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Tales of Mystery and Imagination
Edgar Allan Poe
HarperCollins is proud to present its new range of best-loved, essential classics.‘Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heart – one of the indivisible primary faculties, or sentiments, which gives direction to the character of Man.’Including Poe’s most terrifying, grotesque and haunting short stories, Tales of Mystery and Imagination is the ultimate collection of the infamous author’s macabre works.Considered to be one of the earliest American writers to encapsulate the genre of detective-fiction, the collection features some of his most popular tales.‘The Gold-Bug’ is the only tale that was popular in his lifetime, whereas ‘The Black Cat’, ‘The Pit and the Pendulum’ and ‘The Murders in the Rue Morgue’ became more widely read after his death.Focussing on the internal conflict of individuals, the power of the dead over the living, and psychological explorations of darker human emotion that appear to anticipate Sigmund Freud’s later theories on the psyche, Poe’s Gothic terror stories are considered masterpieces the world over.
TALES OF MYSTERY AND IMAGINATION
Edgar Allan Poe
CONTENTS
Cover (#u0cbf4e55-173c-54ff-a1f2-6cc2e1c7841e)
Title Page (#u78fc691b-bd5b-5e43-8b21-aebe768ddb97)
Chapter 1: The Gold Bug (#u2001001d-e3cc-5aa3-9a70-24a537131241)
Chapter 2: The Balloon Hoax (#u80bd7e4d-68bf-53ed-85b5-3a9fec122009)
The Balloon (#ulink_5e52b82e-1fed-53b9-9769-f4d77bd9b48d)
The Journal (#ulink_ea14ac71-611d-5fc7-b892-da266481d744)
Chapter 3: The Facts in the Case of M. Valdemar (#uae5efd46-6298-5df2-98c8-86b562d62b86)
Chapter 4: MS. Found in a Bottle (#u9e63fb50-d71d-5eb6-b5e0-3b21695d27db)
Chapter 5: A Descent into the Maelström (#u568facbf-b50e-58a9-a439-61df141cc376)
Chapter 6: The Black Cat (#u81e662e3-c10f-52bc-adf8-09c80da3cd02)
Chapter 7: The Fall of the House of Usher (#u53ec0d57-8c0b-5755-91d2-a6ea8762ba67)
I (#litres_trial_promo)
II (#litres_trial_promo)
III (#litres_trial_promo)
IV (#litres_trial_promo)
V (#litres_trial_promo)
VI (#litres_trial_promo)
Chapter 8: The Pit and the Pendulum (#litres_trial_promo)
Chapter 9: The Premature Burial (#litres_trial_promo)
Chapter 10: The Masque of the Red Death (#litres_trial_promo)
Chapter 11: The Cask of Amontillado (#litres_trial_promo)
Chapter 12: The Imp of the Perverse (#litres_trial_promo)
Chapter 13: The Island of the Fay (#litres_trial_promo)
Chapter 14: The Oval Portrait (#litres_trial_promo)
Chapter 15: The Tell-Tale Heart (#litres_trial_promo)
Chapter 16: The Domain of Arnheim (#litres_trial_promo)
Chapter 17: Landor’s Cottage A Pendant to ‘The Domain of Arnheim’ (#litres_trial_promo)
Chapter 18: The Assignation: Venice (#litres_trial_promo)
Chapter 19: William Wilson (#litres_trial_promo)
Chapter 20: Berenice (#litres_trial_promo)
Chapter 21: Eleonora (#litres_trial_promo)
Chapter 22: Ligeia (#litres_trial_promo)
Chapter 23: The Murders in the Rue Morgue (#litres_trial_promo)
Chapter 24: The Mystery of Marie Rogêt
A Sequel to ‘The Murders in the Rue Morgue.’ (#litres_trial_promo)
Chapter 25: The Purloined Letter (#litres_trial_promo)
Chapter 26: The Colloquy of MONOS and UNA (#litres_trial_promo)
Chapter 27: The Conversation of EIROS and CHARMION (#litres_trial_promo)
Chapter 28: A Tale of the Ragged Mountains (#litres_trial_promo)
Classic Literature: Words and Phrase Adapted from the Collins English Dictionary (#litres_trial_promo)
About the Author (#litres_trial_promo)
History of Collins (#litres_trial_promo)
Copyright (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
CHAPTER 1 The Gold Bug (#ulink_dbf40147-7871-5c63-acbc-0ac51ab0ef62)
What ho! what ho! this fellow is dancing mad!
He hath been bitten by the Tarantula.
—All in the Wrong.
Many years ago I contracted an intimacy with a Mr William Legrand. He was of an ancient Huguenot family, and had once been wealthy; but a series of misfortunes had reduced him to want. To avoid the mortification consequent upon his disasters, he left New Orleans, the city of his forefathers, and took up his residence at Sullivan’s Island, near Charleston, South Carolina.
This island is a very singular one. It consists of little else than the sea sand, and is about three miles long. Its breadth at no point exceeds a quarter of a mile. It is separated from the mainland by a scarcely perceptible creek, oozing its way through a wilderness of reeds and slime, a favourite resort of the marsh-hen. The vegetation, as might be supposed, is scant, or at least dwarfish. No trees of any magnitude are to be seen. Near the western extremity, where Fort Moultrie stands, and where are some miserable frame buildings, tenanted, during summer, by the fugitives from Charleston dust and fever, may be found, indeed, the bristly palmetto; but the whole island, with the exception of this western point, and a line of hard, white beach on the sea-coast, is covered with a dense undergrowth of the sweet myrtle so much prized by the horticulturists of England. The shrub here often attains the height of fifteen or twenty feet, and forms an almost impenetrable coppice, burdening the air with its fragrance.
In the inmost recesses of this coppice, not far from the eastern or more remote end of the island, Legrand had built himself a small hut, which he occupied when I first, by mere accident, made his acquaintance. This soon ripened into friendship—for there was much in the recluse to excite interest and esteem. I found him well educated, with unusual powers of mind, but infected with misanthropy, and subject to perverse moods of alternate enthusiasm and melancholy. He had with him many books, but rarely employed them. His chief amusements were gunning and fishing, or sauntering along the beach and through the myrtles, in quest of shells or entomological specimens—his collection of the latter might have been envied by a Swammerdamm. In these excursions he was usually accompanied by an old negro, called Jupiter, who had been manumitted before the reverses of the family, but who could be induced, neither by threats nor by promises, to abandon what he considered his right of attendance upon the footsteps of his young ‘Massa Will.’ It is not improbable that the relatives of Legrand, conceiving him to be somewhat unsettled in intellect, had contrived to instil this obstinacy into Jupiter, with a view to the supervision and guardianship of the wanderer.
The winters in the latitude of Sullivan’s Island are seldom very severe, and in the fall of the year it is a rare event indeed when a fire is considered necessary. About the middle of October, 18—, there occurred, however, a day of remarkable chilliness. Just before sunset I scrambled my way through the evergreens to the hut of my friend, whom I had not visited for several weeks—my residence being, at that time, in Charleston, a distance of nine miles from the island, while the facilities of passage and re-passage were very far behind those of the present day. Upon reaching the hut I rapped, as was my custom, and getting no reply, sought for the key where I knew it was secreted, unlocked the door, and went in. A fine fire was blazing upon the hearth. It was a novelty, and by no means an ungrateful one. I threw off an overcoat, took an arm-chair by the crackling logs, and awaited patiently the arrival of my hosts.
Soon after dark they arrived, and gave me a most cordial welcome. Jupiter, grinning from ear to ear, bustled about to prepare some marsh-hen for supper. Legrand was in one of his fits—how else shall I term them?—of enthusiasm. He had found an unknown bivalve, forming a new genus, and, more than this, he had hunted down and secured, with Jupiter’s assistance, a scaraboeus which he believed to be totally new, but in respect to which he wished to have my opinion on the morrow.
‘And why not to-night?’ I asked, rubbing my hands over the blaze, and wishing the whole tribe of scaraboei at the devil.
‘Ah, if I had only known you were here!’ said Legrand, ‘but it’s so long since I saw you; and how could I foresee that you would pay me a visit this very night of all others? As I was coming home I met Lieutenant G—, from the fort, and, very foolishly, I lent him the bug; so it will be impossible for you to see it until the morning. Stay here tonight, and I will send Jup down for it at sunrise. It is the loveliest thing in creation!’
‘What?—sunrise?’
‘Nonsense! no!—the bug. It is of a brilliant gold colour—about the size of a large hickory-nut—with two jet black spots near one extremity of the back, and another, somewhat longer, at the other. The antennae are—’
‘Dey ain’t no tin in him. Massa Will, I keep a-tellin’ on you,’ here interrupted Jupiter; ‘de bug is a goole bug, solid, ebery bit of him, inside and all, sep him wing—neber feel half so hebby a bug in my life.’
‘Well, suppose it is, Jup,’ replied Legrand, somewhat more earnestly, it seemed to me, than the case demanded; ‘is that any reason for your letting the birds burn? The colour’—here he turned to me—‘is really almost enough to warrant Jupiter’s idea. You never saw a more brilliant metallic lustre than the scales emit—but of this you cannot judge till tomorrow. In the meantime I can give you some idea of the shape.’ Saying this, he seated himself at a small table, on which were a pen and ink, but no paper. He looked for some in a drawer, but found none.
‘Never mind,’ he said at length, ‘this will answer;’ and he drew from his waistcoat pocket a scrap of what I took to be very dirty foolscap, and made upon it a rough drawing with the pen. While he did this, I retained my seat by the fire, for I was still chilly. When the design was complete, he handed it to me without rising. As I received it, a loud growl was heard, succeeded by scratching at the door. Jupiter opened it, and a large Newfoundland, belonging to Legrand, rushed in, leaped upon my shoulders, and loaded me with caresses; for I had shown him much attention during previous visits. When his gambols were over, I looked at the paper, and, to speak the truth, found myself not a little puzzled at what my friend had depicted.
‘Well!’ I said, after contemplating it for some minutes, ‘this is a strange scarabaeus, I must confess: new to me: never saw anything like it before—unless it was a skull, or a death’s-head, which it more nearly resembles than anything else that has come under my observation.’
‘A death’s-head!’ echoed Legrand. ‘Oh—ye—well, it has something of that appearance upon paper, no doubt. The two upper black spots look like eyes, eh? and the longer one at the bottom like a mouth—and the shape of the whole is oval.’
‘Perhaps so,’ said I; ‘but, Legrand, I fear you are no artist. I must wait until I see the beetle itself, if I am to form any idea of its personal appearance.’
‘Well, I don’t know,’ said he, a little nettled, ‘I draw tolerably—should do it at least—have had good masters, and flatter myself that I am not quite a blockhead.’
‘But, my dear fellow, you are joking then,’ said I, ‘this is a very passable skull—indeed, I may say that it is a very excellent skull, according to the vulgar notions about such specimens of physiology—and your scarabaeus must be the queerest scarabaeus in the world if it resembles it. Why, we may get up a very thrilling bit of superstition upon this hint. I presume you will call the bug scarabaeus caput hominis, or something of that kind—there are many similar titles in the Natural Histories. But where are the antennae you spoke of?’
‘The antennae!’ said Legrand, who seemed to be getting unaccountably warm upon the subject; ‘I am sure you must see the antennae. I made them as distinct as they are in the original insect, and I presume that is sufficient.’
‘Well, well,’ I said, ‘perhaps you have—still I don’t see them;’ and I handed him the paper without additional remark, not wishing to ruffle his temper; but I was much surprised at the turn affairs had taken; his ill-humour puzzled me—and, as for the drawing of the beetle, there were positively no antennae visible, and the whole did bear a very close resemblance to the ordinary cuts of a death’s-head.
He received the paper very peevishly, and was about to crumple it, apparently to throw it in the fire, when a casual glance at the design seemed suddenly to rivet his attention. In an instant his face grew violently red—in another as excessively pale. For some minutes he continued to scrutinise the drawing minutely where he sat. At length he arose, took a candle from the table, and proceeded to seat himself upon the sea-chest in the farthest corner of the room. Here again he made an anxious examination of the paper; turning it in all directions. He said nothing, however, and his conduct greatly astonished me; yet I thought it prudent not to exacerbate the growing moodiness of his temper by any comment. Presently he took from his coat-pocket a wallet, placed the paper carefully in it, and deposited both in a writing desk, which he locked. He now grew more composed in his demeanour; but his original air of enthusiasm had quite disappeared. Yet he seemed not so much sulky as abstracted. As the evening wore away he became more and more absorbed in reverie, from which no sallies of mine could arouse him. It had been my intention to pass the night at the hut, as I had frequently done before, but, seeing my host in this mood, I deemed it proper to take leave. He did not press me to remain, but, as I departed, he shook my hand with even more than his usual cordiality.
It was about a month after this (and during the interval I had seen nothing of Legrand) when I received a visit at Charleston from his man, Jupiter. I had never seen the good old negro look so dispirited, and I feared that some serious disaster had befallen my friend.
‘Well, Jup,’ said I, ‘what is the matter now?—how is your master?’
‘Why, to speak de troof, massa, him not so berry well as mought be.’
‘Not well! I am truly sorry to hear it. What does he complain of?’
‘Dar! dat’s it!-he neber ’plain of notin’—but him berry sick for all dat.’
‘Very sick, Jupiter!—why didn’t you say so at once? Is he confined to bed?’
‘No, dat he ain’t! – he ain’t ’fin’d nowhar—dat’s just whar de shoe pinch—my mind is got to be berry hebby ’bout poor Massa Will.’
‘Jupiter, I should like to understand what it is you are talking about. You say your master is sick. Hasn’t he told you what ails him?’
‘Why, massa, ’tain’t worf while for to git mad about de matter—Massa Will say noffin’ at all ain’t de matter wid him—but den what make him go about looking dis here way, wid he head down and he soldiers up, and as white as a gose? And den he keep a syphon all de time–’
‘Keeps a what, Jupiter?’
‘Keeps a syphon wid de figgurs on de slate—de queerest figgurs I ebber did see. Ise gittin’ to be skeered, I tell you. Hab for to keep mighty tight eye ’pon him noovers. Todder day he gib me slip ’fore de sun up, and was gone the whole ob de blessed day. I had a big stick ready cut for to gib him deuced good beating when he did come—but Ise sich a fool dat I hadn’t de heart arter all—he looked so berry poorly.’
‘Eh?—what?—ah yes!—upon the whole I think you had better not be too severe with the poor fellow; don’t flog him, Jupiter—he can’t very well stand it—but can you form no idea of what has occasioned this illness, or rather this change of conduct? Has anything unpleasant happened since I saw you?’
‘No, massa, dey ain’t bin noffin onpleasant since den—’twas ’fore den I’m feared—’twas de berry day you was dare.’
‘How? what do you mean?’
‘Why, massa, I mean de bug—dare now.’
‘The what?’
‘De bug—I’m berry sartain dat Massa Will bin bit somewhere ’bout de head by dat goole-bug.’
‘And what cause have you, Jupiter, for such a supposition?’
‘Claws enuff, massa, and mouff too. I nebber did see sich a deuced bug—he kick and he bite ebery ting what cum near him. Massa Will cotch him fuss, but had for to let him go ’gin mighty quick, I tell you—den was de time he must ha’ got de bite. I didn’t like de look ob de bug mouff, myself, nohow, so I wouldn’t take hold ob him wid my finger, but I cotch him wid a piece ob paper dat I found. I rap him up in de paper and stuff a piece of it in he mouff—dat was de way.’
‘And you think, then, that your master was really bitten by the beetle, and that the bite made him sick?’
‘I don’t think noffin’ about it—I nose it. What make him dream ’bout de goole so much, if ’tain’t ’cause he bit by the goole-bug? Ise heerd ’bout dem goole-bugs ’fore dis.’
‘But how do you know he dreams about gold?’
‘How I know? why, ’cause he talk about it in he sleep—dat’s how I nose.’
‘Well, Jup, perhaps you are right; but to what fortunate circumstances am I to attribute the honour of a visit from you today?’
‘What de matter, massa?’
‘Did you bring any message from Mr Legrand?’
‘No, massa, I bring dis here pissel;’ and here Jupiter handed me a note which ran thus:—
