скачать книгу бесплатно
His father had died three days before. Yesterday had been the funeral. Matt had helped carry the coffin, wearing an overlarge suit with moth-eaten cuffs that had belonged to his grandfather. I had gone with Anna and Jack and all our other friends, in black pants instead of a dress—I hated dresses—and we had eaten the finger food and told him we were sorry. I had been sweaty the whole time because my pants were made of wool and Matt’s house didn’t have air-conditioning, and I was pretty sure he could feel it through my shirt when he hugged me.
He had thanked us all for coming, distractedly. His mother had wandered around the whole time with tears in her eyes, like she had forgotten where she was and what she was supposed to do there.
Now, three days later, Matt and I got in the car, soaking my seats with rainwater. In the cupholder were two cups: one with a cherry slushie (mine) and the other with a strawberry milk shake (for him). I didn’t mention them, and he didn’t ask before he started drinking.
I felt struck, looking back on the memory, by how easy it was to sit in the silence, listening to the pounding rain and the whoosh-whoosh of the windshield wipers, without talking about where we were heading or what was going on with either of us. That kind of silence between two people was even rarer than easy conversation. I didn’t have it with anyone else.
I navigated the soaked roads slowly, guiding us to the parking lot next to the beach, then I parked. The sky was getting darker, not from the waning of the day but from the worsening storm. I undid my seat belt.
“Claire, I—”
“We don’t need to talk,” I said, interrupting. “If all you want to do is sit here and finish your milk shake and then go home, that’s fine.”
He looked down at his lap.
“Okay,” he said.
He unbuckled his seat belt, too, and picked up his milk shake. We stared at the water, the waves raging with the storm. Lightning lit up the sky, and I felt the thunder in my chest and vibrating in my seat. I drained the sugar syrup from the slushie, my mouth stained cherry bright.
Lightning struck the water ahead of us, a long bright line from cloud to horizon, and I smiled a little.
Matt’s hand crept across the center console, reaching for me, and I grabbed it. I felt a jolt as his skin met mine, and I wasn’t sure if I had felt it then, in the memory, or if I was just feeling it now. Wouldn’t I have noticed something like that at the time?
His hand trembled as he cried, and I blinked tears from my eyes, too, but I didn’t let go. I held him, firm, even as our hands got sweaty, even as the milk shake melted in his lap.
After a while, it occurred to me that this was where the moment had ended—Matt had let go of me, and I had driven him back home. But in the visitation, Matt was holding us here, hands clutched together, warm and strong. I didn’t pull away.
He set the milk shake down at his feet and wiped his cheeks with his palm.
“This is your favorite memory?” I said quietly.
“You knew exactly what to do,” he said just as quietly. “Everyone else just wanted something from me—some kind of reassurance that I was okay, even though I wasn’t okay. Or they wanted to make it easier for me, like losing your father is supposed to be easy.” He shook his head. “All you wanted was for me to know you were there.”
“Well,” I said, “I just didn’t know what to say.”
It was more than that, of course. I hated it when I was upset and people tried to reassure me, like they were stuffing my pain into a little box and handing it back to me like, See? It’s actually not that big a deal. l hadn’t wanted to do that to Matt.
“No one knows what to say,” he said. “But they sure are determined to try, aren’t they? Goddamn.”
Everyone saw Matt a particular way: the guy who gave a drumroll for jokes that weren’t jokes, the guy who teased and poked and prodded until you wanted to throttle him. Always smiling. But I knew a different person. The one who made breakfast for his mother every Saturday, who bickered with me about art and music and meaning. The only person I trusted to tell me when I was being pretentious or naive. I wondered if I was the only one who got to access this part of him. Who got to access the whole of him.
“Now, looking back, this is also one of my least favorite memories.” He pulled his hand away, his eyes averted. “Not because it’s painful, but because it reminds me that when I was in pain, you knew how to be there for me … but when you were in pain, I abandoned you.”
I winced at the brutality of the phrase, like he had smacked me.
“You didn’t …” I started. “I didn’t make it easy. I know that.”
We fell back into silence. The rain continued to pound, relentless, against the roof of my car. I watched it bounce off the windshield, which had smeared the ocean into an abstract painting, a blur of color.
“I was worried about you,” he said. “Instead of getting angry, I should have just told you that.”
I tried to say the words I wanted to say: Don’t worry about me. I’m fine. I wanted to smile through them and touch his arm and make a joke. After all, this was his last visitation. It was about him, not about me; about the last moments that we would likely share with each other, given that he was about to die.
“I’m still worried about you,” he said when I didn’t answer.
I didn’t carry him to this memory; the memory. It was weird how much intention mattered with the visitation tech, in this strange space between our two consciousnesses. I had to summon a memory, like pulling up a fishing line, in order to bring us both to it. Otherwise I was alone in my mind, for instants that felt much longer, little half-lifetimes.
After Matt’s dad died, there was a wake and a funeral. There were people from Matt’s church and from his mother’s work who brought over meals; there were group attempts to get him out of his house, involving me and Anna and Jack and a water gun aimed at his living room window. The long, slow process of sorting through his father’s possessions and deciding which ones to keep and which ones to give away—I had been at his house for that, as his mother wept into the piles of clothing and Matt and I pretended not to notice. Over time, the pain seemed to dull, and his mother smiled more, and Matt returned to the world, not quite the same as he had been before but steady nonetheless.
And then my mother came back.
I had two mothers: the one who had raised me from childhood, and the one who had left my father without warning when I was five, packing a bag of her things and disappearing with the old Toyota. She had returned when I was fourteen, pudgier and older than she had been when my father last saw her, but otherwise the same.
Dad had insisted that I spend time with her, and she had brought me to her darkroom, an hour from where we lived, to show me photographs she had taken. Mostly they had been of people caught in the middle of expressions or in moments when they didn’t think anyone was watching. Sometimes out of focus, but always interesting. She touched their corners in the red-lit room as she told me about each one, her favorites and her least favorites.
I hated myself for liking those photographs. I hated seeing myself in that darkroom, picking the same favorites as her, speaking to her in that secret language of art. But I could not help but love her, like shared genes also meant shared hearts, no point in fighting it.
I saw her a few times, and then one day she was gone again. Again with no warning, again with no good-byes, no forwarding address, no explanations. The darkroom empty, the house rented out to new people. No proof she had ever been there at all.
I had never really had her, so it wasn’t fair to think that I had lost her. And my stepmother, who was my real mother in all the ways that mattered, was still there, a little aloof, but she loved me. I had no right to feel anything, I told myself, and moreover, I didn’t want to.
But still, I retreated deep inside myself, like an animal burrowing underground and curling up for warmth. I started falling asleep in class, falling asleep on top of my homework. Waking in the middle of the night to a gnawing stomach and an irrepressible sob. I stopped going out on Friday nights, and then Saturdays, and then weekdays. The desk I kept reserved strictly for art projects went unused. My mother—stepmother, whatever she was—took me to specialists in chronic fatigue; she had me tested for anemia; she spent hours researching conditions on the internet, until one doctor finally suggested depression. I left the office with a prescription that was supposed to fix everything. But I never filled it.
It was at school, of all places, that Matt and I found our ending. Three months ago. It was only him and me in fifth period lunch, in April, when the air-conditioning was on full blast inside so we sat under an apple tree on the front lawn. I had been going to the library to sleep during our lunch hour for the past few weeks, claiming that I had homework to do, but that day he had insisted that I eat with him.
He tried to speak to me, but I had trouble focusing on what he was saying, so mostly I just chewed. At one point I dropped my orange and it tumbled away from me, settling in the tree roots a few feet away. I reached for it and my sleeve pulled back, revealing a healing wound, sealed but unmistakable. I had dug into myself with a blade to make myself feel full of something instead of empty—the rush of adrenaline, of pain, was better than the hollowness. I had looked it up beforehand to figure out how to sterilize the edge, how to know how far to go so I wouldn’t puncture something essential. I wanted to know, to have my body tell me, that I was still alive.
I didn’t bother to explain it away. Matt wasn’t an idiot. He wouldn’t buy that I had slipped while shaving or something. As if I shaved my arm hair.
“Did you go off the meds?” he said, his tone grave.
“What are you, my dad?” I pulled my sleeve down and cradled the orange in my lap. “Lay off, Matt.”
“Well, did you?”
“No. I didn’t go off them. Because I never started taking them.”
“What?” He scowled at me. “You have a doctor who tells you that you have a problem, and you don’t even try the solution?”
“The doctor wants me to be like everybody else. I am not a problem.”
“No, you’re a kid refusing to take her vitamins,” he said, incredulous.
“I don’t need to be drugged because I don’t act the way other people want me to!”
“People like me?”
I shrugged.
“Oh, so you’re saying you feeling like shit all the time is a choice.” His face was red. “Forgive me, I didn’t realize.”
“You think I want to pump my body full of chemicals so I can feel flat all the time?” I snapped. “How am I supposed to be myself when something is altering the chemistry of my brain? How can I make anything, say anything, do anything worthwhile when I’m practically lobotomized?”
“That isn’t what—”
“Stop arguing with me like you know something about this. Just because you have this emotional trump card in your back pocket doesn’t mean you get to decide everyone else’s mental state.”
“Emotional trump card?” he repeated, eyebrows raised.
“Yeah!” I exclaimed. “How can I possibly have a legitimate problem when I’m talking to Matt ‘My Dad Died’ Hernandez?”
It had just … come out. I hadn’t thought about it.
I knew that Matt’s father’s death wasn’t a tool he used to control other people. I had just wanted to hurt him. It had been a year, but he was still raw with grief, right under the surface, and embarrassed by it. I knew that, too. Between us was the memory of him sobbing in the car while he held tight to my hand.
After weeks of ignoring his texts, and lying to him about why I couldn’t come hang out, and snapping at every little thing, I guess me using his dad’s death against him was the last straw. Even then, I hadn’t blamed him. It was practically a reflex to blame myself anyway.
“Matt,” I started to say.
“You know what?” he said, coming to his feet. “Do whatever you want. I’m done here.”
“I made a mistake,” Matt said, and his mouth was the first thing to materialize in the new memory—the lower lip bigger than the top one, even his speech a little lopsided, favoring the dimpled side. “I should have started the story here.”
We were in the art room. It was bright white and always smelled like paint and crayons. There were racks along the back wall, where people put their projects to dry at the end of each class period. Before I had started failing art because I didn’t turn in two of my projects, I had come here after school every other day to work. I liked the hum of the lights, the peace of the place. Peace wasn’t something that came easily to me.
My classmates were in a half circle in front of me. I was sitting in a chair, a desk to my right, and there were wires stretching from electrodes on my head to a machine beside me. The screen faced my classmates. Even without the electrodes, I knew how old I was by the color of my fingernails—my freshman year of high school, I had been obsessed with painting my nails in increasingly garish and ugly colors, lime green and sparkly purple, glow-in-the-dark blue and burnt orange. I liked to take something that was supposed to be pretty and make it ugly instead. Or interesting. Sometimes I couldn’t tell the difference between the two.
This was the second major art project of my freshman year, after the photographs of the love rocks. I had become fascinated by the inside of the brain, like it would give me explanations for everything that had happened to me and everything happening inside me. A strange stroke of inspiration, and I had applied for a young artists’ grant to purchase this portable equipment, at the forefront of medical advances in neuroscience. A doctor had taught me how to use it, spending several hours with me after school one day, and I had wheeled it into my art class soon afterward.
I didn’t say anything to explain it, just hooked myself up to the machine and showed the class my brain waves and how I could alter them. I did a relaxation exercise first, showing my brain on meditation; then I did math problems.
I listened to one of my favorite comedians. I recounted my most embarrassing memory: sneezing and getting snot all over my face during a school presentation in sixth grade. My brain waves shifted and changed depending on what I was doing.
I kept my brain waves clean of emotional turmoil—the muck of my mother not coming downstairs for breakfast that one morning when I was five, the empty space in the driveway where her car had been. I kept secret the chaos of my heart and guts. I was only interested in showing the mechanics of my mind, like the gears in a clock.
When I finished, the class greeted me with scattered applause. Unenthused, but that wasn’t surprising. They never liked anything I did. One of the girls raised her hand and asked our teacher, “Um … Mr. Gregory? Does that even count as art? I mean, she just showed us her brain.”
“It counts as performance art, Jessa,” Mr. Gregory said, taking off his glasses. “Think about what you just said—she showed us her brain. An act of vulnerability. That is incredibly rare, in life and in art. Art is, above all things, both vulnerable and brave.”
He gave me a wink. Mr. Gregory was part of the peace of this room. He always seemed to understand what I was getting at, even if I couldn’t quite get myself there.
“Why are we here?” I said to Visitation Matthew, frowning. “We didn’t even know each other yet.”
Matt was sitting near the back of the class, on the side, his head bent over a notebook. He smiled at me within the visitation. Dimpled cheek, crinkled eyes, a flash of white teeth.
“This is where our story started,” he said. “You were so … I mean, their opinions were completely irrelevant to you. It’s like while everyone else was listening to one song, you were listening to another. And God, I loved that. I wanted it for myself.”
It made me feel strange—weightless in places, like I was turning into tissue paper and butterfly wings.
“You think I didn’t care what they thought of me?” I shook my head. I couldn’t let him believe a lie about me, not now. “Of course I cared. I still can’t think about it without blushing.”
“Fair enough,” he said. “But I went to that party sophomore year because I found out you were going and … I wanted to get to know you. I loved this project. I loved everything you did in art class. I felt like you had showed yourself to me, and I wanted to return the favor.”
My cheeks felt a little warm. “You never said.”
“Well, you’ve said before that talking about old projects embarrasses you,” he said, shrugging. “So I never wanted to bring it up.”
“This is what I was worried about, you know,” I said softly. “About the medication. That it would mean I couldn’t do this—art—anymore. I mean, feeling things—feeling intense things, sometimes—is part of what drives me to make things.”
“You think you can’t feel better and do great work at the same time?”
“I don’t know.” I chewed on my lip. “I’m used to being this way. Volatile. Like a walking ball of nerves. I’m worried that if I get rid of the highs, and even the lows—especially the lows—there won’t be anything about me that’s interesting anymore.”
“Claire.” He stood, weaving through the chairs, and crouched in front of me, putting his hands on my knees. “That nerve ball isn’t you. It’s just this thing that lives in your head, telling you lies. If you get rid of it … think of what you could do. Think of what you could be.”
“But what if … what if I go on medication and it makes me into this flat, dull person?” I said, choking a little.
“It’s not supposed to do that. But if it does, you’ll try something else.” His hands squeezed my knees. “And can you really tell me ‘flat’ is that much different from how you feel now?”
I didn’t say anything. Most of the time I was so close to falling into the darkest, emptiest place inside me that I just tried to feel nothing at all. So the only difference between this and some kind of flat, medicated state was that I knew I could still go there if I needed to, even if I wouldn’t. And that place, I had told myself, was where the real me was. Where the art was, too.
But maybe—maybe that wasn’t where it was. I was so convinced that changing my brain would take away my art, but maybe it would give me new art. Maybe without the little monster in my mind, I could actually do more, not less. It was probably equally likely. But I believed more in my possible doom than my possible healing.
“It’s okay to want to feel better.” He touched my hand.
I didn’t know why—they were such simple words, but they pierced me the way music did these days. Like a needle in my sternum, penetrating to my heart. I didn’t bother to blink away my tears. Instead of pulling myself back from them, back from sensation entirely, I let myself sink into it. I let the pain in.
“But how can I feel better now?” I covered my eyes. “How can I ever … ever feel better if you die?”
I was sobbing the way he had sobbed in the car with me, holding on to his hands, which were still on top of my legs. He slipped his fingers between mine and squeezed.
“Because,” he said. “You just have to.”
“Who says?” I demanded, scowling at him. “Who says I have to feel anything?”
“I do. I chose you for one of my last visitors because … I wanted one last chance to tell you that you’re worth so much more than your pain.” He ran his fingers over my bent knuckles. “You can carry all these memories around. They’ll last longer than your grief, I promise, and someday you’ll be able to think of them and feel like I’m right there with you again.”
“You might not be correctly estimating my capacity for grief,” I said, laughing through a sob. “Pro-level moper right here.”
“Some people might leave you,” he said, for once ignoring a joke in favor of something real. “But it doesn’t mean you’re worth leaving. It doesn’t mean that at all.”
I didn’t quite believe him. But I almost did.
“Don’t go,” I whispered.
After that, I carried him back to the ocean, the ripples reflecting the moon, where we had treaded water after jumping off the cliff. The water had filled my shoes, which were now heavy on my feet, making it harder to stay afloat.
“You have makeup all over your face,” he said, laughing a little. “You look like you got punched in both eyes.”
