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McKettricks of Texas: Garrett
Linda Lael Miller
Let New York Times bestselling sensation Linda Lael Miller take you away to the dusky Texas plains as the gorgeous McKettrick brothers find love and home Fast track up the political ladder, fast cars, fast women – that’s Garrett McKettrick. Or it was, until a scandal brought him home to Blue River, Texas, to plan his next move. Which doesn’t include staying at the family ranch with his brothers.A city boy, Garrett doesn’t think he has the land in his blood. But Blue River has other attractions, like former nemesis Julie Remington. Now a striking woman, Julie comes complete with a four-year-old son and deep ties to the community. Good thing they have nothing in common… except their undeniable attraction that burns as bright as the Texas sun.
Praise for the novels of
LINDA LAEL
MILLER
‘Linda Lael Miller creates vibrant characters and stories
I defy you to forget.’
Debbie Macomber
‘As hot as the noontime desert.’
Publishers WeeklyonThe Rustler
‘This story creates lasting memories of soul-searing redemption and the belief in goodness and hope.’
RT Book ReviewsonThe Rustler
‘Miller’s prose is smart, and her tough Eastwoodian cowboy cuts a sharp, unexpectedly funny figure in a classroom full of rambunctious frontier kids.’
Publishers WeeklyonThe Man from Stone Creek
‘[Miller] paints a brilliant portrait of the good, the bad and the ugly, the lost and the lonely, and the power of love to bring light into the darkest of souls. This is western romance at its finest.’
RT Book ReviewsonThe Man from Stone Creek
‘Sweet, homespun, and touched with angelic Christmas magic, this holiday romance reprises characters from Miller’s popular McKettrick series and is a perfect stocking-stuffer for her fans.’
Library JournalonA McKettrick Christmas
‘An engrossing, contemporary western romance …’
Publishers WeeklyonMcKettrick’s Pride(starred review)
Dear Reader,
Welcome to the second of three books starring a brand-new group of modern-day McKettrick men. Readers who have embraced the irrepressible, larger-than-life McKettrick clan as their own won’t want to miss the stories of Tate, Garrett and Austin—three Texas-bred brothers who meet their matches in the Remington sisters. Political troubleshooter Garrett McKettrick and drama teacher Julie Remington are as different as two people can be … but opposites have a way of attracting in Blue River, Texas, and when fate brings their families together, the sparks begin to fly.
I also wanted to write today to tell you about a special group of people with whom I’ve become involved in the past couple years. It is the Humane Society of the United States (HSUS), specifically their Pets for Life programme.
The Pets for Life programme is one of the best ways to help your local shelter: that is, to help keep animals out of shelters in the first place. Something as basic as keeping a collar and tag on your pet all the time, so if he gets out and gets lost, he can be returned home. Be a responsible pet owner. Spay or neuter your pet. And don’t give up when things don’t go perfectly. If your dog digs in the yard, or your cat scratches the furniture, know that these are problems that can be addressed. You can find all the information about these—and many other common problems—at www.petsforlife.org.
This campaign is focused on keeping pets and their people together for a lifetime.
As many of you know, my own household includes two dogs, two cats and six horses, so this is a cause that is near and dear to my heart. I hope you’ll get involved along with me.
With love,
McKettricks of Texas:
Garrett
Linda Lael Miller
www.millsandboon.co.uk (http://www.millsandboon.co.uk)
Also available from
Linda Lael Miller and Mills & Boon
McKettricks of Texas: Tate (in the Untameable collection with Diana Palmer)
Don’t miss the further adventures of
THE McKETTRICKS OF TEXAS
McKettricks of Texas: Austin August 2012
For Jeremy Hargis, with love.
CHAPTER ONE
GARRETT MCKETTRICK WANTED A HORSE under him—a fleet cow-pony like the ones bred to work the herds on the Silver Spur Ranch. But for now, anyway, the Porsche would have to do.
Because of the hour—it was a little after 3:00 a.m.—Garrett had that particular stretch of Texas highway all to himself. The moon and stars cast silvery shadows through the open sunroof and shimmered on the rolled-up sleeves of his white dress shirt, while a country oldie, with lots of twang, pounded from the sound system. Everything in him—from the nuclei of his cells outward—vibrated to the beat.
He’d left the tuxedo jacket, the cummerbund, the tie, the fancy cuff links, back in Austin—right along with one or two of his most cherished illusions.
The party was definitely over—for him, anyhow.
He should have seen it coming—or at least listened to people who did see it coming, specifically his brothers, Tate and Austin. They’d done their best to warn him.
Senator Morgan Cox, they’d said, in so many words and in their different ways, wasn’t what he seemed.
Against his will, Garrett’s mind looped back a few hours, and even as he sped along that straight, dark ribbon of road, another part of him relived the shock in excruciating detail.
Cox had always presented himself as a family man, in public and private. A corner of each of his hand-carved antique desks in both the Austin and Washington offices supported a small forest of framed photos—himself and Nan on their wedding day, himself and Nan and the first crop of kids, himself and Nan and more kids, some of whom were adopted and had special needs. Altogether, there were nine Cox offspring.
The dogs—several generations of golden retrievers, all rescued, of course—were pictured as well.
That night, with no warning at all, Garrett’s longtime boss and mentor had arrived at an important fundraiser, held in a glittering hotel ballroom, but not with Nan on his arm—elegant, articulate, wholesome Nan, with her own pedigree as a former Texas governor’s daughter. Oh, no. This powerful U.S. senator, a war hero, a man with what many people considered a straight shot at the White House, had instead escorted a classic bimbo, later identified as a twenty-two-year-old pole dancer who went by the unlikely name of Mandy Chante.
Before God, his amazed supporters, the press and, worst of all, Nan, the senator proceeded to announce that he and Mandy were soul mates. Kindred spirits. They’d been lovers in a dozen other lifetimes, he rhapsodized. In short, Cox explained from the microphone on the dais—his lover hovering earnestly beside him in a long, form-fitting dress rippling with ice-blue sequins, which gave her the look of a mermaid with feet—he hoped everyone would understand.
He had to follow his heart.
If only the senator’s heart were the organ he was following, Garrett lamented silently.
One of those freeze-frame silences followed, vast and uncomfortable, turning the whole assembly into a garden of stone statues while several hundred people tried to process what they’d just heard Cox say.
Who was this guy, they were probably asking themselves, and what had he done with the Morgan Cox they all knew? Where, Garrett himself wondered, was the man who had given that stirring eulogy at the double funeral after Jim and Sally McKettrick, his folks, were killed a decade before?
The mass paralysis following Morgan’s proclamation lasted only a few seconds, and Garrett was quick to shake it off. Automatically, he scanned the room for Nan Cox—his late mother’s college roommate—and found her standing near the grand piano, alone.
Most likely, Nan, a veteran political wife, had been in transit between one conversational cluster and another when her husband dropped the bombshell. She was still smiling, in fact, and the effect was eerie, even surreal.
Like the true lady she was, however, Nan immediately drew herself up, made her way through friends and strangers, enemies and intimate confidants to step up to Garrett’s side, link her arm with his and whisper, “Get him out of here, Garrett. Get Morgan out of here now, before this gets any worse.”
Garrett glanced at the senator, who ignored his wife of more than three decades, the mother of his children, the flesh-and-blood, hurting woman he had just humiliated in a very public way, to gaze lovingly into the upturned face of his mistress. The mermaid’s plump, glistening lower lip jutted out in a pout.
Cox patted the young woman’s hand reassuringly then, acting as though she, not Nan, might have been traumatized.
The cameras came out, amateur and professional; a blinding dazzle surrounded the happy couple. Within a couple of minutes, some of that attention would surely shift to Nan.
“I’m getting you away first,” Garrett told Nan, using his right arm to lock her against his side and starting for the nearest way out. As the senator’s aide, Garrett had a lot of experience at running interference, and he always scoped out every exit in every venue in advance, just in case. Even the familiar ones, like that hotel, which happened to be the senator’s favorite.
Nan didn’t argue—not then, anyway. She kept up with Garrett, offered no protest when he hustled her through a corridor crowded with carts and wait-staff, then into a service elevator.
Garrett flipped open his cell phone and speed-dialed a number as they descended, Nan leaning against the elevator wall now, looking down at her feet, stricken to silence. Her beautifully coiffed silver hair gleamed in the fluorescent light.
The senator’s personal driver, Troy, answered on the first ring, his tone cheerful. “Garrett? What’s up, man?”
“Bring the car around to the back of the hotel,” Garrett said. “And hurry.”
Nan looked up, met Garrett’s gaze. She was pale, and her eyes looked haunted, but the smile resting on her mouth was real, if slight. “You’re probably scaring poor Troy to death,” she scolded, putting a hand out for the cell phone.
Garrett handed it over just as they reached the ground floor, and Nan spoke efficiently into the mouthpiece.
“Troy? This is Mrs. Cox. Just so you know, there’s no fire, and nobody’s been shot or had a heart attack. But it probably is a good idea for me to leave the building, so be a dear and pick me up behind the hotel.” A pause. “Oh, you are? Perfect. I’ll explain in the car. Meanwhile, here’s Garrett again.”
With that, she handed the phone back to Garrett.
When he put it to his ear, he heard Troy suck in a nervous breath. “I’m outside the kitchen door, buddy,” he said. “I’ll take Mrs. Cox home and come straight back, in case you need some help.”
“Excellent idea,” Garrett said, as the elevator doors opened into the institution-sized kitchen.
The senator’s wife smiled and nodded to a bevy of surprised kitchen workers as she and Garrett headed for the outside door.
True to his word, Troy was waiting in back, the rear passenger-side door of the sedan already open for Mrs. Cox.
He and Garrett exchanged glances as Nan slipped into the back seat, but neither of them spoke.
Troy closed her door, but she immediately lowered the window.
“My husband needs your help,” she told Garrett quietly but firmly. “This is no time to judge him—there will be enough of that in the media.”
“Yes, ma’am,” Garrett answered.
Troy climbed behind the wheel again, and Garrett was already heading back through the kitchen door when they pulled away.
He strode to the service elevator, pushed the button and waited until it lumbered down from some upper floor.
When the doors slid open, there were the senator and the bimbo.
The senator blinked when he saw Garrett. He looked older somehow, and he was wearing his glasses. “There you are,” he said. “I was wondering where you’d gotten to, young McKettrick. Nan, too. Have you seen my wife?”
Nan’s remark, spoken only a minute or two before, echoed in Garrett’s mind.
My husband needs your help.
And juxtaposed to that, the senator’s oddly solicitous, Have you seen my wife?
Garrett made an attempt at a smile, but it felt like a grimace instead. He narrowed his eyes slightly, shot a glance at the mermaid and then faced the senator again. “Mrs. Cox is on her way home, sir,” he said.
“I imagine she was upset,” Cox replied, looking both regretful and detached.
“She’s a lady, sir,” Garrett answered evenly. “And she’s behaving like one.”
Cox gave a fond chuckle and nodded. “First, last and always, Nan is a lady,” he agreed.
Beside him, the mermaid seethed, clinging a little more tightly to the senator’s arm and glaring at Garrett.
Garrett glared right back. This woman, he decided, was no mermaid, and no lady, either. She was a barracuda.
“It would seem I haven’t chosen the best time to break our news to the world, my dear,” the senator said, patting his beloved’s bejeweled and manicured hand in the same devoted way he’d done upstairs. “I probably should have told Nan in private.”
Ya think? Garrett asked silently.
“You work for Senator Cox,” said the barracuda, turning to Garrett, “not his wife. Why did you just go off and leave us—him—stranded like that? The reporters—”
Garrett folded his arms and waited.
“It was awful!” blurted the barracuda.
What had the woman expected? Champagne all around? Congratulatory kisses and handshakes? A romantic waltz with the senator while the orchestra played “Moon River”?
“Luckily,” the senator told Garrett affably, as though there had been no outburst from the sequined contingent, “I remembered how often you and I had discussed security measures, and Mandy and I were able to slip away and find the nearest service elevator.”
The corridor seemed to be closing in on Garrett. He undid his string tie and opened the top three buttons of his shirt. “Mandy?” he asked.
The senator laughed warmly. “Mandy Chante,” he said, “meet Garrett McKettrick, my right-hand man.”
“Mandy Chante,” Garrett repeated, with no inflection at all.
