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Lord John in New York
Charles Williamson
Alice Williamson
Williamson A. M. Alice Muriel, Williamson C. N. Charles Norris
Lord John in New York
EPISODE I
THE KEY
"More letters and flowers for you, Lord John," said my nurse.
Not that I needed a nurse; and, above all things, I needed no more letters or flowers. The waste-paper basket was full. The room smelt like a perfume factory. The mantelpiece and all other receptacles having an army of occupation, vases and bowls were mobilising on the floor. This would, of course, not be tolerated in hospital; but I was off the sick list, recovering in a private convalescent home. I was fed up with being a wounded hero; the fragrance of too many flowers, and the kindness of too many ladies, was sapping and mining my brain power; consequently, I could invent no excuse for escape.
The nurse came in, put down the lilies, and gave me three letters.
My heart beat, for I was expecting a note from a woman to whom somehow or other I was almost engaged, and to whom I didn't in the least wish to be engaged. She would not have looked at me before the war, when I was only a younger brother of the Marquis of Haslemere – and the author of a successful detective story called The Key. Now, however; simply because I'd dropped a few bombs from a monoplane on to a Zeppelin hangar in Belgium, had been wounded in one arm and two legs, and through sheer instinct of self-preservation had contrived to escape, I was a toy worth playing with. She wanted to play with me. All the women I knew, not busy with better toys, wanted to play with me. My brother Haslemere, who had been ashamed of my extremely clever, rather successful book, and the undoubted detective talent it showed, was proud of me as a mere bomb-dropper. So, too, was my sister-in-law. I was the principal object of attraction at the moment in Violet's zoo – I mean her convalescent home. She had cried because men were not being wounded fast enough to fill its expensively appointed rooms; I was captured, therefore, to make up for deficiencies and shown off to Violet's many friends, who were duly photographed bending beautifully over me.
There was, as I had feared, a letter from Irene Anderson; there was also – even worse – one from Mrs. Allendale. But the third letter was from Carr Price. On the envelope was the address of the New York theatre where the play he had dramatised from my book would shortly be produced. He had come to England a million years ago, before the war, to consult me about his work, which would have been brought out in London if the war had not upset our manager's plans. I like Carr Price, who is as much poet as playwright; a charming, sensitive, nervous, wonderful fellow. I gave his letter precedence.
"DEAR LORD JOHN," he began, and I judged from the scrawl that he wrote in agitation – "for goodness' sake, what have you done to Roger Odell that he should have a grouch on you? It must have been something pretty bad. I wish to Heaven you'd given me the tip last summer that you'd made an enemy of him. Roger Odell, of all men in America! I suppose the brother of a marquis can stand on his own feet in his own country, but even if his brother's an archangel his feet are apt to get cold in New York if Roger Odell turns the heat off.
"The facts – as I've just heard from Julius Felborn – are these. Yesterday Odell sent for Julius, who went like a bird, for he and Odell are friends. Odell's money and influence put Julius where he is now, as a manager, up at the top, though still young. What was Julius's horror, however, when Odell blurted out a warning not to produce any play dramatised from a book of yours, because he – Odell – would do his best to ruin it! Julius asked what the dickens he meant. Odell wouldn't explain. All he'd say was, that he'd be sorry to hurt Julius and had nothing against me, but The Key would get no chance in New York or any old town in the United States where Roger Odell had a finger in the pie.
"Well, you must have heard enough about Odell to know what such a threat amounts to. There are mighty few pies he hasn't got a finger in. Not that he's a man who threatens as a rule. He's made a good many men. I never heard of his breaking one. But when he decides to do a thing, he does it. Julius is in a blue funk. He's not a coward, but even if he felt strong enough to fight Odell's newspapers and other influence, he says it would be an act of 'base ingratitude' to do so, as he'd be 'walking on his uppers' now but for Odell's help, tiding over rough places in the past. Julius took all night to reflect, and rang me up this morning. I'm writing in his office at the theatre now, after our interview. He says Odell would have put him wise before, but he saw the pars (in his own papers!) for the first time yesterday morning on the way back from the West Indies, where he'd been on a short business trip. Queer place for such a man to go on a business trip! But the whole thing is dashed queer. Now he's off again like a whirlwind to England for another 'short business trip,' so he told Julius. But J. let drop one little item of information about a woman, or rather a girl. Can that be where you come in on this? Have you taken this girl away? Anyhow, whatever you've done, the consequences seem likely to be serious. Julius is inclined to call a halt, bribe, wheedle or bluster the star into throwing up his part at the first rehearsal, by way of an excuse, and to put on Chumley Reed's Queen Sweetheart, which he kept up his sleeve in case The Key failed. But, of course, it couldn't fail, unless it was burked. The whole cast was wild over The Key. Julius himself was wild, and is sick at having to turn it down. But Odell's too big for him. And I guess O – has offered to stand the racket for the loss of wasted scenery, which has been begun on an elaborate scale. (Think of the great casino act at Monte Carlo!) Unfortunately, I'm constituted so I can't help seeing both sides of the shield and putting myself in others' places. I'm sorry for Julius. But I'm twenty times sorrier for Carr Price. For you, too, my dear fellow, of course. But I stand to lose more than you do on this deal.
"I told you confidentially last June just what depends on the success of The Key, and I've counted on that success as certain. So did she. I wish to Heaven she weren't so conscientious – yet no, I love her all the better for what she is. I shan't ask her to break the promise she gave her father, who, you may remember, is Governor of my own State, not to be engaged definitely till I've made good. But if I'm to have even my chance to make good snatched away, it's hard lines. I wish to the Lord my dear girl weren't such a howling swell, with such an important parent! No use hustling around to other managers. Your book went like hot cakes here. So would your play, but no man will pit himself against Roger Odell, if Odell means fighting. And there's no doubt he does mean it – unless you can undo whatever the fool thing is you've done.
"Probably this letter will go to England in the same ship with Odell. If you're well enough by the time it reaches you, to crawl about, can't you see him? I've told Felborn that when you set your wits to work you're as much of a wonder as your Prime Minister in The Key. I've worked him up to some sort of superstitious belief in you. The next thing is, to make him merely put off the rehearsal on some pretext, and do nothing one way or the other till I get a cable. I shan't sleep or eat till I hear whether there's any hope of your straightening things with Odell. – Yours, C.P.".
"Straightening things with Odell!" That might have been simple, if things had ever been crooked with Odell. But I had never met, I had never seen him. All I knew was what I had read, and vaguely heard from Americans: that Roger Odell was a millionaire, still a young man, a popular fellow who had made most of his money out of mines and had bought up an incredible number of newspapers in order to make his power felt in the world. But what grudge had he against me? How did he know that I existed? I decided that I owed it to myself as an expert even more than to Price and his girl, who was a "governor's daughter," to turn on the searchlight.
It was nearly my time for an outing. Lady Emily Boynton was coming in about an hour to collect me in her car, take me to the park and there let me try a combination of legs and crutches. But in my room was a telephone. In general I cursed the noisy thing. To-day I blessed it. I 'phoned to the doctor that, instead of his coming to me, I should prefer to call on him, explaining my reason when we met. Next I rang up Lady Emily to say that I was going to Harley Street. She mustn't trouble to send, as I was ordering a taxi in a hurry. And lest she should disobey, I hobbled off before her car could arrive – my first independent expedition since I had been interned by Violet.
I hoped that Roger Odell might be caught at some hotel in London, and resolved not to stop going till I found him. I began at the Savoy, and it seemed that luck was with me when I learned that he had arrived the night before. He had gone out, however, directly after breakfast, leaving no word as to his return. This was a blow, especially as it appeared that he had hired a powerful automobile; and even American millionaires do not hire powerful automobiles to run about town.
They take taxis.
I gave myself a minute's reflection, and decided that it would be tempting Providence to intern myself again before seeing Odell, or else definitely failing to see him. I refused to leave my name, saying that I would call later; and on the way to keep my Harley Street appointment stopped my taxi at a post office. Thence I sent a cable to Carr Price —
"Count on me to make everything right with Odell. Postpone rehearsals if necessary, but assure Felborn he can safely prepare production. Will wire further details. – JOHN HASLE."
Perhaps Price and Felborn would have considered this assurance premature had they known the little I possessed to go upon. But I had confidence in myself, and felt justified in rushing off a cheerful message. Delay and uncertainty were the two fatal obstacles to our scheme. It seemed fair to presume that, as I've never met nor harmed Odell, his objection to me must be founded on some misunderstanding which a few frank words ought to clear up. All I had to do was to see him; and I would see him if I had to camp at his door for a week.
Having got off my cable I called oh the doctor, explaining to him, as man to man, that I was being killed with kindness, buried under flowers and jellies, as Tarpeia was buried under shields and bracelets. "I must get out from under," I said, "or I shall fade like a flower or dissolve into a jelly myself. Can't you save me?"
"I thought you were enjoying life," he replied. "You're well enough, as a matter of fact, to do almost anything except go back to the front. Your legs won't run to that, my boy, for the next six months at least. If you're such an ungrateful beggar that you want to leave Lady Haslemere's paradise and all its lovely houris, save yourself. Don't put the responsibility on me."
"Coward!" I said. (I would have hissed it, but, except in novels, it is physically impossible to hiss the word "coward.")
"The same to you," he retorted. "Get someone to send you on some mission and I'll back you up. I'll certify that you're strong enough to undertake it, if it doesn't depend on your legs, and is not too strenuous."
"I may need to run over to America," it suddenly occurred to me to say, as if by inspiration. "I should have to depend on brains, not legs. Would New York be too strenuous?"
"I hear they're pretty strenuous over there, but – well – "
"You don't know what I go through every day at that confounded home for milksops when your back is turned," I pleaded, as he hesitated. That settled it. We both laughed, and I knew he'd see me through. Five minutes before nothing had been further from my mind than a trip to New York; but now I felt that it had been my secret intention from the first. It was strongly impressed upon me that I should have to go. Why, I could not tell. But the thing would happen.
It was two o'clock and luncheon time when I got back to the Savoy, but Odell had not returned. I wired (I would not 'phone lest I should be unearthed like a fox from his hole) to the convalescent home, saying that all was well and I had the doctor's authority to stop out as long as I liked. I then ate a substantial meal and inquired again at the desk. No Odell. I said I would wait. Would they kindly let me know, in the reading-room, when Mr. Odell arrived? I being wounded and in khaki, they waived suspicion of a nameless caller. I was given the freedom of the Savoy, and I waited. I waited three hours, and read all the magazines and papers. Then I wandered into the foyer and ordered tea. While I was having it, up trotted a sympathetic clerk with a flurried manner to inform me that Mr. Odell was not coming back at all. A telegram had just been received, saying that important business called him home at once. He was on his way by automobile to Liverpool, whence he would sail next morning on the Monarchic. His luggage was to be forwarded by messenger in time to go on board the ship.
For a few seconds I felt as if what remained of my tea had been flung in my face, scalding hot. But by the time I'd thanked my informant, paid my waiter and picked up my crutches, I knew why I had had that presentiment. I taxied to Cook's and learned that, owing to the war, I could get a cabin on any ship I liked. From Cook's to the doctor's; found him going out, dragged him home with me, and utilised his services in wrestling with the matron and nurses. "The play of my book is being produced in New York, and I must be there, dead or alive," I explained. This seemed to them important, even unanswerable. It would not to my sister-in-law. But she was having influenza at home, and I sneaked off before she knew (having got leave from the War Office), sending her a grateful, regretful telegram from Liverpool.
Even the amateur sleuth doesn't let a ship carry him away to sea without making sure that his quarry is on board. Roger Odell's name was not on the passenger list, but neither was mine; we were late comers. Nevertheless, I knew he was certain to have a good cabin, and I inquired casually of a steward on the promenade deck whether he had "Seen Mr. Odell yet?" He fell into my trap and answered that he had not, but his "mate" would be looking after the gentleman who was in the bridal suite.
I pricked up my ears, remembering that, according to Carr Price, there was a girl in the case. Something unexpected had happened to upset Odell's plans in England. Could he be running off with anybody's wife or daughter?
"I didn't know that Mr. Odell was on his honeymoon," I ventured as a feeler.
The steward looked nonplussed, then grinned. "Oh, you're thinking of the bridal suite, sir!" he patronised my ignorance. "There's nothing in that. Probably the gentleman wired for the best there was. He's alone, sir. Do you wish to send word to him? I can fetch my mate – "
I broke in with thanks, saying that I would see Mr. Odell later. No doubt I would do so; but how I should recognise him was the question. Meanwhile, I limped about the deck, hoping to come across a chair labelled "Odell," and vainly searching I met a deck-steward. He took pity on my lameness, and offered to get me a chair at once. "Where would you like to sit, sir?"
I wanted to say, "Put me next to Mr. Roger Odell," but that was too crude a means towards the end. I looked around, hesitating and hoping – in a way I have which sometimes works well – for an inspiration, and my wandering eyes arrived at a girl. Then they ceased to wander. She was extraordinarily pretty, and therefore more important than twenty Roger Odells. She was just settling into her deck-chair. To the right was another chair, with a rug and a pillow on it. To the left was an unfilled space.
"There's room over there," I said. "It seems a well-sheltered place."
"It is, sir," replied the steward. Without allowing an eye to twinkle, he solemnly plumped down my chair at the left of the girl, not too near, yet not too far distant. She glanced up, as if faintly annoyed at being given a neighbour, but seeing my crutches, melted and gave me a brief yet angelic look of sympathy. If she had been a nurse in my sister-in-law's home I should never have left it. For she was one of those girls who, if there were only half a dozen men remaining in the world at the end of the war, would be certain to receive proposals from at least five. She was the type of the Eternal Feminine, the woman of our dreams, the face in the sunset and moonbeams. Perhaps you have seen such a face in real life – just once.
The girl had on a small squirrel toque and a long squirrel coat. She was wrapped in a squirrel rug to match. She had reddish-brown hair. All the girls who can take the last men in the world away from all the other women have more or less of that red glint in their hair. Yet she seemed far from anxious to take the man who came striding along the deck and stopped in front of her as the ship got under way.
What she did was to look up and cry out a horrified "Oh!" Her cheeks, which had been pale, flamed red. She half threw off her fur rug, and would have struggled out of her chair if the man had not appealed to her mercy.
"Don't run away from me, Grace," he said, "after all these months."
The name "Grace" suited the girl, or rather expressed her. The man stared with hungry eyes. I was sorry for him. Somehow, I seemed to know how he felt. He had an American voice and looked like an American – that good, strong type of American who can hold his own anywhere: not tall, not short, not slim, not stout, not very dark, not very fair; square-jawed, square-shouldered; aggressive-featured, kind-eyed; one rebellious lock of brown hair falling over a white forehead.
"But – I have been running away from you all these months. I've been doing nothing else. I could do nothing else," she reproached him. They had both forgotten me. Besides, I was not obtrusively near.
"Don't I know you've been running away – to my sorrow?" he flung back at her. "I heard of you in the West Indies. I went there to hunt you down. You'd gone. I dashed home. You hadn't come back. I was told – I won't say by whom – that you were in England. I ran over and got on your track yesterday; flashed off to Bath in a fast auto; reached there just as you'd left for Liverpool to sail on this ship. So now I'm here."
She looked up at him, tears on her lashes. "Oh, Rod!" was all she said. It did not need that name to tell me who he was, but eyes and voice told me something more. She was not flirting with him. She was not pretending to wish that he had not come. With all her heart and soul she did wish it, yet —she loved him. I wondered if he knew that, or if not how much he would give to learn it.
"You can't get away from me this time," he said, not truculently, but pleadingly, as if he were afraid she might somehow slip out of his hands. "We'll have five days and a half – I hope six – together. If I can't persuade you in five days and a half – "
"You couldn't in five hundred years and a half! Rod, what do you think of me? Do you suppose I want you to die?"
"Do you suppose I'm afraid?"
"No. But I am – for you. Nothing on this earth can induce me to change my mind. You only make us both miserable by keeping on. Oh, Rod, here comes Aunt Marian! This is her chair."
Roger Odell glanced in the direction the girl's eyes gave him. I did likewise. A woman was coming, a tall woman in brown. A generation ago she would have been middle-aged; in our generation such women are young. She looked about thirty-eight, and so I put her down as ten years older. She was dusky olive, with a narrow face, banded black hair, and a swaying throat: rather a beautiful Leonardo da Vinci sort of woman.
Evidently she was as much astonished to see Odell as the girl had been, but she had a different way of showing it. She did not seem to mind his presence when she got over her surprise. She shook hands and let him put her into her chair, tucking the brown fur rug around her body and under her slim feet. I thought she seemed more Italian than American. She was very agreeable to Odell, in a cool, detached way, but when she inquired if he ought not to be going below to lunch, even a man of his determination was obliged to take the hint. "We are having something brought to us on deck," she explained. "Come back if you like when you have finished."
My lameness gave me an excuse for troubling the deck steward, who fetched me a plate of cold chicken at about the time when more elaborately furnished trays were placed before the two ladies. They had more to eat than I, but they finished sooner; at least, it was so with the younger. There was no sea on, yet she left her luncheon almost untouched, and after five minutes' playing with it went indoors. No sooner had she got safely away than Odell came back to accept the invitation given by "Aunt Marian," only to find it no longer worth his acceptance. (Recalling her words, I realised that she had never expected "Grace" to stay.) Odell asked for a chair, nevertheless, and had it put next to hers, evidently meaning to annex the place permanently. These were the right tactics, of course. Even I should have adopted them; but they were opposed to a more subtle and deadly strategy. "Grace" proceeded to prove that being on board the same ship with her did not mean being in her society. She did not appear on deck again. Odell was forced to realise that he had made the girl a prisoner in her cabin.
That afternoon the list of passengers was given out, and I searched eagerly for her name. I had not far down the alphabet to go. There she was among the "C's" – "Miss Grace Callender." The name was an electric shock; and seeing it I could guess but too easily why the girl might love a man and run away from him.
Nobody who read the newspapers three years ago could have helped knowing who Grace Callender was; and if they forgot, she would certainly have been recalled to their minds a year and a half later. I, at least, had not forgotten. I owed to the "Callender-Graham Tragedy" one detail which had helped to make the success of my novel, and had suggested its name, The Key. Miss Callender was (and is) an American heiress, but England has its own reasons for being interested in American heiresses. Therefore, at the time of the two great sensational events in Grace Callender's life, London papers gave long paragraphs to the story.
Her parents – cousins – were both killed in a motor accident in France while she was a schoolgirl at home in charge of her aunt, a half-sister of the father, Graham Callender. Both parents were rich, having, for their lifetime, the use of an immense fortune, or rather the income derived from it. The principal could not be touched by them, but passed to their only child. This arrangement had come about through a family quarrel in the previous generation; but, as Graham Callender and his wife were of opinion that injustice had been done, they wished their daughter to atone for it by her marriage. Half the money ought rightly to have gone to Philip Callender-Graham, a cousin who had been disinherited in their favour. He had died poor, leaving a couple of sons a few years older than Grace. The two had been educated at Graham Callender's expense, and had spent their holidays at his houses in town and country. Grace had grown up to look upon both almost as brothers, though they were only her second cousins. She was fond of the pair – a little fonder of Perry, the elder, than of his younger brother Ned. As for the brothers themselves, it appeared later that both were in love with Grace; but Ned kept his secret and let Perry win the prize. The engagement of Grace Callender and Perry Callender-Graham was announced on the girl's nineteenth birthday. One night a few months later, and just one week before the day fixed for the wedding, Perry Callender-Graham was found dead in a quiet side street near Riverside Drive.
There were no marks of violence on his body, and apparently he had not been robbed. In his pockets were several letters which could have no bearing on the cause of his death, an empty envelope, a sum of money, a jewel-case containing a diamond pendant, probably intended as a gift for his fiancée, and two keys which seemed to be new. Both were latchkeys: one rather large and long, looking as if it might belong to the front door of a house; the other was small, not unlike the key to the door of the dead man's flat. Neither fitted any door of the private hotel in which he lived, however, and consequently suggested mystery. But as three specialists certified death by natural causes, the police came to regard the keys as of no importance. The doctors testified to a condition known as "status lymphaticus," which cannot be diagnosed during life, but which may cause a slight shock to be fatal. It was thought that Callender-Graham – whose body lay close to a street crossing – might have started back to save himself from being run over by a swift automobile suddenly turning the corner, and in the shock of falling have died of heart failure.
Grace Callender was grieved and distressed, but not prostrated with sorrow, as she would have been over the loss of an adored lover. Everyone who knew her knew that she had been going to marry her cousin not because she was in love, but in order to give him the fortune wrongfully diverted from his father. In these peculiar circumstances, many people prophesied the thing which happened a year later: her engagement to Ned Callender-Graham, through whom the restitution could equally well be made. He seemed to be a popular fellow, even better liked in general than his dreamy, poetical brother; and as his friends guessed that he had unselfishly stood in the background for Perry's sake, all were pleased with his good fortune. The engagement went on for six months; and then a week before the wedding was to take place, Ned Callender-Graham was found dead in the same street and almost on the same spot where his brother had fallen a year and a half before.
This extraordinary coincidence was rendered even more remarkable by the fact that nearly every detail of the first tragedy was repeated in the second. Not only had the brothers met their death in the same street, and almost on the eve of marriage with the same girl, but, according to doctors' evidence, they had died in the same way and at practically the same hour. Ned, like Perry, was afflicted with status lymphaticus. There was no trace of violence on his body. He had not been robbed, for his pockets were full of money. He carried his brother's watch which Perry's will had left to him – the watch which Perry had worn on the night of his death – and two or three letters, together with an empty envelope. Stranger than all, perhaps, he had in his possession two new latchkeys – duplicates of the keys found in his dead brother's pocket.
This time, owing to the almost miraculous resemblance between the cases, foul play was suspected. But it seemed that the brothers had no enemies and, so far as could be learned, no serious rivals with Miss Callender. The girl and her aunt clung to the belief that Perry and Ned had died natural deaths, and that the ghastly coincidence was no more than a coincidence. Miss Marian Callender's theory was that Ned had fallen a victim to his love for his brother, a too sensitive conviction of guilt in taking Perry's place, and an unhappy superstition which he had confided to her – though, naturally, not to her niece. He believed himself to be haunted by his brother's spirit, which influenced him to do things he did not wish. He said one day that he doubted if Perry would ever let him marry Grace, but would contrive to break off the engagement in some way, even if all went well until the last moment. Miss Marian Callender suggested that the apparently mysterious keys were the same keys which Perry had possessed, they having been given, with other souvenirs of the dead man, to his brother; that it was characteristic of Ned to keep them by him, as well as the watch, in a kind of remorseful loyalty to the brother he had superseded; and that the same half-affectionate, half-fearful superstition had led him that night into the street where Perry had fallen. Once there – at an hour the same as that of Perry's death a week before his appointed marriage – in all probability Ned had imagined himself confronted by his brother's accusing ghost. The two were known to be temperamentally as well as physically alike, though Ned was undoubtedly stronger physically. It was not strange if Perry had a peculiar weakness of the heart that Ned should have the same; and the shock of a fancied meeting with Perry's spirit at such a time and such a place might easily have been too great for a man already at high nervous tension. Others than Miss Marian Callender talked freely with reporters and detectives, repeating her story that Ned Callender-Graham had felt oppressed with a sense of guilt, that he had worried himself into an emotional state which he had tried to hide, and that he had attended spiritualistic séances. All this, together with the fact that there was no evidence of murder, caused the second verdict to be the same as the first. But Grace Callender found herself so stared at and pointed at, and gossiped about wherever she went, that her life became a burden. She knew that terrible nicknames were fastened upon her, that she was called "Belladonna" and "The Poison Flower," as if her promise to marry had brought death upon her lovers. She heard women whispering behind her back, "If I were a man I simply shouldn't dare be engaged to her in spite of her millions"; and what she did not hear she imagined. She in her turn grew superstitious, or so it was said. She began to feel that there must be something fatal about her; that a curse which the father of Perry and Ned was said to have pronounced on her parents in his first fury at losing a fortune had been visited on her. Though she had twice come near her wedding she had never yet deeply loved a man; nevertheless, because of the "curse" and in fear of it, she resolved to give up all hope of happiness in love, never to marry, nor even engage herself again.
All this I remembered distinctly, not alone because my memory is a blotting-pad for such cases, but because the story had captured my imagination, and because I had used the detail of the keys for my own book, only substituting one for two.
"By Jove!" I said. "The key! Now, can that be the clue to Roger Odell's veto?"
I set myself deliberately to think the matter over from this new point of view. Evidently he was desperately in love with Grace Callender. Could the mere fact that I had named a book of mine The Key, and turned my plot upon a mysterious key found in a dead man's pocket, have inspired Odell with revengeful rage? Except for the title, and the key in the pocket, there was nothing in my book or in Carr Price's play which bore even the vaguest likeness to the Callender-Graham tragedy. I didn't see how the most loyal lover could feel that I had "butted in" upon what to him was sacred; still, the new idea had some substance in it. Not only had I hit on a possible clue to the man's enmity, but into my mind from another direction suddenly flashed so astounding a ray of light that I was almost blinded. I could hardly wait to try weapons with Odell.
How to get at him and hold him, so to speak, at my mercy was the next difficulty. I had to think that out too, and I did it by process of deduction. For reasons of my own, I had not yet secured a seat in the dining-saloon, but now I limped down below with my inspiration. Others had made their arrangements and gone, but I managed to catch the head steward.
"I suppose you're assigning seats for people who want to sit alone at these small tables?" I began.
"We have assigned only one such, sir," he cautiously admitted. "All we're able to give."
"Why all?" I wanted to know. "There are plenty of tables and only a few passengers."
"Yes, sir, that's true. But also, there's only a few stewards. We haven't enough to spare for scattering around."
"Is Mr. Roger Odell the one fortunate person to whom you've been able to give a table to himself?" I threw out this question like a lasso.
"Why, yes, sir, as a matter of fact he is," the caught steward confessed. "We've several tables with parties of two or three, but for one alone – "
"I may wish to be alone just as much as Mr. Odell does," I argued. "But the next best thing to being alone is to sit with another man who wants to be alone. Then there's no fear of too much conversation. Put me at Mr. Odell's table." As I spoke I slipped a five-pound note into a surprised but unresisting hand. (I had to bribe high to outbribe a millionaire.) Even as his fingers closed mechanically on the paper the steward's tongue began to stammer, "I – I'm afraid he may object, sir."
"He may at first; but not after three minutes. All I ask is to be put at the table when Mr. Odell is seated, and without his knowing beforehand that he's obliged to have a companion. If he still objects after three minutes of my company I've had my money's worth. I'll leave him in possession of the table; you can put me where you like."
It was a bargain. The steward pointed out the table selected by Odell.
I was dressed and ready for dinner before the bugle sounded, but did not go down until I thought that most of the passengers would be already seated. Hovering in the doorway, I saw that Odell was already in his place. Then I made straight for the table and sat down in the chair opposite his.
He had been gloomily eating his soup, and looked up from it with a glare.
"I think you must be making a mistake," he remarked with an effort at civility. "I asked to be alone."
"So did I," I said.
"But not at this table."
"At this very table."
"Then I'll leave it to you."
"Please don't," I said. "If one of us goes, I'll be the one, as I'm the last comer. But will you meanwhile be kind enough to answer two easy questions? First, are you Mr. Roger Odell of New York?"
"Yes, to question number one. If the next's as easy, perhaps I'll answer that too."
(He looked faintly amused. The space between his straight black eyebrows was growing visible again. I had still two minutes and a half out of the three.)
"Thank you," I said. "The next should be even easier. Why have you warned Julius Felborn that if he brings out Carr Price's play, The Key, you'll quash it?"
The man's face changed. From half-amused boredom it expressed white rage. "You are that fellow John Hasle," he said. His voice was low and in control, but his look was vitriolic. All the same, I liked him. He was a man, and I had a man's chance with him.
"Yes, I'm that fellow John Hasle. Let me introduce myself," I replied.
"You've hunted me down. You said you wanted to sit alone. That was not true."
"I said, 'I asked to sit alone.' I wanted to sit with you. It was my way of getting to do it. I took not only the table and the opportunity, but my ticket to New York with the same object. I think I have the right to inquire what's your motive for wishing to injure me and to expect that you'll answer. If you think differently, I'll get up at once and go. But I believe I shall have succeeded in spoiling your appetite."
"You're a cool hand," he said, with no softening of the eyes which gave me look for look. "Sit still. If you get up and hobble away on those crutches you'll have the whole room gaping at us." (Not for the first time were my crutches a blessing in disguise:) "Whether you've a right to question me or not, I don't mind telling you that I think Americans are better at detective literature than any Englishman, speaking generally, and a whole lot better than John Hasle, speaking particularly."
"I think," said I, "that I shall be able to prove my detective powers to you later on, speaking very particularly."
"Ah, indeed! In what way?"
"'Later on' was what I said."
"All right. I'm in no hurry."
"I am. Because several matters have got to be settled before I can progress much further. For one thing, you haven't answered my second question. Your opinion of my book or my British limitations as a detective has nothing to do with your attitude toward the play."
"If you know so much, perhaps you know more."
"Frankly, I don't. I ask you to tell me the rest as frankly."
"Very well. Perhaps the medicine will go to the spot quicker if you understand what it's for. It sounds sort of melodramatic, and maybe it is so; but my wish – my intention – to strangle your play at birth, or crush it afterwards, has revenge for its motive."
"Revenge for what?"
"For the cruel act of a member of your family to a member of mine."
