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Dirty Secrets
Jane O'Reilly
Thirty days of discovery…With her self-esteem at an all-time low following a disastrous relationship, Jules just needs a place to hide away, so when her childhood friend Theo offers her a place to stay she jumps at the chance!But the handsome, suave and sophisticated man who greets her is unrecognisable as the teenaged nerd she knew ten years ago. She’s out of her depth in Theo’s new world, especially when he reveals the nature of the business that has made him a very wealthy man…Theo owns and runs an exclusive club, a very private members club, catering to clients seeking something extra to spice up their private lives. But Jules’s shock and embarrassment turns to fascination and excitement when Theo gifts her a complimentary thirty day membership…
Thirty days of discovery…
With her self-esteem at an all-time low following a disastrous relationship Jules just needs a place to hide away, so when her childhood Theo offers her a place to stay she jumps at the chance!
But the handsome, suave and sophisticated man who greets her is unrecognisable as the teenaged nerd she knew ten years ago. She’s out of her depth in Theo’s new world, especially when he reveals the nature of the business that has made him a very wealthy man…
Theo owns and runs an exclusive club, a very private members club, catering to clients seeking something extra to spice up their private lives. But Jules’s shock and embarrassment turns to fascination and excitement when Theo gifts her a complimentary thirty day membership…
Dirty Secrets
Jane O’Reilly
Copyright (#ulink_f619e743-4990-54ca-bb1e-2ec52e139fad)
HQ
An imprint of HarperCollinsPublishers Ltd.
1 London Bridge Street
London SE1 9GF
First published in Great Britain by HQ in 2015
Copyright © Jane O’Reilly 2015
Jane O’Reilly asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
E-book Edition © June 2015 ISBN: 9781474030748
Version date: 2018-07-23
JANE O’REILLY started writing as an antidote to kids’ TV when her youngest child was a baby. Her first novel was set in her old school and involved a ghost and lots of death. It’s unpublished, which is probably for the best. Then she wrote a romance, and that, as they say, was that. She lives near London with her husband and two children. Find her at www.janeoreilly.com (http://www.janeoreilly.com), on Twitter as @janeoreilly (http://www.twitter.com/janeoreilly) and on Facebook at www.facebook.com/janeoreillyauthor (http://www.facebook.com/janeoreillyauthor)
Contents
Cover (#ufda7705a-a525-5622-959c-c242af10d744)
Blurb (#u0b7ac2e8-512a-594a-8556-0142aa8a46bc)
Title Page (#u17144bc3-13bd-588e-887f-8d1e47d358c8)
Copyright (#u8f6c9eaf-6b2f-569a-8948-f88e8f4286a3)
Author Bio (#uf6501fc8-ba58-580c-a1ff-311b5e1af0f3)
Chapter One (#u6959a041-5c6e-57d0-9eb4-7dd914c0c65e)
Chapter Two (#uf7dba4d7-c5df-5512-9de4-fc21fffe6d80)
Chapter Three (#ub610cb6c-d8b2-560a-a482-f537889d395c)
Chapter Four (#litres_trial_promo)
Chapter Five (#litres_trial_promo)
Chapter Six (#litres_trial_promo)
Chapter Seven (#litres_trial_promo)
Chapter Eight (#litres_trial_promo)
Endpages (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
Chapter One (#ulink_c6f97c24-1348-5f35-883e-33e7293ae32d)
This can’t be the right place. I pull out my phone, check the address for the third time, but it seems that it is, no matter how little sense it makes. It’s half past two in the afternoon and I’m standing in a narrow street in Chelsea, looking at a closed door at the rear of a large, red brick building. The door itself is painted glossy black with an ornate brass handle. There’s a doorbell mounted on the wall at my eye level. Above the door is a security camera.
I wonder if it’s working, and drop my gaze away from it.
When Theo gave me his address, I was expecting a flat. Maybe even a house. But this is neither. In fact, I’m not quite sure what it is. Possibly some sort of private members club, although I’ve no idea what kind. It does seem very…Theo, however, and that’s what has me reaching for the small brass bell mounted at the side of the door. I hesitate a moment longer, and then I swallow my fear and press the damn thing. If it rings, I can’t hear it.
No one is coming, I tell myself, tightening my grip on the handle of my pull-along case. I made a mistake. It’s fine. I’ll just go back to the train station and go home. I’ll ring Theo later, make some excuse. It was a stupid idea anyway, taking a sabbatical from work just because I broke up with my boyfriend. I should be in the office now, not here, in the middle of London with a pull-along suitcase and a headache.
I turn away, trying to pretend I’m not disappointed, that I’m not about to cry. I’ve been doing that a lot recently. Crying, that is. I’ve turned into a human fountain.
I lift my foot to take the first step, and the door opens.
‘Jules? Jules, is that you?’
I know that voice. I’d know it anywhere. It hasn’t changed. He still sounds like he smokes twenty a day, even though I know he hates cigarettes.
I force myself to stop, to turn around. ‘Theo.’
He steps forward, hands tucked in the pockets of dark trousers. ‘It’s good to see you, Jules.’
‘You too,’ I say, and we both stand there, taking a moment to look at each other. It’s funny how people can change without really changing at all. It’s been ten years since I last saw him, since we both left for university with promises to keep in touch. And we have kept in touch, sporadically. The odd Christmas card, the odd email, a loose connection on social media.
I don’t know why he was the first person I called when I ended things with my ex. It was three in the morning, and I couldn’t sleep. I didn’t want to call my parents, and I couldn’t call my friends. I’d flipped through my phonebook and his number had come up, and I’d called it.
‘Hello, Jules,’ he’d said, as if we spoke on the phone every day.
‘I’ve broken up with my boyfriend,’ I told him.
‘I’m sorry to hear that.’
‘I’m a mess, Theo.’
‘What do you need?’
‘I need to get away,’ I told him. ‘Just for a few weeks.’
‘Come and stay with me,’ he’d said. ‘I’ve got plenty of room.’
And so I’d packed, and I’d got on the first available train, and paid a taxi driver an extortionate amount of money to bring me here. It wasn’t easy. Nothing is easy any more. Sometimes just putting one foot in front of the other feels like climbing a mountain. But I did it.
Theo is just as I remember him. Oh, he’s filled out a little, and he’s clearly shaving more than once a week, but otherwise, he’s exactly the same. The same hazel eyes with the same wicked glint. The same unruly dark hair. The same half smile, a little cautious, a little restrained, as if he doesn’t know whether he’s allowed to smile or not. He’s wearing a short-sleeved shirt with a pair of Raybans hooked in the front. It suits him.
‘You look different,’ he says.
That would be my ex’s doing. The blonde hair, the clothes. He liked me to look a certain way, so I did my best to make sure that I did. I wanted him to be happy. ‘Different good or different bad?’ I ask Theo, lifting a hand to touch the ends of my feathered haircut.
‘I can’t decide,’ he says. ‘You don’t look like you.’
I bite my lip, drop my gaze to the floor. I will not cry. I will not.
‘That bad, huh?’
I nod.
‘Oh dear,’ he says. ‘Come on, let’s get you inside.’ He moves closer and takes my case. I packed it in a rush, and I have a sudden panic that I’ve forgotten something vital, like money and clothes. I never used to be like this. I used to be so decisive, so sure of myself. I don’t know what the hell happened to me.
He motions me forward, and I walk towards the door. ‘What is this place?’
‘It’s a club,’ he says.
So my suspicions were right. ‘A nightclub?’
‘Not exactly,’ he replies. ‘Although we do open at night.’
‘Do you own it?’
‘Part of it.’
Inside, it’s quiet, and warm. Theo closes the door behind us, and I take a moment to look around me, to drink in the quiet. The lighting is low, the walls painted a soft cream. It smells clean. Definitely not a nightclub, then.
‘Go through,’ he says, nodding further along the corridor.
I walk along it, my heeled boots loud on the polished wood floor. Doors lead off to either side, but all of them are closed so I can’t see where they lead. Stylish black and white photographs decorate the walls. On closer inspection, I can see that they’re arty nudes. I suppose you could even call them erotica. I glance back at Theo, a little confused.
He simply gives me that half smile.
I keep walking. At the end of the corridor, I turn left, and find myself in a large, open space. It could possibly be a nightclub, only Theo said that this place wasn’t a nightclub. Leather sofas line the walls, and in the middle of the room is the most enormous circular bed.
‘OK,’ I say, coming to a halt. ‘This is not a nightclub.’
‘I already told you that,’ he says.
‘Then what is it?’
‘Somewhere women can explore their fantasies.’
‘What do you mean, explore their fantasies?’
‘Exactly that,’ he replies. ‘Somewhere they can come and ask for things they can’t get elsewhere.’
‘I’m not sure I follow,’ I say. My heart is pounding a strange, heavy beat, and I grip the handle of my bag more tightly, trying to ignore the slippery dampness of my palms.
‘Maybe it’s better if I show you,’ Theo says. ‘Come with me.’
I follow him across the space, away from the leather sofas and the great big bed. At the other side of the room is an archway. We walk through it. Theo turns to the left and pulls a bunch of keys from his pocket. He selects one, then unlocks the door. ‘In here.’
It turns out to be a perfectly ordinary office. White walls, desk, chair, keyboard and monitor. There’s a ficus in the corner, a half-full wastepaper basket, a coffee machine. Theo sets my case down by the desk, offers me a coffee. I accept. It seems rude not to.
Then he steers me into the chair, turns me round to face the desk, and switches on one of the screens that sits on top of the desk.
As he turns away and sets the coffee machine going, the screen flickers to life in front of me. At first, I’m not sure what I’m seeing.
And then I can’t believe it.
It shows a pretty room with a four-poster bed. There are vases of flowers everywhere, and lace and frills, all very feminine. A woman is sat on the bed, hugging a pillow to her chest, staring intently at the man stood in the corner. He’s naked, blindfolded, and he’s got his hands behind his back.
He’s also got an almighty erection.
I am still staring at that, shocked, when the door of the room opens and another man enters. The woman on the bed shifts her position, leaning forward, clutching the pillow even more tightly. If there was any sound, I’m sure I would be able to hear her whimper.
He closes the door softly behind him. He walks slowly towards the restrained man in the corner, and then he sinks slowly to his knees in front of him.
I slap my hands over my eyes before I see what happens next. ‘What the hell is this?’ I squeak.
‘Well,’ Theo says, ‘the woman, who we’ll call Mrs X, has a particular fantasy involving watching her husband with another man.’
‘Turn it off!’ I tell him. ‘Turn it off or I’m leaving.’
I hear the sound of a cup being set down on the desk. I feel the air move, his aftershave brushing against me as he leans over and turns the screen off. ‘You can look now,’ he says.
I move my fingers slightly. I don’t move my hands until I see the blank screen. I’m breathing too fast, and my heart is racing. I can’t believe what I just saw. I’m shocked, so shocked I’m almost panicking.
