had reared; and lastly, more subdued, would creep to the boards that contained the body of his child, kissing them with a frantic outbreak of affection.

At length he became sensible of his approaching dissolution. To him the thought of death might well be terrible, but he quailed not before it, or rather seemed, in his latest moments, to resume all his wonted firmness of character. Gathering together his remaining strength, he dragged himself towards the niche wherein his brother, Sir Reginald Rookwood, was deposited, and placing his hand upon the coffin, solemnly exclaimed, "My curse—my dying curse—be upon thee evermore!"

Falling with his face upon the coffin, Alan instantly expired. In this attitude his remains were discovered.

L'ENVOY

Our tale is told. Yet, perhaps, we may be allowed to add a few words respecting two of the subordinate characters of our drama—melodrama we ought to say—namely Jerry Juniper and the knight of Malta. What became of the Caper Merchant's son after his flight from Kilburn Wells we have never been able distinctly to ascertain. Juniper, however, would seem to be a sort of Wandering Jew, for certain it is, that somebody very like him is extant still, and to be met with at Jerry's old haunts; indeed, we have no doubt of encountering him at the ensuing meetings of Ascot and Hampton.

As regards the knight of Malta—Knight of Roads—"Rhodes"—he should have been—we are sorry to state that the career of the Ruffler terminated in a madhouse, and thus the poor knight became in reality a Hospitaller! According to the custom observed in those establishments, the knight was deprived of his luxuriant locks, and the loss of his beard rendered his case incurable; but, in the mean time, the barber of the place made his fortune by retailing the materials of all the black wigs he could collect to the impostor's dupes.

Such is the latest piece of intelligence that has reached us of the Arch-hoaxer of Canterbury!

Turpin—why disguise it?—was hanged at York in 1739. His firmness deserted him not at the last. When he mounted the fatal tree his left leg trembled; he stamped it impatiently down, and, after a brief chat with the hangman, threw himself suddenly and resolutely from the ladder. His sufferings would appear to have been slight: as he himself sang,

He died, not as other men, by degrees,But at once, without wincing, and quite at his ease!

We may, in some other place, lay before the reader the particulars—and they are not incurious—of the "night before Larry was stretched."

The remains of the vagrant highwayman found a final resting-place in the desecrated churchyard of Saint George, without the Fishergate postern, a green and grassy cemetery, but withal a melancholy one. A few recent tombs mark out the spots where some of the victims of the pestilence of 1832-33 have been interred; but we have made vain search for Turpin's grave—unless—as is more than probable—the plain stone with the simple initials R. T. belongs to him.

The gyves by which he was fettered are still shown at York Castle, and are of prodigious weight and strength; and though the herculean robber is said to have moved in them with ease, the present turnkey was scarcely able to lift the ponderous irons. An old woman of the same city has a lock of hair, said to have been Turpin's, which she avouches her grandfather cut off from the body after the execution, and which the believers look upon with great reverence. O rare Dick Turpin!

We shall, perhaps, be accused of dilating too much upon the character of the highwayman, and we plead guilty to the charge. But we found it impossible to avoid running a little into extremes. Our earliest associations are connected with sunny scenes in Cheshire, said to have been haunted by Turpin; and with one very dear to us—from whose lips, now, alas! silent, we have listened to many stories of his exploits—he was a sort of hero. We have had a singular delight in recounting his feats and hairbreadth escapes; and if the reader derives only half as much pleasure from the perusal of his adventures as we have had in narrating them, our satisfaction will be complete. Perhaps, we may have placed him in too favorable a point of view—and yet we know not. As upon those of more important personages, many doubts rest upon his history. Such as we conceive him to have been, we have drawn him—hoping that the benevolent reader, upon finishing our Tale, will arrive at the same conclusion; and, in the words of the quaint old Prologue to the Prince of Prigs' Revels,

—–Thank that man,Can make each thief a complete Roscian!

1

See the celebrated recipe for the Hand of Glory in "Les Secrets du Petit Albert."

2

The seven planets, so called by Mercurius Trismegistus.

3

Payne Knight, the scourge of Repton and his school, speaking of the license indulged in by the modern landscape-gardeners, thus vents his indignation:

But here, once more, ye rural muses weepThe ivy'd balustrade, and terrace steep;Walls, mellowed into harmony by time,On which fantastic creepers used to climb;While statues, labyrinths, and alleys pentWithin their bounds, at least were innocent!—Our modern taste—alas!—no limit knows;O'er hill, o'er dale, through wood and field it flows;Spreading o'er all its unprolific spawn,In never-ending sheets of vapid lawn.The Landscape, a didactic Poem,addressed to Uvedale Price, Esq.

4

Mason's English Garden.

5

Cowley.

6

Query, Damocles?—Printer's Devil.

7

James Hind—the "Prince of Prigs"—a royalist captain of some distinction, was hanged, drawn, and quartered, in 1652. Some good stories are told of him. He had the credit of robbing Cromwell, Bradshaw, and Peters. His discourse to Peters is particularly edifying.

8

See Du-Val's life by Doctor Pope, or Leigh Hunt's brilliant sketch of him in The Indicator.

9

We cannot say much in favor of this worthy, whose name was Thomas Simpson. The reason of his sobriquet does not appear. He was not particularly scrupulous as to his mode of appropriation. One of his sayings is, however, on record. He told a widow whom he robbed, "that the end of a woman's husband begins in tears, but the end of her tears is another husband." "Upon which," says his chronicler, "the gentlewoman gave him about fifty guineas."

10

Tom was a sprightly fellow, and carried his sprightliness to the gallows; for just before he was turned off he kicked Mr. Smith, the ordinary, and the hangman out of the cart—a piece of pleasantry which created, as may be supposed, no small sensation.

11

Many agreeable stories are related of Holloway. His career, however, closed with a murder. He contrived to break out of Newgate but returned to witness the trial of one of his associates; when, upon the attempt of a turnkey, one Richard Spurling, to seize him, Will knocked him on the head in the presence of the whole court. For this offence he suffered the extreme penalty of the law in 1712.

12

Wicks's adventures with Madame Toly are highly diverting. It was this hero—not Turpin, as has been erroneously stated—who stopped the celebrated Lord Mohun. Of Gettings and Grey, and "the five or six," the less said the better.