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The Sacrifice
The Sacrifice
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The Sacrifice

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The Sacrifice
Joyce Carol Oates

‘Simply the most consistently inventive, brilliant, curious and creative writer going’ Gillian FlynnBest-selling author Joyce Carol Oates blends sexual violence, racism, brutality, and power in her latest incendiary novel.Best-selling author Joyce Carol Oates returns with an incendiary novel that illuminates the tragic impact of sexual violence, racism, brutality, and power on innocent lives and probes the persistence of stereotypes, the nature of revenge, the complexities of truth, and our insatiable hunger for sensationalism.When a fourteen-year-old girl is the alleged victim of a terrible act of racial violence, the incident shocks and galvanises her community, exacerbating the racial tension that has been simmering in this New Jersey town for decades. In this magisterial work of fiction, Joyce Carol Oates explores the uneasy fault lines in a racially troubled society. In such a tense, charged atmosphere, Oates reveals that there must always be a sacrifice – of innocence, truth, trust, and, ultimately, of lives. Unfolding in a succession of multiracial voices, in a community transfixed by this alleged crime and the spectacle unfolding around it, this profound novel exposes what – and who – the “sacrifice” actually is, and what consequences these kind of events hold for us all.Working at the height of her powers, Oates offers a sympathetic portrait of the young girl and her mother, and challenges our expectations and beliefs about our society, our biases, and ourselves. As the chorus of its voices – from the police to the media to the victim and her family – reaches a crescendo, “The Sacrifice” offers a shocking new understanding of power and oppression, innocence and guilt, truth and sensationalism, justice and retribution.A chilling exploration of complex social, political, and moral themes – the enduring trauma of the past, modern racial and class tensions, the power of secrets, and the primal decisions we all make to protect those we love – “The Sacrifice” is a major work of fiction from one of our most revered literary masters.

Copyright (#ulink_5057c24a-559d-506a-8011-18708bf0a1cd)

Fourth Estate

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.4thestate.co.uk (http://www.4thestate.co.uk)

First published in Great Britain by Fourth Estate in 2015

First published in the United States by Ecco in 2015

Copyright © The Ontario Review 2015

Joyce Carol Oates asserts the moral right to be identified as the author of this work.

Cover photograph © Nagib El Desouky / Arcangel Images.

A catalogue record for this book is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Find out about HarperCollins and the environment at

www.harpercollins.co.uk/green (http://www.harpercollins.co.uk/green)

Source ISBN: 9780008114862

Ebook Edition © January 2015 ISBN: 9780008114879

Version: 2015-10-13

Dedication (#ulink_17bb8516-6e0e-5f4e-9a5f-f2618f0ddef6)

for Richard Levao

and for Charlie Gross

Contents

Cover (#u34761eb3-266d-508c-827b-67ac0f202d5b)

Title Page (#uca45bb0c-148c-55d2-92ab-aa6ba68f4b82)

Copyright (#u3e0bbf4e-7c99-504d-aaaa-3cb79809047e)

Dedication (#udb78d89e-8915-5f60-bbbc-c33251439254)

The Mother (#u78693cce-9f90-5d37-8719-04e99797a84f)

The Discovery (#ue5cfadff-6e40-520f-8164-77cb303d0fae)

“White Cop” (#ubc93ea67-fc54-5832-bf35-3173131531ac)

St. Anne’s Emergency (#u66a2ff0d-86e6-5bde-a60e-3f7f13cea4fd)

The Interview (#ueab3be8b-1368-5ad8-b3ac-569b7f230ed3)

Red Rock (#ud4e2661f-1235-5e2a-b283-345a04d0b48c)

“S’quest’d” (#u01ed6856-ee44-51cc-9fc5-29e228bc66d0)

Girl-Cousins (#u59ec89b6-0a0a-52a8-aedf-7bd715f6941f)

The Investigator (#litres_trial_promo)

Angel of Wrath (#litres_trial_promo)

The Good Neighbor (#litres_trial_promo)

The Lucky Man (#litres_trial_promo)

The Stepdaughter (#litres_trial_promo)

The Mission (#litres_trial_promo)

The Temptation (#litres_trial_promo)

The Seduction (#litres_trial_promo)

The Crusade (#litres_trial_promo)

“Nazi-Racist Swine” (#litres_trial_promo)

“Reassigned” (#litres_trial_promo)

The Good Son (#litres_trial_promo)

The Twins (#litres_trial_promo)

Safe House (#litres_trial_promo)

“Yelow Hair” (#litres_trial_promo)

The Prize (#litres_trial_promo)

The Crusade (#litres_trial_promo)

The Martyr (#litres_trial_promo)

The Broken Doll (#litres_trial_promo)

The Convert (#litres_trial_promo)

The Sisters (#litres_trial_promo)

“Still Alive” (#litres_trial_promo)

Ten-Thousand-Man March (#litres_trial_promo)

Afterword (#litres_trial_promo)

Acknowledgements (#litres_trial_promo)

Novels by Joyce Carol Oates (#litres_trial_promo)

About the Publisher (#litres_trial_promo)

The Mother (#ulink_cb4c8916-ca2f-5373-8078-1f41bda404f9)

OCTOBER 6, 1987

PASCAYNE, NEW JERSEY

Seen my girl? My baby?

She came like a procession of voices though she was but a singular voice. She came along Camden Avenue in the Red Rock neighborhood of inner-city Pascayne, twelve tight-compressed blocks between the New Jersey Turnpike and the Passaic River. In the sinister shadow of the high-looming Pitcairn Memorial Bridge she came. Like an Old Testament mother she came seeking her lost child. On foot she came, a careening figure, clumsy with urgency, a crimson scarf tied about her head in evident haste and her clothing loose about her fleshy waistless body. On Depp, Washburn, Barnegat, and Crater streets she was variously sighted by people who recognized her face but could not have said her name as by people who knew her as Ednetta—Ednetta Frye—who was one of Anis Schutt’s women, but most of them could not have said whether Anis Schutt was living with this middle-aged woman any longer, or if he’d ever been living with her. She was sighted by strangers who knew nothing of Ednetta Frye or Anis Schutt but were brought to a dead stop by the yearning in the woman’s face, the pleading in her eyes and her low throaty quavering voice—Any of you seen my girl S’b’lla?

It was midmorning of a white-glaring overcast day smelling of the Passaic River—a sweetly chemical odor with a harsh acidity of rot beneath. It was midmorning following a night of hammering rain, everywhere on broken pavement puddles lay glittering like foil.

My girl S’b’lla—anybody seen her?

The anxious mother had photographs to show the (startled, mostly sympathetic) individuals to whom she spoke by what appeared to be purest chance: pictures of a dark-skinned girl, bright-eyed, a slight cast to her left eye, with a childish gat-toothed smile. In some of the photos the girl might have been as young as eleven or twelve, in the more recent she appeared to be about fourteen. The girl’s dark hair was thick and stiff and springy, lifting from her puckered forehead and tied with a bright-colored scarf. Her eyes were shiny-dark and thick-lashed, almond-shaped like her mother’s.

S’b’lla young for her age, and trustin—she smile at just about anybody.

In Jubilee Hair Salon, in Ruby’s Nails, in Jax Rib Joint, and the Korean grocery; in Liberty Bail & Bond, in Scully’s Pawn Shop, in Pascayne Veterans Thrift Shop, in Passaic County Family Ser vices and in the crowded cafeteria of the James J. Polk Memorial Medical Clinic as in windswept Hicks Square and several graffiti-defaced bus-stop shelters on Camden there came Ednetta Frye breathless and eager to ask if anyone had seen her daughter and to show the photographs spread in her shaky fingers like playing cards—You seen S’b’lla? Yes maybe? No?

She grasped at arms, to steady herself. She appeared dazed, disoriented. Her clothes were disheveled. The scarf tying back her stiff-oiled hair was askew. On her feet, waterstained sneakers beginning to fray at each outermost small toe with a quaint symmetry.

Since Thu’sday she been missin. Day and a night and a nother day and a night and most this time I was thinkin she be with her cousin Martine on Ninth Street comin there after school like she do sometimes and she forgot to call me, so I—I was just thinkin—that’s where she was. But now they sayin she ain’t there and at her school they sayin she never showed up Thu’sday and there be other times she’d cut since September when the school started that wasn’t known to me and now don’t nobody seem to know where my baby is. Anybody see S’b’lla, please call me—Ednetta Frye. My telephone is …

Her beautiful eyes mute with suffering and veined with broken capillaries. Her skin the dark-warm-burnished hue of mahogany. There was an oily sheen to her face, that glared in the whitely overcast air. From a short distance Ednetta appeared heavyset with large drooping breasts like water-sacks, wide hips and thighs, yet she wasn’t fat but rather stout and rubbery-solid, strong, resistant and even defiant; of an indeterminate age beyond forty with a girl’s plaintive face inside the puffy face of the aggrieved middle-aged woman.

Please—you sayin you seen her? Ohhh but—when? Since Thu’sday? That’s two days ago and two nights she been missin …

Along wide windy Trenton Avenue there came Ednetta Frye lurching into the Diamond Café, and into the Wig-a-Do Shop, and into AMC Loans & Bail-Bond, and into storefront Goodwill where the manager offered to call 911 for her to report her daughter missing and Ednetta said with a little scream drawing back with a look of anguish No! No po-lice! How’d I know the Pascayne police ain’t the ones taken my girl!

Exiting Goodwill stumbling in the doorway murmuring to herself O God O God don’t let my baby be hurt O God have mercy.

Sighted then making her way past shuttered storefront businesses on Trenton Avenue and then to Penescott to Freund which were blocks of brownstone row houses converted into apartments and so to Port and Sansom which were blocks of small single-story stucco and wood frame bungalows built close to cracked and weed-pierced sidewalks. An observer would think that the distraught woman’s route was haphazard and whimsical following an incalculable logic. Sometimes she crossed the street several times within a single block. There were far fewer people on these residential streets so Ednetta knocked on doors, called into dim-lighted interiors, several times boldly peered into windows and rapped on glass—’Scuse me? Hello? C’n I ask you one thing? This my daughter S’b’lla Frye she missin since Thu’sday—you seen anybody looks like her?

Crossing vacant lots heaped with debris and along muddy alleys whimpering to herself. She’d begun to walk with a limp. She was panting, distracted. She seemed to have taken a wrong turn, but did not want to retrace her steps. Somewhere close by, a dog was barking furiously. Overhead, a plane was descending to Newark International Airport with a deafening roar—Ednetta craned her neck to stare into the sky as at a sign of God, unfathomable and terrible. Here below were abandoned and derelict houses, a decaying sandstone tenement building on Sansom long known as a hangout for drug addicts, teenagers, homeless and the mentally ill which Ednetta Frye approached heedlessly. H’lo? Anybody in here? H’lo! H’lo!

And daring to step into the street to stop vehicles to announce to the startled occupants ’Scuse me! I am Ednetta Frye, this is my daughter S’b’lla Frye, she fourteen years old. Last I seen of S’b’lla she be leavin for school and now they sayin she never got there. This was Thu’sday.

She passed the pictures of Sybilla to these strangers who regarded them somberly, handed them back to Ednetta and assured her no, they hadn’t seen the girl but yes, they would be on the lookout for her.

At Sansom and Fifth there came sharp gusts of wind from the river, fresh-wet air and a sickly-sweet odor of leaves and strewn garbage in the alleys. And there stood Ednetta Frye on the curb pausing to rest like a laborer who is exhausted after an effort that has come to nothing. No one so alone as the bereft mother seeking her lost child in vain. The heel of her hand pressed against her chest as if she were stricken with heart-pain and she was staring into the distance, at the Pitcairn Bridge lifted and spread like a great prehistoric predator-bird and beyond at the slow bleed of the sky and on her face tears shone unabashed, so little awareness had Ednetta of these tears she hadn’t lifted a hand to wipe them away.

THAT POOR WOMAN SHE SCARED OUT OF HER WITS LIKE SHE AIN’T EVENaware who she talkin to!

Primarily it was women. During Ednetta Frye’s several hours of search and inquiry in the Camden Avenue–Twelfth Street neighborhood of inner-city Pascayne on the morning of October 6, 1987.

Some sixty individuals would recall Ednetta, afterward.

Of these a number were women who knew Ednetta Frye from the neighborhood and who’d seen her frequently with children presumed to be hers including the daughter Sybilla—but they hadn’t seen Sybilla within the past forty-eight hours, they were sure.

Of these were women who’d known Ednetta Frye for years—as long as thirty, thirty-five years—when they’d been girls together in the old Roosevelt projects, long since condemned and razed and replaced by a never-completed riverfront “esplanade” that was a quarter-mile sprawl of concrete and mud, rusted chain-link fences, frayed flapping plastic signs danger do not enter construction. They’d gone to East Edson Elementary in the 1950s and on to East Edson Middle School and to Pascayne South High. Some of them had known Ednetta when she’d been a young mother—(she’d had her first baby at sixteen, forced to quit school and never returned)—and during those years when she’d worked part-time as a nurse’s aide at the Polk clinic taking the Clinton Street bus along Camden Avenue, a husky straight-backed good-looking woman with a gat-toothed smile, warm-rippling laughter that made you want to laugh with her.

And there were those who’d known Ednetta in the past decade or so since she’d been living with Anis Schutt in one of the row house brownstones on Third Street. Some of these women who’d known Anis Schutt when he’d been incarcerated at Rahway maximum-security and before that at the time of Anis’s first wife’s death—“manslaughter” was the charge Anis had pleaded to—had (maybe) wondered at Ednetta who was younger than Anis by at least ten years falling in love with such a man, taking such a risk, and her with three young children.

Ednetta had always belonged to the AME Zion Church on First Street.

She’d sung in the choir there. Rich deep contralto voice like Marian Anderson, she’d been told.

Good-looking as Kathleen Battle, she’d been told.

Never missed church. Sunday mornings with her mother and her grandmother (her old ailing grandmother she’d helped nurse) and her aunts and her girls Sybilla and Evanda, Ednetta’s happiest times you could see in her face.

Anis Schutt never came to the AME Zion Church. No man leastway resembling Anis Schutt was likely to come to the AME Zion Church where the shock-white-haired minister Reverend Clarence Denis frequently preached himself into a frenzy of passion and indignation on the subject of “taking back” Red Rock from the “thugs and gangsters” who’d stolen it from the good black Christian people.

A few years ago there’d been a rumor of Ednetta Frye fired from the Polk clinic for (maybe) stealing drugs. Ednetta Frye charged with “bad checks” when it was claimed by her that she’d been the victim. Ednetta working at Walmart—or Home Depot—one of those big-box stores at the Pascayne East Mall where you were lucky to get minimum wage and next-to-no health benefits but you could buy damaged and outdated merchandise cheap which all the employees did especially at back-to-school and Christmas time.

Over the years there’d been rumors of ill health: diabetes? arthritis? (Seeing how Ednetta had put on weight, fifty pounds at least.) Taking the children to relatives’ homes to hide from Anis Schutt in one of his bad drunk moods but Ednetta had not ever called 911 and had not ever fled to St. Theresa’s Women’s Shelter on Twelfth Street as other women (including her younger sister Cheryl) had done at one time or another nor had she gone to Passaic County Family Court to ask for an injunction to keep Anis Schutt at a distance from her and the children.

Ednetta Frye, who loved her children. Who did most of the work raising Anis Schutt’s several children (from his only marriage, with the wife Tana who’d died) along with her own—five or six of them in the cramped household though Anis’s boys being older hadn’t remained long.

One of the sons at age nineteen shot dead on a Newark street in a drive-by fusillade of bullets.

Another son at age twenty-three incarcerated at Rahway on charges of drug-dealing and aggravated assault, twelve to twenty years.