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She obviously stood out. It wasn’t just that she fitted his vision for the make-up of the group. She had a personality and charisma that shone. Chris recalled, ‘For me, she was the one who walked in and seemed the full package. She was good but she also just had the look. Her image was on point. She could sing and she had a big personality. On the day, I immediately thought, We have found one.’
Melanie had enjoyed the experience so much that she decided to skip the afternoon audition for the cruise ship, preferring to chat to some of the other girls before making her way back to Victoria station to get the coach home. Chris had told her he would be in touch and Melanie was confident she’d got it. She was right.
3
Mein Herr (#litres_trial_promo)
Victoria Adams-Wood, as she was calling herself then, carried herself differently from the other hopefuls at the Danceworks audition. She was a curvy nineteen-year old, strikingly dressed all in black, with a crop-top showing off her very tanned midriff.
On his mood board back at the office, Chris Herbert had been toying with the idea that one of the group should appeal to the more mature man. He was looking for a young woman who might turn the head of a male consumer with a dash of discernment. You don’t need to be posh to have a touch of class and that was the quality Chris was seeking.
Victoria came from a North London working-class background. Her dad Tony Adams, the son of a factory worker, had been brought up in a two-bedroom house in Edmonton that had no bathroom, an outside toilet and no heating. These were the austere years that followed the end of the Second World War when money was rationed just as much as food had been during the conflict.
In 1957 when Tony was eleven, Prime Minister Harold Macmillan famously said, ‘Most of our people have never had it so good,’ which was small consolation for the youngster hanging around outside the pub waiting for his father to finish his pint. Sometimes he would be pressed into collecting cigarette butts from the overflowing ashtrays for his dad to smoke. Truly, Edmonton was a place to aspire to leave in order to make something of yourself in the world – and that was what he did.
Despite its drawbacks, Edmonton then had a strong sense of community and families had pride in their modest surroundings. The planners of sixties Britain have much to answer for in retrospect, bulldozing away those strong neighbourhood bonds in favour of anonymous tower blocks. Families there pulled together and survived together. Tony absorbed that spirit and passed it on to his eldest daughter.
Tony left school to train as an electrician but dreamt of being a pop star. He was unlucky. He shone as the lead singer in two groups, first in the Calettos and then in the Soniks, which was mainly a covers band. The biggest gig he played was at the famous Lyceum Ballroom on the Strand in London.
He caught the attention of the legendary impresario and manager Joe Meek, who had been responsible for one of the biggest hits of the sixties, ‘Telstar’ by the Tornados, the first US number one by a British group. Joe signed Tony to a contract but, unknown to many in the music business, his life was falling apart because of money problems and blackmail relating to his homosexuality. In February 1967 he murdered his landlady, Violet Shenton, then killed himself with a shotgun.
The difficulty for Tony, who had just recorded his first demo, was that he was under contract at the time and subsequent legal red tape prevented him from recording for five years. This huge disappointment meant that he was always extremely careful when it came to business and, in particular, contracts – a trait inherited by his daughter that would prove to be vital in the progress of the future Spice Girls.
Tony picked up his trade again, working as a rep for an electrical company. He already had ambitions to start his own company, supported by his girlfriend Jackie Cannon, a trainee hairdresser from Tottenham, who soon gave that up to join an insurance company in central London.
Jackie’s father, George, was a stevedore in the docks, loading and unloading ships. He worked all hours to improve his family’s life, an ethic that Tony and Jackie followed over the years, in much the same way as Melanie Brown’s parents. Tony and Jackie married in 1970 but waited four years to start a family, building a better future by moving out of London before their daughter Victoria Caroline was born on 17 April 1974 in the Princess Alexandra Hospital in Harlow, which technically made her an Essex girl.
In 1977, when Victoria was three, Tony bought the Old School House in Goff’s Oak, Hertfordshire. The place needed a lot of work but he had the skills and the contacts in the building trade to do it up himself. But, perhaps more importantly, it had a large garage, which would become the hub of his new electrical-supply company.
Goff’s Oak liked to call itself a village but was quite suburban, if full of people doing rather well for themselves. One ex-teacher at the local school observed witheringly, ‘Wait outside the school gates on any given day and you’d wish you had shares in a fake-tan company and one making leather trousers. They are women with too much time on their hands. They have nothing better to do than shop and get their hair and nails done.’
The media would always make much of Victoria being dropped off at school in her dad’s Rolls-Royce. That was much later. For now, she was driven in her father’s old Hillman, which also doubled as his delivery van. Victoria was a quiet little girl, who struggled with a lack of confidence, particularly in English, and took extra lessons in reading, comprehension and spelling. She was a million miles away from the outspoken woman with the ready wit she would later become.
Tony loved listening to the Beatles and Stevie Wonder, and would dance his little girl around the house to the sound of the great Motown star’s hit ‘Sir Duke’, which Jackie said gave her daughter her love of performing. One teacher, Sue Bailey, recalled, ‘She always loved acting and enjoyed our drama lessons. She liked to sing and dance. She shone one year as Frosty the Snowman. She was a very sweet girl.’
Victoria was inspired by the iconic film Fame. She envied the energy and the exuberance of the students skipping down the corridors of the High School for the Performing Arts in New York. She wanted to be Coco, the multi-talented character played so memorably by Irene Cara. It’s easy to imagine the Spice Girls dancing on the desks and singing in the streets with the rest of the students.
She stuck a poster on her bedroom wall of the dashingly handsome Gene Anthony Ray, who played Leroy in the film and the subsequent TV spin-off. Ironically, Gene became a victim of his own fame, sinking into a life of drink and drugs and dying young, at forty-one.
Victoria was obsessed by the TV show, taping every episode so that she could learn all the songs and the dance routines. She persuaded her mum to take her to see the Kids from Fame on tour and subsequently badgered her into finding a ‘Fame’ school near Goff’s Oak. They couldn’t find an exact match but the Jason Theatre School a few miles up the road in Broxbourne seemed the best option for a nine-year-old.
Rather like the Jean Pearce School in Leeds, the Jason had been running for more than thirty years, founded in North London by greatly respected local dance teacher Joy Spriggs. From the first class, Joy identified Victoria as one of her most eager students, prepared to work her tap shoes off to improve: ‘At the time, all the children wanted to do jazz dancing, with the ankle warmers and the leotards and the colourful catsuits. There was Hot Gossip on television and they wanted to copy that. It was the style of the time.’
Victoria may not have been the most talented dancer ever to grace the Jason Theatre School but she made a dramatic improvement through hard work, determination and old-fashioned practice. Quite simply, the harder Victoria worked, the better she became. Joy observed, ‘She had a certain natural ability and we just channelled it in the right way. Victoria would shine because she was a very pretty little girl, with big dark brown eyes and long dark curly hair, but she was a little bit self-conscious to start with. She didn’t hold back but she wasn’t quite as confident as some of the others. We had to build that confidence with her.’
Her self-belief was boosted when the Jason Theatre School linked up with the local amateur dramatic society for productions of Hello Dolly, Sleeping Beauty and The Wizard of Oz, in which she played a Munchkin. Her ambition was also fuelled by trips to the West End to see the most popular musicals of the eighties – Cats, Les Misérables, Starlight Express and Miss Saigon.
Week after week, dancing provided a welcome escape from real school for Victoria. After the relatively quiet waters of primary school, her parents decided to send her to St Mary’s High School in Cheshunt where she stood out like a beacon, unhappily.
By this time Tony’s business was thriving and the family had plenty of money. The Old School House was now one of the grandest homes in the village, with a swimming pool in the back garden and the Rolls-Royce, with its personalised number plate, in the driveway. It was his pride and joy, although Victoria maintained she hated it.
She had to say that because it might have alienated a million potential Spice Girls fans to hear tales of Daddy dropping her off in the Rolls-Royce. Victoria has always been careful not to describe any days that began with a ride in the Roller and ended with a dip in the pool.
One of her best friends growing up, Emma Comolli, recalled that, perhaps unwisely, Victoria would talk about how rich her family was and how she was going to be famous one day: ‘The other children would turn on her and call her names.’
Another girl said simply, ‘Victoria was considered snooty.’
The full extent of the bullying Victoria suffered at school is a grey area. She was certainly verbally abused but her younger sister Louise recalled, ‘I don’t think she was bullied that badly.’
In the early days at the Old School House the two girls shared a bedroom, but that changed when Tony had finished the remodelling and Victoria had her own pink explosion of a room with giant posters of Bros and Ryan Giggs vying for space with Gene Anthony Ray.
Louise fitted in well at school and found herself having to stick up for her elder sibling. Their different personalities highlight why Victoria had a tough time. Ironically, considering the pack appeal of the Spice Girls, she was never one of the girls. She had a natural shyness that could be exploited by others, but beneath that apparent vulnerability was a girl who was thoroughly determined and as tough as old boots.
Fortunately, there was some enjoyment to be had at school in its lavish dramatic productions. Victoria was one of the best dancers in Les Misérables and Jesus Christ Superstar. Her passion for dancing was a double-edged sword. It gave her a sense of escape but also meant she seldom socialised with classmates. Boys were not on the agenda, although she did have a date aged fifteen with an American pupil called Franco McCurio who took her to the movies. The most memorable thing about it was that it marked the first time she had ever been on a bus.
Victoria met her first proper boyfriend in the kitchen of the Old School House when she was sixteen. Mark Wood had come to fit a burglar alarm. He was three years older, six foot two, and the epitome of tall, dark and handsome. They started chatting and she readily agreed when he asked her out on a date.
She didn’t have to travel by bus, which was a relief, when they went out for a drink to a wine bar. Instead, he picked her up in his dad’s white van, having taken the ladders off the roof for the occasion. Technically, Victoria was too young to be served alcohol but that didn’t stop her getting tipsy, although Mark did not take advantage.
Being in a committed relationship with Mark was not necessarily the most important thing in her life that year. She was determined to leave St Mary’s to further her chances of a career in show business. She set her heart on going to a stage school. She still regretted not going to a ‘Fame’ school like the Sylvia Young Theatre School or the Italia Conti.
Victoria did a tour of the leading ‘finishing’ schools in and around London before deciding to apply to Laine Theatre Arts in Epsom. Joy Spriggs approved: ‘Laine is the crème de la crème really.’ The audition was itself an ordeal and a good grounding for more nerve-racking battles later on. One fellow student from Victoria’s year recalled that Betty Laine had a fiery disposition: ‘You wouldn’t want to cross her. She and the teachers present managed to convey a sort of good-cop-bad-cop aura. She was the bad cop!’
Not for the last time, Victoria had no idea if she had made a good impression so she was thrilled when she was accepted. Joy Spriggs and her other mentors at the Jason Theatre School were equally delighted, especially as Victoria was one of three that year considered promising enough to win grants from the local education authority. Joy observed, ‘I know her parents would have paid for her to go there but she deserved her place. She’d worked hard for it and it is so competitive. For the school to get three in with scholarships was quite something. They were a talented bunch.’
Victoria’s successful application demolishes the opinion that she has no talent or was in some way lucky to achieve any success. Laine accepted only serious, dedicated and talented young people. It had its Premier League reputation to maintain.
Leaving the Jason Theatre School was quite a wrench. It had been her comfort blanket and her inspiration for nine years. She never forgot how much it meant to her and in 2001, as a worldwide superstar, she went back to present the prizes when the school celebrated its fiftieth anniversary. Joy gave her the Jason Anniversary Award – the equivalent of a lifetime achievement award. Victoria told the girls, ‘I wanted to come to the school to give back something that they’ve given me.’
She was not so sorry to leave St Mary’s, although she managed five GCSE passes and won a cookery prize. She left school and home at the same age as Melanie Brown but there was a world of difference between the bright lights of Blackpool and the gentle Surrey town of Epsom. It was too far to commute from Goff’s Oak so Tony drove her to some lodgings.
Victoria was quite young and protected for her age. One friend from Goff’s Oak remembered, ‘She was quite naïve when she went to college, not very streetwise at all.’ She made sure she went home every weekend. Slow to settle in, she rang Mark in tears. He recalled, ‘The teachers told her she was too fat. She had put on a few pounds after going on the pill. She said the other girls were awful and she wanted to come home.’
Even the slimmest of girls would be told to watch their weight at a dancing college. It’s the last thing any young woman would want to hear but Victoria was not being singled out. She was a healthy size twelve. By no stretch of the imagination was she fat – but in dancing terms she was not one of the slender visions that glide around in tutus.
Joy Spriggs explained that dance colleges would tell all the female students that they needed to lose weight if they wanted to get work: ‘They just want the girls to be slim, particularly if they are doing lift work. The boys won’t want to lift them if they’re overweight, will they?’
The girls lived in fear of putting on a few pounds. One fellow student explained, ‘It was generally accepted that if you put on a little too much weight in the holidays then Betty would have no qualms in telling you that you were too fat and needed to sort it out ASAP. We were constantly fretting about this possibility.’
Victoria liked a McDonald’s when she was out – there was a convenient branch on Epsom High Street – and her mum’s meals when she was home. She enjoyed cooking for Mark, particularly pasta. And she loved chocolate, so dieting was not an easy prospect. Like many of her peers, she took up smoking cigarettes to try to suppress hunger pangs. It was bad enough having to deal with the teenage nightmare of acne without having to worry about weight too. She was becoming very body-conscious.
Victoria did not stand out among many fine dancers in her year but she did excel in one of the courses at Laine’s. She was the star pupil in image classes. Betty Laine explained, ‘She was always very conscious of image, which is, of course, paramount to success. If they are going into the pop world, image is very important. She took it extremely seriously. She was always first or second in our image classes.’
Now seventeen, Victoria was beginning to get a better grip on things. Her parents had bought her a Fiat Uno and some driving lessons for her birthday. They also splashed out on a flat in Epsom where she lived with four girls from college. That meant they could visit her regularly and so could Mark.
She was also developing her image and plotting her professional future. She had some photographs taken locally by Geoff Marchant, whom most of the students used for their portfolios. She knew the look she wanted or, more precisely, the one she didn’t. Geoff recalled, ‘She didn’t want to make herself girly and she didn’t want to make herself pretty-pretty. She wanted this moody sort of expression, even though it meant there was a lot of shadow, which didn’t help her skin at all.’
Eventually Geoff persuaded Victoria that it might be a good idea to smile for a few shots in case an agent down the line asked her for something more cheerful. She insisted on wearing black for almost all of the pictures, though. At the time Geoff thought she was quite a cold young lady, but his view changed: ‘I think it may well have been a mixture of shyness and determination.’
Victoria had a very privileged lifestyle. For her eighteenth-birthday treat her parents arranged for her and Mark to go by Eurostar to stay in Paris. For his twenty-first, Victoria organised a surprise dinner at a West End restaurant and invited his closest friends. They spent their summer holiday at Tony and Jackie’s villa on the Costa del Sol in southern Spain.
Mark was treated as one of the family. He was now living full time at the Old School House – a big step for an eighteen-year-old girl and an even bigger one for her parents. When they got back from Spain, looking fit and tanned, she took Mark along to see Geoff Marchant for some shots, separate and together. This time round, Victoria was much more relaxed. It seemed she had designs on her boyfriend becoming a male model, although Geoff thought he lacked the extra something to make it in that competitive world.
Victoria needed to think about her own career. Despite the very obvious advantage of having wealthy parents, she retained her own personal ambitions. During her last days at Laine’s she started trying out for professional shows and, like her peers, pored over the pages of the Stage for likely auditions. She wasn’t sure if her future lay in pop or musicals.
One advertisement caught her eye but it seemed a little ambitious. She went to a call for Bertie, a new musical starring Anita Harris about the famous music-hall performer Vesta Tilley. Victoria was auditioning to be part of the ‘company’, one of the all-singing, all-dancing members of the chorus. She had continued to develop her image: she had the look (moody), she had the costume (all black), and she had the perfect song to match (‘Mein Herr’). She had decided on the classic song from Cabaret as her principal audition piece; it would prove to be an inspired choice in the future. She liked the song particularly because she felt she could put it across well, a legacy of all the drama classes she had taken over the years. As Joy Spriggs shrewdly observed, ‘She was always very good at drama. She used to do very, very well in all of her exams. I mean, she’s acting all the time, isn’t she really? She’s acting her persona. Yes, she’s role-playing.’
To her delight, she received a phone call at the Old School House saying she had got Bertie. She had just turned nineteen and was technically still at Laine’s so this was a considerable achievement. She would be going into a real show, not killing time on a cruise ship.
Unlike Melanie Brown, who gave up her boyfriend when ambition and Blackpool beckoned, Victoria decided to get engaged. Mark maintained, ‘I knew Toria was the one for me. She was the sweetest girl I had ever met and all I wanted was for her to be my wife.’ His proposal was not a surprise because they had already designed a £1500 engagement ring together. He had also asked Tony for his daughter’s hand in marriage.
He got down on one knee at a romantic candlelit dinner at a restaurant near Tower Bridge and she accepted. Tony and Jackie threw a champagne pool party so that all their friends could celebrate the good news. Everyone seemed genuinely delighted, except perhaps her sister Louise, who had never warmed to Mark.
In her autobiography Learning to Fly, Victoria said, ‘I never for one moment thought that I would marry Mark.’ The engagement seemed to be an acknowledgement that they were in a strong relationship and was one less thing to think about when her career was moving forward. Even though they were not married, she decided to add his name to hers.
All seemed set fair during Bertie’s six-week run at the Alexandra Theatre in Birmingham. Victoria was paid £250 a week, her first real wage, and was looking forward to her West End début. Without warning, the transfer to London was cancelled. It was back to the drawing board, poring over the new issue of the Stage and taking some promotional work handing out leaflets or plugging products. She even worked for the Daily Mirror on promotional visits to newsagents, wearing a T-shirt two sizes too small for her.
In August 1993 she noticed a small ad seeking a girl singer for a new group. This was six months before Chris Herbert’s. She had harboured a secret ambition to break into pop so sent in a CV and a picture of herself dressed in black, naturally, sporting a pair of sunglasses in the manner of her fashion idol Audrey Hepburn. It did the trick and she was called for an audition.
The ad had been placed by Steven Andrews, a professional model from South London, who wanted to be a pop star. Victoria sang ‘Mein Herr’ as usual and also danced to the club hit ‘Let Me Be Your Fantasy’ by Baby D. Steven was impressed – even more so when at a call-back she stood out from a dozen other girls performing the crowd-pleasing classic ‘Band of Gold’ by Freda Payne.
Victoria was hired as lead singer, although, in a precursor for what was to happen later, nothing was signed and there was no immediate prospect of a deal. Twice a week, the new group of three boys and two girls would meet to rehearse. It proved to be an excellent grounding for her future. Steven recalled, ‘She was never late or moody. She just got on with it. Everybody pulled together.’
Steven did think that Victoria lacked confidence in front of the microphone. He was more concerned, however, that the only time she seemed to get upset was when Mark was there, sitting in. He put it down to Mark’s possessiveness and hated him turning up. A clue to Mark and Victoria’s relationship is found in the birthday card she gave him for his twenty-second birthday, which he later revealed to the world. It read, ‘I’ll still love you when you’re old! Lots of love, your Little Pop Star! Victoria xxx’
Considering how Victoria’s abilities were questioned by the media in future years, she was the only one of the future superstars who was actually already the singer in a band when Chris Herbert put the group together. That experience did not mean she was feeling positive during the audition.
She had no idea she was making an impact, although she did notice that girls with what she perceived to be far better voices were picking up their bags and melting away into the Oxford Street afternoon. Her ‘look’ was keeping her in, and the fact that she coped comfortably with the dance steps they were required to do.
After performing ‘Mein Herr’, she packed up to leave and Chris told her he would be in touch. He meant it. She might not have made as big an impression as Melanie Brown had, but she was not far behind.
4
In Search of the Magical Key (#litres_trial_promo)
Back at the office in Lightwater, Chris started to sift through his notes and scoresheets to decide on the best twelve contenders for a second audition. The idea was to have a closer look at the probables and possibles and, obviously, come up with a final five. He couldn’t help noticing that his secretary, Louise, was still fielding calls from a persistent young woman from Watford. To his surprise, they seemed to be building a nice rapport.
Eventually Chris’s curiosity got the better of him and he told her to put the girl through. He soon discovered for himself that Geri Halliwell was a force of nature. She had seen the original advertisement in the Stage and had kept in touch to let them know how keen she was, but on the day she was nowhere to be seen.
Several possible explanations for her absence were volunteered. One was that she had been on a skiing trip and suffered sunburn. Another was that she had needed to make a flying visit to her grandmother in Spain. Chris was impressed by her audacity in keeping her foot in the door. He could see from the photos she sent in that she was sexy without being Hollywood glamorous.
‘She was very bubbly on the phone and we wanted to see her. It didn’t dawn on me at the time but I think she obviously knew she would have failed in an early-round audition and she wanted to bypass that. I think she’d worked that one out and I think that was her strategy.’
Geri almost admitted as much when she said, ‘I didn’t think I would have got an audition because my vocal technique was not very good then.’ If it was her game plan, it paid off because Chris took a chance and invited her to the call-back at Nomis Studios in West London.
Unlike Melanie Brown and Victoria Adams, Geri hadn’t spent half her time as a youngster attending dancing classes. She didn’t have any trophies and cups on the sideboard or framed photographs of her singing sweetly in a stage musical. But somewhere along the line she had developed an overwhelming desire to be famous. Chris noted, ‘She was incredibly hungry for fame.’
Geraldine Halliwell is one of the few women that Kylie Minogue could look in the eye. She is very petite – not much more than an inch or two over five feet. As a child she showed no inclination to grow. Her Spanish-born mother was so concerned at her small offspring that when Geri was nine she took her to see a specialist doctor to find out if she needed medical help. Her Spanish relatives helpfully nicknamed the little girl La Enana which translates as ‘the Dwarf’. It wasn’t exactly an improvement on her earlier pet name, Cacitas, meaning ‘Little Poos’.
Her mother, Ana Maria Hidalgo, was a stunning girl from a village near the historic city of Huesca in north-eastern Spain. She came to London when she was twenty-one to work as an au-pair and fell for the dubious charms of Laurence Halliwell, whom Geri describes as a ‘total rogue’. He was a ‘car-dealer, entrepreneur, womaniser and chancer’.
He spotted Ana in Oxford Street and decided to chat her up. He was forty-four when they married after just a seven-week courtship. He turned out not to be the successful businessman his new wife thought he was, and throughout Geri’s childhood her mother worked as a cleaner to keep the family above the breadline. Laurence had reached the age of fifty when Geraldine Estelle Halliwell was born in the maternity wing of Watford General Hospital on 6 August 1972. They already had a son, Max, five, and a daughter, Natalie, three. The family home throughout Geri’s childhood was in Jubilee Road, Watford, a ten-minute walk to the shops in St Albans Road.
The three-bedroom semi-detached house was in a sombre street in a poorer area of the town but there’s a world of difference between this part of Watford and the grim and dangerous sink estates of the north of England. Geri was a happy and outgoing child, who, as the youngest, was more than a little spoilt. She was also prone to telling little white lies, something she was still apt to do when drumming up publicity as an ambitious performer. Her one-time claim that her mum had aristocratic ancestry was just one of her good-natured fibs.
She shared a room with her big sister, who, for the most part, acted as a protector, although they were only at junior school together. They weren’t alike – Geri was far more extrovert – but they developed a strong bond that completely survived fame. Geri rather sweetly said that she was Natalie’s ‘little shadow’.
Her mum had been brought up a Catholic but was a Jehovah’s Witness throughout most of her daughter’s early years, which meant that they didn’t celebrate birthdays or Christmas or have Easter eggs. She used to take Geri with her from door to door, much to her daughter’s embarrassment. Geri had to listen to her mother cold-calling in the hope of persuading people, in her broken English, to join the faith or that the end was near. At other times she would sit next to her mum at meetings in the local Kingdom Hall and listen to Bible stories. She was delighted when Ana Maria decided it was no longer the belief for her.
Quite often in the school holidays Geri would have to go with her mum to the places she was cleaning because there was no one else to look after her. Even at a very young age she sensed the hardship her mum faced every day, trying to bring up her children properly. She learnt the value of money early, first by helping her sister with her paper round and then by starting her own when she was seven. She had already decided when she was six years old that fame was the best way to a better life for herself and her family. She described it in her book If Only as a ‘magical key’.
Apparently her inspiration as a little girl was watching Margaret Thatcher at the door of 10 Downing Street on her first day as prime minister. She watched it with her dad, who was a ‘true blue Tory’. She loved him dearly, even though he contributed little to the household. He always encouraged his little girl to give everyone a song when they were at home after Sunday lunch.
Occasionally, he would restore an old car and sell it on but he didn’t do much after a road accident left him with a bad hip when Geri was a child. He loved old movies, which he would watch on the telly, sometimes with his youngest daughter, while his long-suffering wife was at work. Geri grew up better acquainted with beautiful Hollywood greats, like Marlene Dietrich and Rita Hayworth, than with the latest chart acts. These were the stars she would pretend to be in front of the mirror with a hairbrush. Her favourite film was the romantic blockbuster Gone with the Wind starring Clark Gable and Vivien Leigh as Rhett Butler and Scarlett O’Hara. Geri vowed that one day she, too, would own a splendid mansion just like the Tara plantation house.
Laurence was distinctly old-fashioned in his musical tastes, and the house in Jubilee Road was filled with the sounds of Frank Sinatra and Benny Goodman. Geri observed, ‘It’s probably something to do with having an older father. I’ve always been different from my age group in liking that kind of music.’ He would often be mistaken for her grandfather when they were out and about.
Although she was devoted to her dad, her mum remained her role model, constantly displaying a determination to get things done. She was quite strict with Geri, which led to some mother-daughter tensions while Geri was growing up. Ana Maria didn’t support her plan to sign with a child agent, for instance, telling her she needed to think more sensibly about her future and plan a solid career.
Her parents eventually split when Geri was nine and she went to stay with her half-sister, Karen, who was Laurence’s grown-up daughter from his first marriage. After everything was sorted, she moved back to Jubilee Road while her dad settled into a grotty flat in a high-rise council block in a rougher area of the town, close to the M1. Once a week, Geri would go round to clean the place and make sure there was some milk in the fridge.
After she and Laurence divorced, Ana Maria found a new long-term boyfriend but she was always there to support Geri, if asked. Over the years she realised that trying to rein in her headstrong daughter was a thankless task. Those who came across her, when Geri had fulfilled her dream of fame, remarked that she had no airs and graces. Her future manager, Jon Fowler, observed, ‘Her mum was absolutely terrific. She was very respectful and modest – and always smiling.’
Not all her contemporaries at the Walter de Merton Junior School in Gammon Lane warmed to Geraldine, as her mother always called her, or Jez, as she liked to call herself for a while. One classmate described her as a ‘show-off with a big mouth’. Another threatened to throw her over the railway line until a teacher intervened. Others, though, found her sociable and fun – a natural leader who would bring out the best in everyone.
One of her close friends at the school, Sarah Gorman, recalled that they would go round to each other’s houses for tea and used to play kiss-chase with the boys in the playground.
Despite her small stature, Geri was a demon on the netball court and used to play centre because she was so nimble and nippy. She retained a strong affection for her junior school and returned there in 2008 to read to pupils from the first of her Ugenia Lavender books for children: ‘I felt more nervous reading than I ever did performing as the Spice Girls.’ She even included one of her favourite teachers, Mrs Flitt, as a character in the book.
Even though Walter de Merton had become Beechfield School, it still retained a strong link with its famous former pupil and one of the houses is called Halliwell House.
Before she left junior school, Geri went to her first concert when she joined Natalie to see Wham! on the Big Tour at the NEC, Birmingham, in December 1984. George Michael was performing the number-one single ‘Freedom’ and when he got to the last line, he pointed at Geri and sang, ‘Girl, all I want right now is you.’ She fell in love and decided on the spot that they were going to get married. Every night she would give a poster of him on her bedroom wall a goodnight kiss before getting into bed. Many of her classmates fancied Andrew Ridgeley and would gather outside his parents’ house a couple of miles away in Bushey but Geri’s heart always belonged to George.
Her devotion to George also coincided with her discovery of Madonna, whose flamboyant image would be a considerable influence on her. Even as a young teenager she could identify with the artist who had become the most famous woman in pop, even though she was by no means the best singer or dancer. Instead she had a fantastic image.
After Walter de Merton, Geri was expected to follow her brother and sister to the nearby Leggatts Way Secondary Modern but she had other ideas. She asked her mum if she could try for a place at Watford Grammar School for Girls and surprised everyone by being accepted. It was an early indication that Geraldine Halliwell was someone who could make things happen.
The one drawback was that she lost touch with most of her primary-school classmates, but Geri’s lack of shyness ensured she made friends easily. The new school also gave her the opportunity to discover drama. Growing up, there had been no money for dance classes or music lessons so the highlight of her performance career to date was pretending to be Sandy from Grease and singing ‘Summer Nights’ in assembly at junior school.
Now, she was being encouraged to appreciate Shakespeare, and a trip to watch A Midsummer Night’s Dream at the Open Air Theatre in Regent’s Park was one of the highlights of her time at Watford Grammar. The school was one of the best in the area: founded in 1704 as a charity school, it had an excellent academic reputation.
Geri passed an impressive eight GCSEs, without particularly applying herself. She had no desire to continue a formal education by going on to study for A-levels, Instead she decided to follow her sister Natalie and go to the local Casio College in Langley Road, Watford, which Andrew Ridgeley had attended a few years before. If she had been a bit older Geri might have seen him and George Michael perform there with their original band, the Executive.
Geri studied a curious mixture of finance, travel and tourism, which didn’t suit her. She decided that she was just wasting precious time, promptly left and started dancing. She had no proper training so would just improvise and hope for the best. She had developed a curvaceous figure and was soon noticed around the London clubs. She was paid £40 for dancing on a Saturday night – and Sunday morning – at the Crazy Club and the house-music extravaganzas held at the Astoria in Charing Cross Road.
Geri moved out of Jubilee Road, staying for a while in a terraced house owned by her half-sister Karen and her husband in the Watford suburb of South Oxhey. She had to leave after she had invited everyone in the Game Bird pub to a party at the house. Word got round: two hundred people turned up and wrecked the place. Shamefaced, Geri moved into a squat on a nearby council estate.
Newly independent, Geri had to buy her own food. This was not necessarily a good thing because she was worrying for the first time about her weight. As a result, she did something she later claimed was ‘the biggest mistake of my life’ – she went on a diet. The trigger had been a throwaway remark by one of her fellow dancers about her being a bit plump. She had been a fussy eater as a child – avoiding vegetables if she could – but at least then her mum, who could be quite strict, could keep an eye on her. Left to her own devices she wasn’t eating properly at all.
