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Dmitri and the One-Legged Lady
Dmitri and the One-Legged Lady
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Dmitri and the One-Legged Lady

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Dmitri and the One-Legged Lady
Michael Pearce

The second in the delightfully witty and diverting new crime series set in Tsarist Russia from the award-winning Michael Pearce.A dreamy province of Tsarist Russia in the 1980s. An ambitious young lawyer. And the One-Legged Lady, one of the most important ikons in the district, goes missing. Exactly how important she is, the sceptical Dmitri, whose task it is to track her down, will soon find out.Who has taken her and for why? The sinister Volkov, from the Tsar’s Corps of Gendarmes, suspects the theft has something to do with a wave of popular feeling at a time of famine – which means trouble for some innocent people, unless Dmitri gets there first…

HarperCollinsPublishers Ltd.

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk (http://www.harpercollins.co.uk)

First published in Great Britain in 1999 by HarperCollinsPublishers

Copyright © Michael Pearce 1999

Michael Pearce asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780008259488

Ebook Edition © JUNE 2017 ISBN: 9780008257279

Version: 2017-09-04

Praise for Michael Pearce (#ulink_750c4c75-3fcd-50ab-b04a-4e655d1552ba)

‘This series continues to be the most delightful in current detective fiction’

GERALD KAUFMAN, Scotsman

‘Pearce … takes apart ancient history and reassembles it with beguiling wit and colour’

JOHN COLEMAN, Sunday Times

‘Irresistible fun’

Time Out

‘The Mamur Zapt’s sly, irreverent humour continues to refresh the parts others seldom reach’

Observer

Contents

Cover (#u83ecff96-0a64-532e-aead-d13ff16f1fc3)

Title Page (#u41a9e7dd-61de-536e-b6e0-fb42ceff6f6d)

Copyright (#ueb37e08a-c212-5b43-944c-4e48bf456f96)

Praise (#ulink_6b4b6021-105a-5e79-9666-f60abd4190c6)

Chapter 1 (#ulink_ef2b7931-ba23-5358-88c7-e487462668d4)

Chapter 2 (#ulink_4a2471c5-8514-57a3-9884-b240326a17f9)

Chapter 3 (#ulink_d74cf731-8d7d-5b79-8f9e-2d97902a715a)

Chapter 4 (#litres_trial_promo)

Chapter 5 (#litres_trial_promo)

Chapter 6 (#litres_trial_promo)

Chapter 7 (#litres_trial_promo)

Chapter 8 (#litres_trial_promo)

Chapter 9 (#litres_trial_promo)

Chapter 10 (#litres_trial_promo)

Chapter 11 (#litres_trial_promo)

Chapter 12 (#litres_trial_promo)

Chapter 13 (#litres_trial_promo)

Keep Reading (#litres_trial_promo)

About the Author (#litres_trial_promo)

Also by Michael Pearce (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

1 (#ulink_00b361c9-8523-5f85-98d0-2481e4345579)

‘Try the Missing Persons Bureau,’ said Dmitri coldly.

‘Missing Persons?’ said the Father Superior. ‘What’s that got to do with it?’

‘You said someone was missing.’

‘Not some one, some thing! The One-Legged Lady.’ He looked incredulously at Dmitri. ‘You’ve not heard of her? An icon.’

Dmitri knew, at least, what icons were. This was not surprising because nearly every house in Russia had one. It was usually situated in the opposite corner from the door so that you saw it as soon as you entered. The Church said that it was to remind you that you were forever under God’s protection. Dmitri said that since this was Russia and Church and Tsar were hand in glove, it was to remind you that someone was always keeping an eye on you. Anyway, as you went in at the door, there it was opposite you, usually a face under a tin plate, of some saint or other, looking you accusingly in the eye. It always reminded Dmitri of his difficult grandfather.

‘Not just an icon,’ said the Father Superior with emphasis: ‘the icon. The Holy Icon of the One-Legged Lady of Kursk. The most famous icon in the province.’

He looked hopefully at Dmitri. Without luck. To Dmitri, icons and monasteries – and Father Superiors, for that matter – belonged to the Dark Ages.

‘You’d better fill in a form,’ he said unenthusiastically.

The Father Superior stood for a moment looking down at him. Then he said:

‘Is there anyone more senior here? Boris Petrovich, for example?’

Boris Petrovich was the Procurator and Dmitri’s boss.

‘I’m afraid he’s dining at the Governor’s this evening.’

‘Ah, yes,’ said the Father Superior. ‘I’m dining there myself.’

‘This icon of yours,’ said Dmitri, swiftly reviewing his position, ‘it’s gone missing, you say?’

‘Stolen,’ said the Father Superior. ‘From the Monastery last night.’

Dmitri pulled a pad towards him.

‘Value?’

‘It is a holy object,’ said the Father Superior.

‘No value,’ wrote Dmitri.

He had a niggling feeling, however, that something remained to be said.

‘Famous, did you say? What is it famous for?’

‘Performing miracles.’

‘Oh, yes?’

Dmitri put down his pen.

‘What sort of miracles?’ he said sceptically.

‘Well, it’s transformed the finances of the Monastery for a start.’

This, admittedly, was the kind of miracle in which Dmitri could believe.

‘How?’

‘By inducing thousands of people to come and see her. Including,’ said the Father Superior, ‘Mrs Mitkin.’

Mrs Mitkin was the Governor’s wife.

‘Perhaps I had better take a look,’ said Dmitri.

‘Didn’t I tell you,’ said the Father Superior, ‘that it performed miracles?’

The sun came up and turned the snow pink. The ice crystals began to sparkle. Far off towards the horizon there Was another, larger, more continuous sparkle which became a flash of gold.

Gradually, the Monastery came into view. The flash came from a huge gold onion sitting on top of it. All around were subsidiary onions and scaly pineapples. They rose out of a pink-and-blue striped roof, beneath which were walls so white that they seemed an extension of the snow. The gold was very newly golden and the pink and blue so fresh that it almost leaped off the roof at you. The Monastery, thought Dmitri, must have rich patrons.

There was a black smudge in front of the gates which resolved itself, as they approached, into a crowd of people. They held out their hands as the sleigh hissed past them into the Monastery yard.

‘There are a lot of them,’ said Dmitri.

‘Who?’ said the Father Superior, preoccupied.

‘Beggars.’

‘Pilgrims,’ said the Father Superior, pained.

‘Eyeing her all over!’ said the monk.

‘What?’ said Dmitri, startled.

‘You could tell he was no Christian. Didn’t do his respects. Didn’t even cross himself. Just stood there. Eyeing her all over, like I said. Disgusting!’

‘Father Kiril, –’

‘Most of them show a bit of respect. Not him! There he stands, eyeing her all over. Bold as brass! “Show a bit of respect!” I say to him. And do you know what he says? “Bugger off!” That’s what he says.’

‘Father Kiril, –’

Light began to dawn.

‘This was an icon, was it?’ said Dmitri.

‘What did you think it was?’

‘The One-Legged Lady?’

‘Eyeing her all over –’

‘He’s always like this,’ said the Father Superior despairingly.

The Chapel was dark except for a solitary lamp swinging down from overhead and the candles standing in front of the icons. The lamp turned in the draught whenever the door was opened and sent shadows chasing across the walls. Then it swung back again and they reassembled themselves. The candles fluttered and the faces beneath the metal plates seemed to alter their expressions but then the flames steadied and they resumed their normal impassivity. The air was heavy with incense.