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The Invisible Man
H. G. Wells
HarperCollins is proud to present its incredible range of best-loved, essential classics.“I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man – the mystery, the power, the freedom.”Griffin, a stranger, arrives at the local inn of an English village, entirely shrouded in bandages. Forbidding and unfriendly, he confines himself to his room. Driven away by the villagers and turning to an old friend for help, Griffin reveals that he has discovered how to make himself invisible, and plans to use his condition for treacherous ends. But when his friend refuses to join his quest, Griffin turns murderous, threatening to seek revenge on all who have betrayed him.H. G. Wells’ controversial works are considered modern classics of the science fiction genre. Originally serialised in 1897, The Invisible Man is a fascinating exploration of power, corruption and science.
THE INVISIBLE MAN
H. G. Wells
Copyright (#ulink_ee44c572-bb7f-571d-8986-a86b0e85134a)
William Collins
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This eBook edition published by William Collins in 2017
Life & Times section © HarperCollinsPublishers Ltd
Silvia Crompton asserts her moral right as author of the Life & Times section
Classic Literature: Words and Phrases adapted from
Collins English Dictionary
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Source ISBN: 9780008190071
Ebook Edition © January 2017 ISBN: 9780008190088
Version: 2017-01-04
Contents
Cover (#u4cba531d-0de3-5de6-9370-48cd62d60270)
Title Page (#u73abd83a-f1db-58d9-933a-28705626f6e7)
Copyright (#u90dfcec4-59ee-5eda-9f58-855abd4954cf)
History of William Collins (#u4c98357d-d573-5436-8eed-8eaf7e2913da)
Life & Times (#u134310ca-0d3f-58be-adb0-b7f562ec6efa)
1. The Strange Man’s Arrival (#u75b1a8ea-0098-563d-904e-2210180a04e6)
2. Mr. Teddy Henfrey’s First Impressions (#ua6fc03c4-2ba5-59c1-a96f-761a164eb907)
3. The Thousand and One Bottles (#u14e30c3b-d9ec-5eb8-95ad-8875c33bd729)
4. Mr. Cuss Interviews the Stranger (#uaf5385cb-d511-5bf0-b7ae-83a7d2a17c57)
5. The Burglary at the Vicarage (#ubd0c66ad-902b-5175-8235-63f3d8c2c375)
6. The Furniture that Went Mad (#u5ec5bf28-d665-536f-bfb2-4a282ea73747)
7. The Unveiling of the Stranger (#ud72fadee-db8e-5626-82eb-2398f49187b6)
8. In Transit (#ub296cc58-549b-5a4e-a52a-126086db361d)
9. Mr. Thomas Marvel (#u8a242a4c-f51b-56f4-b42e-467f68af5a4a)
10. Mr. Marvel’s Visit to Iping (#litres_trial_promo)
11. In the “Coach and Horses” (#litres_trial_promo)
12. The Invisible Man Loses His Temper (#litres_trial_promo)
13. Mr. Marvel Discusses His Resignation (#litres_trial_promo)
14. At Port Stowe (#litres_trial_promo)
15. The Man Who Was Running (#litres_trial_promo)
16. In the “Jolly Cricketers” (#litres_trial_promo)
17. Dr. Kemp’s Visitor (#litres_trial_promo)
18. The Invisible Man Sleeps (#litres_trial_promo)
19. Certain First Principles (#litres_trial_promo)
20. At the House in Great Portland Street (#litres_trial_promo)
21. In Oxford Street (#litres_trial_promo)
22. In the Emporium (#litres_trial_promo)
23. In Drury Lane (#litres_trial_promo)
24. The Plan that Failed (#litres_trial_promo)
25. The Hunting of the Invisible Man (#litres_trial_promo)
26. The Wicksteed Murder (#litres_trial_promo)
27. The Siege of Kemp’s House (#litres_trial_promo)
28. The Hunter Hunted (#litres_trial_promo)
The Epilogue (#litres_trial_promo)
Classic Literature: Words and Phrases (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
History of William Collins (#ulink_c93d23b7-71fa-5ee4-ac2f-9049539c534e)
In 1819, millworker William Collins from Glasgow, Scotland, set up a company for printing and publishing pamphlets, sermons, hymn books, and prayer books. That company was Collins and was to mark the birth of HarperCollins Publishers as we know it today. The long tradition of Collins dictionary publishing can be traced back to the first dictionary William co-published in 1825, Greek and English Lexicon. Indeed, from 1840 onwards, he began to produce illustrated dictionaries and even obtained a licence to print and publish the Bible.
Soon after, William published the first Collins novel; however, it was the time of the Long Depression, where harvests were poor, prices were high, potato crops had failed, and violence was erupting in Europe. As a result, many factories across the country were forced to close down and William chose to retire in 1846, partly due to the hardships he was facing.
Aged 30, William’s son, William II, took over the business. A keen humanitarian with a warm heart and a generous spirit, William II was truly ‘Victorian’ in his outlook. He introduced new, up-to-date steam presses and published affordable editions of Shakespeare’s works and ThePilgrim’s Progress, making them available to the masses for the first time.
A new demand for educational books meant that success came with the publication of travel books, scientific books, encyclopedias, and dictionaries. This demand to be educated led to the later publication of atlases, and Collins also held the monopoly on scripture writing at the time.
In the 1860s Collins began to expand and diversify and the idea of ‘books for the millions’ was developed, although the phrase wasn’t coined until 1907. Affordable editions of classical literature were published, and in 1903 Collins introduced 10 titles in their Collins Handy Illustrated Pocket Novels. These proved so popular that a few years later this had increased to an output of 50 volumes, selling nearly half a million in their year of publication. In the same year, The Everyman’s Library was also instituted, with the idea of publishing an affordable library of the most important classical works, biographies, religious and philosophical treatments, plays, poems, travel, and adventure. This series eclipsed all competition at the time, and the introduction of paperback books in the 1950s helped to open that market and marked a high point in the industry.
HarperCollins is and has always been a champion of the classics, and the current Collins Classics series follows in this tradition – publishing classical literature that is affordable and available to all. Beautifully packaged, highly collectible, and intended to be reread and enjoyed at every opportunity.
Life & Times (#ulink_baa7acc2-1074-5fd1-a912-2c93c5b3e617)
About the Author
When we think of H. G. Wells, we think of ground-breaking science fiction, alien life forms, prophetic man-made contraptions and intergalactic warfare. His was a mind capable not only of imagining things that were literally out of this world, but also of prophesying how mankind’s flaws might turn these apocalyptic visions into everyday reality. Most remarkable of all, it was a mind that had grown from notably ordinary beginnings.
Herbert George Wells was born in 1866 in the London suburb of Bromley, where his father, a part-time professional cricketer, owned an unsuccessful sporting-goods shop. The family struggled financially, particularly after a leg injury terminated Wells’ father’s cricketing career, and at the age of fourteen Herbert had to leave school in order to earn his keep.
For four years, Wells moved from one fruitless apprenticeship to the next, before being offered the lifeline of a return to education. He had developed a love of literature during his youth, but now, thanks to a scholarship to the Royal College of Science in London, he was able to indulge his other passion: biology. One of his teachers there was the eminent anatomist T. H. Huxley, nicknamed ‘Darwin’s Bulldog’ for his outspoken support for Charles Darwin’s controversial theory of evolution. (Perhaps coincidentally, Huxley’s grandson Aldous would also go on to become an acclaimed science-fiction writer.)
Interesting Times
Alongside Huxley’s influence, Wells developed an interest in divisive topics as a member of the student debating society. And, without doubt, he was living in interesting times. By the 1880s, the notorious rigidity of Victorian society was giving way to contentious questions about evolution, religion and equality, and Wells soon became an outspoken critic of the social status quo. He felt society could be better and stronger – essentially, more evolved. He took an early interest in the newly established Fabian Society, a socialist organisation that was subsequently instrumental in founding the British Labour Party, and which included among its members satirical dramatist G. B. Shaw and suffragette Emmeline Pankhurst.
In the early years of the twentieth century, Wells fell out very publicly with the Fabians, accusing them of being an ineffectual ‘drawing-room society’ with ‘scattered members’. He wanted them to take a more gung-ho attitude to social reform, and thereby to rally new members to the cause. They in turn were embarrassed by his unconventional private life: he was twice-married and promiscuous, and had both legitimate and illegitimate children. Wells ultimately left the group in frustration, but in the meantime his mind had been awoken to the possibility that life on earth could quite easily become either immeasurably better or immeasurably worse, visions he elaborated upon in his fictional output during these early years of his political engagement.
Scientific Romance
H. G. Wells’ first book was his 1893 Textbook of Biology, which drew on his time as a science teacher, but just two years later he produced a debut novel that made him a household name and popularised a whole new genre of fiction. The Time Machine (1895) is the story of a scientist who travels to the very distant future, where he discovers that the division between rich and poor that was entrenched in nineteenth-century society has led to mankind splitting into two distinct species. The novel was a thinly veiled warning based on Wells’ political views, but its remarkable claim to fame is that it popularised the concept of ‘time travel’ by ‘time machine’: both terms coined by Wells, and now considered staples of science fiction.
Nineteenth-century literature, propelled in part by the swift technological advances of the Industrial Revolution, had seen a gradual shift from Gothic horror – with its ghost stories and vampires – to novels that dealt with man-made futuristic inventions. Mary Shelley’s Frankenstein (1818) is now considered an early work of science fiction, but the genre came into its own in 1864 with the publication of Jules Verne’s Journey to the Centre of the Earth. Verne dominated the genre for the next two decades, but the 1890s belong firmly to H. G. Wells. Following his success with The Time Machine, Wells published, in quick succession, bestsellers including The Island of Doctor Moreau (1896), The Invisible Man (1897) and The War of the Worlds (1898). Both he and Jules Verne have subsequently been declared ‘The Father of Science Fiction’, even if, in their day, the genre was more commonly known as scientific romance.
Wells’ novels of the 1890s pushed the boundaries of scientific imagination, making fantastical notions such as genetic engineering, invisibility and extraterrestrial life forms seem alarmingly real. The War of the Worlds boasts some of the earliest fictional ‘Martians’ and describes the as-yet-uninvented laser, cornerstones too of modern science fiction. But beneath the surface, these novels continued to present nightmarish visions of a future defined by selfishness, inequality and conflict: qualities Wells hoped humankind might yet do away with.
The Invisible Man
H. G. Wells did not invent invisibility, just as he did not invent the concept of time travel or extraterrestrial life; what he achieved in The Invisible Man (1897), however, was a scientific portrait of invisibility that for the first time in fiction made the phenomenon seem realistic rather than fantastical. Since at least the time of Plato in the fourth century BC, writers had toyed with the notion of rings, capes and potions that could render a person invisible, but Wells was the first to approach invisibility from the point of view of known science: if a body ‘neither reflects nor refracts nor absorbs light,’ his scientist, Griffin, deduces, ‘it cannot of itself be visible’.
This approach was typical of Wells, who wrote in 1933 that he had always aimed ‘to domesticate the impossible hypothesis’. After all, ‘anyone can invent human beings inside out … The thing that makes such imaginations interesting is their translation into commonplace terms.’ And so while Griffin has the extraordinary power to walk unseen through the streets, he must do so naked, because his clothes are visible, and avoid making footprints in the snow, and hide after eating because undigested food shows through his invisible organs and skin.
This realism impressed Joseph Conrad so much that he sent Wells, ‘Realist of the Fantastic’, a letter of glowing praise, marvelling at his ability to ‘give over humanity into the clutches of the Impossible and yet … keep it up (or down) to its humanity, its flesh, blood, sorrow, folly’.
And Conrad is right: Griffin may be a genius but he is a foolish one. Having transformed himself into a vulnerable fugitive from his fellow man, he has no idea how to turn himself back. His only option, as he sees it, is to turn to a life of villainy, to use his power to deceive and dominate mankind. It has all gone to his head; when he is captured and beaten to death by the mob, his visibility returns, and his human weakness and mortality are revealed.
Paradise Lost
For all the dystopian horror of his most famous novels, Wells was, in his predictions for mankind’s future, an optimist – initially, at least. He felt at heart that humanity was on the brink of something wonderful. His 1901 work Anticipations of the Reaction of Mechanical and Scientific Progress upon Human Life and Thought set out a vision of the future in which warfare was obsolete, nations having synthesised into large peaceful blocs that treated one another with ‘intelligent sympathy’. He predicted that, by the end of the twentieth century, this social revolution would have forever assured ‘the final peace of the world’.
The First World War shook his belief, although Wells remained convinced that the reality of all-out warfare might yet sober mankind into long-term peace. In his Outline of History (1920), he defined human history as ‘more and more a race between education and catastrophe’, but predicted that progress would prevail, be it ‘clumsily or smoothly’.
By the outbreak of the Second World War – which he had predicted with eerie accuracy in his 1933 novel The Shape of Things to Come – Wells was less optimistic. It is apt that his final work, composed in 1945 and foreseeing the collapse and destruction of humanity, was entitled Mind at the End of Its Tether. He felt he had given ample warnings that had gone unheeded. Indeed, reflecting in 1941 on predictions he had made that had come horribly true, Wells suggested that his epitaph should simply read: ‘I told you so. You damned fools.’ When the end came, in 1946, his ashes were scattered at sea.
CHAPTER 1 (#ulink_a9db4c51-e306-541b-baec-a3d9c873cefb)
The Strange Man’s Arrival (#ulink_a9db4c51-e306-541b-baec-a3d9c873cefb)
The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the Coach and Horses more dead than alive, and flung his portmanteau down. “A fire,” he cried, “in the name of human charity! A room and a fire!” He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a couple of sovereigns flung upon the table, he took up his quarters in the inn.
Mrs. Hall lit the fire and left him there while she went to prepare him a meal with her own hands. A guest to stop at Iping in the wintertime was an unheard-of piece of luck, let alone a guest who was no “haggler,” and she was resolved to show herself worthy of her good fortune. As soon as the bacon was well under way, and Millie, her lymphatic maid, had been brisked up a bit by a few deftly chosen expressions of contempt, she carried the cloth, plates, and glasses into the parlour and began to lay them with the utmost éclat. Although the fire was burning up briskly, she was surprised to see that her visitor still wore his hat and coat, standing with his back to her and staring out of the window at the falling snow in the yard. His gloved hands were clasped behind him, and he seemed to be lost in thought. She noticed that the melting snow that still sprinkled his shoulders dripped upon her carpet. “Can I take your hat and coat, sir?” she said, “and give them a good dry in the kitchen?”
“No,” he said without turning.
She was not sure she had heard him, and was about to repeat her question.
He turned his head and looked at her over his shoulder. “I prefer to keep them on,” he said with emphasis, and she noticed that he wore big blue spectacles with sidelights, and had a bushy side-whisker over his coat collar that completely hid his cheeks and face.
“Very well, sir,” she said. “As you like. In a bit the room will be warmer.”
He made no answer, and had turned his face away from her again, and Mrs. Hall, feeling that her conversational advances were ill-timed, laid the rest of the table things in a quick staccato and whisked out of the room. When she returned he was still standing there, like a man of stone, his back hunched, his collar turned up, his dripping hat brim turned down, hiding his face and ears completely. She put down the eggs and bacon with considerable emphasis, and called rather than said to him, “Your lunch is served, sir.”
“Thank you,” he said at the same time, and did not stir until she was closing the door. Then he swung round and approached the table with a certain eager quickness.
As she went behind the bar to the kitchen she heard a sound repeated at regular intervals. Chirk, chirk, chirk, it went, the sound of a spoon being rapidly whisked round a basin. “That girl!” she said. “There! I clean forgot it. It’s her being so long!” And while she herself finished mixing the mustard, she gave Millie a few verbal stabs for her excessive slowness. She had cooked the ham and eggs, laid the table, and done everything, while Millie (help indeed!) had only succeeded in delaying the mustard. And him a new guest and wanting to stay! Then she filled the mustard pot, and, putting it with a certain stateliness upon a gold and black tea tray, carried it into the parlour.
She rapped and entered promptly. As she did so her visitor moved quickly, so that she got but a glimpse of a white object disappearing behind the table. It would seem he was picking something from the floor. She rapped down the mustard pot on the table, and then she noticed the overcoat and hat had been taken off and put over a chair in front of the fire, and a pair of wet boots threatened rust to her steel fender. She went to these things resolutely. “I suppose I may have them to dry now,” she said in a voice that brooked no denial.
“Leave the hat,” said her visitor, in a muffled voice, and turning she saw he had raised his head and was sitting and looking at her.
