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The Judgement of Strangers
The Judgement of Strangers
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The Judgement of Strangers

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The Judgement of Strangers
Andrew Taylor

The second novel in Andrew Taylor’s ground-breaking Roth trilogy, which was adapted into the acclaimed drama Fallen Angel. A haunting thriller for fans of S J Watson.It is 1970. David Byfield, a widowed parish priest with a dark past and a darker future, brings home a new wife to Roth. Throughout the summer, the consequences of the marriage reverberate through a village now submerged in a sprawling London suburb.Blinded by lust, Byfield is oblivious to the dangers that lie all about him: the menopausal churchwarden with a hopeless passion for her priest; his beautiful, neglected teenage daughter Rosemary; and the sinister presence of Frances Youlgreave – poet, opium addict and suicide – whose power stretches beyond the grave.Soon the murders and blasphemies begin. But does the responsibility lie in the present or the past? And can Byfield, a prisoner of his own passion, break through to the truth before the final tragedy destroys what he most cherishes?

ANDREW TAYLOR

THE JUDGEMENT OF STRANGERS

DEDICATION (#ulink_b41220b2-ae2e-5b28-b61c-eed7a1022e7e)

For Val and Bill

EPIGRAPH (#ulink_9a0a173f-be61-5b6a-a6c6-de8c2e9701ba)

‘Cursed is he that perverteth the judgement of the stranger, the fatherless, and widow.’

from the Service of Commination, in the office

for Ash Wednesday in The Book of Common Prayer.

‘The Manor of Roth is not mentioned in the Domesday Book …’

Audrey Oliphant, The History of Roth

(Richmond, privately printed 1969), p. 1.

Then darkness descended; and whispers defiled The judgement of stranger, and widow, and child …

.....

With flames to the flesh, with brands to the burning, As incense to heav’n the soul is returning

from ‘The Judgement of Strangers’ by the Reverend

Francis St. J. Youlgreave in The Four Last Things

(Gasset & Lode, London, 1896)

CONTENTS

Cover (#u72bab289-ee32-5753-8145-c664a35827fc)

Title Page (#ulink_1c05aab8-4148-537f-93e4-9e4365126a6b)

Dedication

Epigraph

Map

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

37

Epilogue (#litres_trial_promo)

About the Author (#litres_trial_promo)

Author’s Note (#litres_trial_promo)

Praise (#litres_trial_promo)

By the Same Author (#litres_trial_promo)

Copyright (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

MAP (#ulink_0fb2a93c-109f-5e9c-ad9d-2d7d084e8e8d)

1 (#ulink_95bf60dd-6858-56fb-9a9f-35ff9309e668)

We found the mutilated corpse of Lord Peter in the early evening of Thursday the 13th August, 1970. He was the first victim of a train of events which began towards the end of the previous summer when I met Vanessa Forde – or even before that, with Audrey Oliphant and The History of Roth.

Every parish has its Audrey Oliphant – often several of them; their lives revolve around the parish church, and in one sense the Church of England revolves around them. It was inevitable that she should be a regular visitor at the Vicarage, and it shamed me that I did not always welcome her as warmly as I should have done. It also irritated me that the Tudor Cottage cat treated the Vicarage as his second home, braving the traffic on the main road to get there.

‘Miss Oliphant practically lives here,’ said my daughter Rosemary at the end of one particularly lengthy visit. ‘And if she doesn’t come herself she sends her cat instead.’

‘She does an awful lot for us,’ I pointed out. ‘And for the parish.’

‘Dear Father. You try and find the best in everyone, don’t you?’ Rosemary looked up at me and smiled. ‘I just wish she would leave us alone. It’s much nicer when it’s just the two of us.’

Audrey was in her late forties and unmarried. She had lived in Roth all her life. Her house, Tudor Cottage, was on the green – on the north side between Malik’s Minimarket and the Queen’s Head. Its front garden, the size of a large bedspread, was protected from the pavement by a row of iron railings. Beside the gate there was a notice, freshly painted each year:

YE OLDE TUDOR TEA ROOM

(Est. 1931)

PROPRIETOR: MISS A.M. OLIPHANT

Telephone: Roth 6269

Morning Coffee – Light Meals – Cream Teas

Parties By Appointment

I had known the place for ten years, and in that time trade, though never brisk, had steadily diminished. This gave Audrey ample opportunity to read enormous quantities of detective novels and to throw herself into the affairs of the parish.

One evening in the spring of 1969, she appeared without warning on my doorstep.

‘I’ve just had the most wonderful idea.’

‘Really?’

‘I’m not interrupting anything, am I?’ she asked, initiating a ritual exchange of courtesies, a secular versicle and response.

‘Not at all.’

‘Are you sure?’

‘Nothing that can’t wait.’ I owed her this polite fiction. ‘I was about to have a break.’

I took her into the sitting room and, making a virtue from necessity, offered sherry. Audrey was a small woman, rather plump, with a face whose features seemed squashed; it was as though her skull, while still malleable, had been compressed in a vice – thus the face would have been splendidly in proportion if the eyes and the cheekbones and the corners of the mouth had not been quite so close together.

She took a sip of sherry, allowing the wine to linger in her mouth before she swallowed it. ‘I was in the library this afternoon and some schoolchildren came in to ask Mrs Finch if she had any books on local history. And it turns out that there’s a certain amount on neighbouring towns and villages. But very little on Roth itself.’

She paused for another sip. I lit a cigarette, guessing what was coming.

‘Then it came to me in a flash.’ Her heavy jowls quivered with excitement. ‘Why not write a history of Roth? I’m sure lots of people would like to read one. And nowadays so many people are living here who have no idea what the real Roth is like.’

‘What an interesting idea. You must let me know if there is anything I can do. The parish records, perhaps? I wonder if Lady Youlgreave might have some useful material. She –’

‘I’m so glad,’ Audrey interrupted. ‘I hoped you’d want to help. Actually, a collaboration was what I had in mind. It seemed to me that we would be ideally suited.’

‘I wouldn’t say –’

‘Besides,’ she rushed on, ‘the history of the village can’t be separated from the history of the church and the parish. We could even have a chapter on famous inhabitants of the past. Francis Youlgreave, for example. What do you think?’

‘I’m not sure how much use I’d be. After all, you’re the one with the local knowledge. Then there’s the question of time …’