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We headed to Sick Charlie’s for the tattoos. This guy is a proper swagatha. I argued with Kit all the way cos the dickhead wanted to pay with a cheque. He’s got some royalties due but still, act like you know, you know? Wear this process with pride.
‘Chequebook?’ I scoffed.
‘Yeah, I need it to clear in 5 days. I get some money in about 5 days.’
‘What money?’
‘I get that 80 quid from the Guardian for the best Asians in fiction article.’
‘Sell-out.’
‘Yeah, I know.’
‘Still? A cheque? You’re so 1997 about things.’
‘1997? That’s the advent of the cheque in your brain?’
‘No, well … you know … chequebooks. It just looks a bit lame. Charlie, the tattoo artist’ll think you’re a mug.’
‘Oh right, so you’re worried about me looking uncool in front of a tattoo artist.’
‘Hey, the cooler you are, the more likely they are to do a good job.’ That right, right? Tattoo artists have to do a lot of work. Imagine if they think you’re cool, they’ll put in the extra 10% to make it 120%.
Sick Charlie’s tattoo parlour is too cool for school, my friends. Picture a tattoo parlour in your head. What you’re imagining resembles the outhouse of a biker gang’s gang hut. Where all the crystal meth and bukkake happens. This place was like a hipster design studio, innit. Everything was angular. There were so many angles, you’d think it was an isosceles triangle. There were iPads to read or watch the iPlayer on while you wait. The magazines in the iPad newsstand were Playboy and GQ. The music playing was loud, up-tempo high-pitched hipster indie … you know the song … nee-nee-nee-nee-nee-noo-noo-noo-noo riffs, thumping kick drums. White boy tunes. There was one chair for the one tattoo artist and the mirror was lit by a floating orb, suspended from the ceiling on a transparent string. The chair itself looked straight off the set of Sweeney Todd. Meat. Meat. Meat. Branding meat.
Sick Charlie, he was malnourished thin, no arse to speak of, no visible tattoos, a pointed floppy fringe and dead eyes that told you whatever you’re thinking, he was ‘already over it’. Every time I see a white boy like this, I always wonder how he balances on a toilet with no bot-bot. What do the girls have to stare at when he walks away?
I Instagrammed the place and added ‘Double virgin skin with @kitab’.
I went first into the chair and I watched as the bow tie was sketched onto my neck. It itched on my scar. Sick Charlie kept telling me it was going to be fine but there was one bit, the bottom of the gullet that might hurt a bit. I was like, bruv, I don’t care, I’m really drunk, and Sick Charlie laughed because you’re not supposed to get tattoos when you’ve had booze because your decision-making might be impaired and because they tend to bleed more. I told him I’m joking. But the reality was, Aziz had been drinking – we necked 3 bottles of beer from the fridge before leaving – and I’d had 2 Lockets and one packet of Monster Munch to disguise the smell, because Sick Charlie takes himself and his work very seriously. And some onion chutney. There is a lot of onion chutney in our fridge. But that’s another story for another time told by another person, innit.
When Sick Charlie started the actual inking, I looked at poor lost little Kitab, sat there watching me like his master’s voice and I was like, ‘This is gonna be an hour, why don’t you step out for a bit?’
Kit stared at me and I shrugged and close my eyes. Miraculously, 3 pints in, I fell asleep in the chair.
But when I woke up, I looked like a champion. It hurt like a motherfucker, the red of the bow tie and the red where I was bleeding didn’t really mix well together but fuck it, I stood up a champion. I gave Sick Charlie a cuddle and told him he had done fine work. I look like a baller, a pimp, a motherfucking amazing Spider-man or some shit. I look like Teddy Baker. I look the best.
Looked like the wait was too much for little Kit too, so I woke him up. And then I fucked off into the night because there is nothing that can contain this guy right now.
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History:
Should I banter with my tattoo artist? – GoogleGirls tattoos nude – Google (#ulink_6a74a7f4-b22d-5d3c-8551-fa7156ba9a69)
When it’s my turn, I stand up and walk over to the chair on autopilot, as if this whole lark isn’t my decision anymore. Sitting in the chair, I feel like I’m halfway between barbershop and dentist’s office. So, somewhere between tensed up and relaxed down. Sick Charlie asks to see the design again so I show him the printout. I found a font online I like, it’s called Bell Gothic, and typed up ‘Everyday I write the book’ in it, printed it out, and now that’s in Sick Charlie’s hands. He inspects it. I’m not sure I like this guy. He does not give 2 shits about me. I wonder what he’s thinking. He’s seen a lot of tattoos in his time. He has an opinion on each one, hot or not. Will he put extra special effort into the ones he likes and just emptily, by the numbers, do the ones he thinks are so-so, okay, and pretty shit? Does he just rush through the really bad ones?
‘What do you think?’
‘Yeah, man. All good.’
‘Do you get it?’ I say. Everyday, I write the book, I think to myself. It’s a political statement. I could pitch this to the Independent or the Guardian. ‘In a world of digital interactions, endless tweets, Facebook haikus, ebooks, I’m taking a stand for the analogue world. I’m feeling the writing on my arm, my writing arm and that’s how I will write, with the knowledge that I have etched out my statement of intent on my own skin. What’s more meatspace than having something tattooed on the meat of you? Everyday, I write the book. It’s there for ever, it’s permanent. You can’t throw it away. You can’t dispose of it. You can’t delete it. You can’t cache it. It exists. When every word typed on Google is recorded on a server somewhere, this is the most important statement of them all, the physical manifestation.’ I take a breath. ‘Plus my dead mum was a really big fan.’
I stop talking and Charlie stares at me.
‘Right, okay.’
He returns to ghosting out the tattoo on my forearm in marker pen. He’s doing a great job of copying what’s on the paper. I chose the font because it looks futuristic, like some signage from Tron.
‘So,’ I ask. ‘Seriously, what do you think?’
Sick Charlie looks up at me and grimaces. ‘Look, do you want this or not? Because we’re about to be at the point where it’s too late.’
He looks at the clock. It’s nearly office closing time. Maybe he has a hot date tonight.
‘Hot date?’ I ask.
‘You don’t even know the half of it,’ he says, not looking up from the copy job he is mimicking on my forearm.
Great, I think. I’m a rush job before he goes to get his end away. He doesn’t care about this tattoo, whether its kerning looks good or whether its execution is considered and thought out. I’m in the punter zone. I am to shut up and be inked. I look around the room. Aziz is nowhere to be seen.
‘Did you see where my brother went?’ I ask Sick Charlie.
‘What?’ He just looks at me and shakes his head.
Then I see Aziz at the door. He’s outside, looking for a light for a cigarette. A girl walks past and he mimes to me that he’s going to get a light off her. He winks as if the light is just starters for what he has in mind. He throws me a thumbs up and disappears.
‘Ready?’ Sick Charlie says to me. He holds up his machine and suddenly it occurs to me – I can’t do needles. They freak me out. They make me pass out. They make me sweat. They make my skin slick with worry and anxiety. How did I not remember that needles were part of this whole thing? What was I thinking? I’m an idiot. I turn to the other side of the room and nod furiously, tensing my arms. Sick Charlie pats the area he’s working on, strokes it and pulls at it. Which might be comforting but he’s wearing rubber gloves. So the whole thing feels like a medical procedure. And the drill-drill buzz of the machine is whirring away, banging and banging and I can feel it, without looking at it, approach my skin. I can feel it hone in on the spot it’s to attack and reconfigure for ever. I can feel it approach me quickly. Heat all up and down my arm. I can hear it pound and pound in its grooves and then connection – impulse, pow. It scratches furiously from side to side and I hazard a look. I take a peek, just a quick peek. I see it happening, all in reddening, dampening close-up. So I close my eyes. This only focuses the scratching. I open my eyes and I see the apex of Sick Charlie’s head as he squints and bends over my arm, working away. I’m nearly straddling him. I try to make my arm as loose and goose-like as I can. But all I can feel is the scratch-scratch-pinch of the gun and it’s hard to concentrate.
Do we talk? I’m not sure of the etiquette. My dentist is monologue-happy, meaning he’ll natter away with his fingers in my face. My barber, the sexy Swedish girl or her colleague, who is very tactile with the backs of other customers’ necks, they can’t shut up with their other clients, but me, I don’t know what it is. As soon as I get in the chair, they clam up. They ask me a few awkward questions about how my week has been and I answer them amiably and ask about their weeks and they monosyllable me. Why don’t they want to talk to me? Maybe they can sense that I just want them to ask me what I do for a living, so I can say ‘Oh, I’m an author’ coyly and await their being impressed. Because that’s part of the whole doing something creatively full-time and semi-successfully, you get to tell people that’s what you do, and never qualify it with ‘Oh, and I have a day job at the council, reconciling council tax receipts’. Nope, you’re the creative thing and that’s all. Barbers don’t seem to care about that. God, it vexes me. I just want to show off. Why won’t they let me show off?
I look down at my arm. He’s not even finished the first ‘E’. We’re in it for the long haul.
There’s not much you can do to inspire banter in a tattoo artist’s chair, because you don’t want to break their concentration. Eventually, the scratching becomes an uncomfortable irritant, rather than a painful blat-blat of needles. The thumping indie’s more irritating than the irritating scratching on my arm. It’s jolly. It’s up-tempo. They sound young and happy. What the hell am I doing? Who gets their first tattoo at age 30? A guy who thinks he’s younger than he is. That’s who. It’s okay for Aziz because it’s just the sort of behaviour you’d expect from him. But squeaky ol’ me? Nope. I barely stay up past 2 a.m. I’ve never done drugs except for the odd doobie toke that didn’t take. I worry that this is a slip towards something more serious. I’ll end up trying crystal meth. I’ll buy skinny jeans. I’ll start taking my fashionable self seriously, ditching my uniform of jeans and t-shirt for something more transient, like espadrilles. This is all wrong and it’s too late. Because if I back out now, I’ve got the start etching of an unfinished tattoo and if there is one thing I’m consistent at, it’s seeing shit through to the bitter end, even if I’ve decided it’s a stupid idea since. What a complete tool. The scratching on the arm is constant until he has to move to a new area, which hurts because these new parts of skin have to get used to the procedure that’s taking place. He never looks up at me. It seems like he’s rushing. Is he rushing? I don’t think he’s rushing. Probably. How do you know? What is an appropriate amount of time to spend on a lowercase ‘v’?
When Sick Charlie finishes, he gives me some saline solution to use to keep the tattoo clean. He wraps it in cling film and says to me, ‘Leave that on overnight, while the skin is still inflamed.’
‘Okay, thanks, man. Good job, etc,’ I mumble, trying not to focus on the irritated burn on my arm.
‘Does it hurt?’
‘Yes.’
‘That’ll pass. You slept through the worst of it.’
‘This isn’t the worst of it?’
‘I could have done anything while you were asleep.’
I can see the letters exactly as I printed them out and I think, yes. Okay, that’s dope. I like that a lot. I think I look amazing. I shake his hand, rather limply, because my newly tattooed arm is attached to the hand that shakes. And I say my goodbyes, struggle with getting my coat on, which is a shame because I’m hypnotised by the ink. All I want to do is look at it and get drunk. I open the door and I feel it coming. This is it now. My life is about to change. Oh yes. Tomorrow I will show strangers and loved ones and I will say, oh yes, it’s because I write. It’s an aide memoire to always be thinking about literature. It’s a kick in the teeth reminder that I am a writer. And it’s a good tune, I will say. People will inevitably ask, do you like that song by Elvis Costello and I will say it’s one of my favourites. It’s not. I like it. But it’s not one of my favourites. Depending who they are, I’ll say it was my mum’s favourite.
I leave the tattoo studio and phone Aziz. It goes straight to voicemail. The same stupid message he’s had since we were kids. I leave him a breathless message saying how amazing my arm looks. I feel bloody alive, I think to myself. I was sceptical at first but now it’s here and it’s done and it’s indelible, I feel like a fucking rock star, and I’m already a writer. What more could I want? This is definitely going to make my life change, I think to myself. There’s no way it cannot.
aZiZWILLKILLYOU episode 4 Aziz vs Teddy [posted 10 September, 14:02] (#ulink_a1c8b942-33d3-5434-a9ed-5e7d92d0b588)
Tomorrow I leave for New York, people. I leave to go find the man who inspired this image here.
You know? My last holiday was never, right? When does a man like Aziz have time for a holiday? Answer: everyday should be a holiday. So … time to hit the road, innit. Time for adventure.
I got a bow tie tattooed on my neck and now I’m off to go find the boy with the bow tie tattoo. Know why? If I think I’m an individual and the internet thinks we’re all alike, I’m going to go find my doppelgangers. All of them. I’ve found one and I need to see exactly how he fits the Aziz profile.
Does he like sandwiches?
Does he think life is for the living?
Does he eat everything with his hands?
Has he had a threesome?
Will he have a threesome with me and some girl, so we can create some sort of infinity pool effect on a spitroast?
Is that disgusting?
If it is, is that okay, because we all know why you visit this blog, right?
Will the world implode if 2 doppelgangers have a threesome?
All these things need answering. I’m off to find my doppelganger with the cool-ass tattoo, find out exactly how that tattoo came to pass and I am going to show you the world, shining, shimmering, shameless.
Stick with me kid. We’ll go far.
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History:
Meeting strangers off the internet – GoogleHayley Bankcroft – TwitterHayley Bankcroft – Google imagesKitab Balasubramanyam – Facebook (#ulink_03ef4108-0c3f-5368-93d7-ff8eb6293caf)
I wake up from a dream where Aziz follows me around a shopping centre with a toothbrush and toothpaste, telling me it’s time to brush my teeth because my breath smells of chutney.
I listen to Aziz singing to himself from bedroom to shower to kitchen to bedroom. I walk into the kitchen and switch the kettle on. I open the fridge. There’s no milk.
I sneak a look at the communal iPad, left on the kitchen table. He’s left his browser open on Teddy Baker’s Facebook profile.
Teddy Baker’s profile avatar is a close-up of his face, which, sans shit-eating grin and sunglasses doesn’t look so much like Aziz. There’s no obvious reason for why this brown guy has a white name. Bow tie aside, he looks ordinary, solid, just like one of the guys.
He lists his likes as ‘vigilante justice, weapons, Megadeth, PVC, abattoir politics’ but that’s it. The rest of his profile is sparse to the public. He has ‘liked’ Taylor Swift and the NRA. I hope ironically.
Aziz catches me from the doorway peering at his laptop. ‘You fraping me, bro?’ he asks.
‘Frape … what a lovely reappropriation of the word “rape”. Because outside of Facebook, making it look as if your friend is saying weird stuff is pretty much exactly what rape is.’
‘Mate, it’s just LOLZ.’
Aziz started off saying LOLZ in conversation because he thought it was funny – I had told him about Cara once Skyping me, me making a joke and her saying wearily, ‘Oh … LOL, etc.’ Aziz said she was a linguistics genius. Now it’s become a grating habit. I’ve long since given up trying to get him to stop.
‘Yeah … tell that to a rape victim,’ I say and leave the room to brush my teeth.
‘If I blog about the trip, do you promise to read it?’ Aziz asks me over breakfast. ‘So you can follow my adventures?’
‘You’re still going away then?’
‘I’ve called the tag “The Boy with the Bow Tie Tattoo”. You know I have to go.’
‘Catchy,’ I say dismissively. If he goes, who’ll look after me?
‘Will you tweet about it?’
‘You hate Twitter.’
‘I don’t hate Twitter. I’ve just got too much game for Twitter. Who cares about breakfasts and live-tweeting reality television. I just want people to read my blog. This is a writing thing. I want your respected followers, the writers and editors and whatnot, to know what I’m up to.’
‘Why would those ponces care?’
‘What? Don’t all your illustrious boring literati peeps like laughing?’
‘Not if it’s over some tattooed hooligan stalking a stranger off the internet. I’m a serious novelist now. Only serious novelist tweets.’
‘You’re right. I’ll use lots of metaphors,’ Aziz says, thumping the table.
‘Who cares what they think?’ I say, knowing in my heart of hearts that I care and thus wouldn’t want to associate myself with a bro/lad challenge for fear of loss of credibility points from the spurious few who bestow them.
Aziz’s bow tie tattoo is cartoonish. It’s huge. It covers the whole of his neck. He has chosen a thick red, like it’s the filling of a Jammy Dodger, like it’s jam, in fact. It covers up the scar, which probably makes it look darker and richer. His skin is smoother and newer in that part of his neck. It’s a proper dinner party bow tie. He looks like a clown on his day off.
Aziz grabs my arm and stares at my tattoo nodding furiously. He’s done this 3 or 4 times this morning. He tells me repeatedly to Facebook it, tweet it, Instagram it. I say no. I don’t want any of my family to see it. Or Rach.
Rach would have hated me getting a tattoo. Her and my dad. I feel like I’m 14 again, a rebel, a maverick on the edge with nothing left to lose. She has a tattoo of a rose on her foot. She got it when she was a student and regrets it. She avoids wearing flip-flops to ensure no one can see it. I once joked about getting a matching one and she punched me on the arm, hard. She’s not the boss of me anymore. And I always thought the tattoo was cute. I’d trace it when she was asleep. The game was to not wake her up by tickling her.
Meanwhile my family rule Facebook. It’s become their standard method of communication. When I first joined up, I was indiscriminate about adding people on sites like Facebook and Twitter. You never knew who you might stumble across: girls you liked, people you went to school with, possible networking opportunities. Also, I liked the idea of amassing numbers of people. It was addictive. Like heroin. A numbers game heroin. I got more discerning when the influx of my family arrived. When Dad joined up, and started adding middle-aged females and tagging me in his posts to them as his ‘son’, and I got a glimpse of who he was dating beyond abstract retold stories, I actively started looking at other sites my family hadn’t adopted. I love Vine.
There’s no way they’d let this tattoo slide. They interact with my every status update. Even with them on a family list, with restricted viewing, I know them – they’re too good, they’d find me and my tattoo and tell my dad. Even on the internet, you can still feel like an 11-year-old naughty boy.
Aziz puts his bowl in the sink. ‘Right,’ he declares. ‘I need to get ready for New Yoik. What happened to you last night anyway?’ I look at his back. I have minutes to make him stay. I have a reading tonight. I need him there. I haven’t done anything except go to the pub and the shop and the toilet. This is actual ‘outside’ business. I can’t breathe. I look at him.
‘Nothing, man. Absolutely nothing. I left the tattoo studio with the express intention of showing people my ink. I tweeted a picture of my arm wrapped in cling film.’
‘You didn’t Facebook it though?’
‘Nope. In case Dad saw it.’
