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“Believe me, I don’t like it any more than you do.” He traces the edges of the paper with his fingertips. He sometimes wishes he could become desensitized, lose all sympathy toward the victim like some of his colleagues. “It’s just until I can become senior at the firm, love. Maybe partner, in a few years.”
“Sell your soul to the devil?”
“More like renting it out.” From an envelope, he pulls out a photo and hands it to Violet. He speaks low onto the rim of his glass. It was the only opening in a good firm back then. It was where he was needed. But he wants to get into a different area of practice soon enough, maybe white-collar or real estate, something like that.
She examines the picture. “Where the hell did you get this?”
“An anonymous tip.” He takes the photo from her and examines it. “This is what’s going to win the case. This is what’s going to make me partner at the firm.”
“Paint the victim as a whore …” She trails off.
“I know.” Mason takes a deep breath and rubs his brow.
“It’s perfect.” Violet kisses the top of Mason’s head and walks off. “You’re going to be a fucking star.”
He watches her walk out into the hall, enjoying the way the naked skin of her backside rocks before him, something akin to the artwork painted on the inside of a virtuoso’s dream. As she disappears down the staircase, he washes the image down with another sip. His eyes wander back to the photos, the one Violet approved of: the victim, topless and laughing on his client’s lap the night of the rape in question. The Maker’s Mark gives him confidence, a little more hope than he might have if he were sober: if he can just win this case, he can move into any area of law he wants and never again have to defend another scumbag criminal.
“Where is your sister?” The question of the redheaded stranger from his dream reverberates between his ears.
“That’s a damn good question, lady,” he answers to himself as he goes back to the laptop. “Hopefully as far away from Goshen as someone like her can get.”
It doesn’t sit with him well, Rebekah not contacting him. He knows she’s naive, a bit gullible, traits that can be confused for being slow, but can be chalked up to southern hospitality. Mason clicks to her Facebook page. The inactivity is out of character—she usually posts devotional scripture daily. The last post reads: Galatians 5:19–21.
After years of having it shoved down his throat, Mason still knows the quote without having to look it up. “Now the works of the flesh are manifest, which are these; Adultery, fornication, uncleanness, lasciviousness, idolatry, witchcraft, hatred, variance, emulations, wrath, strife, seditions, heresies, envyings, murders, drunkenness, revellings and such like: of the which I tell you before, as I have also told you in time past, that they which do such things shall not inherit the kingdom of God.”
Below the scripture is a photo of Rebekah and their little sister, Magdalene. But Mason never met Magdalene—his mother was just pregnant with her at the time he was shunned from their church, disowned by the family.
Mason created a fake Facebook account, Louisa Horn, to stay in touch with his sister. He wonders if his parents finally worked out that Rebekah was in contact with him behind their backs. From what he understands, Rebekah was able to keep their father’s suspicions at bay by telling him that Louisa Horn was merely somebody interested in their church. Mason knew of the church’s newly added techniques of preaching in front of department stores and such, trying to lead the lost into salvation, notches in the Bible belts … and the fictional Louisa Horn was just another prospect.
Had Mason known that wanting to become a lawyer, even the mere thought of leaving home, would warrant a sudden severing of contact, he would have been more cautious. But over the years, the wiring in his dad’s brain seemed to shift and loosen from that of a normal-enough evangelistic preacher into something else, something more fanatical. None of the rumors credible, Mason could just laugh them off. But with his father’s transition only developing when Mason was a teenager, and the four-year age gap between him and Rebekah, the fervent dogmas of his father were mostly in hindsight, changes progressing after Mason left home and his family chose to have nothing to do with him.
Mason sits back, rubs his chin, and squinches his brow. He white-knuckles the neck of Maker’s Mark. The red wax coating that covers the glass makes it look like his hands are bleeding. Stigmata, he thinks, remembering an elderly lady in the community who went to his father once for guidance, convinced that she bore the wounds of Christ. But that was a long time ago, back in Goshen. Never a shortage of religious zealots there. Mason rereads the Galatians scripture from his laptop once more. He gets a shiver and thinks to himself, Run, Rebekah, run.
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The Cockroach (#ulink_e01c9e2c-545b-5502-a852-d80692a509fe)
My name is Freedom and my eyelids are heavy. Through the hangover, I stretch my nakedness across the unkempt bed. My mouth tastes like death, the whiskey seeps grossly from my pores, cheekbones soggy with rye. 11:30 a.m. Not bad. My thighs, sore from hip bones; I know the feeling well. I turn over to Cal on his stomach, his naked ass in the air as he lies stiff in a dead man’s pose.
“You cockroach,” I yap as I kick him right off the bed. He takes the tangled sheets with him. “Who the hell said you could come over and fuck me?”
“You called me in the middle of the night and threw yourself at me,” he yells up from the floor. I have no reason to disbelieve him, it’s not the first time. Cal’s a cowboy, and that’s the best way to describe him. Five years my junior and looking even five years younger, Cal’s the rare sort who can pull off long blond hair and cowboy boots. I, of course, will never admit it out loud, but he has the body of a god and is hung even better than Christ himself.
I throw his white tee at him and slip into a CBGB extra-large T-shirt and stumble into the kitchen. I don’t know whose shirt this is. Could be anybody’s. It’s mine now.
I find a clean dish among a pile of ones I plan to wash someday. I pour dry farina into a chipped bowl and drown it in spiced rum. I sigh. “Was I at least good?” I tend to black out during my romps in the hay. He comes up behind me, turns me around. He picks me up and I wrap my legs around him on the dirty sink.
“As always, Free-free.” He smiles. I’m too hungover for his smile. I push him away.
“Careful, cowboy.” I take a shot from the rum, just to bite the hair of the dog. The cap’s been MIA for days now. There’s a silence that some would regard as awkward, but it isn’t, not to me. In fact, I like quiet. Quiet is good. He gulps orange juice from the carton in front of an open refrigerator. He breathes the tang from his cheeks like a fire-breathing dragon.
“Who is Mason?” He doesn’t care. He reads the ingredients of the juice. He likes the organic shit. Hippie.
“Who?” I observe the filthy kitchen. I just don’t have the energy to clean it. I haven’t had the energy in a long time.
“After you passed out,” he speaks into the pathetically empty fridge. “You were having a nightmare and kept on yelling Mason.” I play dumb, an act I play well. What can I say? I live in a world surrounded by incompetent retards, including Cal. But his skills in the sack compensate for a head full of rocks.
“I never met no Mason.” It’s a double negative, therefore I still tell the truth. A simple manipulation of words to sneak past Cal. “I probably just heard it on TV or something.” The phone rings and I rummage through the kitchen cabinets for it. I put it there when the headaches come. Cal looks at me like most people do: confused. I follow the cord to where the phone sits on a few cans of peas in the back. “Yeah?” I answer. “Yellow? Hello?” I hold the receiver tight against my jaw. I pretend to end the call, covering the hang-up with my hand. “It was the wrong number. Those good-for-nothing salesmen or something.” I’m not telling the truth.
“Your face says otherwise, Free-free.”
I hate when he calls me Free-free. It reminds me of a kid’s pet hamster. The carton of orange juice is back to his lips for seconds. Must be the gin I added to it the other day. And with that stupid grin and those washboard abs, I pretend to watch a commercial ad for Tropicana. I think of their slogan: Tropicana’s got the taste that shows on your face. Sure, if dumb is a flavor.
“I gotta shower.” I untangle the phone cord and walk for the bathroom. “Please be gone by the time I’m out.”
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Home to Ma (#ulink_0245df1f-aeab-570b-9e50-5f9d80a9e869)
Three Days Ago
Matthew Delaney sits on the lidless metal commode in a solitary cell. Ossining, New York, home to Sing Sing prison. He holds a small stack of papers on his bare thighs as he wipes himself.
“Let’s do this, Delaney,” says Jimmy Doyle, the correctional officer. Matthew smiles politely and requests just another minute to finish. The officer looks away. The officers always look away. One by one, he tears each page into tiny pieces and flushes them with his piss and shit.
He kisses one last inch-long square, cut perfect with nail clippers he had snuck in more than a year ago. The scrap reads “Nessa Delaney.”
“Nessa, Nessa, Nessa,” he whispers to the wall of his six-foot-by-eight-foot cell, an old photograph with her eyes scratched out taped above his cot. “I don’t know which I might enjoy more. When I made love to you all those years ago …”
“Time to go, Delaney.” Doyle opens the steel door.
But Matthew takes one more moment to speak to Nessa. “Or when I find you and cut your arms off before drinking the blood?” He feels his guts lift with excitement, the idea of her death akin to the feeling of falling in love. The hatred and yearning for her have blended into one single emotion over the years, one he could neither resist nor fully grasp.
A smirk crawls across his face as he walks down the C-block. Toward the north end is med-sec, medium security, where, as opposed to the solitary confinement that Matthew was so accustomed to, these were shared cells with bars.
Matthew swings his bag filled with his personal belongings over his shoulder as he follows the officer, one he was well acquainted with. The inmates of the north end holler and cheer at his departure, rattling their tin cups against the bars and turning their soap wrappers into confetti, as such celebrations are afforded after a man’s time is served. At the last cell, before entering another passage of security, an inmate sporting ink of the Aryan race throws his shoe at the side of Matthew’s head.
And the smirk becomes teeth grinding.
In a swift movement that resembles something choreographed, Matthew lets his bag fall, reaching into the cell with both arms and pulling the prisoner backward against the bars. He uses his left hand to pull on his right wrist, arm wrapped around his neck and pulling tighter. “Do we have a fucking problem?” He seethes at the man, whose lips start to lose their pigment. He cannot answer, his voice constricted by Matthew’s elbow.
“Cut it out, Delaney.” The guard grabs his biceps. “You’re two steps away from freedom. You gonna throw it away because of this asshole?”
“Freedom …” He releases the man.
“Now, c’mon.” Doyle keys in a code. “Your family’s waiting.”
When they pass security and have a minute alone, Matthew sighs, the blood returning from his face and back to the rest of his body. He shakes the guard’s shoulder. “I can’t thank you enough for all you’ve done while I’ve been stuck in here, Jimmy.”
“I’ve known you since we were kids, Matty.” But Matthew knows the help came only because his mother was the guard’s go-to dealer for good cocaine and the occasional supper. Matthew couldn’t care less, as long as he could get the information his little heart so desired, information pertaining to Nessa Delaney, now known, if his information is correct, as Freedom Oliver. “I’ll come by the house and see you guys soon, gotta visit my mom down there, anyway,” he tells Matthew.
When met by other officers, the guard nudges Matthew in the back. “Let’s move it, Delaney.”
* * *
Mastic Beach, New York: once a hidden gem on the south shores of Long Island, adorned with summer homes and bungalows for Manhattanites getting away for beach holidays during the warmer months. In recent enough memory, it was a safe haven where everybody knew everybody and the streets were lined with crisp, white fencing. Mastic Beach had color and clear skies and everyone loved to listen to the elders speak about the place when the roads were still made of dirt and of pastoral lands before the invention of the automobile. Small businesses were family-owned and -operated, with scents of baked bread that permeated in and through Neighborhood Road. Marinas flooded with beautiful sails that poked from Moriches Bay and rose to the heavens.
But then heroin trickled its way through the sewers of Brooklyn and emptied into the streets of Mastic Beach, and before long, crime rose to astronomical levels. Where people used to smile in passing, now they keep their heads down in fear of being jumped and beaten. Stabbings are as common as visits to the Handy Pantry. The elderly are robbed and the children of Mastic grow up way too fast. Thirteen and pregnant? Congrat-u-fucking-lations. And chances are, if you actually have a grassy patch big enough to be considered a yard, then more than once you’ve seen the lights of a police helicopter looking for a suspect on foot. And in those instances, your brain runs through every troublemaker that you know from your block until you have an idea of who it is they’re looking for.
Today, Mastic Beach is the dumping ground for Section 8 government housing and every perv, creep, and sicko on the Sex Offender Registry list. The town glows red on maps because of them. Every week, the residents get letters in the mail, mandated by Megan’s Law, telling them of rapists and child molesters living only a few houses down. Small businesses have become enclaves of illegal Arabs. And the gangs have colonized the area: the Bloods, the Crips, MS-13. The whites are the minority these days. Except for the Delaneys. They’re their own gang, a whole other species.
* * *
Peter doesn’t have to count how many boxes of wine it takes to get Lynn Delaney drunk. The answer is two, the equivalent of six bottles. But it’s no wonder, when the mother of the Delaney brothers weighed in at six hundred-plus pounds.
Lynn becomes out of breath with every lift and swig of the wineglass. The cabernet stains the crevices of her smile, a smile hard to see past the quarter-ton of lard melting over the king-size bed that has to be supported by cinder blocks instead of the standard brass legs. It’s the first time Peter can remember his mother making an effort to improve her appearance, the purple lipstick stuck to her gray and hollow teeth, a result of too many root canals from years ago when she actually gave a shit about her grin.
“Luke!” she shouts across the house.
“What,” Luke whines from the kitchen.
“Grab me my hair spray off the dresser here.” The yells cause her to be out of breath.
“Get Peter to do it. He’s closer to you.”
“Peter can’t do it. Peter’s retarded.” Peter eyeballs his mother’s grotesqueness from his wheelchair. Lynn continues, “Just get me the fucking hair spray, goddamn it.”
“Fuck sake, Ma.” Luke storms up the hall to her bedroom and tosses the hair spray that was sitting only three feet away from her.
The fat under her arms jiggles as she uses the ol’ Aqua Net, the lighter fluid with a shelf life of ten thousand years, in her nappy gray curls. From the kitchen, John and Luke scream together at the Yankees game, the cracking of Heineken cans from the freezer. Peter smells the fish off his two brothers after they had spent the day down at Cranberry Dock.
It wasn’t uncommon: grown men living with their mothers in these parts. Could be blamed on a shitty economy, but it’s usually overbearing mothers who need house funding and/or lazy men, and there was a shortage of neither in Mastic Beach.
“Ungrateful little bastard,” Lynn says behind Luke’s back.
“Hey, Ma, Matthew’s pulling up!” John screams.
“I’m fucking coming.” She pumps the last of the generic wine from the box and sifts through a pillowcase full of prescription pills until she finds a Xanax to chew on. She plucks the clumps of mascara from her blue eyes, rubs her lavender nightgown straight, and burps as she turns off one of her reality judge shows.
She totters and flounders to climb aboard Mr Mobility, the poor scooter that carries her overflowing body down the hall. Peter follows in his wheelchair. She rolls down, past the crucifixes and photos of the boys when they were actually still boys. At the end of the hall next to the entrance of the living room, a small table that serves as a shrine to her dead son, Mark: a framed photo of him in his NYPD blues, smiling around burned-out tea-light candles. She kisses her hand and touches the picture of his face. She worships the dead. Many in that dirty town do. They pour the first sips of all their drinks to the ground, they get married with speeches of the greatness of lost loved ones, even if they were scum. That’s just the way it is. Praise the dead, turn the scumbags into heroes. Beside Mark’s photo are three red candles, one for each of Lynn’s miscarriages. And though she lost them before their genders could be determined, she knew, she just knew, they were all daughters and named each one, respectively, Catherine, Mary, and Josephine.
An Irish Catholic, Lynn’s made a lucrative living abusing the welfare system and five sons with as many different fathers who took her name instead of Uncle Sam’s. Delaney, a name attached to trouble and whiskey tolerance. It’s a joke around the neighborhood that even the mailman gives the Delaneys’ mail to the cops, since they’re bound to be there sooner or later. As the car pulls in the driveway, Peter watches Lynn inspect her sons lined up by the front door.
First is the youngest brother, Luke, the most charming and promiscuous of the Delaneys. Even when all the girls knew he was responsible for spreading chlamydia to some of the locals, he was still irresistible to them. With blond hair and green eyes that can pierce holes into yours, and rumors of having a porn-star-size cock, he toyed with the idea of becoming a model a few years back. But he never went anywhere with it and opted to hang drywall for a living instead and spread his seed all over Long Island. Six kids that he knows of, at least. Peter curls his upper lip at the overwhelming stench of his cologne attempting unsuccessfully to cover the smell of fluke fish and sweat.
Next is John, a stout man with all the recessive genes: green eyes, red hair, and a temper that can make the streets shake. He has a silver cap for a front tooth and a face full of red hair. He speaks very little, always has, and always seems to dress in heavy clothes, even flannels in the summer. Known as Mastic’s loan shark, John goes nowhere without his baseball bat. If you can pay him back, he’s the best there is. And if you can’t, just change your name and skip town. While everyone knows that he’s not a mute, not one person outside of his family can recall one time they ever heard him speak. Lynn scratches his beard. “Why must you always hide this pretty face?”
Peter is the one in the wheelchair with cerebral palsy, who everyone assumes is mentally retarded, even his own mother sometimes. Peter is Lynn’s excuse to collect a disability check from social services. Unlike his brothers, Peter prefers to stay in his room with pirated movies and books online, staying out of trouble, so to speak. Peter hates his mother. She talks to him like he’s a child, makes him eat the things she knows he can’t stand, and always steals the money he’s entitled to from the government, instead opting to spend it on stuffing her own face while Peter gets the scraps like a junkyard dog. And the term junkyard is fitting, given that the home is kept like a hoarder’s paradise.
His mother smooths out his loose Spider-Man tee, uses her spit to fix his black hair, and pretends not to notice when he jerks away from her. He tells her to fuck off, but no one hears him, or they don’t want to.
In one uniform motion, as if the dam breaks, they all go out to the porch to meet with Matthew. Matthew screams with a smile into his brothers’ arms as he steps out of an old Buick, a clear plastic “personal belongings” bag trailing him. Headlocks and punches in the arms and thighs are the traditional greeting of the Delaneys. And, of course, what kind of reunion would this be without the stares of the nosy neighbors, the same ones who call the police every time the Delaney household gets a little too loud in the middle of the night? Luke is the first to break out the beer.
“Let’s take it in the house,” Lynn shouts from the doorway.
Matthew holds the beer up against the light of an overcast sky. “Christ, eighteen years in the joint, this is certainly overdue.”
“What’s it like not getting laid for eighteen years?” Luke jokes on the way into the house. Lynn smacks him on the arm.
“Almost worth it, after tonight.” Matthew laughs. “Sorry, Ma.”
Inside, Metallica plays in the background as they spend the morning catching up. But the time’s come to talk about the very topic that has brought such a cloud over the family for so long: Nessa Delaney.
Find her.
Find her kids.
Bring them home.
Make the family complete once again.
* * *
The spines of the other Delaney brothers surge with currents of electricity when around Matthew and their mother. With the back doors open, leading to a small backyard, the kitchen smells of wet autumn leaves and marijuana. It’s impossible to tell where the October fog begins and the smoke ends.
“Eighteen years is a lot of time to think. To collect. To dream,” says Matthew, between sips of his Heineken. He tilts his head to the side. “I’d be lying if I said I didn’t want the cunt dead,” his voice always smooth and velvety, like a song at a funeral. As he says the words, he swears he can detect Nessa’s scent. How could he possibly explain his love for her to his family? Who would understand? And despite being caged like an animal for nearly half his life, his eyes always smile, like he’s dying to tell the world all the secrets of the universe. The rest of the guys fidget in their seats around the kitchen table. They nod and pretend to understand, out of fear.
“She murders Mark. Your brother. My son,” Lynn begins, stoned on her Xanax-and-cabernet cocktail. “She takes my grandchildren and hides them away so that we can never see them. The children of Mark.” She absently picks the red nail polish from her fingernails. She feels the blood in her body start to curdle. She feels her feet start to swell, start to retain water from not being back in bed, decides it’s because she needs sugar and proceeds to stuff an orange Hostess cupcake into her cheek. “And then she frames you, my innocent Matthew, and sends you to prison for eighteen mother-fucking years.” Lynn shakes her head with a smile, citrusy crumbs falling in the folds of her neck. She crosses her hands, those fat little sausages with red tips like she’s ripped through someone’s flesh. “Nessa Delaney.” She sticks her tongue out and cringes, resents the fact that they once shared the same last name. “The audacity of the cunt. She must pay.” Lynn begins to sweat with the efforts of chewing and swallowing. “And we must find her children. After all, isn’t that what family’s all about?” Her sons recognize that gleam, the flames behind her eyes starting to ignite with ingenious plotting, often seen right before she shoplifts or rips a guy off from Craigslist or sends her sons to get something she wants but can’t have. “I wish we did this twenty years ago.”
“Yes, Ma, but it’s my revenge too,” Matthew says as he puts his hands on hers. “As much mine as yours.”
“They should make a saint out of me for waiting so fucking long.”
“Yes, Ma. And you waiting for me to get out so this revenge could be mine means more to me than you’ll ever know.” Lynn bats her eyes at his appreciation.
Peter starts to object but stutters over his own words. Matthew shoots him a glare so ferocious and hateful that it paralyzes him in his own wheelchair. With a flat, soulless tone he says, “And we’re all in this together.”
Peter gets his first good look at Matthew. He notices the thin threads of white at the edges of his black hair only make him look more monstrous than before, like a mane beginning to ice over. His blue eyes are still too light to match the rest of his face, those eyes that nearly turn to white when he’s doing something evil. He looks more like Lynn than ever, except he’s lean and hard. Prison hard.
“But how the hell are we supposed to find her and the kids? We know she’s been a protected witness since she killed Mark,” says Luke as he rolls another joint.
“O ye of little faith. In prison, everything is accessible for a price. Information is no exception.” Matthew taps his finger on his temple. “Everything you need to know about Nessa Delaney is in here.” He looks over to Lynn and smiles.
Lynn Delaney has never been prouder of her sons in all her years. At the sight of Matthew, the long wait almost seems worth it. In this way, her Matthew can guide the rest, be Lynn’s eyes and ears on their journey to kill her ex-daughter-in-law. “I only ask that you do things to Nessa that no mother would want to hear about until she begs to die. And I don’t need to tell you to be sure none of it gets back to this family, do I?” She sighs. “And as for your niece and your nephew, just … break the news slowly to them. Show them love. Tell them Grandmother has waited patiently for twenty years and looks forward to hugging them.” She takes a cigarette from Luke and puffs away. Her teeth are burned.
“She goes by Freedom Oliver these days,” says Matthew.
“Freedom?” Lynn scoffs. “Fucking clever.”
