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A Hundred Summers: The ultimate romantic escapist beach read
A Hundred Summers: The ultimate romantic escapist beach read
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A Hundred Summers: The ultimate romantic escapist beach read

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A Hundred Summers: The ultimate romantic escapist beach read
Beatriz Williams

The New York Times bestselling novel.Rhode Island, 1938. A sweltering summer of secrets, passion and betrayal…‘I wish I could remember more. I wish I had taken down every detail, because I didn’t see him again until the summer of 1938; the summer the hurricane came and washed the world away…’Lily Dane has returned to the exclusive enclave of Seaview, Rhode Island, hoping for an escape from the city and from her heartbreak. What she gets instead is the pain of facing newlyweds Budgie and Nick Greenwald – her former best friend and former fiancé.During lazy days and gin-soaked nights, Lily is drawn back under Budgie’s glamorous and enticing influence, and the truth behind Budgie and Nick’s betrayal of Lily begins to emerge. And as the spectre of war in Europe looms, a storm threatens to destroy everything…

Beatriz Williams

Copyright (#u5fd5d8c1-288d-5e77-9bf0-f9f0d8658563)

Published by HarperCollinsPublishers Ltd

1 London Bridge Street

London, SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

First published by Penguin Group USA 2013

First published in the UK by Harper 2015

Copyright © Beatriz Williams

Cover layout design © HarperCollinPublishers Ltd 2015

Design concept by Sara Woods

Cover photograph © H. Armstrong Roberts/Getty Images

Beatriz Williams asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008134921

Ebook Edition © April 2015 ISBN: 9780008134914

Version: 2017-07-24

Dedication (#u5fd5d8c1-288d-5e77-9bf0-f9f0d8658563)

To the victims and survivors of the

great New England hurricane of 1938

And, as always,

to my husband and children

Ah, love, let us be true

To one another! for the world, which seems

To lie before us like a land of dreams,

So various, so beautiful, so new,

Hath really neither joy, nor love, nor light,

Nor certitude, nor peace, nor help for pain;

And we are here as on a darkling plain

Swept with confused alarms of struggle and flight,

Where ignorant armies clash by night.

MATTHEW ARNOLD

“Dover Beach” (1867)

Contents

Cover (#u80e7779f-4f92-5f89-9d72-8bdb8ea4bb59)

Title Page (#uea14507b-ca93-5d70-9782-baa14ce98774)

Copyright

Dedication

Epigraph (#u67bcc0d8-7729-5123-aa1e-1d04d804360c)

1. Route 5, Ten Miles South of Hanover, New Hampshire: October 1931

2. Seaview, Rhode Island: May 1938

3. Hanover, New Hampshire: October 1931

4. Seaview, Rhode Island: May 1938

5. Smith College, Massachusetts: October 1931

6. Seaview, Rhode Island: May 1938

7. Smith College, Massachusetts: Mid-December 1931

8. Seaview, Rhode Island: July 4, 1938

9. 725 Park Avenue, New York City: December 1931

10. Seaview, Rhode Island: July 1938

11. 725 Park Avenue, New York City: New Year’s Eve 1931

12. Seaview, Rhode Island: August 1938

13. Manhattan: New Year’s Eve 1931

14. Seaview, Rhode Island: Labor Day 1938

15. Route 9, New York State: New Year’s Day 1932

16. Manhattan: Tuesday, September 20, 1938

17. Lake George, New York: January 2, 1932

18. Manhattan: Tuesday, September 20, 1938

19. Lake George, New York: January 1932

20. Manhattan: Wednesday, September 21, 1938

21. 1932–1938

22. Seaview, Rhode Island: Wednesday, September 21, 1938

23. Seaview, Rhode Island: Wednesday afternoon, September 21, 1938

Epilogue: Seaview Rhode Island - June 1944

Historical Note

Keep Reading The House on Cocoa Beach

Acknowledgments

Readers Guide: A Hundred Summers

About the Author

Also by Beatriz Williams

About the Publisher

1. (#u5fd5d8c1-288d-5e77-9bf0-f9f0d8658563)

ROUTE 5, TEN MILES SOUTH OF HANOVER, NEW HAMPSHIRE October 1931 (#u5fd5d8c1-288d-5e77-9bf0-f9f0d8658563)

One hundred and twelve miles of curving pavement lie between the entrance gates of Smith College and the Dartmouth football stadium, and Budgie drives them as she does everything else: hell-for-leather.

The leaves shimmer gold and orange and crimson against a brilliant blue sky, and the sun burns unobstructed overhead, teasing us with a false sense of warmth. Budgie has decreed we drive with the top down, though I am shivering in the draft, huddled inside my wool cardigan, clutching my hat.

She laughs at me. “You should take your hat off, honey. You remind me of my mother holding on to her hat like that. Like it’s the end of civilization if someone sees your hair.” She has to shout the words, with the wind gusting around her.

“It’s not that!” I shout back. It’s because my hair, released from the enveloping dark wool-felt cloche, will expand into a Western tumbleweed, while Budgie’s sleek little curls only whip about artfully before settling back in their proper places at journey’s end. Even her hair conforms to Budgie’s will. But this explanation is far too complicated for the thundering draft to tolerate, so I swallow it all back, pluck the pins out of my hat, and toss it on the seat beside me.

Budgie reaches forward and fiddles with the radio dials. The car, a nifty new Ford V-8, has been equipped with every convenience by her doting father and presented to her a month ago as an early graduation present. Nine months early, to be exact, because he, in his trust and blindness, wants her to make use of it during her last year at Smith.

You should get out and have some fun, buttercup, he told her, beaming. You college girls study too hard. All work and no play.

He dangled the keys before her.

Are you sure, Daddy? Budgie asked, eyes huge and round, like Betty Boop’s.

No, really. It’s the truth; I was standing right there. We’ve been friends since we were born, only two months apart, she at the beginning of summer and me at the end. Our families summer together at the same spot in Rhode Island, and have done so for generations. She’s dragged me along with her this morning on the basis of that friendship, that ancient tie, though we don’t really run in the same circles at college, and though she knows I have no interest in football.

The Ford makes a throaty roar as she accelerates into a curve, swallowing the scratchy voices from the radio. I grasp the door handle with one hand and the seat with another.

Budgie laughs again. “Come on, honey. I don’t want to miss the warm-ups. The boys get so serious once the game starts.”

Or something like that. The wind carries away two words out of three. I look out the side and watch the leaves hurry by, the height of the season, while Budgie chatters on about boys and football.

As it turns out, we have missed the warm-ups, and most of the first quarter as well. The streets of Hanover are empty, the stadium entrance nearly deserted. A distant roar spills over the brick walls, atop the muffled notes of a brass band. Budgie pulls the car up front, on a grassy verge next to a sign that says NO PARKING, and I struggle with my hat and pins.

“Here, let me do it.” She takes the pins from my cold fingers, sticks them ruthlessly into my hat, and turns me around. “There! You’re so pretty, Lily. You know that, don’t you? I don’t know why the boys don’t notice. Look, your cheeks are so pink. Aren’t you glad we had the top down?”

I fill my lungs with the clean golden-leaf New Hampshire air and tell her yes, I’m glad we had the top down.

Inside, the stands are packed, pouring over with people, like a concrete bowl with too much punch. I pause at the burst of noise and color as we emerge into the open, into the sudden deluge of humanity, but there’s no hesitation in Budgie. She slings her arm around mine and drags me down the steps, across several rows, stepping over outstretched legs and leather shoes and peanut shells, excusing herself merrily. She knows exactly where she’s going, as always. She grips my arm with a confident hand, tugging me in her wake, until a shouted Budgie! Budgie Byrne! wafts over the infinite mass of checked caps and cloche hats. Budgie stops, angles her body just so, and raises her other arm in a dainty wave.

I don’t know these friends of hers. Dartmouth boys, I suppose, familiar to Budgie through some social channel or another. They aren’t paying much attention to the game. They are festive, laughing, rowdy, throwing nuts at one another and climbing over the rows. In 1931, two years after the stock crash, we are still merry. Panics happen, companies fail, but it’s only a bump in the road, a temporary thing. The great engine coughs, it sputters, but it doesn’t die. It will start roaring again soon.

In 1931, we have no idea at all what lies ahead.

They are boys, mostly. Budgie knows a lot of boys. A few of them have their girls nestled next to them, local girls and visiting girls, and these girls all cast looks of instinctive suspicion at Budgie. They take in her snug dark green sweater, with its conspicuous letter D on the left breast, and her shining dark hair, and her Betty Boop face. They don’t pay my pretty pink cheeks much attention at all.

“What’d I miss? How’s he doing?” she demands, settling herself on the bench. Her eyes scan the field for her current boyfriend—the reason for our breakneck morning drive from Massachusetts—who plays back for Dartmouth. She met him over the summer, when he was staying with friends of ours at Seaview, as if Hollywood central casting had ordered her up the perfect costar, his eyes a complementary shade of summertime blue to her winter ice. Graham Pendleton is tall, athletic, charming, glamorously handsome. He excels at all sports, even the ones he hasn’t tried. I like him; you can’t help but like Graham. He reminds me of a golden retriever, and who doesn’t love a golden retriever?

“He’s all right, I guess,” says one of the boys. He seats himself on the bench next to Budgie, so close his leg touches hers, and offers her a square of Hershey. “Decent run in the last series. Eleven yards.”

Budgie sucks the chocolate into her mouth and pats the narrow space on her other side. “Sit next to me, Lily. I want you to see this. Look down at the field.” She points. “There he is. Number twenty-two. Do you see him? On the sidelines, near the bench. He’s standing, talking to Nick Greenwald.”

I look down at the near sideline. We’re closer to the field than I thought, perhaps ten rows up, and my vision swarms with Dartmouth jerseys. I find the number 22 painted in stark white on a broad forest-green back. Strange, to see Graham in a sober football uniform instead of a bathing costume or tennis whites or a neat flannel suit and straw boater. He’s deep in conversation with number 9, who stands at his right, half a head taller. Their battered leather helmets are tucked under their arms, and their hair is the same shade of indeterminate brown, damp and sticky with sweat: one curly, one straight.

“Isn’t he handsome?” Budgie’s shoulders sink under a dreamy sigh.