Mislaid

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Mislaid
Nell Zink

‘Nell Zink is a writer of extraordinary talent and range. Her work insistently raises the possibility that the world is larger and stranger than the world you think you know.’ Jonathan FranzenVirginia, 1966. The motionless deeps of the lake outside Stillwater College are being ruffled. Lee, a blue-blooded poet and professor, is determinedly fondling Peggy, an ingénue freshman with literary pretensions, in his canoe. So begins a long affair but the two are mismatched from the start.The story that follows rocks the boat in every sense. Nell Zink’s hugely entertaining, totally unique Mislaid explodes the nuclear family and topples every foundation of identity – black and white, gay and straight, “normal” and very very strange…

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Copyright (#uc1e799b4-f6ed-592e-9113-16be357aa2eb)

Fourth Estate

An imprint of HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.4thestate.co.uk (http://www.4thestate.co.uk)

First published in Great Britain by Fourth Estate in 2015

First published in the United States by Ecco in 2015

Text © Nell Zink 2015

Nell Zink asserts the moral right to

be identified as the author of this work

Cover photograph © The Image Bank/Getty Images

A catalogue record for this book is

available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

This novel is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events or locales is entirely coincidental.

Source ISBN: 9780008139605

Ebook Edition © July 2015 ISBN: 9780008157814

Version: 2016-03-22

Contents

Cover (#u28a6421a-0ab1-56d0-bbf7-402d733d2276)

Title Page (#ulink_d3a8ea83-dcbc-5fed-88b7-65c51431106c)

Copyright (#ulink_55c1c852-ddd2-5f36-be82-11c8fbc640e5)

Dedication (#ulink_e485eca8-0790-5621-80f9-5258fc4e6555)

Epigraph (#ulink_511b7d72-9760-553b-a50e-63387c330243)

One (#ulink_226ba597-4fc0-5761-9f27-bfc909ab6b87)

Two (#ulink_e6946fb6-692a-5643-b18e-b7fa501fbeca)

Three (#ulink_dbc40953-3d55-5a50-9f7d-44133931896c)

Four (#litres_trial_promo)

Five (#litres_trial_promo)

Six (#litres_trial_promo)

Seven (#litres_trial_promo)

Eight (#litres_trial_promo)

Nine (#litres_trial_promo)

Ten (#litres_trial_promo)

Eleven (#litres_trial_promo)

Also by Nell Zink (#litres_trial_promo)

About the Author (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

Dedication (#uc1e799b4-f6ed-592e-9113-16be357aa2eb)

My life would be harder

without the magnificent collective

Zeitenspiegel Reportagen,

to whose members and supporters

I gratefully dedicate this book

Epigraph (#uc1e799b4-f6ed-592e-9113-16be357aa2eb)

… among the rabble—men,

Lion ambition is chained down—

And crouches to a keeper’s hand—

Not so in deserts, where the grand—

The wild—the terrible, conspire

With their own breath to fan his fire.

—E. A. Poe, “Tamerlane”

One (#uc1e799b4-f6ed-592e-9113-16be357aa2eb)

Stillwater College sat on the fall line south of Petersburg. One half of the campus was elevated over the other half, and the waters above were separated from the waters below by a ledge with stone outcroppings. The waters below lay still, and the waters above flowed down. They seeped into the sandy ground before they had time to form a stream. And that’s why the house had been named Stillwater. It overlooked a lake that lay motionless as if it had been dug with shovels and hand-lined with clay. But the lake had been there as long as anyone could remember. It had no visible outlet, and no docks because a piling might puncture the layer of clay. Nobody swam in the lake because of the leeches in the mud. There was no fishing because girls don’t fish.

The house had been a plantation. After the War Between the States it was turned into a school for girls, and after that a teachers’ college, and in the 1930s a women’s college. In the 1960s it was a mecca for lesbians, with girls in shorts standing in the reeds to smoke, popping little black leeches with their fingers, risking expulsion for cigarettes and going in the lake.

The road from the main highway forked and branched like lightning. You had to know where Stillwater was to find it. Strangers drove to the town of Stillwater, parked their cars, and walked around. They thought a college ought to be impossible to miss in a town that small. But people in Stillwater didn’t think you had any business going to the college if you didn’t know where it was. It was a dry county, and so small anyway that most businesses didn’t have signs. If you wanted even a haircut, or especially a drink, you had to know where to find it. The biggest sign in the county was for the colored snack bar out on the highway, Bunny Burger. The sign for Stillwater College was nailed to the fence by the last turnoff, where you could already see the outbuildings.

The main house faced the lake. The academic buildings and the dorms were behind the main house around a courtyard. All the girls lived on campus. From the loop road, little dirt tracks took off in all directions, leading to the faculty housing where the station wagons sat crooked in potholes under big oak trees.

The reason strangers came looking for Stillwater was a famous poet. He had a job there as an English professor, and was so well respected that other famous poets came all the way to Stillwater to read to his classes. Tommy, the smartass owner of the white snack bar in town, called them “international faggotry” and always asked them if they wanted mayonnaise with their coffee.

Peggy Vaillaincourt was born in 1948 near Port Royal, north of Richmond, an only child. Her parents were well-off but lived modestly, devoting their lives to the community. Her father was an Episcopal priest and the chaplain of a girls’ boarding school. Her mother was his wife—a challenging full-time job. This was before psychologists and counseling, so if a girl lost her appetite or a woman felt guilty after a D&C, she would come to Mrs. Vaillaincourt, who felt important as a result. The Reverend Vaillaincourt felt important all the time, because he was descended from a family that had sheltered John Wilkes Booth.

The Vaillaincourts had a nice brick mansion on campus. Peggy went to the local white public school to avoid a conflict of interest. Her mother had gone to Bryn Mawr and regretted not sending Peggy to a better school. “Can’t you imagine a college that’s academically a little more intellectual?” she asked Peggy. “What about Wellesley?” But Peggy wanted to go to Stillwater.

It came about like this: Her PE teacher, Miss Miller, had said something about her gym suit, and Peggy had realized she was intended to be a man. Gym suits were blue and baggy, but as you got older, they were less baggy and sort of cut into your crotch in a way that was suggestive of something, she didn’t know what. Miss Miller had stood in front of her and yanked her gym suit into position by pulling down on the legs. She placed her big hands around Peggy’s waist and said something to the effect that her gym suit had never fit her right and never would.

She had felt close to Miss Miller since the day she fell down in third grade and knocked out a tooth. Miss Miller dragged her to the bathroom to wash the blood off her mouth, and the tooth went down the drain. “There goes a nickel from the tooth fairy,” Peggy had said. Miss Miller dug into her pocket and produced a quarter. No other adult had ever given her so much money all at one time. The scene was stuck indelibly in the child Peggy’s mind. Her allowance was nine cents—a nickel and five pennies, of which she was required to put one in the collection plate.

Realizing that her girlhood was a mistake didn’t change her life immediately. She could still ride, play tennis, go camping with the scouts, fish for crappie, and shoot turtles with a BB gun. Around age fourteen, it got more complicated. She informed her best friend, Debbie, that she intended to join the army out of high school. She knew Debbie from Girl Scout camp. Debbie was from Richmond, a large and diverse city. “You’re a thespian,” Peggy heard her say. “Get away from me.” Debbie picked up her blanket and moved to the other side of the room. Then Peggy’s life changed. Debbie had taught her to French kiss and dance shoeing the mule, knowledge that was supposed to arm them for a shared conquest of debutante balls. And now this. Betrayal. Debbie never spoke to her again. Peggy told her mother.

“A thespian,” her mother said, bemused. “Well, darling, everybody gets crushes.” Her mother was from the generation that thought a girl’s first love is always a tomboyish older girl. She gave Peggy Cress Delahanty to read. It was counterproductive. “You are not, absolutely not, going to join the army. Do you hear me? You are going to college. Get this out of your system. You’ll laugh at yourself someday.” Her mother suspected her of having a girlfriend already, and sent off for brochures about early admission to Radcliffe. She didn’t believe in coeducation, but her daughter’s plight called for desperate measures.

But Peggy didn’t have a girlfriend. Once she accepted an invitation from Miss Miller to a barbecue at the state park. There were only women there and no other girls. She recognized the woman everybody said was the maintenance man at the elementary school. It was indirectly her fault that Peggy thought of “man” as a job title. They were playing softball and taking it really seriously, hitting the ball so hard you could get hurt. Peggy left the party to play horseshoes with kids from the Baptist church instead and get a ride home on their bus.

She began paying more attention to the thespians at school. They were fat girls and nice boys with scarves around their necks under their shirts. She auditioned for a part in Our Town and didn’t get it. Afterward the drama club went to the drugstore for milkshakes, and the director, a senior, explained to her about lesbians. He chuckled and shook his head a lot. Everybody else laughed so loud that Peggy felt inconspicuous, despite the topic. His voice was almost a whisper. “You and your friend Miss Miller are bull dykes. You should go to dyke bars in Washington. Or Stillwater College.”

“Miss Miller is not my friend!”

After that, word got back to Peggy’s mother, and Miss Miller and the maintenance man were fired and moved away. Peggy insisted Miss Miller had never done anything untoward. Becoming a man and a thespian had been her idea. Her mother said, “You have chosen a very difficult life for yourself.” Then they shopped for patterns, because Peggy’s debut was coming up and, lesbian or no lesbian, you had to have a tea-length off-the-shoulder dress made of boiled cotton with a flower print and tulle underskirts. Cutoff overalls were fine for hunting turtles in the woods, but even Peggy wanted to be pretty for cotillion. In the end she was so pretty she stopped herself cold. She stood in front of the full-length mirror in the ladies’ dressing room at the Jefferson Hotel in her slip and silk stockings and felt an almost overwhelming need to masturbate. She adjudged herself the prettiest girl she’d ever seen. “I feel pretty, oh so pretty,” she sang instead, waltzing with her dress as though it were a girl. Pinocchia, granted her wish. Someone to love. Then she graduated and went off to Stillwater.

For freshman orientation she bobbed her hair and took up smoking cigarillos. She had bought some new outfits at an army surplus store. She did not question her childhood equation of liking girls with being a man, and in black khakis and a black crew-neck sweater, she found herself rough, tough, and intimidating. She looked darling. The short cut made her curly hair form a crown of soft ringlets. She regarded her narrow hips and flat chest as boyish, but in 1965 they were chic.

Also, as much as she wanted to be a man, she was revolted by hairiness, fat bellies, belching, vulgarity, etc. Her slim father wore ascots and got manicures. His face was soft and his shirts had monogrammed cuffs. She thought black penny loafers with white socks à la Gene Kelly was the epitome of working-class butch.

The campus was a complete universe. You never had to leave. There were visiting boyfriends and girlfriends from other schools, parties and mixers, intercollegiate sports, a mess hall and a commissary, even a soda fountain. As self-contained as an army base. But no basic training. No cleaning, no cooking. The work you had to do consisted of things like ponder Edna St. Vincent Millay. If you screwed it up, they didn’t criticize you. They invited you to their offices, offered you sherry, and asked you what was wrong.

I can’t believe it, Peggy thought. My parents are paying for me to do this for four years. If you majored in French, you could spend your third year at the Sorbonne. But the seniors who had been away came back looking lost. New cliques had formed without them, and their French friends never visited. Peggy took Spanish instead. She decided to major in creative writing. She wanted to write plays for her fellow thespians.

Peggy’s roommate was a girl from Newport News whose father was in Vietnam. This girl was used to a strict, confining regimen. She obeyed Peggy to the letter. If Peggy said “Your alarm clock goes off too early,” the girl would set it an hour later. If Peggy said “I like your pjs,” the girl would iron them and wear them all weekend. It didn’t make her terribly interesting. Peggy was attracted to a sophomore from Winchester who was boarding her horse at a stable up in the hills. This girl routinely wore fawn jodhpurs and ankle boots, and every day for breakfast she ate ice cream, which the cook kept for her in the freezer. Because her valuable horse needed to be ridden every afternoon, she was permitted to have a car. Seniors were allowed cars, but only if they were on the honor roll with no demerits. Since among seniors demerits were considered a badge of honor, the sophomore Emily was currently the only student allowed to drive. She was majoring in art history and planned to join her father’s import-export business.

Peggy stared at her and smiled until she was invited to sit in the passenger seat of her Chrysler New Yorker, parked behind the former dairy barn. Emily talked about her horse. After a while Peggy, turned toward Emily with her hands in her lap, struggling to concentrate and look fetching at the same time, felt her soul rebel. She thought she had never heard—or even heard of—anything so boring in her life, outside of church. Peggy tried mentioning a class they were in together. She mentioned the town she grew up in. She mentioned a movie she had seen recently and wondered if Emily had seen it. Eventually she said, “I didn’t really come out here to talk about horse shows.”

That was a mistake. Emily looked at the windshield and said, “Then you’re stupid, because you like me, and that’s what I want to talk about.”

Peggy got out of the car and walked into the trees. She heard the car door slam and saw Emily pull away around the corner of the barn. The beeches were starting to turn yellow and the Virginia creeper was already fire-engine red. Peggy consoled herself with their appearance, as she thought a more sensitive person might.

The famous poet at the college was named Lee Fleming. He was a young local man who had given his family a lot of trouble growing up. After boarding school they sent him to college far away in New York City. When they heard of his doings up there, they gave him an ultimatum: stop dragging the family name in the dirt, or be cut off without a cent.

Lee hadn’t been conscious up until then that he had anything to gain by being a Fleming. That is, he hadn’t realized he didn’t have money of his own.

His parents were wealthy. But he had expectations and an allowance, not money. His father suggested he move to a secluded place. Queer as a three-dollar bill doesn’t matter on posted property. Lee’s father was a pessimist. He imagined muscle-bound teaboys doing bad things to Lee, and he didn’t want passersby to hear the screaming. He offered him the house on the opposite side of Stillwater Lake from the college.

It was a wood-frame Victorian Lee’s grandfather got for nothing during the Depression. It had been disassembled where it stood and rebuilt on a brick foundation facing the lake. It was supposed to be a summer place. But it was inconvenient to get to, far from any city, swarming with deerflies, and instead of a boathouse, it had a thicket of bamboo. So nobody ever used the house. It just stood there on Fleming land, taking up space. Still, when it came time to clear-cut the trees and sell them for the war effort, Mr. Fleming couldn’t bring himself to do it. The house looked so nice with big maples and tulip poplars around it. The trail to the water led through suggestive shoots of old bamboo big around as juice cans.

Lee was not the man his family took him for. As a lover he was a faithful romantic, always getting his feelings hurt. But he was a top. He never could get it right. He could put on a broadcloth shirt and gray slacks and wingtips and look as much a man as an Episcopalian ever does, but then he would place himself squarely in front of total strangers, maintaining eye contact as he spoke to them of poetry. So everybody in the county was calling him a fairy inside of a month. But he was a Fleming, and a top. He was untouchable. The local Klan wizard worked at his father’s sawmill. The Pentecostal preacher lived in his father’s trailer park. The worshipful master of the Prince Hall Masonic lodge drove one of his father’s garbage trucks. The county seat was in a crossing called Fleming Courthouse, and the Amoco station was Fleming’s American. No one openly begrudged him a house in the woods by a lake with no fishing.

Lee was serious about poetry. He thought America was where all the most important work of the 1960s was being done. He really meant it, and could explain it. John Ashbery, Howard Nemerov, and his favorite, Robert Penn Warren. Then the Beats. He had met them all in New York, and they all had a weakness for handsome Southerners who owned counties.

At first Lee had nothing to do with the college. But then a poet friend remarked that a girls’ college in the middle of nowhere sounds like something from Fellini, and he got an idea. He asked the English department to pay for a visit from Gregory Corso.

Poets came all the way from Richmond to hear him. But the girls stayed cool and distant, even through “Marriage.” Corso went back to New York and told people Lee lived in a time capsule where Southern womanhood was not dead. Two publishers and a novelist transferred their daughters to Stillwater.

In short, the college helped Lee and Lee helped the college, and they signed him up to teach a poetry course. He didn’t ask for a salary at first. Instead he asked the college to pay for his literary magazine, to be called Stillwater Review.

Three years later, the Stillwater Review was selling thousands of copies and keeping ten students busy reading submissions, and Lee was teaching three courses a semester: English poetry in the fall or American poetry in the spring, criticism, and a writing workshop.

He commuted to work in a canoe, rain or shine. When he pulled it up in front of his house, it plugged the gap in the bamboo like a garden gate. No student had ever been invited to the house. There were stories. John Ashbery shooting a sleeping whitetail fawn from a distance of three yards. Howard Nemerov on mescaline putting peppermint extract in spaghetti sauce. To hear one of the stories, you had to know someone from somewhere else who knew someone who had been invited—a cousin at Sarah Lawrence whose boyfriend’s brother was queer. Stillwater Lake might as well have been the Berlin Wall.

Freshmen were not eligible for Lee Fleming’s writing workshop. You had to take his other courses first.

Peggy thought this a ridiculous barrier. “How am I supposed to understand poetry if I’ve never written any myself?” she said to Lee in the third week of her first semester in his cozy office in a garret of the main building.

“How do you expect to get into my workshop if you’ve never written a poem?”

“Aren’t you supposed to teach us?”

“You’ve already missed the first two meetings.”

“Can I audit?”

“It’s impossible to audit a workshop. You have to do the work.”

“So can I enroll?”

“Name me one poet you admire.”