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The Last Days of Summer: The best feel-good summer read for 2017
Sophie Pembroke
‘easy to fall in love with, it’s delightfully warm and captivating’ - LovereadingHome at last…Summers at Rosewood were always about cocktails on the terrace and cream teas in the rose garden. Until two years ago, when Saskia broke her family apart…Receiving an invite to the most exclusive garden party in the country, Saskia knows she won’t be welcomed with open arms. But this is one event she can’t avoid, no matter how much she would like to hide from her past. It is finally time to face the music!Arriving back at Rosewood everything looks the same, but under the surface family secrets threaten to disturb the picture-perfect family celebration.Spend your summer at Rosewood, full of family, friendship and a chance to heal your heart.
SOPHIE PEMBROKE writes very British romance for Mills & Boon / Harlequin Romance, Avon and HQ. She has been dreaming, reading and writing romance ever since she read her first Mills & Boon as part of her English Literature degree at Lancaster University, so getting to write romantic fiction for a living really is a dream come true!
Born in Abu Dhabi, Sophie grew up in Wales and now lives in a little Hertfordshire market town with her scientist husband, her incredibly imaginative eight-year-old daughter, and her adventurous, adorable toddler son.
In Sophie’s world, happy is for ever after, everything stops for tea, and there’s always time for one more page…
Website: www.SophiePembroke.com (http://www.SophiePembroke.com)
Copyright (#ulink_cf91429f-c423-5a16-9a42-731500f300ff)
HQ
An imprint of HarperCollinsPublishers Ltd.
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2016
Copyright © Sophie Pembroke 2016
Sophie Pembroke asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
E-book Edition © April 2017 ISBN: 9780008193140
Version date: 2018-06-08
In memory of my own grandparents, Elfed and Olwen Whitley.
For everything you gave me that helped make me who I am today.
I miss you, every second.
Contents
Cover (#u7eab00d3-e5ed-56c3-99e4-18ff4b52ff32)
About the Author (#ucad6a272-4cd3-5ad1-9613-070932db2c35)
Title Page (#u6f99bc4e-a93d-5fa4-8391-eb2eb96e33be)
Copyright (#ubfec04e1-ce3e-5ce4-8fd8-e7f46941c066)
Dedication (#u58e70abf-3e10-53bd-8219-a10eb8bf38d7)
Prologue (#ulink_7c80077d-e25c-5039-988c-aec79bf2133b)
Chapter One (#ulink_a2236e7d-56bb-5ded-a1f2-1bdfde25b543)
Chapter Two (#ulink_a0a4a7c9-c652-5ffe-83e1-fb7a2980befb)
Chapter Three (#ulink_63761a26-458b-5023-9769-76c9670a2fd0)
Chapter Four (#litres_trial_promo)
Chapter Five (#litres_trial_promo)
Chapter Six (#litres_trial_promo)
Chapter Seven (#litres_trial_promo)
Chapter Eight (#litres_trial_promo)
Chapter Nine (#litres_trial_promo)
Chapter Ten (#litres_trial_promo)
Chapter Eleven (#litres_trial_promo)
Chapter Twelve (#litres_trial_promo)
Chapter Thirteen (#litres_trial_promo)
Epilogue (#litres_trial_promo)
Acknowledgements (#litres_trial_promo)
Endpages (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
Prologue (#ulink_62729b42-6612-599a-9334-d4fa9bfb4dac)
“Home isn’t a place, Grace. It’s a feeling. An overwhelming emotion that, once you’ve felt it, you can’t live without.”
“A bit like love, then?” Grace asked.
I nodded. “Sometimes, I think they might be one and the same thing.”
Going Home, by Nathaniel Drury (1980)
I like to think that there’s a book for any feeling, any emotion, any problem. In my world, the cure for what ails you is always a new story, or, sometimes even better, an old one. Some might say it’s a distraction, a diversion from whatever is wrong with your reality. But for me, I often find the answers I’m seeking within the pages of a book – or at least by the time I’ve followed a story from beginning to end, I have a new perspective on my own problems.
I think I read more books in the two years after I left Rosewood than ever before in my life. Or since.
Sometimes I’d read romances, to remind myself that love could end happily. Sometimes I read fantasy novels, for the joy of a high quest and magical solutions. Sometimes I read literary fiction, to experience the world through another’s kaleidoscope. Sometimes I read children’s books, to escape to a simpler time.
And whenever I felt homesick, I read my grandfather’s books, and imagined I could hear him speaking the words to me.
I was homesick that Saturday morning in May, when the first phone call came.
Dressed in my pyjamas and dressing gown, I’d decided to laze around my tiny flat in Perth, Scotland, drinking too-strong black coffee and nibbling on endless pieces of toast, until I felt better. But instead, I found myself moving around the flat restlessly, a copy of Going Home in my hand, absorbing a page or two at a time before my own memories overtook me.
Nathaniel always claimed that the house in the story wasn’t Rosewood, the same way that Biding Time wasn’t about him and my grandmother, Isabelle. But as with all his books, every time I reread them, I found another hint, another clue, that led me towards the truth. Like a treasure hunt Nathaniel had laid out for me, he hid patches of his own history, his own life, in his fiction, waiting for me to find them.
Like the house. However much he denied it, the description of Honeysuckle House in Going Home matched Rosewood to the letter. Not just the honey-coloured brick, symmetrical Georgian design, or the twelve chimneys, or even the white-marble steps leading up to the front door. There was something about the feel of the place – the way he described the sun on the terrace when the gin and tonics were being poured, or the coolness of the middle room when the rain came down outside – that made it feel like home to me.
I flipped a few pages through the book again, pausing at a description of Honeysuckle House:
When the afternoon sun alighted on the windows, the whole house lit up, as if it were night and every lightinside had been left on. Inside, the house could be cold – Grace’s mother had decorated it in the latest styles, with lots of white and sharp edges. But she couldn’t cool the natural warmth of the house as I looked upon it, or sharpen the corners of the worn golden brick exterior. And when the house filled with people… Ah, that was when Honeysuckle House came alive. And so did Grace.
I put the book aside. I didn’t need Agnes’s descriptions of Grace’s house – not when I had my own memories of Rosewood. Of the Rose Garden, the Orangery, the sweeping staircase that dominated the main hallway. Of Nathaniel’s study, every inch crammed with books and papers.
And of Nathaniel, most of all. The way his voice boomed and echoed around Rosewood, or how he poured his drinks too strong, or how every meal became story time, somehow. How every little event of his day became a hysterical monologue by the time he’d finished telling it. And how he knew to listen, sometimes, and just be there – a warm, comforting, reassuring presence I’d relied on my whole life.
I’d always have my memories. It was just hard to imagine not knowing when I’d next be there in person. When I’d see my family again.
The phone rang, and I put my book aside, reaching past my empty coffee cup to answer it.
“Saskia? It’s your grandfather.” As if I couldn’t tell from his voice. “Now, tell me, did you see the ridiculous invitations your grandmother picked out for this Golden Wedding thing? You have to come home and help me through it.”
I frowned. “Golden Wedding?”
“Fifty years of wedded bliss and she wants another damned party.” Nathaniel’s voice dropped low, as if he were afraid someone might be listening. “Don’t worry, I’ve got something in mind to fire up the festivities. You really don’t want to miss it, Kia.”
It wasn’t as if I didn’t want to go home for my grandparents’ Golden Wedding anniversary. Isabelle and Nathaniel Drury knew how to throw a party, after all, and this was sure to be a big one. The sort of shindig people talked about for decades to come. In fact, people still told stories about the first ever party they held at Rosewood, back in 1966. There were reports in the society pages. Couples met at Isabelle’s parties, or got engaged – or even pregnant. But they weren’t the sort of parties I imagined when I thought of the sixties – I’d seen photos. Isabelle’s parties required full evening wear, champagne, important people – and enough drama to keep people gossiping for weeks afterwards.
There hadn’t been a party at Rosewood since Ellie’s wedding, as far as I knew. I didn’t want to miss it – and I really didn’t want to be the person at the hypothetical future dinner table saying, “I don’t know, I wasn’t there,” when someone asked, “And do you remember the bit when…”
I just didn’t know how welcome I’d be when I got to Rosewood.
“I didn’t get an invitation,” I said, as lightly as I could manage. “But I take your word for it that they’re awful.”
“Hideous,” Nathaniel said, with an audible shudder. He paused, then asked, “Did you really not get one?”
“Nope.” I ran my hand over the cover of Going Home. Apparently, I wasn’t. Isabelle knew every tiny detail of party etiquette, and obeyed it all, when it suited her. If she’d wanted me there, I’d have received an invitation. The fact that I hadn’t – or even any notice that the party was happening at all – told me exactly how welcome I’d be.
“Well, that’s stupid,” Nathaniel said. “You should have done. Consider this call your invite.”
I gave a small laugh. “I’m not sure that’s quite how it works.”
“It is now. It’s my party too, isn’t it?”
“Not really.” I was pretty sure that, in Isabelle’s head, the man she married was entirely incidental to the party she was throwing to celebrate that aforementioned marriage.
“Then I’m reclaiming it. And you’re invited.” There was a rustle of paper on the other end of the line, and I leapt on the noise as a way to change the subject.
“What are you working on?” I asked, trying to be interested in his answer. It had to be better than thinking about how my own grandmother didn’t want me there for a family party.
“I’ve been thinking about the nature of truth in fiction,” he replied, instantly distracted, as I’d known he would be.
“Truth in fiction?” I echoed, topping up my coffee. That sounded like a fairly epic procrastination exercise. I wondered what Nathaniel was supposed to be writing that required such distraction; he never liked to talk much about his works in progress until they were shiny and published and winning awards.
“Are all stories just reflections of ourselves? Are even the fictions we write based on the truths of our own lives?” I tried and failed to come up with a satisfactory response to what I hoped was a rhetorical question. “Take your work at the paper,” Nathaniel went on, apparently not noticing that I hadn’t responded. “How much do your own life and your life experiences colour the reports you write?”
Since most of what I wrote for the Perth Herald was based entirely on press releases, and my main concern was getting them all in on time, probably not a lot. But, on the other hand, I didn’t want Nathaniel thinking that I wasn’t properly investing in my artistic side, so I said, “Probably more than I know,” in what I hoped was a thoughtful voice.
“Exactly my point! So, the conclusion I’ve reached is that it is only through knowing ourselves, understanding our true selves, that we can hope to create anything meaningful in fiction.”
“That’s… interesting.” Did I have any more bread left for toast, I wondered? Not getting invited to a family party definitely deserved self-pity toast.
“So, you agree, then?”
“Absolutely.” Maybe even chocolate spread.
“Perfect! We can discuss it more when you visit this summer. For the Golden Wedding party.”
I froze, halfway through putting more bread in the toaster. “I can’t come, Nathaniel. Not if I’m not wanted there.”
“I want you there,” he said. “And I’m sure the others do too, even if they don’t know it yet. You wouldn’t let an old man down now, would you? Leave him to face all his wife’s acquaintances while wearing white tails and a bow tie? I’ll probably even have to make a speech…”
“I’m fairly sure you can cope with a party with your friends without me,” I said drily. “Besides, you love making speeches. You’ll survive.”
“Oh, I don’t know. You haven’t heard what I’ve got to say in this one, yet. Really, Kia. You don’t want to miss it. Trust me.”
There was something in his voice, a hint of mischief and possible magic, something I’d missed so much over the last two years, that it tugged at my heart to hear it again, trying to lead me home.
I wanted to be there. I wanted to go home, more than anything.
And so I said, “Okay. I’ll come.” Even though my brain was screaming that it was a terrible idea. Sometimes you have to let your heart win.
Nathaniel whooped. “Fantastic! Send me your train times. It’s August twenty-fourth. See you there!”
And with that, he hung up, leaving me wondering what on earth I might have to wear to a garden party thrown by Isabelle, not to mention the rest of the weekend.
After all, Rosewood was another world, a throwback to a time that had passed before Nathaniel and Isabelle even bought the house. We always dressed for dinner at Rosewood, and had pre-dinner drinks on the terrace if the sun shone. Rosewood didn’t have Wi-Fi, or video games, and Isabelle had even hidden the telly in the middle room, down the darkest downstairs corridor. Rosewood had stories, and mystery, and ghosts, and champagne… and my family, who hadn’t invited me home for the Golden Wedding.
Maybe, if I could find the right costume, the right clothes to blend in, no one would think to ask what I was doing there in the first place.
