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I Still Dream
James Smythe
‘The best fictional treatment of the possibilities and horrors of artificial intelligence that I’ve read’ GuardianIn 1997 Laura Bow invented Organon, a rudimentary artificial intelligence.Now she and her creation are at the forefront of the new wave of technology, and Laura must decide whether or not to reveal Organon’s full potential to the world. If it falls into the wrong hands, its power could be abused. Will Organon save humanity, or lead it to extinction?I Still Dream is a powerful tale of love, loss and hope; a frightening, heartbreakingly human look at who we are now – and who we can be, if we only allow ourselves.
Copyright (#ulink_2f3fd01d-cb26-5848-8e44-454576cbb010)
The Borough Press
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk (http://www.harpercollins.co.uk)
First published by HarperCollinsPublishers 2018
Published by HarperCollinsPublishers 2018
Copyright © James Smythe 2018
Cover design by Dominic Forbes © HarperCollinsPublishers 2018
Cover photograph © Tara Moore/Getty Images (http://www.gettyimages.co.uk/)
James Smythe asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780007541942
Ebook Edition © April 2018 ISBN: 9780007541966
Version: 2018-01-02
Dedication (#ulink_56d35c91-7908-5141-82dc-adb5067ae30f)
Dedicated to my father, and to the memory of my father-in-law
Epigraph (#ulink_79d5c9ed-c5f1-547d-ac5a-9e2908042d5e)
Q: What is the purpose of life?
A: To serve the greater good.
Q: What is the purpose of living?
A: To live for ever.
Q: Where are you now?
A: I’m in the middle of nowhere.
Q: What is the purpose of dying?
A: To have a life.
Q: What is the purpose of emotions?
A: I don’t know.
Q: What is moral?
A: What empowered humanity, what intellectual the essence is.
Q: What is immoral?
A: The fact that you have a child.
Conversation between human interviewer and Google’s DEEPMIND AI, 2015
I want full manual control now.
Douglas Adams, The Hitchhiker’s Guide to the Galaxy
Contents
Cover (#u94203790-d780-599a-b144-930aca78b578)
Title Page (#u9cb599e0-4b86-57dd-bf6f-728b7ba9dc00)
Copyright (#u36aac98c-0196-558f-a936-b0215c1cea56)
Dedication (#ub20f0cef-8d25-525d-aea7-6f35280f2bee)
Epigraph (#u18d22e1c-597c-5754-a3c9-c762620cfc7d)
1997 – Okay, Computer
Monday
Tuesday
Wednesday (#u080dce67-fed1-5c17-aa64-ff118044211c)
Thursday
Friday
Saturday
2007 – A Very Modern Piracy
2017 – That Be-My-Baby Drumbeat
2027 – Wave After Wave, Each Mightier Than the Last
2037 – Every Time it Rains
1987 – I Won’t Forget
2047 – Present Tense
2§§7 – Of Organon
Acknowledgements
About the Author
Also by James Smythe
About the Publisher (#litres_trial_promo)
1997 OKAY, COMPUTER (#u3e0d6802-cd6a-55d6-863e-9d36b5124849)
MONDAY (#u3e0d6802-cd6a-55d6-863e-9d36b5124849)
I’m sifting through the post, looking for the telltale return address on the telephone bill that I’m going to steal before my parents can see it. My glasses steam up, because Mum keeps the house warm all the time, and my glasses always steam up when it’s raining outside, putting me in a foggy microclimate of my very own. I try to clean them on my shirt, but that’s damp as well. I end up smearing the water around. Hate that. But then, here we go, some industrial estate in Durham. This is it. The phone company has started sending the letters unmarked, which I suppose prevents fraud or something, but really just makes my life a lot harder. The rain kicks up, sounding like a snare drum; the rat-a-tat-tat of the start of a song. I kick my shoes off, slide them under the radiator. I don’t want wet footprints through the house. One less thing for Mum to freak out about. As I get upstairs, I yank off my drenched tights, chuck them into the basket in the bathroom. Grab socks from the airing cupboard, still warm, and I go to my room, lie on the bed, pull them on with my feet stuck up in the air. The bill next to me on the bed. My bed, like the rest of my room, is a mess. That’s what Mum says, but I know that everything has its own place. Maybe it’s just not as ordered as her stuff is, but then I’ve never been one for that level of organisation.
Stub comes up, chunk of tail trying to swish and failing. He noses at me.
‘Not now,’ I say, which I reckon might be all I ever really say to the cat. But, really, not now. There’s a bit of time pressure here. Every month I intercept the bill as soon as it arrives. I panic, because I know how bad it’s going to be. I need them to not see it; and I have to read the number myself, to know how bad it’s going to be. I use this old letter opener that used to be my dad’s – my real dad’s, but maybe it was his dad’s first, I don’t actually know – and I slide it along the stuck-down flap. Every time, I try to prise the glue apart rather than cutting it. Every time, I tell myself that, if I manage to do this successfully, stealthily, I can put the letter back afterwards, and they’ll never know. But I always wreck the paper so much it’s not even a remote possibility. It’s a ritual now. Every month I read the whole bill. I recognise the calls I’ve made, the times that I made them. Every weeknight of my life I get home from school, and then, like, an hour later I’m on the phone to the people that I’ve just spent the entire day with, talking about the things we did – and did together! – earlier that day. I know it’s stupid, I know, but it’s what we do. Everybody does it. We take it in turns with who calls who, because otherwise you get an engaged tone for hours. And, God, if you get one of them when you know you’re meant to be speaking to somebody else, that’s the most tense hour or whatever of your life. Because, who are they talking to? And what does that mean?
Then, when I’ve read the bill, I get rid of it. Throw it in a bin on my way to school. I know that doesn’t solve anything. It doesn’t stop the money going out of their account at the end of the month, and it doesn’t stop them asking where the bill is, raging at the amount, shouting at me. They know I’ve taken it, but I’m strong. I blame the postman. Paul keeps threatening to make me pay some of it back out of my Saturday wages or whatever, though I’m meant to be saving for university, so I don’t think he’s serious. I want to tell them: it’s not because I don’t want them to see it, I just have to know how bad it’s going to be. Every month they tell me that I’ve got to think about other people with the phone, that somebody might be trying to get through. And, as well as thinking about other people, I should think about myself. That’s my mum’s favourite one. Think about yourself, Laura, she says; because you have to work hard this year to make sure that everything else falls into place. Every month we have the conversation, and I’m like, I know, Mum. I swear, I know. Doesn’t mean I can’t speak to my friends.
And it doesn’t mean I don’t want to use the Internet, either. And it’s that 0845 AOL number that’s been the real cost these past few months.
This month? The total at the bottom of the bill is huge. Biggest it’s been. My hands shake. Shit.
I hear a bang from downstairs. The front door, the slamming shut of it.
‘Laura?’ my mother calls. Does she sound angry? I can’t tell. The sound of her feet on the landing, coming up the stairs. Walking so heavily that I’m sure it’s because she wants me to hear her. I open the second drawer down and throw the envelope in, all the different bits of it. Pages and pages of numbers, like some awful spreadsheet – and when has a spreadsheet ever not been bad news? – but the drawer jams, slightly, when I try to shut it, because it’s so crammed full, so I have to really work it to get it closed, creeping my hand in, forcing the pages along, pushing them down. ‘Are you home?’ she shouts, from right outside my bedroom.
‘Yeah, come in,’ I say. Hand shakes; voice shakes. Come on, Laura, keep it together. ‘You’re home early,’ I say, as she pushes the door open. Before she can speak.
‘You’re soaking wet,’ she says. I can see myself in the mirror, over her shoulder. My hair’s a state. She really hates that I don’t do more with my hair. ‘Didn’t you have your little brolly with you?’
‘It’s fine,’ I tell her. She looks past me: at what I see as order, but she sees as something entirely chaotic.
‘And you keep this room so cold,’ she says, looking at my open window; an open window that she basically forces me to have because of her insane addiction to constantly-on radiators. ‘You’ll catch your death,’ but that bit of caring is only a pretence; a prelude to what she really wants to say. ‘You have to sort this heap out, you know.’ She scans the whole room, looking at every single bit of it, somehow, in only a few seconds. Like her eyes are able to flick from mess to mess faster than any other human’s can. Somehow inhuman.
‘Fine,’ I reply. The desk is covered in electric leads and books and bits of schoolwork; and there are piles of clothes on the floor; and there’s all this stuff Blu-tacked to the walls, which they warned me against, because you’ll never get Blu-tack off, and it’s us who’ll end up having to scrape it off when you’ve gone to university, and on and on and on. They gave me the desk a couple of years back, after Paul salvaged it from his office. I got him to paint it black for me, because I was going through a phase, Mum says. I say I’m still going through it. There are bits where I’ve chipped the paint, and there’s the old cheap wood veneer poking through.
Mum glances at my drawers – the tape drawer is open, boxes crammed in, tapes threatening to unspool under the pressure – and I picture the drawer I crammed the bill into popping open, a jack-in-the-box, and the letter flying up into the air, the pages of the bill – many, many pages of itemised phone calls – showering down around us.
‘Are you all right?’ She asks this every day. I think she’s hoping that, one day, she’ll hit the jackpot, and she can say, See, I can always tell.
‘I’m fine.’ I don’t say: I really am not fine; I’ve got a phone bill in my drawer that incriminates me to the tune of nearly a hundred and fifty quid, and you’re going to go absolutely bloody mental when you find out.
‘School was all right?’
‘Same as always.’ Mum nods. She rolls her tongue around the front of her mouth, between her teeth and the inside of her lip. This is what she does when she’s thinking about something. Or, when she’s thinking of whether to say whatever it is she’s trying to stop herself from saying. Weighing up whether the potential argument’s worth it or not.
Today, it’s not. ‘Okay,’ she says instead, and she backs away. I wait for her to say something else, but she doesn’t. Not a word, just this weird hum of some song I only slightly recognise; and then the click of the television they have at the end of their bed coming on, the theme tune to Neighbours.
I time the slam of my door to the end of the song.
I can’t deal with the BT bill yet, in case she comes back. She’s got a habit of doing that. Knowing when something’s up, and surprising me a few seconds later, like she’s trying to catch me in the act. I take my clothes off, put them on the radiator. Pull joggers on, a Bluetones T-shirt I wouldn’t really wear out of the house any more. I turn on my computer, and I think about going online, dialling into AOL and getting on with more of my Organon project. But I can hear Mum muttering something, and I can hear Madge and Harold talking on the telly, and I know I wouldn’t get away with it, not right now. Fingers on the home keys, waiting for something. Not yet.
After dinner – leftovers, because it’s Monday, and every Monday is leftovers – Paul tells me to wait a minute, to stay where I am. Not in a nasty way. He couldn’t do anything in a nasty way, because he’s Paul. He’s just Paul. Anyway, he says, ‘We have to have a talk about this.’ And he pulls out a BT bill. Not the one from my drawer; this one, the envelope’s been destroyed. A ravenous animal tearing at a carcass. He slides it onto the table in front of me. It’s addressed to him at work, not here.
‘What is it?’ I ask. I tell myself to stay cool. I don’t know the details. I’m ignorant. An idiot, when it comes to things like this. I absolutely definitely don’t know that awful number right there at the end of it. The last few that went missing were blamed on the postman, and Paul got angry about the amount BT charged him, so they were looking into it. He must have had a copy sent to him at work or something.
Clever old Paul.
‘This has got to stop, Laura. Your mother and I—’ Every conversation where he tells me off, he invokes my mother, because her permission gives him the right to say whatever it is he’s going to say – he’s been living with us for five years now, and he’s still not comfortable being That Guy – so he looks at her, and she nods, and then he says, ‘we really need you to curb the phone use. Ten minutes every night. Nothing more than that, okay? Because this is the most expensive bill yet, and we haven’t made these calls. We barely even use the bloody thing.’
‘It’s just too much,’ my mother says.
‘It’s not my fault,’ I reply, which feels natural enough. Denial, first; always.
‘You’re making the calls, Laura. So it kind of is your fault, actually.’ Paul doesn’t really get angry. I don’t think I’ve ever seen him even close to furious. Just this quiet steaming, where his face goes puffy and red because of what he’s choosing not to let out. ‘We’re not going to ask you to pay us back, but we have to put an end to this.’ Mum doesn’t meet my eyes this whole time. She either looks at him or down at her food, which she’s barely touched; because she never eats leftovers, which makes me wonder why the hell I have to. ‘And then there’s the Internet,’ Paul says.
‘Yes,’ I say. I don’t say: You are correct, there is the Internet, it is indeed a thing that now exists. I don’t want this conversation going apocalyptic.
‘It’s really ridiculously expensive, Laura. So, from now on you’re allowed to use it at weekends only, when it’s cheap, and even then, only for an hour.’
‘An hour?’ The room goes silent, like a TV that’s been muted, because he doesn’t get it; he doesn’t get what that is to me, not right now. He keeps talking even though I’m not hearing him. No tears, I tell myself, because it would be so stupid to cry over something like this; but I have to bite them back. Under the table, jelly legs.
‘Can I go?’ I ask, even while he’s talking, and my mother nods and does this dismissive little wave thing with her hand, not even really looking at me; and she obviously knew how this was going to go, because they’d already spoken about it. Even the way I’d leave the conversation. In advance, like: Just let her go.
I run upstairs, actually run, feet thumping into the wood underneath the carpets, and I go to my computer and I open up AOL, and I wait. I’ve wrapped the modem in a jumper already to mute the noise of it. It’s so whiny and stuttering. It sounds like hesitancy, and I always think: How come this thing that’s so amazing sounds so desperate and choked and sickly when it’s actually working?
I remember my father – my real father – bringing home a computer when I was really young. A Spectrum, with a tape deck. And you’d put the tapes in to load a game, and while they loaded, they made a noise like the modems now do, only screechier, more in pain. Oh God this hurts this hurts,and then suddenly there’s Rainbow Islands on your screen.
