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The Turning Point: A gripping love story, keep the tissues close...
Freya North
“If you cried at Jojo Moyes’ Me Before You, get your hankies ready.” –Booklist (starred review)“Rich, romantic, beautifully drawn and utterly compelling” Jane Green, New York Times bestselling authorA poignant read with a heartbreaking twist for all fans of Me Before You.Two single parents, Frankie and Scott, meet unexpectedly. Their homes are far apart: Frankie lives with her children on the North Norfolk coast, Scott in the mountains of British Columbia. Yet though thousands of miles divide them, a million little things connect them. A spark ignites, a recognition so strong that it dares them to take a risk.For two families, life is about to change. But no-one could have anticipated how…
Copyright (#ulink_4f95bcec-dc2a-55bd-9e34-3274416ec40f)
Published by HarperCollinsPublishers Ltd
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www.harpercollins.co.uk (http://www.harpercollins.co.uk)
First published in Great Britain by HarperCollinsPublishers 2015
Copyright © Freya North 2015
Cover layout design © HarperCollinsPublishers Ltd 2016
Cover photograph © Susan Fox / Trevillion Images | Author photograph © Angus Muir 2012
Freya North asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008163297
Ebook Edition © May 2016 ISBN: 9780008163594
Version: 2016-04-05
Dedication (#ulink_e9cbbc53-bb47-53af-9ceb-60a04cf5029e)
For Maureen Pegg and Jo Smith – my MoJo indeed.
I would always rather be happy than dignified.
Jane Eyre, Charlotte Brontë
La musique commence là ou s’arrête le pouvoir des mots. (Where music starts, words cease.)
Richard Wagner
Contents
Cover (#ue1b3a879-e31e-5ab4-8679-aaee6746a6b6)
Title Page (#uc0722c0b-a58a-5a92-8457-471c3e17398f)
Copyright (#u2e54251f-6a8d-5956-8208-e42825274a89)
Dedication (#u84b6867b-75a6-5ff6-b26c-78b1714dc0b5)
Epigraph (#u4d6e49f6-c37b-5def-a286-c2d55813e3c8)
Scott (#ud9b70def-68aa-586f-91a5-373cf0606ed9)
Frankie (#u4bdd429b-36e8-5dda-958f-9981150b12ec)
Part One: May to July (#u9d1134c7-9388-5d32-963a-bc70e8ac465c)
Part Two: July to December (#litres_trial_promo)
Part Three: April (#litres_trial_promo)
Part Four: After and Evermore (#litres_trial_promo)
Epilogue (#litres_trial_promo)
Acknowledgements (#litres_trial_promo)
Reading Group Questions (#litres_trial_promo)
Q&A with Freya (#litres_trial_promo)
A Letter from Freya (#litres_trial_promo)
Read on for an extract from THE WAY BACK HOME (#litres_trial_promo)
Keep Reading (#litres_trial_promo)
About the Author (#litres_trial_promo)
By the Same Author (#litres_trial_promo)
About the Publisher (#litres_trial_promo)
SCOTT (#ulink_b25ba22e-a79a-5132-abca-59d87858a9f3)
Alone in his truck on an empty stretch of road in the middle of Thompson Country, Scott cursed out loud though no one could hear him. For the previous half an hour, as he drove from the belly of Kamloops and through the entrails of its suburbs, his phone signal had been off and the radio had played crystal clear everything he wanted to hear. His own personal playlist, beamed telepathically back through the radio, providing company and a soundtrack to the three hours remaining of the journey home. And now, as the road climbed and the scenery most deserved a rousing score, the music had gone and, instead, the cell-phone networks were polluting this immaculate part of British Columbia. His phone rang, his voicemail beeped, his phone rang again, his voicemail beeped. The sound wasn’t dissimilar from some god-awful plastic Europop. A barrage of text-message alerts now chimed in like a truly crap middle eight before the calls started again. The phone was in his bag, in the footwell. Whatever risks Scott had taken in his life, he’d only ever driven with two hands on the wheel and both eyes on the road ahead. He pulled over. What, for Christ’s sake, what?
The voicemail icon with its red spot as angry as a boil. The envelope signifying text messages bursting with four unread. Missed calls. Managing his phone was the only thing in life that Scott was prepared to multitask, because to minimize the time spent on it, was time well spent. He accessed the voicemail whilst clicking into the texts. Before he’d heard a thing he knew what was wrong from Jenna’s two words:
I’m fine x
But by then, a recorded voice was filling the car with the details.
‘Hi Scott – it’s Shelley. I’ve been trying to contact you – Jenna’s had a seizure. She’s OK now but it lasted near enough five minutes. She hit her head, she has a concussion so they’ve taken her to Squamish just to be sure. It’s just gone two. You have my number so feel free to call me.’
Scott only vaguely listened to the later messages, all from Jenna’s friend Shelley repeating the information in different tones of voice: tired, upbeat, reassuring, pseudo-medical. He stamped on the gas and drove fast, without looking at the view and with the radio off. There was no quick route. Too many mountains in the way.
When he opened the door to the hospital room, Jenna was still sleeping. Four hours later she woke, groggy and bashful. She always looked that way after an episode – not that she had any control over them. They had lingered over her life, a storm cloud, a menacing smudge on an otherwise blue sky and she never sensed when they were about to cover the sun.
‘Neil Young, Jimmy Reed, Prince,’ said Scott.
She looked at him as if to say, Really? I have to do this now?
‘Joan of Arc,’ she said. ‘Dickens and Dostoyevsky.’ She knew why he did it, this roll call, to make her feel less ashamed, less alone. She was part of a club, a member of epilepsy’s renowned society – but it irritated her.
Actually, Scott did it to gauge her responsiveness.
‘They glued me,’ she said lightly. ‘See?’ Her finger hovered tentatively over the dark maroon splice above her brow.
‘Very Harry Potter,’ Scott said, thinking to himself that if he was a religious man he’d want to thank God for medical glue, for the fact that she was OK. But he wasn’t a religious man because he just couldn’t reconcile a God figure smiting someone so beautiful, so vital and harmless, with such an affliction. He sat down and put his hand gently over her wrist.
‘I’m sorry,’ she said. ‘It just happened.’
He hated the obligation she felt to apologize. He hated God for that too. Why burden the victim with guilt as well?
‘I know, sugar, I know.’
‘I thought we had the meds pretty much sorted.’
Quietly, they both felt suddenly foolish for having had so much hope in the new cocktail and doses.
‘You’re booked in for your EEG next month?’
Jenna nodded. ‘Can I come home tonight?’
‘Doc says tomorrow.’ Scott looked at her and assessed in a glance the new scar she’d be adding to her collection. And then he shrugged, his signature gesture when he’d assessed all the pros and cons in a split second. Jenna had suffered a seizure but see, she’s back.
‘It’s been a while,’ he said, ‘since you had one that’s ended you up here.’ He tucked her hair behind her ear. But Jenna didn’t nod and he found he couldn’t look at her. ‘Tell me it’s been a while.’
Jenna could do neither half-answers nor white lies.
‘They’ve been, you know, manageable. And, as you say – they haven’t put me in here for a good while.’
Scott was appalled. ‘Why didn’t you tell me?’
‘Because you’d react like this? And blame yourself? And worry too much?’
The accusation was fair but it irked him.
‘I kept a note – so I can discuss it with Dr Schultz next month.’
‘You should have told me.’
She looked pale and exhausted. ‘No driving for me, I guess,’ she said. ‘That’s another six months wasted, hoping for normality.’
They both thought of her little red car in the driveway at home, which had hardly moved in two years.
Back home the next day, Scott settled Jenna into the armchair and built a small fire though it was May.
‘I can cancel England next week,’ he said.
‘Are you crazy?’
‘They can do it without me.’
‘No, they can’t – you won’t let them anyway. You have to go,’ Jenna said. ‘That’s what they pay you for.’
‘The team there is great – they know me, I know them.’
‘I’m not having this thing do this to me – to you. You have to go. It’s your career. You need the money.’
They sat and reflected quietly, independently, together.
Scott went to the kitchen and took something out of the freezer. This Thing. Jenna’s epilepsy was indeed just that – an incendiary entity that would grab her when he wasn’t there, that would fight him for her when he was. All these years and he was no closer to finding any peace, any acceptance that this affliction held Jenna hostage right in front of his face and he just couldn’t rescue her. A long time ago, he’d decided that if he couldn’t rescue her, then he’d be right there with her, alongside her in captivity.
He rooted around for potatoes and onions, he clanged pans against pots, he clattered cutlery and muttered inanities under his breath but loud enough to fool Jenna if she was listening. All the while, he tossed the concepts around, like a juggler throwing machetes. It didn’t necessarily follow that though she’d had a bad seizure another would recur any time soon – so if he did cancel England next week, say she was fine? And then, say the next time she wasn’t fine when he was abroad? But how many times had there been recently that he hadn’t known about? She’d said a couple – did she really mean only two? And define ‘recently’ Jenna. How long are we talking about?
England. Would she come with him? But she had work. Anyway, she wouldn’t want to – she’d been there and done that and they both knew he’d have little time for anything other than sleep and work. Her life was here. If only the Thing would do them both the courtesy of some kind of schedule, better warning signs, softer landings. But when had it ever done that? The only predictable thing about most of her seizures was just how unpredictable they were. Scott thought about it as he sliced and chopped and steamed and fried. There was no magic solution, no cure, and still it made him furious.
Jenna was dozing when he went back through with a tray of food. He lifted a strand of hair that he felt was too close to her new wound. He had no appetite. He pushed his tray to one side and kept watch while she rested.
I’ll always be here. I’ll never leave you, baby. His oath was as solemn now as twenty years ago.
FRANKIE (#ulink_c9c7f123-ede2-532b-ab22-afd357677772)
Alice Alice Alice.
Frankie paused. She’d been here before, waiting for Alice. There was little point expending emotion on it. She’d just chant Alice’s name again, in case she was creeping up on her, unseen.
What are you up to this time? Frankie asked quietly. Where are we going, youngling – you and I?
She thought she could hear her, in the distance. A snatch of a giggle, the arrhythmic scamper of small footfalls over twigs and leaves, the sound of joy that propelled a leap into the air.
Alice? Are you coming?
Frankie! Frankie! Can you hear me?
Sort of, but you’re very muffled. Come closer, you little minx. Come closer so I can catch you.
