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The Lost Landscape
Joyce Carol Oates
A momentous memoir of childhood and adolescence from one of our finest and most beloved writers, as we’ve never seen her before.In The Lost Landscape, Joyce Carol Oates vividly recreates the early years of her life in western New York state, powerfully evoking the romance of childhood and the way it colors everything that comes after. From early memories of her relatives to remembrances of a particularly poignant friendship with a red hen, from her first friendships to her first experiences with death, The Lost Landscape is an arresting account of the ways in which Oates’s life (and her life as a writer) was shaped by early childhood and how her later work was influenced by a hard-scrabble rural upbringing.In this exceptionally candid, moving, and richly reflective recounting of her early years, Oates explores the world through the eyes of her younger self and reveals her nascent experiences of wanting to tell stories about the world and the people she meets. If Alice in Wonderland was the book that changed a young Joyce forever and inspired her to look at life as offering endless adventures, she describes just as unforgettably the harsh lessons of growing up on a farm. With searing detail and an acutely perceptive eye, Oates renders her memories and emotions with exquisite precision to truly transport the reader to a bygone place and time, the lost landscape of the writer’s past but also to the lost landscapes of our own earliest, and most essential, lives.
Joyce at her first desk, five years old. At home in Millersport, New York. (Fred Oates)
Praise for The Lost Landscape: (#ulink_d7ebdd7c-546c-540d-b733-3e90bca32738)
‘As profound, as thorough and, at times, as dark as anything Oates has ever done’
Buffalo News
‘Offers a window into a highly original mind. While it is never a given that a writer’s personal story can illuminate her work, in Oates’s case, it very much does’
Minneapolis Star Tribune
‘A window into one of our most powerful writers’ coming-of-age and the forces affecting how she sees and writes the world’
Christian Science Monitor
‘Oates perfectly captures the unique confusion of childhood, brought on by the unsatisfying explanations of adults’
Elle (US)
‘An exquisitely rendered glimpse of Oates’s childhood in rural upstate New York’
Bookpage
Copyright (#ulink_99a4552f-55d8-5972-b458-874166a0e634)
Fourth Estate
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.4thestate.co.uk (http://www.4thestate.co.uk)
This eBook first published in Great Britain by Fourth Estate in 2015
First published in the United States by Ecco in 2015
Copyright © The Ontario Review 2015
Joyce Carol Oates asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
Front cover photograph: Joyce Carol Oates in 1948, taken by her father, Fred Oates, and courtesy of the author
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008146610
Ebook Edition © September 2015 ISBN: 9780008146603
Version: 2016-09-08
DEDICATION (#ulink_6d8d57b3-ea14-50fa-aea4-c752007eae1b)
To my brother Fred Oates
And in memory of those who have gone away
CONTENTS
COVER (#u0cc4c50f-1206-50bd-b230-17ba73b07487)
TITLE PAGE (#u9e5ab97b-b91e-5e3d-92e5-fa7a75b537c6)
PRAISE (#u31a8d0a2-777e-50e7-9846-3d018645e106)
COPYRIGHT (#u25ea2d28-7c20-57be-8e41-cac9a3393fd2)
DEDICATION (#uc6e31339-2d81-56ca-b297-9e7cffeaf8d7)
AUTHOR’S NOTE (#ulink_77e5813b-d4f4-5d95-9bf9-6fa3f52dd557)
I
WE BEGIN … (#ulink_a41e6255-605b-581f-9d4f-44a92ef93c17)
MOMMY & ME (#ulink_a2bc5d01-2512-5b2e-a518-8569e716baa0)
HAPPY CHICKEN: 1942–1944 (#ulink_4eb8a91b-67c7-50ae-b695-10ba19fa2d85)
DISCOVERING ALICE: 1947 (#ulink_88230c16-970f-5777-9b76-007fa90c6e0c)
DISTRICT SCHOOL #7, NIAGARA COUNTY, NEW YORK (#ulink_ec82062b-d4ac-5e80-8f32-ce0769283e78)
PIPER CUB (#ulink_81981e17-b782-51cb-800c-efff79d7b144)
AFTER BLACK ROCK (#ulink_f25d1c7c-e54d-577c-baae-af3c4d0d7dce)
SUNDAY DRIVE (#ulink_d22fc4d2-1539-5b40-a780-208672c7b728)
FRED’S SIGNS (#ulink_33e517b3-445c-5fe1-887f-a7360f19f9ba)
“THEY ALL JUST WENT AWAY” (#litres_trial_promo)
“WHERE HAS GOD GONE” (#litres_trial_promo)
HEADLIGHTS: THE FIRST DEATH (#litres_trial_promo)
“THE BRUSH” (#litres_trial_promo)
AN UNSOLVED MYSTERY: THE LOST FRIEND (#litres_trial_promo)
“START YOUR OWN BUSINESS!” (#litres_trial_promo)
THE LOST SISTER: AN ELEGY (#litres_trial_promo)
NIGHTHAWK: RECOLLECTIONS OF A LOST TIME (#litres_trial_promo)
II
DETROIT: LOST CITY 1962–1968 (#litres_trial_promo)
STORY INTO FILM: (#litres_trial_promo)
“WHERE ARE YOU GOING, WHERE HAVE YOU BEEN?” AND SMOOTH TALK (#litres_trial_promo)
PHOTO SHOOT: (#litres_trial_promo)
WEST ELEVENTH STREET, NYC, MARCH 6, 1970 (#litres_trial_promo)
FOOD MYSTERIES (#litres_trial_promo)
FACTS, VISIONS, MYSTERIES: (#litres_trial_promo)
MY FATHER FREDERIC OATES, NOVEMBER 1988 (#litres_trial_promo)
A LETTER TO MY MOTHER CAROLINA ON HER (#litres_trial_promo)
SEVENTY-EIGHTH BIRTHDAY, NOVEMBER 8, 1994 (#litres_trial_promo)
“WHEN I WAS A LITTLE GIRL (#litres_trial_promo)
AND MY MOTHER DIDN’T WANT ME” (#litres_trial_promo)
III
EXCERPT, TELEPHONE CONVERSATION (#litres_trial_promo)
WITH MY FATHER FREDERIC OATES, MAY 1999 (#litres_trial_promo)
THE LONG ROMANCE (#litres_trial_promo)
MY MOTHER’S QUILTS (#litres_trial_promo)
AFTERWORD (#litres_trial_promo)
PHOTO SECTION (#litres_trial_promo)
ABOUT THE AUTHOR (#litres_trial_promo)
NONFICTION BY JOYCE CAROL OATES (#litres_trial_promo)
ABOUT THE PUBLISHER (#litres_trial_promo)
AUTHOR’S NOTE (#ulink_70c480ec-1690-520e-a5d7-2929434b0cec)
The Lost Landscape is not meant to be a complete memoir of my life—not even my life as a writer. It is, for me at least, something more precious, as it is almost indefinable: an accounting of the ways in which my life (as a writer, but not solely as a writer) was shaped in early childhood, adolescence, and a little beyond. Its focus is upon the “landscape” of our earliest, and most essential lives, but it is also upon an actual rural landscape, in western New York State north of Buffalo, out of which not only much of the materials of my writing life have sprung but also the very wish to write.
Because it is essential to The Lost Landscape, “District School #7, Niagara County, New York” has been reprinted from The Faith of a Writer (2003), in a slightly different form. In a more substantially altered form, an updated “Visions of Detroit” ([Woman] Writer, 1988) has been reprinted under the title “Detroit: Lost City 1962–1968.” Other chapters have been revised significantly from memoirist pieces published in a variety of magazines, journals, and books, often in response to an editor’s invitation.
To the editors of these publications, heartfelt thanks are due:
“Mommy & Me” originally appeared, in a shorter form, in Civilization, February 1997.
“Happy Chicken” originally appeared in Conjunctions 61: A Menagerie, 2013.
“Discovering Alice” originally appeared in AARP Magazine, 2014.
“Piper Cub” originally appeared, in a substantially different form, in Rhapsody, November 2013.
“After Black Rock” originally appeared in the New Yorker, June 2013.
“Sunday Drive” originally appeared, in a substantially different form, in Traditional Home, March 1995.
“They All Just Went Away” originally appeared in a substantially different form in the New Yorker, October 1995. Reprinted in The Best American Essays 1996 and in The Best American Essays of the 20th Century. This essay incorporates “Transgressions,” originally published in the New York Times Magazine, October 1995.
“Where Has God Gone” originally appeared, in a substantially different form, in Southwest Review, Summer 1995, and was reprinted inCommunion edited by David Rosenberg, 1995 under the title “And God Saw That It Was Good.”
“An Unsolved Mystery: The Lost Friend” originally appeared, in a substantially different form, in Between Friends edited by Mickey Pearlman, 1994.
“Start Your Own Business!” originally appeared in substantially different forms in the New Yorker under the title “Bound,” April 2003; and in Conjunctions 63 (2014) under the title “The Childhood of the Reader,” which will be reprinted in Pushcart Prize: The Best of the Small Presses 2016.
“The Lost Sister: An Elegy” originally appeared in Narrative.
“Nighthawk: Recollections of a Lost Time” appeared originally in Yale Review, 2001, and in Conjunctions, 2014; reprinted, in a substantially different form, in Narrative, 2015.
“Story into Film: ‘Where Are You Going, Where Have You Been?’ and Smooth Talk”appeared originally in the New York Times, March 23, 1986.
Detroit: Lost City 1962–1968” appeared originally, in a shorter form, in (Woman) Writer, 1988.
“Photo Shoot: West Eleventh Street, New York City, March 6, 1970” originally appeared, in a shorter form, under the title “Nostalgia” in Vogue, April 2006; reprinted in Port, 2014.
