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Access All Areas: HarperImpulse Contemporary Fiction
Access All Areas: HarperImpulse Contemporary Fiction
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Access All Areas: HarperImpulse Contemporary Fiction

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Access All Areas: HarperImpulse Contemporary Fiction
Charlotte Phillips

Sexy, addictive and just pure fun, don’t miss the next instalment in the Do Not Disturb series!After losing her elderly parents, portrait photographer Anna will do anything to avoid losing the family home – the only thing she has left of her perfect childhood.When a friend who works at the exclusive boutique hotel, The Lavington, provides a hot tip – an A list film star is staying there with her rumored toyboy lover – Anna comes up with a plan. A photo of them together could be the answer to all Anna’s money problems.Unfortunately, she’s the worst paparazzi photographer on the planet and Joe, the hotel’s new head of security, back in England after globetrotting as bodyguard to the stars, isn’t about to allow a picture on his watch. No matter how cute the photographer might be…

Access All Areas

CHARLOTTE PHILLIPS

A division of HarperCollinsPublishers

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

HarperImpulse an imprint of

HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

First published in Great Britain by HarperImpulse 2015

Copyright © Charlotte Phillips 2015

Cover images © Shutterstock.com

Cover layout design © HarperColl‌insPublishers Ltd 2015

Cover design by HarperColl‌insPublishers Ltd

Charlotte Phillips asserts the moral right

to be identified as the author of this work.

A catalogue record for this book is

available from the British Library

This novel is entirely a work of fiction.

The names, characters and incidents portrayed in it are

the work of the author’s imagination. Any resemblance to

actual persons, living or dead, events or localities is

entirely coincidental.

All rights reserved under International

and Pan-American Copyright Conventions.

By payment of the required fees, you have been granted

the non-exclusive, non-transferable right to access

and read the text of this e-book on screen.

No part of this text may be reproduced, transmitted,

downloaded, decompiled, reverse engineered, or

stored in or introduced into any information storage and

retrieval system, in any form or by any means,

whether electronic or mechanical, now known or

hereinafter invented, without the express

written permission of HarperCollins.

Digital eFirst: Automatically produced by Atomik ePublisher from Easypress.

Ebook Edition © April 2015 ISBN: 9780008119379

Version 2015-04-30

In memory of my fantastic Dad. I love and miss you.

Contents

Cover (#ude8bc716-0654-5204-88d2-5b8227edadd7)

Title Page (#ub3a07850-f218-5d07-a455-3536aa593f31)

Copyright (#ua12cfc8b-ea6e-5417-8000-c9cad2e8495f)

Dedication (#u91a68454-1b65-5196-aa87-8c75d56e20f5)

Chapter 1 (#udd7eff8f-3476-5042-a2c4-6f133259f275)

Chapter 2 (#ubc2abad6-f8dd-55d4-915f-1cdac1f06f75)

Chapter 3 (#ub7c915fc-de84-584c-b344-a1cb4bb7fd62)

Chapter 4 (#litres_trial_promo)

Chapter 5 (#litres_trial_promo)

Chapter 6 (#litres_trial_promo)

Chapter 7 (#litres_trial_promo)

Chapter 8 (#litres_trial_promo)

Chapter 9 (#litres_trial_promo)

Chapter 10 (#litres_trial_promo)

Coming soon from Charlotte Phillips … (#litres_trial_promo)

Also by Charlotte Phillips … (#litres_trial_promo)

Charlotte Phillips (#litres_trial_promo)

About HarperImpulse (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

Chapter 1 (#ub144eaae-75b7-59e3-9927-872a27b5bc78)

Anna Clark tried for the third time to squeeze her fingernails under the stupid sash window of room 214 of London’s Lavington Hotel, and prise it open. With each failed attempt, panic had increased its attempt to throttle her and panic was the last thing you needed when you were two floors up and on the wrong side of the sodding window.

What she needed now was a cool head. And possibly nail extensions, not that she’d ever so much as crossed the threshold of a beauty salon. Long nails might be great for opening ridiculous sash windows that shut by themselves, but when you earned a living as a photographer, long nails were the last thing you needed. Not that it was earning her anywhere near a living at the moment, which was actually the whole point of her being here.

It had all sounded so easy two days ago back in the sunny little kitchen at home. Exclusively her home now since her father had died, nearly six months to the day after her mother. She’d only just emerged from the crushing grief and shock, taking comfort in holding on to what remnants of family life she had left, to find it wouldn’t be her home for much longer if she didn’t find a swift and sizeable cash injection.

Her old school friend Lucy had offered some straight talking, mainly because she couldn’t offer money.

‘I’d love to help,’ she said on the phone, ‘but they pay peanuts at the hotel and I’m still having no luck with auditions.’

Lucy liked to describe herself as a jobbing actress who filled in the gaps by working as a waitress at the Lavington. Lately it was more the other way round. Her last acting job had been seven months ago, an advert for crisps which had required her to say the line ‘Love That Crunch.’ Hollywood was an elusive animal.

‘It’s fine. I’ve got lots more people I can ask,’ Anna had lied. ‘I just need to find enough to buy me some extra time with the bank. Then maybe I can get a second job, get things back under control…’

Selling her soul was beginning to sound appealing. Her photography work had petered out somewhat these last months and it would take time to build her client base back up. Time she didn’t have. She’d been so preoccupied with her father’s failing health that all the day-to-day stuff, including work, had fallen by the wayside. Little had she known the mess she was already in.

The bank hovered over her like a large and very ugly vulture, ready to swoop in and whip away the only thing that she had left of her family, and all because her father had remortgaged the house to buoy them up through her mother’s illness two years earlier. Of course he’d expected to have years left in him to work and pay the loan off. He hadn’t even mentioned it to Anna until the very end and she only discovered the full extent of the mess when she finally steeled herself to sort through her father’s papers after he’d gone. By then the repayments had quietly lapsed for months. Brown envelopes had been stuffed away as he refused to accept that he wouldn’t beat the illness and turn things around. No one could have guessed that he’d follow his wife so quickly to the grave, leaving Anna alone.

Well, not alone exactly. She had the bank for company.

No way was she giving up her family home without a fight. It was all she had left of her old life. And that was exactly what she was doing now, teetering in the gap between the window and the curly black wrought iron railing that came up to her thighs, on a ledge that was designed to hold nothing more than a couple of plants or a window-box. This was her last resort at saving the last remnants of a happy family life which had meant the whole world to her. The loan arrears were gobsmacking, the bank was on the brink of repossessing and Anna had done her best to fend them all off. She’d already tapped friends, family, everyone she could think of for a loan and had sold everything she could bear to part with that wasn’t nailed down. And still it wasn’t enough.

And then Lucy had uttered those magic words.

‘I think I might know a way out of this. A way you could make some money, fast.’

Anna’s ears were instantly burning.

‘You remember that photo you sold a couple of years ago?’ Lucy said. ‘That soap actress on her honeymoon.’

Anna had happened to be in the right place at the right time. She’d been taking photos for a travel brochure in a lovely Cotswolds village at just the moment when a celebrity nipped to the local shop, following a wedding that had been protected by white screens because she’d sold the exclusive rights to a glossy magazine. Anna had inadvertently scooped the first post-wedding picture and it had sold for a cool five thousand pounds or so.

Lucy lowered her voice on the phone to a stage whisper.

‘Betsy Warrender is staying in the hotel with Kip Bevan.’

Anna choked on her coffee.

‘The Betsy Warrender?’

Betsy Warrender was a film-and-TV-star-behaving-badly who courted scandal and was the darling of the tabloid press. With her forty-fifth birthday and her third marriage long behind her the media had been mesmerised by her are-they-or-aren’t-they relationship with her most recent co-star, up and coming British actor Kip Bevan, utterly gorgeous and twenty-five years her junior.

‘Is there more than one?’ Lucy said. ‘Of course it’s the Betsy Warrender. They’re staying in a suite on the second floor ordering gourmet food and champagne. Barely anyone knows about it and I’m sworn to secrecy but I could do with some spare cash.’

Anna’s mind whirled.

‘What exactly are you suggesting?’

‘What do you think? The first photo of the two of them together will fetch a fortune and sooner or later some tabloid hack will get the scoop.’ Lucy said. ‘All I’m saying is, you’re a photographer, you’ve got all the kit, why can’t that person be you? Room 214 has a door directly opposite theirs and it’s empty because of maintenance work. No Joe Public guest is allowed there but I can get you in that room and the rest is up to you. We split the proceeds. What do you say?’

Anna momentarily lost the power of speech as she imagined just what a photo of Betsy Warrender and her rumoured toyboy lover could fetch. A million times more famous than a C-list soap actress. A-list all the way. Anna could sell a picture of them to an agency, save her family home and probably retire, all in one day.

Maybe. Possibly.

It hadn’t quite gone to plan so far.

Unfortunately an exclusive hot tip was only half the battle. Anna had headed to London quick smart and she’d been on the hotel premises since this morning. Betsy Warrender and Kip Bevan were holed up in the Purple Suite on the second floor, and nothing short of an earthquake looked like blasting them out of there.

Still they had to come out at some point – right? Lucy had been spot on, room 214’s fish-eye peephole had a full-on view of Betsy’s suite door. Any sign of the happy couple emerging and Anna would be the first to know.

Trouble was, staking out the peephole of a hotel room door was mind-numbingly and neck-achingly dull. After three hours of it, Anna found herself thinking around the opportunity, trying to find another – ideally quicker – way of getting the money shot. It occurred to her that the Purple Suite took up a large corner of the second floor. And therefore the window of room 214, if she leaned out far enough, could offer an excellent outdoor view of the Purple Suite’s windows and its luxury balcony. She might be able to take a long shot through a window, and you never knew, Betsy and Kip might just come out and wave. It was the middle of summer after all, and the perfect sunny day for lunch in the fresh air.

Her conscience griped in her stomach, not for the first time, and she squashed it and opened the window as wide as she could. She couldn’t afford principles. They were a luxury.

She repeated in her mind for her own benefit her standard ‘put-yourself-in-the-public-eye’ speech: If Betsy Warrender wanted the media to dance to her tune when it suited her, bumping up her millions with carefully manipulated photos and controlled column inches, she really was in no position to moan when the media played things a little on their terms. It didn’t really help. Anna still felt somehow cheap, like a loathsome privacy-invading hack. Her father had trained her in portrait photography not paparazzi snaps. But what choice did she have? The house was at stake.

The best she could do was try for a picture that was flattering. She’d do her best to snap them on the balcony and if they didn’t show then she’d get back to staking out the door. She silently promised Betsy that she’d do her best for a situation where she was looking good instead of one of those awful ‘Stars without Slap’ horror photos.

Then again, a picture of Betsy Warrender make-up free could also make a mint.

Her conscience continued to argue with itself.

The wrought iron railing that ran along the bottom half of the window made leaning out so much easier. The view of the Purple Suite balcony was tantalisingly, maddeningly, just out of view. She could see the corner of it, with covered hot tub and white voile curtains fluttering between the open French windows. If she just craned around a teeny bit more and held up her camera the view would be perfect. Maybe she’d get it by opening the sash all the way and standing on the window ledge – there was no real danger, the wrought iron railings stood between her and the drop.

She hadn’t counted on the window sliding neatly closed behind her.