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“So I ask you, gentlemen, to think again. Machines are not perfect. Science is not perfect. Mistakes can easily be made. Accidents can happen. I am sure you understand this. And there is something else I would like you to understand. For me the place where you would build your atomic power station is home. You may have decided it is an uninteresting place and unimportant, just home to one strange lady who lives there on the marsh with her donkey and her dogs and her hens. But it is not uninteresting and it is not unimportant. It is not just my home either, but home also for curlews and gulls and wild geese and teal and redshanks and barn owls and kestrels. There are herons, and larks. The otter lives here and the fox comes to visit, the badger too, even sometimes the deer. And amongst the marsh grass and reeds and the bulrushes live a thousand different insects, and a thousand different plants.
“My home is their home too and you have no right to destroy it. Arthur called the marsh a perfect paradise. But if you build your atomic power station there, then this paradise will be destroyed for ever. You will make a hell of paradise.”
Her voice gained ever greater strength as she spoke. Never before or since have I heard anyone speak with greater conviction.
“And I do mean for ever,” she went on. “Do not imagine that in fifty years, or a hundred maybe, when this power station will have served its purpose, when they find a new and better way to make electricity – which I am quite sure they will – do not imagine that they will be able to knock it down and clear it away and the marsh will be once again as it is now. From my books I know that no building as poisonous with radiation as this will be will ever be knocked down. To stop the poison leaking it will, I promise you, have to be enclosed in a tomb of concrete for hundreds of years to come. This they do not want to tell you, but it is true, believe me. Do not, I beg you, let them build this power station. Let us keep this marsh as it is. Let us keep our perfect paradise.”
As she sat down there was a ripple of applause, which swiftly became tumultuous. And as the hall rang loud with cheering and whistling and stamping I joined in more enthusiastically than any. At that moment I felt the entire village was united in defiance behind her. But the applause ended, as – all too soon – did both the defiance and the unity.
The decision to build or not to build seemed to take for ever: more public meetings, endless campaigning for and against; but right from the start it was clear to me that those for it were always in the ascendant. Mother stood firm alongside Mrs Pettigrew, so did the colonel and Mrs Parsons; but Miss Blackwell soon changed sides, as did lots of others. The arguments became ever more bitter. People who had been perfectly friendly until now would not even speak to one another. At school Bennie led an ever growing gang who would storm about at playtime punching their fists in the air and chanting slogans. “Down with the Pettigrew weeds!” they cried. “Down with the Pettigrew weeds!” To my shame I slunk away and avoided them all I could.
But in the face of this angry opposition Mother did not flinch and neither did Mrs Pettigrew. They sat side by side at every meeting, stood outside the village hall in the rain with their ever dwindling band of supporters, holding up their placards, SAY NO TO THE POWER STATION they read. Sometimes after school I stood there with her, but when people began to swear at us out of their car windows as they passed by, Mother said I had to stay away. I wasn’t sorry. It was boring to stand there, and cold too, in spite of the warmth of the brazier. And I was always terrified whenever Bennie saw me there, because I knew I’d be his special target in the playground the next day.
Eventually there were just the two of them left, Mother and Mrs Pettigrew. Mad Jack would join them sometimes, because he liked the company and he liked warming his hands over the brazier too. Things became even nastier towards the end. I came out of the house one morning to fin red paint daubed on our front door and on our Bramley apple tree, the one I used to climb; and someone – I always thought it must have been Bennie – threw a stone through one of Mrs Pettigrew’s windows in the middle of the night. Mother and Mrs Pettigrew did what they could to keep one another’s spirits up, but they could see the way it was going, so it must have been hard.
Then one day it was in the newspapers. The plans for the atomic power station had been approved. Building would begin in a few months. Mother cried a lot about it at home and I expect Mrs Pettigrew did too, but whenever I saw them together they always tried to be cheerful. Even after Mrs Pettigrew received the order that her beloved marsh was being compulsorily purchased and that she would have to move out, she refused to be downhearted. We’d go over there even more often towards the end to be with her, to help her in her garden with her bees and her hens and her vegetables. She was going to keep the place just as Arthur had liked it, she said, for as long as she possibly could.
Then Donkey died. We arrived one day to find Mrs Pettigrew sitting on the steps of her carriage, Donkey lying near her. We helped her dig the grave. It took hours. When Donkey had been buried we all sat on the steps in the half-dark, the dogs lying by Donkey’s grave. The sea sighed behind the sea wall, perfectly reflecting our spirits. I was lost in sadness.
“There’s a time to die,” said Mrs Pettigrew. “Perhaps she knew it was her time.” I never saw Mrs Pettigrew smile again.
I was there too on the day of the auction. Mrs Pettigrew didn’t have much to sell, but a lot of people came along all the same, out of curiosity or even a sense of malicious triumph, perhaps. The carriage had been emptied of everything – I’d carried some of it out myself – so that the whole garden was strewn with all her bits and pieces. It took just a couple of hours for the auctioneer to dispose of everything: all the garden tools, all the furniture, all the crockery, the generator, the stove, the pots and pans, the hens and the hen house and the beehives. She kept only her books and her dogs, and the railway carriage too. Several buyers wanted to make a bid for it, but she refused. She stood stony-faced throughout, Mother at her side, whilst I sat watching everything from the steps of the carriage, the dogs at my feet.
Neither Mother nor I had any idea what she was about to do. Evening was darkening around us, I remember. Just the three of us were left there. Everyone else had gone. Mother was leading Mrs Pettigrew away, a comforting arm round her, telling her again that she could stay with us in the village as long as she liked, as long as it took to find somewhere else to live. But Mrs Pettigrew didn’t appear to be listening at all. Suddenly she stopped, turned and walked away from us back towards the carriage.
“I won’t be long,” she said. And when the dogs tried to follow her she told them to sit where they were and stay.
She disappeared inside and I thought she was just saying goodbye to her home, but she wasn’t. She came out a few moments later, shutting the door behind her and locking it.
I imagined at first it was the reflection of the last of the setting sun glowing in the windows. Then I saw the flicker of flames and realised what she had done. We stood there together and watched as the carriage caught fire, as it blazed and roared and crackled, the flames running along under the roof, leaping out of the windows, as the sparks flurried and flew. The fire engines came, but too late. The villagers came, but too late. How long we stood there I do not know, but I know that I ached with crying.
Mrs Pettigrew came and lived with us at home for a few months. She hardly spoke in all that time. In the end she left us her dogs and her books to look after and went back to Thailand to live with her sister. We had a few letters from her after that, then a long silence, then the worst possible news from her sister.
Mrs Pettigrew had died, of sadness, of a broken heart, she said.
Mother and I moved out of the village a year or so later, as the power station was being built. I remember the lorries rumbling through, and the Irish labourers who had come to build it sitting on the church wall with Mad Jack and teaching him their songs.
Mother didn’t feel it was the same place any more, she told me. She didn’t feel it was safe. But I knew she was escaping from sadness. We both were. I didn’t mind moving, not one bit.
As I walked into the village I could see now the great grey hulk of the power station across the fields. The village was much as I remembered it, only smarter, more manicured. I made straight for my childhood home. The house looked smaller, prettier, and tidier too, the garden hedge neatly clipped; the garden itself, from what I could see from the road, looked too well groomed, not a nettle in sight. But the Bramley apple tree was still there, still leaning sideways as if it was about to fall over. I thought of knocking on the door, of asking if I might have a look inside at my old bedroom where I’d slept as a child. But a certain timidity and a growing uneasiness that coming back had not been such a good idea prevented me from doing it. I was beginning to feel that by being there I was tampering with memories, yet now I was there I could not bring myself to leave.
I spoke to a postman emptying the postbox and enquired about some of the people I’d known. He was a good age, in his fifties, I thought, but he knew no one I asked him about. Mad Jack wasn’t on his wall. Mrs Parsons’s shop was still there but now sold antiques and bric-a-brac. I went to the churchyard and found the graves of the colonel and his wife with the black pencilled eyebrows, but I’d remembered her name wrong. She was Veronica, not Valerie. They had died within six months of each other. I got chatting to the man who had just finished mowing the grass in the graveyard and asked him about the atomic power station and whether people minded living alongside it.
“Course I mind,” he replied. He took off his flat cap and wiped his brow with his forearm. “Whoever put that ruddy thing up should be ashamed of themselves. Never worked properly all the time it was going anyway.”
“It’s not going any more then?” I asked.
“Been shut down, I don’t know, maybe eight or nine years,” he said, waxing even more vehement. “Out of date. Clapped out. Useless. And do you know what they had to do? They had to wrap the whole place under a blanket of concrete, and it’s got to stay there like that for a couple of hundred years at least so’s it doesn’t leak out and kill the lot of us. Madness, that’s what it was, if you ask me. And when you think what it must have been like before they put it up. Miles and miles of wild marshland as far as the eye could see. All gone. Must’ve been wonderful. Some funny old lady lived out there in a railway carriage. Chinese lady, they say. And she had a donkey. True. I’ve seen photos of her and some kid sitting on a donkey outside her railway carriage. Last person to live out there, she was. Then they went and kicked her out and built that ugly great wart of a place. And for what? For a few years of electricity that’s all been used up and gone. Price of progress, I suppose they’d call it. I call it a crying shame.”
I bought a card in the post office and wrote a letter to Mother. I knew she’d love to hear I’d been back to Bradwell. Then I made my way past the Cricketers’ Inn and the school, where I stopped to watch the children playing where I’d played; then on towards St Peter’s, the old chapel by the sea wall, the favourite haunt of my youth, where Mrs Pettigrew had taken me all those years before, remote and bleak from the outside, and inside filled with quiet and peace. Some new houses had been built along the road since my time. I hurried past trying not to notice them, longing now to leave the village behind me. I felt my memories had been trampled enough.
One house name on a white-painted gate to a new bungalow caught my eye: New Clear View. I saw the joke, but didn’t feel like smiling. And beyond the bungalow, there it was again, the power station, massive now because I was closer, a monstrous complex of buildings rising from the marsh, malign and immovable. It offended my eye. It hurt my heart. I looked away and walked on.
When I reached the chapel, no one was there. I had the place to myself, which was how I had always liked it. After I had been inside, I came out and sat down with my back against the sun-warmed brick and rested. The sea murmured. I remembered again my childhood thoughts, how the Romans had been here, the Saxons, the Normans, and now me. A lark rose then from the grass below the sea wall, rising, rising, singing, singing. I watched it disappear into the blue, still singing, singing for Mrs Pettigrew.
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I still think of the house on the Essex coast where I grew up as my childhood home. But in fact it was my home for just four months of every year. The rest of the time I spent at my boarding school a whole world away, deep in the Sussex countryside. In my home by the sea they called me Michael. In my boarding school I was Morpurgo (or Pongo to my friends), and I became another person. I had two distinctively different lives, and so, in order to survive both, I had to become two very different people. Three times a year I had to make the changeover from home boy to schoolboy. Going back to school was always an agony of misery, a wretched ritual, a ritual I endured simply because I had to.
Then one evening at the beginning of the autumn term of 1953 I made up my mind that I would not endure it any longer, that I would run away, that I would not stay at my school and be Morpurgo or Pongo any more. I simply wanted to go home where I belonged and be Michael for ever.
The agony began, as it always began, about ten days before the end of the holidays – in this case, the summer holidays. For eight blessed weeks I had been at home. We lived in a large and rambling old house in the centre of a village called Bradwell-juxta-mare (near the sea). The house was called New Hall – new being mostly seventeenth century, with lots of beams and red bricks. It had a handsome Georgian front, with great sash windows, and one or two windows that weren’t real windows at all but painted on – to save the window tax, I was told. House and garden lay hidden and protected behind a big brick wall.
Cycling out of the gate, as I often did, I turned left on to the village street towards Bradwell Quay and the sea, right towards the church, and the American airbase, and then out over the marshes towards the ancient Saxon chapel of St Peter’s near the sea wall itself. Climb the sea wall and there was the great brown soupy North Sea and always a wild wet wind blowing. I felt always that this place was a part of me, that I belonged here.
My stepfather worked at his writing in his study, wreathed in a fog of tobacco smoke, with a bust of Napoleon and a Confederate flag on his leather-topped desk, whilst my mother tried her very best to tame the house and the garden and us, mostly on her own. We children were never as much help as we should have been, I’m ashamed to say. There were great inglenook fireplaces that devoured logs. So there were always logs for us to fetch in. Then there were the Bramley apples to pick and lay out in the old Nissen huts in the orchard. And if there was nothing that had to be harvested, or dug over or weeded, then there was the jungle of nettles and brambles that had to be beaten back before it overwhelmed us completely. Above all we had not to disturb our stepfather. When he emerged, his work done for the day, we would play cricket on the front lawn, an apple box for a wicket – it was six if you hit it over the wall into the village street. If it rained, we moved into the big vaulted barn where owls and bats and rats and spiders lived, and played fast and furious ping-pong till suppertime.
I slept up in the attic with my elder brother. We had a candle factory up there, melting down the ends of used-up candles on top of a paraffin stove and pouring the wax into jelly moulds. At night we could climb out of our dormer windows and sit and listen to the owls screeching over the marshes, and to the sound of the surging sea beyond. There always seemed to be butterflies in and out of the house – red admirals, peacocks. I collected dead ones in a biscuit tin, laid them out on cotton wool. I kept a wren’s nest by my bed, so soft with moss, so beautifully crafted.
My days and nights were filled with the familiarity of the place and its people and of my family. This isn’t to say I loved it all. The house was numbingly cold at times. My stepfather could be irritable, rigid and harsh; my mother anxious, tired and sad; my younger siblings intrusive and quarrelsome; and the villagers sometimes very aggressive. What haunted me most, though, were stories of a house ghost, told for fun, I’m sure; but nonetheless, the ghost terrified me so much that I dreaded going upstairs at night on my own. But all this was home. Haunted or not, this was my place. I belonged.
The day and the moment always came as a shock. So absorbing was this home life of mine, that I’d quite forgotten the existence of my other life. Suddenly I’d find my mother dragging out my school trunk from under the stairs. From that moment on, my stomach started to churn. As my trunk filled, I was counting the days, the hours. The process of packing was relentless. Ironing, mending, counting, marking: eight pairs of grey socks, three pairs of blue rugby shorts, two green rugby shirts, two red rugby shirts, green tie, best blazer – red, green and white striped. Evenings were spent watching my mother and my two spinster aunts sewing on name tapes. Every one they sewed on seemed to be cementing the inevitability of my impending expulsion from home. The name tapes read: M. A. B. Morpurgo. Soon, very soon now, I would be Morpurgo again. Once everything was checked and stitched and darned, the checklist finally ticked off and the trunk ready to go, we drove it to the station to be sent on ahead – luggage in advance, they called it. Where that trunk was going, I would surely follow. The next time I’d see it would be only a few days away now, and I’d be back at school. I’d be Morpurgo again.
Those last days hurried by so fast. A last cycle ride to St Peter’s, a last walk along the sea wall, the endless goodbyes in the village. “Cheer up, Michael, you’ll be home soon.” A last supper, shepherd’s pie, my favourite. But by this time the condemned boy was not eating at all heartily. A last night of fitful sleep, dreading to wake and face the day ahead. I could not look up at my aunts when I said goodbye for fear they would notice the tears and tell me I was “a big boy and should have grown out of all this by now”. I braved their whiskery embraces and suddenly my mother and I were driving out of the gates, the last chimneys of home disappearing from me behind the trees.
We drove to the station at Southminster. Then we were in London and on the way to Victoria Station on the Underground. She held my hand now, as we sat silently side by side. We’d done this so many times before. She knew better than to talk to me. My mouth was dry and I felt sick to my stomach. My school uniform, fresh on that morning, was itchy everywhere and constricting. My stepfather had tightened my tie too tight before he said his stiff goodbye, and pulled my cap down so hard that it made my ears stick out even more than they usually did.
Going up the escalator into the bustling smoky concourse of Victoria Station was as I imagined it might be going up the steps on to the scaffold to face my executioner. I never wanted to reach the top, because I knew only too well what would be waiting for me. And sure enough, there it was, the first green, white and red cap, the first familiar face. It was Sim, Simpson, my best friend, but I still didn’t want to see him. “Hello, Pongo,” he said cheerily. And then to his mother as they walked away: “That’s Morpurgo. I told you about him, remember, Mum? He’s in my form.”
“There,” my mother said, in a last desperate effort to console me. “That’s your friend. That’s Sim, isn’t it? It’s not so bad, is it?”
What she couldn’t know was that it was just about as bad as it could be. Sim was like the others, full of the same hearty cheeriness that would, I knew, soon reduce me to tears in the railway carriage.
The caps and the faces multiplied as we neared the platform. There was the master, ticking the names off his list, Mr Stevens (maths, geography and woodwork), who rarely smiled at all at school, but did so now as he greeted me. I knew even then that the smile was not for me, but rather for the benefit of my mother. “Good to see you back, Morpurgo. He’s grown, Mrs Morpurgo. What’ve you been feeding him?” And they laughed together over my head. The train stood waiting, breathing, hissing, longing – it seemed – to be gone, longing to take me away.
My mother did not wait, as other mothers did, to wave me off. She knew that to do so would simply be prolonging my agony. Maybe it prolonged hers too. She kissed me all too briefly, and left me with her face powder on my cheek and the lingering smell of her. I watched her walk away until I could not see her any more through my tears. I hoped she would turn around and wave one last time, but she didn’t. I had a sudden surging impulse to go after her and cling to her and beg her to take me home. But I hadn’t the courage to do it.
“Still the dreamer, Morpurgo, I see,” said Mr Stevens. “You’d better get on, or the train’ll go without you.”
Hauling my suitcase after me, I walked along the corridor searching for a window seat that was still empty. Above everything now I needed a window seat so that I could turn away, so they couldn’t see my face. Luckily I found something even better, a completely empty carriage. I had it all to myself for just a few precious moments before they arrived. They came all at once, in a pack, piling in on top of one another, “bagging” seats, throwing suitcases, full of boisterous jollity. Simpson was there, and Gibbins, Murphy, Sanchez, Webster, Swan, Colman. I did my best to smile at them, but had to look away quickly. They weren’t fooled. They’d spotted it. “Aren’t you pleased to see us, Morpurgo?” “Don’t blub, Pongo.” “It’s only school.” “He wants his mummy wummy.” Then Simpson said, “Leave him alone.” One thing I had learnt was never to rise to the bait. They would stop in time, when they tired of it. And so they did.
As the train pulled out of the station, chuffing and clanking, the talk was all of what they’d done in the “hols”, where they’d been, what new Hornby train set someone had been given on his birthday. By East Croydon, it was all the old jokes: “Why did the submarine blush?” “Because it saw Queen Mary’s bottom!” “Why did the chicken cross the road?” “For some fowl reason!” And the carriage rocked with raucous laughter. I looked hard out of my rain-streaked window at the grey green of the Sussex countryside, and cried, silently so that no one would know. But soon enough they did know. “God, Morpurgo, you go on like that and you’ll flood the carriage.” All pretence now abandoned, I ran to the toilet where I could grieve privately and loudly.
At East Grinstead Station there was the green Southdown coach waiting to take us to school, barely half an hour away. It went by in a minute. Suddenly we were turning in through the great iron gateway and down the gravel drive towards the school. And there it was, looming out of the trees, the dark and forbidding Victorian mansion that would be my prison for fourteen long weeks. With the light on in the front porch it looked as if the school was some great dark monster with a gaping orange mouth that would swallow me up for ever. The headmaster and his wife were there to greet us, both smiling like crocodiles.
Up in my dormitory I found my bed, my name written on it on a sticking plaster – Morpurgo. I was back. I sat down, feeling its sagging squeakiness for the first time. That was the moment the idea first came into my head that I should run away. I began unpacking my suitcase, contemplating all the while the dreadful prospect of fourteen weeks away from home. It seemed like I had a life sentence stretching ahead of me with no prospect of remission. Downstairs, outside the dining hall, as we lined up for supper and for the prefects’ hand inspection, I felt suddenly overcome by the claustrophobic smell of the place – floor polish and boiled cabbage. Even then I was still only thinking of running away. I had no real intention of doing it, not yet.
It was the rice pudding that made me do it. Major Philips (Latin and rugby) sitting at the end of my table told me I had to finish the slimy rice pudding skin I’d hidden under my spoon. To swallow while I was crying was almost impossible, but somehow I managed it, only to retch it up almost at once. Major Philips told me not to be “childish”. I swallowed again and this time kept it down. This was the moment I made up my mind that I’d had enough, that I was going to run away, that nothing and no one would stop me.
“Please, sir,” I asked. “Can I go to the toilet, successful?” (Successful, in this context, was school code for number twos. If you declared it before you went, you were allowed longer in the toilet and so were not expected back as soon.) But I didn’t go to the toilet, successful or otherwise. Once out of the dining hall, I ran for it. Down the brown-painted corridor between the framed team photos on both walls, past the banter and clatter and clanging of the kitchens, and out of the back door into the courtyard. It was raining hard under a darkening sky as I sprinted down the gravel drive and out through the great iron gates. I had done it! I was free!
I was thinking out my escape plan as I was running, and trying to control my sobbing at the same time. I would run the two or three miles to Forest Row, hitch a lift or catch a bus to East Grinstead, and then catch the train home. I still had my term’s pocket money with me, a ten-shilling note. I could be home in a few hours. I’d just walk in and tell everyone I was never ever going back to that school, that I would never be Morpurgo ever again.
I had gone a mile or so, still running, still sobbing, when a car came by. I had been so busy planning in my head that I hadn’t heard the car until it was almost alongside me. My first instinct was to dash off into the fields, for I was sure some master must have seen me escaping and had come after me. I knew full well what would happen if I was caught. It would mean a visit to the headmaster’s study and a caning, six strokes at least; but worse still it would mean capture, back to prison, to rice pudding skin and cabbage, and squeaky beds and maths and cross-country runs. One glance at the car, though, told me this was not a master in hot pursuit after all, but a silver-haired old lady in a little black car. She slowed down in front of me and stopped. So I did too. She wound down her window.
“Are you all right, dear?”
“No,” I sobbed.
“You’re soaking wet! You’ll catch your death!” And then: “You’re from that school up the road, aren’t you? You’re running away, aren’t you?”
“Yes.”
“Where to?”
“Home.”
“Where’s home, dear?”
“Essex. By the sea.”
“But that’s a hundred miles away. Why don’t you get in the car, dear? I’ll take you home with me. Would you like a sticky bun and some nice hot tea?” And she opened the door for me. There was something about her I trusted at once, the gentleness of her smile perhaps, the softness of her voice. That was why I got in, I think. Or maybe it was for the sticky bun. The truth was that I’d suddenly lost heart, suddenly had enough of my great escape. I was cold and wet, and home seemed as far away as the moon, and just as inaccessible.
The car was warm inside, and smelt of leather and dog.
“It’s not far, dear. Half a mile, that’s all. Just in the village. Oh, and this is Jack. He’s perfectly friendly.” And by way of introducing himself, the dog in the back began to snuffle the back of my neck. He was a spaniel with long dangly ears and sad bloodshot eyes. And he dribbled a lot.
All the way back to the village, the old lady talked on, about Jack mostly. Jack was ten, in dog years, she told me. If you multiplied by seven, exactly the same age as she was. “One of the windscreen wipers,” she said, “only works when it feels like it, and it never feels like it when it’s raining.”
I sat and listened and had my neck washed from ear to ear by Jack. It tickled and made me smile. “That’s better, dear,” she said. “Happier now?”
She gave me more than she’d promised – a whole plate of sticky buns and several cups of tea. She put my soaking wet shoes in the oven to dry and hung my blazer on the clothes horse by the stove, and she talked all the time, telling me all about herself, how she lived alone these days, how she missed company. Her husband had been killed on the Somme in 1916, in the First World War. “Jimmy was a Grenadier Guardsman,” she said proudly. “Six foot three in his socks.” She showed me his photo on the mantelpiece. He had a moustache and lots of medals. “Loved his fishing,” she went on. “Loved the sea. We went to the sea whenever we could. Brighton. Lovely place.” On and on she rambled, talking me through her life with Jimmy, and how she’d stayed on in the village after he’d been killed because it was the place they’d known together, how she’d taught in the village school for years before she retired. When the sticky buns were all finished and my shoes were out of the oven and dry at last, she sat back, clapped her hands on her knees, and said:
“Now, dear, what are we going to do with you?”
“I don’t know,” I replied.
“Shall I telephone your father and mother?”
“No!” I cried. The thought appalled me. They’d be so disappointed in me, so ashamed to know that I’d tried to run away.
“Well then, shall I ring the headmaster?”
“No! Please don’t.” That would be worse still. I’d be up the red-carpeted stairs into his study. I’d been there before all too often. I’d bent over the leather armchair and watched him pull out the cane from behind his desk. I’d waited for the swish and whack, felt the hot searing pain, the stinging eyes, and counted to six. I’d stood up, trembling, to shake his hand and murmured, “Thank you, sir,” through my weeping mouth. No, not that. Please, not that.
“Maybe,” said the old lady. “Maybe there’s a way round this. You can’t have been gone long, an hour or so at most. What if I take you back and drop you off at the top of the school drive? It’s nearly dark now. No one would see you, not if you were careful. And with a bit of luck no one would have missed you just yet. You could sneak in and no one would ever know you’ve run away at all. What d’you think?”
I could have hugged her.
Jack came in the car with us in the back seat, licking my neck and my ears all the way. The old lady was unusually silent for a while. Then she said: “There’s something Jimmy once told me not long before he was killed, when he was home on leave for the last time. He never talked much about the war and the trenches, but he did tell me once how scared he was all the time, how scared they all were. So I asked him what made him go on, why he didn’t just run away. And he said: ‘Because of my pals. We’re in this together. We look after each other.’ You’ve got pals, haven’t you, dear?”
“Yes,” I replied, “but they like coming back to school. They love it.”
“I wonder if they really do,” she said. “Maybe they just pretend better than you.”
I was still thinking about that when the car came to a stop.
“I won’t go any nearer than this, dear. It wouldn’t do for anyone to see you getting out, would it now? Off you go then. And chin up, like my Jimmy.”
Jack gave me a goodbye lick as I turned to him, on my nose.
“Thanks for the sticky buns,” I said.
She smiled at me and I got out. I watched her drive away into the gloom and vanish. To this day I have no idea who she was. I never saw her again.
I ran down through the rhododendrons and out into the deserted courtyard at the back of the school. The lights were on all over the building, and the place was alive with the sound of children. I knew I needed time to compose myself before I met anyone, so I opened the chapel door and slipped into its enveloping darkness. There I sat and prayed, prayed that I hadn’t been found out, that I wouldn’t have to face the red-carpeted stairs and the headmaster’s study and the leather chair. I hadn’t been in there for more than a few minutes when the door opened and the lights went on.
“Ah, there you are, Morpurgo.” It was Mr Morgan (French and music, and the choirmaster too). “We’ve been looking all over for you.” As he came up the aisle towards me, I knew my prayers had been answered. Mr Morgan was much liked by all of us, because he was invariably kind, and always thought the best of us – rare in that school.
“Bit homesick, are you, Morpurgo?”
“Yes, sir.”
“It’ll pass. You’ll see.” He put his hand on my shoulder. “You’d better get yourself upstairs with the others. If you don’t get your trunk unpacked by lights out, Matron will eat you alive, and we don’t want that, do we?”
“No, sir.”
And so I left Mr Morgan and the chapel and went upstairs to my dormitory.
“Where’ve you been? I thought you’d scarpered, run away,” said Simpson, unpacking his truck on the bed next to mine.
“I just felt a bit sick,” I said. Then I opened my trunk. On the top of my clothes was a note and three bars of Cadbury’s chocolate. The note read: Have a good term. Love Mum.
Simpson spotted the chocolate, and pounced. Suddenly everyone in the dormitory was around me, and at my chocolate, like gannets. I managed to keep a little back for myself, which I hid under my pillow, and ate late that night as I listened to the bell in the clock tower chiming midnight. As it finished I heard Simpson crying to himself, as silently as he could.
“You all right, Sim?” I whispered.
“Fine,” he sniffed. And then: “Pongo, did you scarper?”
“Yes,” I said.
“Next time you go, take me with you. Promise?”
“Promise,” I replied.
But I never did scarper again. Perhaps I never again plucked up the courage; perhaps I listened to the old lady’s advice. I’ve certainly never forgotten it. It was my one and only great escape.
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