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Fire Brand
Diana Palmer
He'll risk his whole heart to save her from the past…Gaby Cane was always a bit afraid of her attraction to Bowie McCayde. Even when she was fifteen and Bowie's family took her in, she had sensed his simmering resentment. Now ten years later, she's an aspiring journalist who can hold her own with any man professionally, the dark shadows of years gone by far behind her. Then Bowie strides back into her life—only this time, he needs her, and the pull of loyalty to his family is too strong to ignore.When Bowie asked Gaby to help save his family's Arizona ranch, he never expected the girl he once knew to return transformed into a stunning, successful woman. As they work together, Bowie is shocked to find that her innocence and beauty stir a hunger he can't deny. But the rogue rancher can sense something holding her back, and he's determined to uncover the terrible secret Gaby is fighting to keep hidden…
He’ll risk his whole heart to save her from the past
Gaby Cane was always a bit afraid of her attraction to Bowie McCayde. Even when she was fifteen and Bowie’s family took her in, she had sensed his simmering resentment. Now ten years later, she’s an aspiring journalist who can hold her own with any man professionally, the dark shadows of years gone by far behind her. Then Bowie strides back into her life—only this time, he needs her, and the pull of loyalty to his family is too strong to ignore.
When Bowie asked Gaby to help save his family’s Arizona ranch, he never expected the girl he once knew to return transformed into a stunning, successful woman. As they work together, Bowie is shocked to find that her innocence and beauty stir a hunger he can’t deny. But the rogue rancher can sense something holding her back, and he’s determined to uncover the terrible secret Gaby is fighting to keep hidden...
Praise for the novels of
New York Times and USA TODAY
bestselling author Diana Palmer
“Diana Palmer is a mesmerizing storyteller who captures the essence of what a romance should be.”
—Affaire de Coeur
“The popular Palmer has penned another winning novel, a perfect blend of romance and suspense.”
—Booklist on Lawman
“Readers will be moved by this tale of revenge and justice, grief and healing.”
—Booklist on Dangerous
“Diana Palmer is one of those authors whose books are always enjoyable. She throws in romance, suspense and a good story line.”
—The Romance Reader on Before Sunrise
“Lots of passion, thrills, and plenty of suspense... Protector is a top-notch read!”
—Romance Reviews Today
“A delightful romance with interesting new characters and many familiar faces.”
—RT Book Reviews on Wyoming Tough
Fire Brand
Diana Palmer
www.millsandboon.co.uk (http://www.millsandboon.co.uk)
Dear Reader (#ulink_4b21bc28-669a-5c53-8ddc-38de7966a9cb),
It is so fascinating to read a book that I wrote over thirty years ago and to see firsthand how much the world has changed in that time.
When this book was written, I was working for a weekly newspaper and stringing (doing local news and features) for a daily newspaper. What you read is how newspaper reporting was done thirty years ago. The terminology, the way people dress, even the cars they drove, like Bowie’s Scorpion—which was a fantastic, and expensive, new car in the 1980s—is all history now.
Smoking was also a daily habit for me and millions of other people. We smoked in restaurants, in hospital rooms, in emergency rooms, on airplanes, anywhere we liked to. I smoked at my desk in the newspaper office. Everyone that I knew also smoked, including both my parents. These days, smoking is so taboo that I’m not even allowed to have a character who smokes in my books. However, I was adamant to leave this element in the book, to show things as they truly were back in the eighties, and my publisher obliged.
I hope you enjoy this walk through time in this early work of mine. It serves as a lesson in how life has changed, and changed us. I am a person out of place and time. The world I knew, and grew up in, is gone. I have to live in the one that exists, but I am not really happy in it. My grandfather saw the Rockettes on television when he was seventy years old. He rushed to shut it off. It offended him that women showed so much of their bodies. It amused me at the time—I was sixteen—but I am now nearing seventy, and I understand how he felt.
For better or worse, here is the book. Thanks for taking the time to read this. I hope you enjoy it. And God bless everyone!
For Ann and Muriel, who shared Arizona with me—and for Stephanie—with thanks and love.
Contents
Cover (#u23f655f4-0a2e-5229-948c-589620e388d2)
Back Cover Text (#ubc518fc9-f61e-5e8c-96d6-0c5239fd78c0)
Praise (#u060c0b7f-694c-51b5-9ff0-48d1f297e392)
Title Page (#udf43b200-66ab-5154-8779-f6a27e581ee6)
Dear Reader (#ulink_e77d1762-8eb2-5f15-8d55-9f153bbbc847)
Dedication (#u1b4f8af6-f280-5f40-9794-9c76a5470731)
CHAPTER ONE (#u104e43d5-e1d6-5951-8bb8-9833cf6c4623)
CHAPTER TWO (#u4edae727-9246-5df0-b460-44c095877607)
CHAPTER THREE (#u230021c1-152f-5ea7-8c47-e60201f695da)
CHAPTER FOUR (#u8c2dd4c6-354c-50c2-b3b9-422de0cdc2da)
CHAPTER FIVE (#ud4688cef-4cae-5526-8658-63aca2819b5d)
CHAPTER SIX (#litres_trial_promo)
CHAPTER SEVEN (#litres_trial_promo)
CHAPTER EIGHT (#litres_trial_promo)
CHAPTER NINE (#litres_trial_promo)
CHAPTER TEN (#litres_trial_promo)
CHAPTER ELEVEN (#litres_trial_promo)
CHAPTER TWELVE (#litres_trial_promo)
CHAPTER THIRTEEN (#litres_trial_promo)
CHAPTER FOURTEEN (#litres_trial_promo)
CHAPTER FIFTEEN (#litres_trial_promo)
CHAPTER SIXTEEN (#litres_trial_promo)
CHAPTER SEVENTEEN (#litres_trial_promo)
CHAPTER EIGHTEEN (#litres_trial_promo)
CHAPTER NINETEEN (#litres_trial_promo)
CHAPTER TWENTY (#litres_trial_promo)
CHAPTER TWENTY-ONE (#litres_trial_promo)
Extract (#litres_trial_promo)
Copyright (#litres_trial_promo)
CHAPTER ONE (#ulink_e02bb0bb-820f-59ec-aef6-f4086774013d)
JUST WHEN GABY thought it couldn’t get worse, it started to rain. She groaned as she tried to adjust part of her raincoat over the lens of her .35 mm camera, and kept shooting, aiming away from the red and blue flashing lights and the spotlights so that she wouldn’t spoil the shot.
“Are you out of your mind?” the thin man beside her grumbled, jerking her back down just as a bullet whizzed past her ear. “Gaby, that was stupid!”
“Shut up and keep taking notes,” she told him absently. The whir of the camera shutter was lost amid the renewed firing. It sounded like an automatic, which it probably was. The armed robber holed up in the old department store building was known to have one. He’d already killed the store manager and negotiations had broken down before they had even begun. “There’s a pregnant hostage in there with him. See if you can find out her name.”
“Will you stop slinging out orders?” he grumbled. “I know how to cover a story.”
Oh, sure you do, Gaby thought irritably, as long as it’s in a boardroom or a good restaurant. Only fate could have managed to leave Harrington alone in the newsroom when she had needed a photographer. And once the shooting in the street started, Harrington had plastered himself against a police car and refused to move. Gaby had no choice but to give him the note pad.
She pushed back her long black hair and snapped the camera lens cap on to keep the rain out of it. She was drenched already, her jeans and bulky pink knit top plastered to her skin under the concealing folds of the beige raincoat. And while she could take a photograph, Harrington’s were better—if he just had the nerve to go with his talent. He was a photojournalist and sometimes did interviews, to fill in for other reporters. He hated taking crime photos.
“I never should have let Johnny talk me into coming with you, you maniac,” Fred Harrington muttered. He glared at her through thick lenses that were spotted with drops of rain. She wondered if he knew how big they made his dark eyes look.
“If Johnny were here, he’d be out there where the Bulletin guy is right now,” she returned, nodding toward a beanpole in baggy jeans with a long ponytail and glasses, wandering into the line of fire. “For God’s sake, Wilson, get out of there!” she yelled across the police car she and Fred were crouched behind.
Wilson glanced her way and raised his hand in a friendly salute. “That you, Cane?” He grinned.
About that time, a disgruntled police officer tackled him and took him down, right on top of his camera.
“Good for you, officer!” Fred yelled.
Gaby elbowed him. “Traitor,” she accused.
“Stupid people should be trampled,” he replied. “Fool! Lunatic!” he called across to the rival paper’s reporter/photographer, who was being led away not too gently by his accoster.
“I love you, too, Harrington!” Wilson called back. “Hey, Cane, how about calling this story in to my editor for me?”
“Eat worms and die, Wilson!” she said gaily.
He stuck his tongue out at her and vanished behind the bulk of the angry police officer.
“Will you two keep it down?” one of the nearby policemen muttered. “Honest to God, you reporters are the biggest pests.”
“Just for that, I’ll misspell your name,” Gaby promised.
He grinned at her and moved away.
“You’re crazy,” Fred said fervently. He was new to the newspaper scene, having preferred photography to journalism—although he could write good cutlines and even do good interviews. He didn’t have the wherewithal for this kind of assignment, though. Gaby usually had the political beat. She and Harrington were only here because the police reporter was out sick. And any news reporter could be commandeered to cover police news in an emergency.
Out of the corner of her eye, she spotted movement. There was a uniformed man with a rifle running into a building across the street from the abandoned department store building. “Something’s happening,” Gaby said. “Look sharp. You might get a little closer to Chief Jones and see if he can fill you in on what the SWAT team’s going to do.”
Fred glared at her. “Why don’t you do it? I can take photos.”
“Deal.” She handed him the camera and started toward Chief Jones. Then, just as he started shooting, she turned around and removed the lens cap. “It works better that way,” she said, before edging her way along the police car line.
“Hi, Teddy,” she whispered, easing up beside the tall, distinguished police chief. “What’s up?”
“Utility stocks, or so I hear,” he mused.
“Dammit, Teddy, stop that,” she muttered. “It’s been a long day, and I’ve got an engagement party to go to when I get through here.”
“You getting engaged, Gaby?” he asked. “A miracle.” He looked up at the rainy sky.
“Not me,” she said through her teeth. “Mary, down in composing. She and I went through journalism school together.”
“I might have known.” He frowned as his eyes shifted to the roof of the building across the street, where the faint glimmer of metal gave away a marksman.
“Good for you,” Gaby whispered, glancing up with eyes that were such a dark olive shade of green that they looked brown. “The robber will take out that hostage if you don’t do something drastic.”
“We don’t like this sort of thing, you know that,” he sighed. “But he’s killed one man already and there’s a pregnant lady in there and he’s gone wild. We can’t negotiate him out of a damned thing. There’s no power or telephone or heat to cut off and trade him things for, and he won’t talk to us.” He shook his head. “This is a hell of a job sometimes, kid.”
“You’re telling me.”
Three years of work on the Phoenix Advertiser had given her an education in police tactics. She stood crouched beside Chief Jones, waiting for the inevitable shot that would drop the gunman. It was like waiting for death, because a head shot was all the sharpshooter was likely to get, if that much. For one long moment, she contemplated the futility of crime and its terrible cost—to the perpetrators, the public, and the police. And then the shot came. It echoed through the darkness with a horrible finality. If death had a sound, that was it, and Gaby cringed inwardly.
“It’s a hit!” the sharpshooter called down. “I got him.”
“Okay, move in,” Chief Jones told his men solemnly.
“Can I come?” Gaby asked quietly.
He looked down at her with mingled irritation and respect. “Sure, you can come,” he said. “You’ll have nightmares.”
“I’ve always had nightmares,” she said matter-of-factly. She went back to get Fred. “Let’s get some pics and wrap this up so we can make the morning edition,” she told him.
“Pics of what?” he asked.
