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One Night Scandal
Joanne Rock
One night to remember with the perfect cowboy…Nothing in Hannah Ryder's plot included a hot fling with a drop-dead sexy cowboy. Especially when he turns out to be Brock McNeill—a potential enemy with ties to the man Hannah wants to destroy!
One night to remember with the perfect cowboy...
Or one step toward the perfect revenge?
Nothing in Hannah Ryder’s plot included a hot fling with a drop-dead-sexy cowboy. Especially when her cowboy turns out to be Brock McNeill—a potential enemy with ties to the man Hannah wants to destroy. When an accident claims Brock’s memory, Hannah is caught in an intricate web of scandal, falling dangerously for the one man she shouldn’t trust...
Four-time RITA® Award nominee JOANNE ROCK has penned over seventy stories for Mills & Boon. An opti-mist by nature and a perpetual seeker of silver linings, Joanne finds romance fits her life outlook perfectly—love is worth fighting for. A Golden Heart® Award recipient, she has won numerous awards for her stories. Learn more about Joanne’s imaginative muse by visiting her website, joannerock.com (http://www.joannerock.com), or following @joannerock6 (http://twitter.com/@joannerock6) on Twitter.
Also by Joanne Rock (#ubdd54d39-9d0e-591e-8751-1677370f3200)
The Magnate’s Mail-Order Bride The
Magnate’s Marriage Merger His
Accidental Heir
Little Secrets: His Pregnant Secretary
Claiming His Secret Heir
For the Sake of His Heir
The Forbidden Brother
Wild Wyoming Nights
Discover more at millsandboon.co.uk (http://www.millsandboon.co.uk)
One Night Scandal
Joanne Rock
www.millsandboon.co.uk (http://www.millsandboon.co.uk)
ISBN: 978-1-474-07675-3
ONE NIGHT SCANDAL
© 2018 Joanne Rock
Published in Great Britain 2018
by Mills & Boon, an imprint of HarperCollinsPublishers 1 London Bridge Street, London, SE1 9GF
All rights reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Books S.A.
This is a work of fiction. Names, characters, places, locations and incidents are purely fictional and bear no relationship to any real life individuals, living or dead, or to any actual places, business establishments, locations, events or incidents. Any resemblance is entirely coincidental.
By payment of the required fees, you are granted the non-exclusive, non-transferable right and licence to download and install this e-book on your personal computer, tablet computer, smart phone or other electronic reading device only (each a “Licensed Device”) and to access, display and read the text of this e-book on-screen on your Licensed Device. Except to the extent any of these acts shall be permitted pursuant to any mandatory provision of applicable law but no further, no part of this e-book or its text or images may be reproduced, transmitted, distributed, translated, converted or adapted for use on another file format, communicated to the public, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of publisher.
® and ™ are trademarks owned and used by the trademark owner and/or its licensee. Trademarks marked with ® are registered with the United Kingdom Patent Office and/or the Office for Harmonisation in the Internal Market and in other countries.
www.millsandboon.co.uk (http://www.millsandboon.co.uk)
To Mandy Lawler for all of your
help and guidance.
Thank you!
Contents
Cover (#udceea758-8443-58e4-8eff-93a9078b3361)
Back Cover Text (#ue91a53ef-1263-5229-b5ed-625551c30c16)
About the Author (#u24cab1a2-21e3-51ff-92e1-7aa590f7b881)
Booklist (#u2bb1cf7c-714f-5e93-a423-c7369df1d09f)
Title Page (#ub212c675-2839-5d09-bb50-268966fc2ff2)
Copyright (#uf65430a9-f716-5ed6-8934-69eda1c4cf4d)
Dedication (#u650cb2c9-5084-5db0-ae1b-216fdd331a87)
One (#ud69aaf97-a2fe-59d1-bbbd-4903da26d8cf)
Two (#u9c85a702-6567-5257-abd9-a704c85401d4)
Three (#ud4cf236e-1e7b-5cc9-99df-dd87316b35b0)
Four (#u63453a56-ecec-5c34-bf18-255d817afa78)
Five (#litres_trial_promo)
Six (#litres_trial_promo)
Seven (#litres_trial_promo)
Eight (#litres_trial_promo)
Nine (#litres_trial_promo)
Ten (#litres_trial_promo)
Eleven (#litres_trial_promo)
Twelve (#litres_trial_promo)
Thirteen (#litres_trial_promo)
Epilogue (#litres_trial_promo)
Extract (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
One (#ubdd54d39-9d0e-591e-8751-1677370f3200)
Hannah Ryder scavenged her last scrap of patience as the film director she despised zoomed in on her for a close-up shot. The bright lights were making her sweat right through the thick layers of makeup. Itchy, dry hay poked her bare skin. She lay smothered in the stuff on the floor of an old barn temporarily transformed into a movie set. The scene called for her character to fall through the loft in the middle of hooking up with a cowboy; thankfully, the stunt had been pulled off by someone else paid to do that sort of thing.
Now, Hannah had to perform the sequence following the fall after her cowboy lover had abandoned her. Her face was covered in cosmetics to look like blood and bruises. All of which was fine, if she hadn’t been in her third hour of shooting reaction shots while drowning in hay that made her eyes water and her skin burn. Her makeup had to be retouched every twenty minutes to keep it from sliding off, and the flesh-toned bodysuit she wore under the hay didn’t protect her in the least. Horses flanked her on either side, their impatient hooves providing a frame for the scene, according to the sadist in charge. What if one of the animals decided he was tired of a sneezing woman writhing on the floor of his barn?
Twice she was sure a spider or some other creepy-crawly had skittered up her bare leg, and a cramp knotted her calf.
She would have walked off the production days ago if she hadn’t wrangled a part in this film for a very specific reason. She needed evidence of the director’s sexual harassment of women on the set to help avenge what he’d done to Hannah’s younger sister a year ago.
The incident had transformed nineteen-year-old Hope from a bright-eyed aspiring writer, with a coveted job as script reader and assistant to director Antonio Ventura, into a quiet shell of her former self. Hope now worked in retail, content to unlock dressing rooms for customers since it was a job that surrounded her with women. Hope didn’t write anymore, and she showed no desire to leave the house for any reason but work. She startled at noises and cried when she thought Hannah couldn’t hear.
The change broke Hannah’s heart, and months of therapy hadn’t seemed to help her sister. Hope refused to file charges, insisting she’d destroyed evidence after the fact because of conflicted feelings, and she didn’t want to bring a case she couldn’t prove. When months of gentle encouragement and outright coercing had proven ineffective, Hannah had taken a new approach. She’d spend time on one of the bastard’s sets to see for herself if he was victimizing other females.
So far all she’d learned was that every single person who worked on his film Winning the West thought he was a tyrant and a megalomaniac. But she had no evidence that he was locking vulnerable women in closets to forcibly grope them the way he’d done to Hope.
Just the thought of it steeled Hannah to withstand the cramp throbbing in her calf for another minute while the camera closed in on her tears. She’d been Hope’s guardian ever since her sister had moved to Los Angeles to be with Hannah. Their parents had never been much help since their high-powered attorney father had walked out on their mother long ago—taking his family fortune with him. As for their mom, she’d done her best to raise Hope and Hannah, but she’d made no secret of the fact that she was “done” once Hope had turned eighteen.
Hannah would never be “done.” And she would fight for her sister even if Hope refused to fight for herself.
A horse snorted and tossed his head, a hoof momentarily pinning Hannah’s hair to the floor before shifting away again. She couldn’t smother her gasp, ruining the take.
But before the director could explode in rage, a tall, broad-shouldered cowboy stepped into view, casting a long shadow onto the floor where Hannah lay.
“Ventura, I need to take my horses,” the man demanded, his tone uncompromising as he confronted the despot in charge of the shoot. “Now.”
A murmur of collective surprise—quickly stifled—stirred the production team ringing the small barn.
Hannah stretched quietly in the sea of hay, wanting a better look at the cowboy whose arrival had diverted the director’s ire away from her. The newcomer blocked the lights, providing a welcome moment of coolness for her itchy skin.
She craned her neck to see around a horse’s knee.
And got an eyeful of feminine fantasy material in denim and worn boots. The hard-muscled cowboy stood a head taller than the director, his biceps straining the fabric of a gray cotton T-shirt as he reached to stroke a hand over a horse’s nose.
The man’s features remained in shadow, thanks to the set of his dark Stetson, but the sharp edge of his jaw and the hint of dark hair curling along the collar of his shirt were enough to make any woman long to see more. For now, Hannah settled on taking in the rest of him, from where his shirt tapered along his back, from his formidable shoulders down to his lean hips.
“You are ruining my shot,” Antonio Ventura snapped at the cowboy, his dark eyes narrowing. “Now, thanks to you, I’ll need the animals even longer.”
The fury brewing under the quiet words made the sweat on Hannah’s back turn cold and clammy, worry chilling her.
“Whether you need them or not isn’t my concern.” The cowboy took the reins of the one closest to him. “They’re not professional actors, and they’re done for today.”
Hannah would have admired anyone unafraid to stand up to a bully like Ventura. But she took a special brand of pleasure in seeing this big, strong guy put the smarmy brute in his place.
“As you can see—” Ventura enunciated each word as if the cowboy was a simpleton “—they are hardly being asked to act. They’re standing in the middle of a barn, just the same as they will be when you take them with you. I suggest you consult your boss before you make a choice that will cost you your job.”
The dirtbag. How unfair to threaten the man’s livelihood. Hannah was already mentally composing a letter to the ranch owner in the cowboy’s defense.
“My choice is made.” The sexy stranger gathered the other horse’s reins in the opposite hand. “And since we’re making suggestions, I’m going to advise you to take better care of your actors.” The man’s gaze fell to where Hannah sprawled in the hay. “Do you need a hand, miss?”
His eyes were blue. Clear sky blue.
Wide-open spaces, Wyoming blue.
Hannah wanted to fall right into them.
Except, she realized, she couldn’t afford to thumb her nose at Antonio Ventura before she’d gathered evidence of his criminal behavior. With more than a little regret, she shook her head, a stray piece of hay poking the back of her neck as she moved.
“No. Thank you.” She risked a small smile at the horseman, hoping the director was too busy seething to notice.
When she gave her boss a quick glance, he seemed to be pounding out digits on his cell phone as he paced away from the camera equipment.
“You’re going to regret this show of stupidity,” Ventura threatened between clenched teeth.
Around him, the production team buzzed with new life, sensing they were done shooting for the day as the cowboy guided the animals out of the wide barn door. The night air rushed in.
Hannah watched his retreat, her breath stuck in her chest as she followed his long-legged stride, an easy swagger that made her wish she would have accepted his hand when he’d offered it. What might it have been like to touch him? To keep that blue gaze trained on her a little longer?
Behind her, the wardrobe stylist cleared her throat. “Um... Hannah?”
Swiveling away from the enticing view, Hannah glanced up to find the young woman holding a robe in her hands.
“Sorry. I must have gotten distracted.” She grinned conspiratorially as a production assistant shut off the hottest of the set lights nearby. Hannah didn’t want anyone to see how stressed this shoot was making her. Her muscles were cramped from the strain and tension of working with her sister’s molester as much as from holding the twisted pose for hours.
“Didn’t we all?” the stylist, Callie, agreed. Her high, dark ponytail swung in front of her narrow shoulders as she leaned down to wrap the cover-up around Hannah, shielding her in the flesh-tone bodysuit. “I think I forgot to breathe just now.”
The woman’s vanilla fragrance settled around Hannah as surely as the silk dressing robe. Hannah’s itchiness eased immediately from the fresh air, the cooler temperature without the set lights and being free of the hay.
She was stepping into the leather slides that Callie had brought out for her when, from the other side of a rolling cart stuffed full of electronics, a series of shouted curse words blistered her ears. Callie flinched and Hannah’s eye started to twitch while they listened to the director yell at whoever was on the other end of the call.
Hannah needed to get away from here. Three hours of dealing with that man was more than she could take. She had a private cabin on-site at the Creek Spill Ranch, close to where filming took place each day. No need to stay here and listen to Ventura’s tirade when her accommodations were within walking distance.
“Callie, I think I’m going to call it a night and head back to my room,” she said softly, tying the belt on her robe. It was blousy and pretty enough to pass for a caftan. “I can take off my own makeup.”
“I don’t blame you,” the stylist muttered under her breath, her gaze moving furtively toward their boss. He looked ready to pop the vein in his temple, his face contorting as he shouted about ineptitude in his staff and incompetence in the production company. “Take some makeup wipes,” Callie said, passing a small plastic packet before gesturing to Hannah’s face. “You don’t want anyone to think you’ve just been in a horrible accident.”
Hannah was already peeling out a damp cloth from the pack. “You’re a lifesaver.” Retrieving her purse from behind one of the barn columns, she headed for the door, leather shoes slapping the bottoms of her sockless feet. “Thanks, Callie. I’ll see you in the morning.”
